Why is the nDAC so cheap?
Posted by: Andy S on 04 May 2010
Serious question.
Have Naim scored an own goal? Using a cheap PC and optical to DAC on it's own is such a massive boost over my old CDS1 it just isn't funny and a mate is selling his CDS3 head end as the PC/DAC/XPS is as close as you could get to a CDS3. Not only that, I can connect up a number of sources and get benefit - the TV sounds SO much better through it.
Don't get me wrong, I'm not complaining since I've just bought one (the demo only lasted 5 minutes in all honesty - the distance was that big), just curious...
Have Naim scored an own goal? Using a cheap PC and optical to DAC on it's own is such a massive boost over my old CDS1 it just isn't funny and a mate is selling his CDS3 head end as the PC/DAC/XPS is as close as you could get to a CDS3. Not only that, I can connect up a number of sources and get benefit - the TV sounds SO much better through it.
Don't get me wrong, I'm not complaining since I've just bought one (the demo only lasted 5 minutes in all honesty - the distance was that big), just curious...
Posted on: 11 May 2010 by pcstockton
quote:Originally posted by Andy S:
Not saying that it doesn't make a difference in any circumstance, just wondering if it is still valid in todays designs...
Yes, that must be it. The engineers at Naim are hopelessly stuck in the 90's and have yet to get to your level of knowledge on the spdif interface, transports and DACing in general.
How many DACs have you made Andy?
Just for ONCE in your life, maybe it is best that you step back and realize you could possibly be wrong. It is the simplest answer.
Posted on: 11 May 2010 by Andy S
Because the SPDIF framing is done in hardware and if it isn't perfect the DAC shouldn't sync.quote:Originally posted by pcstockton:
This is a HUUUUUGE assumption. Why would it always be correct? How could it EVER be correct if ASIO/Foobar isn't bit perfect.
quote:Every time someone brings up a completely valid reason you spin it around and say "well they should be using toslink", or "it must not be bit perfect."
Have you taken one second to think that maybe things arent always bit perfect (especially through CDPs), and people are connecting mostly through BNC and coax?
Yup. If the source isn't bit perfect, all bets are off (I've said it a number of times above!!). It could be that lesser CD transports are less capable of reading the data correctly but given the rips I've been doing I've found my cheapo £20 DVD drive rips accurately on 95% of discs at around 3x speed.
The other 5% are damaged in some way, so you'd expect them to fail.
quote:Have you considered for a moment that the "Chassis/Floating" switch does not cure EVERY single kind of ground issue ESPECIALLY when using coax or BNC?
All the chassis/floating will do is avoid ground loops - which will present itself as a humming on the speakers. It should have nothing to do with data reception or isolating the DAC from the transport. Having said that, the design of the DAC isolates the transport from the DAC as the transfer
of data between theDSP and DAC is done optically.
I don't think I am. The only ones that we can come up with so far are:quote:You are starting to develop a nice long list of exceptions to your dogma. A list that is quickly and easily punching holes in your theory.
- Not all transports can read 100% reliably
- There could be a possible RF issue described above by Gavin (but I must admit, I'm not convinced of that one yet)
Perhaps you could suggest what other exceptions I have come up with
quote:Yes you have clearly shown that in a vacuum all sources will sound the same due to an elimination of timing issues. But microphony, RF, ground loops, lack of bit perfection etc, all can play a part in degrading sound.
Please dont explain this away as avoidable with switches and cables. It is really happening in this real world.
Who told you that? How does it inject noise? Does the sound degradation (which you described previously as a click) happen when you are doing other things - like dragging a window around? My graphics card is doing a sound visualisation. I'll try turning it off and seeing if that improves my sound (in fact, it is the graphics card doing the SPDIF output for me).quote:My Foobar sounds great and I believe it to be bit perfect, not only with ASIO/Transit, but also ASIO or Wasapi on the Juli@. Yet I can hear a difference in sound when doing things like minimizing the Foobar window. I was told the graphics card is injecting a little noise into the mix.
I'm totally confused what you are saying here. Either it does sound different with different sources - in which case, lets find what's causing the differences, or it doesn't sound different in which case it's source independent.quote:While it does not change the overall SQ of the source, it does definitively point to ways in which sources could sound different given a handful of other things than jitter.
