Naim HDX vs Naim DAC + Squzzebox Touch

Posted by: jim329 on 06 October 2009

I know both Naim DAC & Squeezbox Touch not being launched yet. But just wondering if HDX sounds wonderful as well, I may not consider non naim product...
Just wondering to ask HDX users for the ripping CD, can I pull out those ripped files out to my NAS for storage purpose? Further, can I just use HDX as streamer which reading files from NAS rather than activate the internal Hard Disc?
Posted on: 08 October 2009 by ferenc
I just learned the TC K8 is now discontinued. The K24 and the K Live are available for some time, but initially they will be discontinued too soon.
Posted on: 08 October 2009 by fixedwheel
quote:
Originally posted by AllenB:
The MacMini is headless, with SSD & 4MB ram,


I hope you meant 4Gb RAM, otherwise it's going to be dog slow.

I'll get my anorak....


John
Posted on: 09 October 2009 by JYOW
>>Sorry but I'm not sure if I'm reading you correctly JYOW: did you find that a Mac->Firewire->Weiss Minerva is better to your ears than a Transporter->S/PDIF->Weiss Minerva ?

Actually I sold my Transporter before the Weiss DAC arrived so I never get to use the Transporter with the DAC.

But from memory, I find the Macbook Pro -> Weiss DAC noticeably cleaner sounding than the Transporter Naked. Mind you the Transporter is already one of the best sources I have encountered aside from my old TT.

I did try the S/PDIF link from a regular Squeezebox to the Weiss DAC, and the Mac-Firewire link is much much better.
Posted on: 09 October 2009 by DaveBk
Hopefully I'll be able to report on how the Transporter sounds compared to Transporter feeding Naim DAC within the next month. Having heard what the DAC can do a few times I'm really looking forward to a home demo.
Posted on: 10 October 2009 by AMA
quote:
Hopefully I'll be able to report on how the Transporter sounds compared to Transporter feeding Naim DAC within the next month. Having heard what the DAC can do a few times I'm really looking forward to a home demo.


I'm preparing myself for the same.
I plan to make a home audition of Naim DAC (3.5 K$) and PS Audio PWD (3 K$). Both fed by Transporter S/PDIF out. Can share the findings if this is interesting.
PWD suggests better functionality and streaming solution (at 500 $ extra cost to get rid of TP).
Owning the previous flagship PS Audio DLIII (1 K$) I can expect a very good sound from PWD which features new intelligent S/PDIF receiver, buffer re-clocking, super-clock and a new Wolfson DAC ship supporting the non-upsample conversion. PWD ( as well as my DLIII) has a very Naimish design of PS and discrete class A output stage. When I compared DLIII against Transporter DAC I found that DLIII is a bit more noisy, a bit less detailed but more articulated and involving.
After long time living with them I found myself that I prefer running TP through DLIII.
Despite that this chain includes detrimental S/PDIF stage and DLIII has a simple PLL jitter rejection.
I can imagine that PWD will bring further improvement of TP and DLIII sound and possibly take it on CDS3 level. Will see.
DLIII is closer to CD5X/HiCap2 in presentation but less noisy. CD5X/HC2 got the most punchy bass out of all but possibly the least detailed and the most noisy.
Posted on: 11 October 2009 by DaveBk
quote:
Can share the findings if this is interesting.

Yes, please do share your findings. I expect there will be a great many DAC threads in the next few months as the first production units find their way into people's homes.
Posted on: 11 October 2009 by js
PWD is using the standard Wolfson filters and renaiming them. That's not a bad thing but none really thrilled me personally. The default with native rate was best with what we played. Be intersested to hear your findings as my view is just another opinion and all should be auditioned.

Buffer reclocking can be a quite useful and becoming more common so topology and execution is key. Interesting catch words for the filters, clock amd buffer memory reclocking that aren't really unique though good ideas. Smile What doesn't make sense to me is that they claim no jitter from DIG in but when used via an Is2 connection with their own transport and HDMI cable, performance will be increased which would only be due to better clocking. Having it both ways? The transport did sound better via I2S.
Posted on: 11 October 2009 by paremus
JS -

But you frequently argue that jitter isn't the only consideration for inputs? So perhaps their DIG in is zero jitter - but perhaps noise level is higher than their I2S?

And you heard this?
Posted on: 11 October 2009 by js
yep, samples for evaluation and the difference was significant. Also doesn't mean it isn't good and all should judge for themseles but I don't get why such a significant difference though I do understand the normal advantage of an I2S when jitter is an issue. It allows there to be one clock between the 2 pieces instead of 2 to reduce jitter induced by resyncing. The source was also the very same transport so where would the extra noise be coming from? Same supply, environment and ground. Noise isn't inherent to a dig stream and must be generated somewhere. It's possible some noise came along for the ride via tranceiving etc. though you would hope not but this was not subtle. Clocking is the difference with this connection and the HDMI cable used here should not be a connection advatage. It's very possible that I'm missing something completely and could be why it doesn't make sense to me. Confused
Posted on: 11 October 2009 by AMA
quote:
What doesn't make sense to me is that they claim no jitter from DIG in but when used via an Is2 connection with their own transport and HDMI cable, performance will be increased which would only be due to better clocking. Having it both ways? The transport did sound better via I2S.


js

It looks reasonable to me.
They run I2S data from transport to DAC through HDMI cable and have almost no losses in this scenario.
As I understand the PWD design the I2S data travel directly from PWT transport to PWD's Wolfson chip by-passing the data buffer and on-board super-clocking and slaving the Wolfson chip to the input I2S master clock.

