Scriabin Piano Preludes

Posted by: herm on 13 March 2003

For many years I have had a crush on Alexander Scriabin's Preludes for Piano, especially the Opus 11 set that was published between 1888 and 1896. In later life Scriabin (1872 - 1915) got more and more progressive, wishing to compose music for piano, orchestra and light machine, changing the colors along with the moods of the music. But these early preludes are very much in competition with the Chopin Preludes. They are more advanced in terms of harmony and the number of fingers you would ideally need to be able to play this music half way decently, but still there are pieces that Chopin or Schumann would have loved to play and they would say, 'why didn't I think of that!'

I love that. I love originality, too. But being able to breathe new and authentic life into the Chopin melos, that's genius, too. Let's face it. there's not enough Chopin to go around.

I got hooked on these pieces a long time ago, and have been looking for good recordings ever since. But it seemed they just didn't exist, apart from little bits by Vladimir Horowitz or, earlier, Sofronitskzy (who happened to be Scriabin's son-in-law). There used to be a complete recording by Marta Deyanova of Scriabin's Opus 11 coupled with Shostakovich's Opus 35 - another set of 24 Preludes. But the coupling doesn;t make a whole lot of sense, and the recording / performance is dismal.

Michael Pletnev, a great pianist and conductor, recorded the Opus 11 for Virgin, together with the Sonatas 4 and 10 (famous in Horowitz's radiant Carnegie performance). Some pieces are nice, but the performance is strangely listless, while Scriabin's music essentially is about ecstacy.

Recently I bought the hip Lucille Chung recording, on the Italian Dynamic label. Chung looks pretty neato on the picture, and her playing is completely accurate, but there's no interpretative lift-off. I should have known, looking at the artist picture; but she's recorded an entire Ligeti cd, too, so one hopes...

So finally I caved and got the double cd from Hyperion by Piers Lane, of the Complete Preludes. I still feel there's more to this music than this, but surely I haven't heard any better than this (except in single pieces).

Is anyone else ever listening to this gorgeous music?

Herman
Posted on: 13 March 2003 by Todd A
quote:
Originally posted by herm:

Let's face it. there's not enough Chopin to go around.




Too true. At least there are gobs of Chopin recordings to go around.



quote:
Originally posted by herm:

Is anyone else ever listening to this gorgeous music?




I listen to my share of Scriabin, though I usually focus on the later piano works and the Third Symphony, The Poem of Ecstasy, and Prometheus.

As for the Preludes, I don't think you can beat Evgeny Zarafiants's complete set on two discs on Naxos. He definitely captures the varying moods of the pieces. He may not be the last word in hallucinatory magic, but he gets satisfyingly close. As a bonus there are four Preludes written by Scriabin's six year old son Julian thrown in. They are not particularly great, but they show quite a bit of talent for such a young child. Alas, he is one of the "what ifs" of music, having died at 11.

In less comprehensive surveys, I find Sofronitsky pretty much untouchable in Scriabin. If only he had recorded more. He just got it.

John Ogdon is formidable and offers immensely powerful playing. EMI recently deleted a twofer of the complete sonatas and a number of shorter works by Scriabin. See if you can find it. The Op 74 preludes are haunting. The set is astoundingly good. It always sounds as if Ogdon is just about to go over the edge when he plays. It is extremely exciting at times.

Gieseking recorded a reasonably good amount of Scriabin, though it is only sporadically available, particularly the EMI stuff. The Op 11 Preludes on the Tahra set I recently bought have grown on me after a second listen. Since these are early works, they don't have the same ecstatic nature, and Walt does a fine job with these. As a bonus, you get that sublime Schumann I wrote about. And I know you like Schumann, Herman.

Don't forget Ashkenazy. His Scriabin is very fine. I know there's currently a twofer of the sonatas on Decca, but I'm not sure about the smaller works.

Also consider Anna Gourari on Koch. I have yet to hear her recordings, but I’ve read some good things.
Posted on: 14 March 2003 by Simon Douglass
Gavrilovs recording of Scriabin preludes on EMI is pretty good.Music excellent,recording[vinyl]could be better.

simon
Posted on: 14 March 2003 by herm
I have two Gavrilov LP's fromt the early eighties; I used to think he was excellent, but there is a rather steely coldness to his playing which doesn't work well with the little character pieces, methinks.

Of course I have the Ashkenazy recording of the Sonatas (and Hamelin's on Hyperion). It's too bad he didn't do the preludes, too (rather than record more Beethoven and Mozart), as Ashkenazy is a great pianist in the romantic character genre.

I'm intrigued by the Ogdon recording. I did not know there was one. Even though I'm fine with Piers Lane for now, I think I'll try to get hold of the Ogdon.

Herman
Posted on: 26 April 2004 by garth
Just did a search on my all time favorite composer and found this thread. As a pianist I have played quite ait of this music and a number of the preludes from opus 11 to 74. blah, blah, blah. Anyways, all good recommendations above but surprised to not hear any mention of Igor Zhukov. I have a number of his recording including the complete opus 11 which is my favorite complete version of these pieces. Good to know you are a fan too Herm. If you're ever in Victoria, B.C...

Cheers,
Garth