The Naim DAC is great, and for me is basically source independent. But there is no way it is a magical piece of kit that CANNOT possibly sound different given other systems and methods.
-patrick
Posted on: 11 May 2010 by Andy S
LOL... I'm not the one getting heated under the collar - and if someone could come up with a valid reason, I'm perfectly happy to learn Naim didn't put SPDIF on their players or make DACs for a number of years - things seem to have changed, just asking the question - the (excellent) Naim designers aren't Gods you know (they just make exceedingly good hi-fi )quote:Originally posted by pcstockton:quote:Originally posted by Andy S:
Not saying that it doesn't make a difference in any circumstance, just wondering if it is still valid in todays designs...
Yes, that must be it. The engineers at Naim are hopelessly stuck in the 90's and have yet to get to your level of knowledge on the spdif interface, transports and DACing in general.
How many DACs have you made Andy?
Just for ONCE in your life, maybe it is best that you step back and realize you could possibly be wrong. It is the simplest answer.
As to how many DACs, none... nor am I likely to! But I do build boxes that have HF tuner, HDMI, analogue video, analogue audio, SPDIF etc inputs and outputs with processors running at a couple of hundred MHz and memory being clocked at the near GHz frequency together with several million lines of software all in small boxes that have to work flawlessly - so I think I understand the principles involved here... All I'm doing is, based on my knowledge, trying to understand what could cause differences.
ANY question is a valid question, whether it is from you to me, or from me to Naim.
Posted on: 11 May 2010 by gav111n
Hi Andy,
A minor point and it's probably irrelevant to the discussion but you said:
'Having said that, the design of the DAC isolates the transport from the DAC as the transfer of data between the DSP and DAC is done optically.'
From what I looked at, the iCoupler (isolator) is described as a chip-scale micro-transformer. I don't suppose this makes any differences in terms of letting noise through to the DAC itself.
Gavin.
A minor point and it's probably irrelevant to the discussion but you said:
'Having said that, the design of the DAC isolates the transport from the DAC as the transfer of data between the DSP and DAC is done optically.'
From what I looked at, the iCoupler (isolator) is described as a chip-scale micro-transformer. I don't suppose this makes any differences in terms of letting noise through to the DAC itself.
Gavin.
Posted on: 11 May 2010 by Andy S
Yup. 100% correct!quote:Originally posted by gav111n:
Hi Andy,
A minor point and it's probably irrelevant to the discussion but you said:
'Having said that, the design of the DAC isolates the transport from the DAC as the transfer of data between the DSP and DAC is done optically.'
From what I looked at, the iCoupler (isolator) is described as a chip-scale micro-transformer.
It shouldn't do as they are transmitting a digital signal - so it should be immune to noise. I quite liked this from the datasheet:quote:I don't suppose this makes any differences in terms of letting noise through to the DAC itself.
quote:Analog Devices:
As seen, the ADuM120x are extremely immune and
can be affected only by extremely large currents operating very
close to the component at a high frequency. For the 1 MHz
example, a 0.5 kA current would have to be placed 5 mm away
from the ADuM120x to affect the operation of the component.
500A 5mm from the chip and it still works to spec. Nice
Posted on: 11 May 2010 by fatcat
quote:Originally posted by Andy S:
The only way I know this subtle alteration can happen (as opposed to some systematic algorithm designed to do it in digital signal processing) in the digital domain is by adding jitter as you keep the samples the same but just move them around in time. Now, given the DAC claims to remove jitter, that shouldn't be the case. Just another quote if I may from the white paper (in fact, the last FAQ element on the last page):quote:Naim DAC white paper:
What is jitter exactly?
Jitter is variations in the time separation of digital
audio samples. All S/PDIF induced jitter coming in to
the Naim DAC is removed
Andy you may be reading too much into this information. The question “what is jitter” and the answer are merely a clarification of the meaning of “jitter” in the statement that follows.
Normally this information is placed in the nomenclature section of a report. Clarification of the meanings of terms used in the report ONLY apply to that report.
The use of question and answers makes the white paper easier to read, but in this case it is very misleading.