When running the same transport to DAC through S/PDIF they fight against S/PDIF generator's jitter and cable noise and S/PDIF receiver's jitter by means of complex DAC's jitter rejection circuitry. To do this they first recover a master clock from S/PDIF input data, then decode the data, then save them to stack data buffer, then reclock them and then send them through internal I2S interface to Wolfson chip slaving the chip with on-board super-fine clock (same which is used for buffered data reclocking).
And now they claim that although these efforts improve the sound substantially but still are NOT sufficient to achieve the same data precision as through the external I2S HDMI cable and the difference is AUDIBLE.
It's a key statement. Either it's a fact or just another promo to motivate sales of PWT Smile (another 3 K$ BTW)

I just wonder if Naim brought something new to resolve this problem in the new DAC?
Eventually I'm not going to contest the jitter rejection between PS Audio I2S and Naim DAC S/PDIF as far as Naim DAC S/PDIF receiver will be good enough to achieve CDS3 quality Smile
Posted on: 11 October 2009 by js
As do I. With the Naim there is at least no need for choosing a filter. The topology of using ultra high clock freq. makes it moot.

I'm in agreement with everything that you wrote about the configurations except that other than noise which should be comparably low if designed well, it's either bit correct and/or jittered at the DAC or not. Another interesting bit is that I preferred another transport via S/Pdif to theirs in I2S which added to the Confused I don't want to go further about sound or transports etc. as all should do their own listening. Just thought that the improvement of I2s and truly jitter free clocking didn't jive. At the end of the day, it only matters if it's better in the way you use it in your system and not whether I2S is better or worse than SPdif as configured. I don't think many reading this are looking for a $6K CD player which is the advantage an I2S accomplishes anyways.
Posted on: 11 October 2009 by AMA
quote:
Another interesting bit is that I preferred another transport via S/Pdif to theirs in I2S


It's another piece of important information.
Good example of how one week of forum chat and solid theoretical basement can be ruined after one hour audition of real piece Smile .

js - You are a lucky guy having access to all of these toys.
I'm still waiting for my dealer to bring PWD for auditioning. As well as Naim DAC.
Posted on: 12 October 2009 by js
What does theory sound like? Winker I find it interesting that they slave the DAC with the transport instead of the other way around. It's generally accepted that keeping the clock as close to the DAC as possible is the best way to limit jitter in this configuration. Probably just something to do with the overall design of the 2 and the I2S is clearly better in their combo so it is working. Like I said, most here won't care about the transport and need to listen as you would at home if it's an option. The I2S is also nothing groundbreaking. I believe that Linn and Audio Alchemy among others used a version of this interface in their early seperates. Some called it by another name but were using the Phillips protocals.
Posted on: 12 October 2009 by bhaagensen
quote:
Originally posted by DaveBk:
Hopefully I'll be able to report on how the Transporter sounds compared to Transporter feeding Naim DAC within the next month.


Dave, as I've previously declared, this is very interesting to me also. I'm hoping you will take the time to report back when you've had some time to run the DAC against the Transporter.

Unless it really smokes (which I doubt it does), I am myself hoping to get an oppertunity to audition the DAC against the Transporter. But I fear it will take a bit longer before the DAC migrates to my dealer.
Posted on: 12 October 2009 by DaveBk
Will do... just waiting for the DAC to begin to ship to dealers.
Posted on: 12 October 2009 by AMA
quote:
Will do... just waiting for the DAC to begin to ship to dealers.



Dave,

Sorry to steer a thread away, but did you went through a careful audition of RCA->DIN Hi-Line between your TP and 252?
Or just bought Hi-Line on trust?
I spent several sessions with Hi-Line on CD5X and found out it to be audibly superior to several other contenders.
But this was DIN-DIN story.....
Posted on: 13 October 2009 by sbilotta
quote:
Originally posted by sbilotta:
quote:
Originally posted by jim329:
quote:
Originally posted by sbilotta:
quote:
Originally posted by jim329:
And there have not many good audio grade USB cable in the World.


True, but I have "upgraded" to Kimber USB. The difference re a normal usb cable is like a PL re the standrad mains cable. Now they have a Silver version too.


Kimber is good enough? How about Wireworld Starlight6 USB?


well, I tried the 3 m. Wireworld Ultraviolet™ 5 USB (same as the Starlight but with less silver on the clads) and there was no sonic difference with regards to mine, therefore much better than the normal USB cables but at par with Kimber USB. Again Kinber has now a Silver version (that I have not tried), but I believe that it's not only the clads but the also the wires that contain silver, and that therefore could compete with the Starlight.

Be interested if anybody has tried them.


FYI - I have just tried the Kimber USB-Ag (Silver version). Again greater clarity, depth and tighter bass re the Kimber USB.
I understood words from Eminem rap that I never quite got before... without attentive listening.
Posted on: 13 October 2009 by DaveBk
quote:
Originally posted by AMA:
quote:
Will do... just waiting for the DAC to begin to ship to dealers.



Dave,

Sorry to steer a thread away, but did you went through a careful audition of RCA->DIN Hi-Line between your TP and 252?
Or just bought Hi-Line on trust?
I spent several sessions with Hi-Line on CD5X and found out it to be audibly superior to several other contenders.
But this was DIN-DIN story.....


At the time I bought the amplifiers, the dealer I used had a special offer - Spend over £6k and get a Hi-Line for free. So it was an easy decision for me!
Posted on: 13 October 2009 by AMA
quote:
At the time I bought the amplifiers, the dealer I used had a special offer - Spend over £6k and get a Hi-Line for free. So it was an easy decision for me!


Oh, the more I read this forum the more I got a feeling that I'm the only Naim customer who buys the Naim gears at Naim cost Red Face

Anyway -- no itch for the contest with the other alternatives?
I plan to upgrade to Linto and look for the matching RCA-DIN cable.