Click!

Posted by: droodzilla on 15 June 2007

Some memories, inspired by my recent purchase of Paul Galbraith's performance, on 8 string guitar, of Bach's Sonatas and Partitas for Solo Violin. This may ramble, but please bear with me, as there is a point... I think!

I came to classical music quite late, at about the age of 30. The first pieces I heard that interested me were the Brandenburg Concertos - their rhythmic drive and strong tunes probably made them easy for a rock/jazz fan to enjoy. I joined Britannia classical music club shortly after that to help me explore classical music further. I focused on Bach initially - bought and enjoyed Rostropovich's Cello Suites, and a few other CDs.

At some point, I bought Grumiaux's recording of Bach's solo violin works, and, for whatever reason, took to playing them in the dark as I lay in bed. I must have done this every night for months. I don't think I was obsessed, but I was fascinated by these works - the more I listened, the more I felt that there was still more to hear, and that I would never fully comprehend this music. No doubt, being able to concentrate fully, in darkness, added to the sense of mystery. I also had the sense of being aware of the silence between the notes - as if the music was being created ex nihilo, a divine act (in some suitably faith-neutral sense of "divine"). Above all, I felt that I understood music for the first time - something had... clicked!

Enough purple prose! I'd be interested to hear other members' experiences of music clicking with them - be it a particular song, or piece; an artist or band; or an entire genre. Doesn't have to be classical music, but I would enjoy hearing from fellow Bach enthusiasts.
Posted on: 15 June 2007 by u5227470736789439
Dear Droo,

There is no end to the love [increasing comprehension] of Bach. I have the Grumiaux set and it is something I also listen to in the dark in bed.

The Harpsichord music is equally wonderful...

In fact I doubt if I shall ever escape the fascination of Bach's works, and as time moves on I seem to be refineing and reducing the library, keeping ever more glorious Bach, and leaving the empty noisiness of the immediately obvious and shallow Romantics to their Fate. It seems to me that if one ever fathomed Bach, Handel, Haydn, Beethoven, Mozart, Schubert, Brahms, and Sibelius, then it would be time to look further. In that list of composers, to understand it is several lifetime's concentration, so start with Bach, add in a bit of soufle from the list, and finish with Bach!

Interestingly that Doyen of English conductors, Sir Adrian Boult, said of Bach that his music "invariably swings" and was the most sensual of any ever written. Considering Boult's reputation for humourless conservatism, that is a pretty stunning, if true, observation!

Boult was not quite so dull as his reputation might suggest. [Understatement Smiley].

ATB from the arch conservative in matters musical, Fredrik
Posted on: 15 June 2007 by droodzilla
Thanks Fredrik

I have no doubt that Bach will stay with me for the rest of my life - in the words of the psalm, his music "restores my soul". I'm looking into exploring his cantatas (I have none at present), after reading a very informative thread on the zero gain forum.

As for the other composers you mention, Handel, Mozart and Schubert have yet to click with me, apart from the odd pieces, but I agree wholeheartedly with the others. I'm tempted to add Debussy (plus Faure, Poulenc etc.) for his revolutionary spirit and foreshadowing of jazz.

And yes, Bach swings alright. It always irritates me when Bach's music is dismissed (or even merely described) as cold and intellectual - nothing could be further from the truth in my experience.
Posted on: 15 June 2007 by u5227470736789439
Dear Droo,

"Bach restores the soul." The wisest thing I have ever read on the Forum!

Now for a recomendation which is not Bach. And a specific performance. The Twelve Concerti Grossi of Handel played by the Adolph Busch Chamber Players with Adolph Busch and Ernest Drucker as solo violins I & II, Hermann Busch as solo cello with Mieczyslaw Horszowki on coninuo harpsichord. This was set down for US Columbia just about 1946 or 7 on 78s, and followed immediately the death of Frau Adolph Busch. It is some of the loveliest string playing I have ever come across and reveals another tower of Baroque genius to rank with Bach! The set is on Pearl GEMM CDS 9296 {UK Label: Pavilion Records, Sussex] The original 78s were deleted on the arrival of US Columbia's adoption of LP the same year, and when transfered only four complete sets of the original very rare shellec discs existed, but this collection of performances is something that diserves to be as well known as the legend is mystical!

More music for the dark!

A Thread on this music and performance from a few years ago.

ATB from Fredrik