Posted on: 11 May 2010 by Andy S
What's misleading? Looks perfectly clear to me....quote:Originally posted by fatcat:
The use of question and answers makes the white paper easier to read, but in this case it is very misleading.
Posted on: 11 May 2010 by fatcat
quote:Originally posted by Andy S:What's misleading? Looks perfectly clear to me....quote:Originally posted by fatcat:
The use of question and answers makes the white paper easier to read, but in this case it is very misleading.
That was the intention
Posted on: 11 May 2010 by Andy S
Ugghh.. You got me... Right through the heart......quote:Originally posted by fatcat:
That was the intention
If someone (of God like status here) makes a claim, then it's either right or wrong. I'm perfectly happy to be told I'm wrong, but I'd like some explanation behind it please - thank you
Posted on: 11 May 2010 by fatcat
You’re obviously getting confused by the white paper.
Quote
Now, given the DAC claims to remove jitter, that shouldn't be the case. Just another quote if I may from the white paper
White paper
All S/PDIF induced jitter coming in to the Naim DAC is removed.
Notice how it only claims to remove jitter induced by S/PDIF
A forum is not only a place to talk. Sometimes listening can be beneficial.
Quote
Now, given the DAC claims to remove jitter, that shouldn't be the case. Just another quote if I may from the white paper
White paper
All S/PDIF induced jitter coming in to the Naim DAC is removed.
Notice how it only claims to remove jitter induced by S/PDIF
A forum is not only a place to talk. Sometimes listening can be beneficial.
Posted on: 11 May 2010 by Andy S
Seriously, if you read my earlier posts if it removes the SPDIF jitter, it will remove ALL jitter between A->D conversion and the point of capture at the SPDIF interface on the nDAC. There is NO POSSIBLE WAY for it to determine where the jitter comes from and so eliminate ONLY the SPDIF jitter. If it eliminates SPDIF jitter, it eliminates all jitter produced by the transport by definition....quote:Originally posted by fatcat:quote:White paper
All S/PDIF induced jitter coming in to the Naim DAC is removed.
Notice how it only claims to remove jitter induced by S/PDIF
Jitter is difference in TIMING. Nothing more, nothing less. I can delay half the track by 17 days but as long as I buffer things correctly and present the whole thing to the DAC at a monotonic rate, the delay doesn't matter. If the DAC really eliminates SPDIF jitter, it eliminates all jitter period.
Posted on: 11 May 2010 by Richard Dane
Just to throw something into the discussion here. In an email conversation with one Naim's digital engineers, he confirmed that the DAC does remove "all" (his parenthesis) spdif related jitter, and that this can easily be measured. However, he went on to say that nobody has yet figured out a way to avoid jitter completely...
Also, what may be of more blame for performance differences is the different levels of RFI that different sources emit. His comments; "You can actually easily hear if you just put a terminated (resistor in the end of the cable) spdif cable in the box, without electrically connecting it at all to the DAC".
Also, what may be of more blame for performance differences is the different levels of RFI that different sources emit. His comments; "You can actually easily hear if you just put a terminated (resistor in the end of the cable) spdif cable in the box, without electrically connecting it at all to the DAC".
Posted on: 11 May 2010 by Andy S
I can go with that - the nDAC has (I believe) 15ps quoted jitter. Being a*ally retentive about this I agree with him, there is no way you can have a perfect clock which will give exactly 0 jitter. What the reclocking should do is remove the influences of upstream jitter in the system. It is physically impossible to have a (real) 0ps jitter clock on the input to the DAC (short of driving the DAC with an atomic clock!). The question is - have Naim removed all influences to the clock of upstream jitter. My reading of this and other statements is yes, they have....quote:Originally posted by Richard Dane:
Just to throw something into the discussion here. In an email conversation with one Naim's digital engineers, he confirmed that the DAC does remove "all" (his parenthesis) spdif related jitter, and that this can easily be measured. However, he went on to say that nobody has yet figured out a way to avoid jitter completely...
Which should mean that connecting it via optical should remove this... (there is no concept of adding a resistor to an optical cable)...quote:Also, what may be of more blame for performance differences is the different levels of RFI that different sources emit. His comments; "You can actually easily hear if you just put a terminated (resistor in the end of the cable) spdif cable in the box, without electrically connecting it at all to the DAC".
Posted on: 11 May 2010 by fatcat
quote:Originally posted by Andy S:
The question is - have Naim removed all influences to the clock of upstream jitter. My reading of this and other statements is yes, they have....
That’s a very interesting change in standpoint.
Maybe Richard could ask Naims engineers to confirm if they’re referring to jitter produced prior to the S/PDIF interface
Posted on: 11 May 2010 by Andy S
Absolutely no change in standpoint at all. Reread what I've said - only 3 posts above yoursquote:Originally posted by fatcat:
That’s a very interesting change in standpoint.
Posted on: 11 May 2010 by pcstockton
quote:Originally posted by Andy S:
Which should mean that connecting it via optical should remove this... (there is no concept of adding a resistor to an optical cable)...
Right, but connecting via toslink might be the least popular. Especially when you consider most people assume that BNC is optimal if you have a way to use it. Hence it is possible that many sources sound different to people due to a handful of reason besides timing errors.
Basically Andy, your argument is reduced to the following.
All sources will sound the same if they present themselves identically (in terms of RFI and other "noise") and bit perfectly, to the DAC and are connected solely through toslink. I would agree with that.
I would also assume these are VERY subtle differences and maybe only resolvable on an extremely revealing kit with very discriminating ears.
The Naim DAC surely seems to level the playing field futher than any other DAC around right now.
But it is clearly not out of the question for different sources to sound different.
Posted on: 11 May 2010 by Adam Meredith
quote:Originally posted by Andy S:
Absolutely no change in standpoint at all.
quote:Originally posted by Andy S:
Yes, but there was a lot of general purpose stuff on transports so perhaps it is more suited to the general hi-fi section.
How wrong you were.
Posted on: 12 May 2010 by Andy S
Just coming back on this - does the "avoid jitter completely" refer to the jitter present at source a la Naim white paper (techies tend to like being a...ly retentive on details like this - see the above thread for proof )? I really can't see how you can differentiate between jitter added by the SPDIF vs jitter from the transport reading the data.quote:Originally posted by Richard Dane:
Just to throw something into the discussion here. In an email conversation with one Naim's digital engineers, he confirmed that the DAC does remove "all" (his parenthesis) spdif related jitter, and that this can easily be measured. However, he went on to say that nobody has yet figured out a way to avoid jitter completely...
Again, coming back on this - what you are saying (now I've re-read this) is putting an aerial (which is what a terminated coax cable is) close to the DAC upsets it... Hmm... no, I'm not surprised to be honest. If you're saying RF upsets the sound, then an easy experiment (especially if you have lots of transports) would be to take two transports - one that sounds "bad" the other that sounds "good" and connect them both at the same time, via electrical, both playing music. If the good transport now sounds as bad as the bad transport then you've probably got to a major cause of difference. Having said that, I wouldn't expect cost to be a sole differentiator in RFI performance.quote:Also, what may be of more blame for performance differences is the different levels of RFI that different sources emit. His comments; "You can actually easily hear if you just put a terminated (resistor in the end of the cable) spdif cable in the box, without electrically connecting it at all to the DAC".
Posted on: 12 May 2010 by Andy S
So, a bit-perfect streaming player connected via toslink should sound as USB sticks. Ahh.. that's why I can't tell a difference then . If we assume that RFI is the only other means of interference (and, by the way, the full metal enclosure makes a good screen against RFI from outside), then all transports (that are bit perfect) will sound the same via toslink. And because spdif is bit perfect, any cheap toslink cable will do. Agree?quote:Originally posted by pcstockton:quote:Originally posted by Andy S:
Which should mean that connecting it via optical should remove this... (there is no concept of adding a resistor to an optical cable)...
Right, but connecting via toslink might be the least popular. Especially when you consider most people assume that BNC is optimal if you have a way to use it. Hence it is possible that many sources sound different to people due to a handful of reason besides timing errors.
Basically Andy, your argument is reduced to the following.
All sources will sound the same if they present themselves identically (in terms of RFI and other "noise") and bit perfectly, to the DAC and are connected solely through toslink. I would agree with that.
I'll agree with what you've said, if you agree a possibility is that the differences are so small, it is the placebo effect in action.quote:I would also assume these are VERY subtle differences and maybe only resolvable on an extremely revealing kit with very discriminating ears.
The Naim DAC surely seems to level the playing field futher than any other DAC around right now.
But it is clearly not out of the question for different sources to sound different.
Posted on: 12 May 2010 by Andy S
Nice out of context quote Adam Did you stand for Parliament last Thursday - you'd make a good politicianquote:Originally posted by Adam Meredith:
How wrong you were.
Posted on: 12 May 2010 by JYOW
Why is it such a sin for Andy's attempt to question this issue using first principles? We are all obsessed with all things Naim, but does this forum have to be a love fest?
Notwithstanding the heated argument of the nuance of noise/ jitter introduced by different transports and how much, if any, impact they have on the sound quality, the way the Naim DAC is marketed to us simpletons is that the forte of the Naim DAC is the re-buffering of data sent to it via SPDIF. And supposedly that is what separates it from the boys.
So implicitly that should be a strong indication to us simple customers that the Naim DAC is the great device that makes the choice of transport less critical, that whatever bit prefect stream you send it the Naim DAC is going to take care of it.
So if there are differences between transports, they should be much smaller than when play through a lesser DAC?
Is that not what we are led to believe the main advantage of the Naim DAC is?
Have I been misled? After all, I am just a simple customer who bought the DAC and is quite happy with it.
But to say that I will need a CDX2 or CDS3 with digital out to take full advantage of it? …… hmm
Linn may be a little greedy with the high price they charge for the Klimax DS, but I salute them for taking a firm and consistent stance that their DS is the future that makes their existing CD players obsolete. Now that takes a lot of guts and commitment.
A product like the nDAC is very disruptive to the whole Naim business model. And kudos for Naim not to put 50 pounds of metal and power supplies around it to make this a $100,000 product.
Notwithstanding the heated argument of the nuance of noise/ jitter introduced by different transports and how much, if any, impact they have on the sound quality, the way the Naim DAC is marketed to us simpletons is that the forte of the Naim DAC is the re-buffering of data sent to it via SPDIF. And supposedly that is what separates it from the boys.
So implicitly that should be a strong indication to us simple customers that the Naim DAC is the great device that makes the choice of transport less critical, that whatever bit prefect stream you send it the Naim DAC is going to take care of it.
So if there are differences between transports, they should be much smaller than when play through a lesser DAC?
Is that not what we are led to believe the main advantage of the Naim DAC is?
Have I been misled? After all, I am just a simple customer who bought the DAC and is quite happy with it.
But to say that I will need a CDX2 or CDS3 with digital out to take full advantage of it? …… hmm
Linn may be a little greedy with the high price they charge for the Klimax DS, but I salute them for taking a firm and consistent stance that their DS is the future that makes their existing CD players obsolete. Now that takes a lot of guts and commitment.
A product like the nDAC is very disruptive to the whole Naim business model. And kudos for Naim not to put 50 pounds of metal and power supplies around it to make this a $100,000 product.
Posted on: 12 May 2010 by gav111n
Hi Andy,
CAUTION: I am definitely not qualified to talk about this but I will throw my ideas up again anyway!
I am reading the comment from Richard as being linked to my point about RF noise.
It seems conceivable to me that different CDPs will produce S/PDIF signals with different waveform characteristics, even though they may all be bit perfect. One may be closer to an ‘ideal’ square wave. One may have a strange sloped shape to the top of the square. One may be more trapezoid shaped or have a bit of a blip at some point. I don’t know. I have never seen these things. It just seems likely? If you analysed these different waveforms by Fourier Transform they must have a different RF frequency fingerprint. Bring these different RF signals into the nDAC and given the high resolution of our systems and despite naims best efforts there is still a slight impact on the outputted sound quality. The RF is inside the box so shielding by the case won’t help.
I am not sure that an optical input gets round this does it? Does the optical S/PDIF signal not get transformed into an electrical signal before the DSP? So you still end up with S/PDIF generated RF in the box.
Do you think the naim experts have a chuckle about this thread over their sandwiches?
Gavin.
CAUTION: I am definitely not qualified to talk about this but I will throw my ideas up again anyway!
I am reading the comment from Richard as being linked to my point about RF noise.
It seems conceivable to me that different CDPs will produce S/PDIF signals with different waveform characteristics, even though they may all be bit perfect. One may be closer to an ‘ideal’ square wave. One may have a strange sloped shape to the top of the square. One may be more trapezoid shaped or have a bit of a blip at some point. I don’t know. I have never seen these things. It just seems likely? If you analysed these different waveforms by Fourier Transform they must have a different RF frequency fingerprint. Bring these different RF signals into the nDAC and given the high resolution of our systems and despite naims best efforts there is still a slight impact on the outputted sound quality. The RF is inside the box so shielding by the case won’t help.
I am not sure that an optical input gets round this does it? Does the optical S/PDIF signal not get transformed into an electrical signal before the DSP? So you still end up with S/PDIF generated RF in the box.
Do you think the naim experts have a chuckle about this thread over their sandwiches?
Gavin.
Posted on: 12 May 2010 by Andy S
Yes - the optical gets transformed into electrical but what about the large DSP chugging away next to it at a few tens of MHz. This will totally dominate any RF from the digital side of things.quote:Originally posted by gav111n:
I am not sure that an optical input gets round this does it? Does the optical S/PDIF signal not get transformed into an electrical signal before the DSP? So you still end up with S/PDIF generated RF in the box.
Oh - I do hope soquote:Do you think the naim experts have a chuckle about this thread over their sandwiches?
Posted on: 12 May 2010 by Andy S
JYOW - exactly how I feel....quote:Originally posted by JYOW:
Why is it such a sin for Andy's attempt to question this issue using first principles? We are all obsessed with all things Naim, but does this forum have to be a love fest?
Notwithstanding the heated argument of the nuance of noise/ jitter introduced by different transports and how much, if any, impact they have on the sound quality, the way the Naim DAC is marketed to us simpletons is that the forte of the Naim DAC is the re-buffering of data sent to it via SPDIF. And supposedly that is what separates it from the boys.
So implicitly that should be a strong indication to us simple customers that the Naim DAC is the great device that makes the choice of transport less critical, that whatever bit prefect stream you send it the Naim DAC is going to take care of it.
So if there are differences between transports, they should be much smaller than when play through a lesser DAC?
Is that not what we are led to believe the main advantage of the Naim DAC is?
Have I been misled? After all, I am just a simple customer who bought the DAC and is quite happy with it.
But to say that I will need a CDX2 or CDS3 with digital out to take full advantage of it? …… hmm
Linn may be a little greedy with the high price they charge for the Klimax DS, but I salute them for taking a firm and consistent stance that their DS is the future that makes their existing CD players obsolete. Now that takes a lot of guts and commitment.
A product like the nDAC is very disruptive to the whole Naim business model. And kudos for Naim not to put 50 pounds of metal and power supplies around it to make this a $100,000 product.
Posted on: 12 May 2010 by gav111n
quote:Yes - the optical gets transformed into electrical but what about the large DSP chugging away next to it at a few tens of MHz. This will totally dominate any RF from the digital side of things.
Andy,
I can’t say I am totally convinced by my own response here. Let’s unpack it anyway:
The DSP is a naim controlled item. They know the DSPs frequency characteristic so can design around it. I am thinking here about things like PCB layout, component selection and positioning etc. The connected front-end is an unknown, in terms of both (1) (electrically) linking to a ‘thing’ with complex and unkown electromagnetic properties (as I think Richard is saying) and (2) an additional RF source in the form of an S/PDIF signal with unkown frequency fingerprint.
I am in the ‘you can hear a difference with front-end’ camp but get the feeling that there is a complex interaction between the front-end and the nDAC. I suspect a more expensive CDP may not necessarily sound better through it compared with a cheaper one. It seems likely that a naim front-end will give the best results as naim will surely have optimised the nDAC to work with naim. Having said that, I use a MacBook Pro and think its great!
Gavin.