What are you listening to right now? (VOL II)
Posted by: Adam Meredith on 23 March 2008
Posted on: 15 May 2008 by markah

Elbow - The Seldom Seen Kid
Mark
Posted on: 15 May 2008 by BigH47

Posted on: 15 May 2008 by Huwge
Kathleen Ferrier sings Bach & Händel - currently CD, but about to listen to the vinyl (image shown)

Posted on: 15 May 2008 by patk
The Band - The Last Waltz. Disc 1.

Posted on: 15 May 2008 by FlyMe

Posted on: 15 May 2008 by markah
quote:Originally posted by MilesSmiles:quote:Originally posted by markah:![]()
Jennifer Warnes - Famous Blue Raincoat
Mark
Mark,
are you listening to it on CD or vinyl. I was amazed how good the 20th anniversary edition sounds on CD. Soon a new gold CD will be out as well. One of my favorite albums.
Cheers ... Oliver
Hi Oliver,
It's the CD version I have. I first heard this at Chris Kelly's and loved it straight away. That was the 20th Anniversary edition, superb. Thanks for the heads up on the gold CD.
Mark
Posted on: 15 May 2008 by Huwge
Hendrix: Blues

Posted on: 15 May 2008 by u5227470736789439
Beethoven's First and Eighth Symphonies, and added just for fun the Grosse Fuga in B Flat!
Played by the Philharmonia Orchestra conducted by Otto Klemperer live in the Royal Festival Hall in 1963 abd 1966 [Great Fugue].
Issued this year for the first time on Testamant SBT 1405, this CD brings to the attention of anyone who cares to listen the fact that Klemperer regarded studio recordings as part of the rehearsal process in preparation for the concert that would often follow, rather than taking the performance to the studio afterwards! There is an aspect to the readings that is nothing short of elemental in their directness. No detail either ignored or allowed to stand in the way of the forward momentum! And what momentum!
These Testament releases are shoiwing a side of Klemperer's music making that all too often eluded the antisceptic studio microphone. The sheer drive of the conception, often in rather quick, though never ruinously so, tempi that Toscanin would have approved of, and [such an approach] is now once again being attempted in HIP. Let me hasten to add that HIP as a philosophy, has nothing to do with Klemperer's approach.
This maybe seen as the antidote to the high romanticism [rightly or wrongly, and who knows] and extreme slow tempi of Furtwangler, or the softer edged sweetness and light of Bruno Walter.
What we get is a characterisation that unerringly finds the beauty in the music, but never searches this out in particular, and contrasts it with the sheer power and revolutionary nature of it elsewhere. Here Beethoven seems to sound as fresh as you could imagine - fresh and revolutionary and terrifyingly powerful ...
Respectable, if not sweet sounding, BBC [broadcast monitor] mono recordings, which reflect the [then] very dry acoustic of the RFH and yield incredible clarity of musical balance, and for once a very natural timpani sound, sometimes even sounding like the cracks of cannon going of in their intensity. Listening to the Philharmonia simply play in these unedited recordings, I begin to wonder if there was a significantly finer orchestra in the world at that time, such is their fearless address of the music, certainty of resolve, and almost uncanny accuracy. A rare blend.
George
Played by the Philharmonia Orchestra conducted by Otto Klemperer live in the Royal Festival Hall in 1963 abd 1966 [Great Fugue].
Issued this year for the first time on Testamant SBT 1405, this CD brings to the attention of anyone who cares to listen the fact that Klemperer regarded studio recordings as part of the rehearsal process in preparation for the concert that would often follow, rather than taking the performance to the studio afterwards! There is an aspect to the readings that is nothing short of elemental in their directness. No detail either ignored or allowed to stand in the way of the forward momentum! And what momentum!
These Testament releases are shoiwing a side of Klemperer's music making that all too often eluded the antisceptic studio microphone. The sheer drive of the conception, often in rather quick, though never ruinously so, tempi that Toscanin would have approved of, and [such an approach] is now once again being attempted in HIP. Let me hasten to add that HIP as a philosophy, has nothing to do with Klemperer's approach.
This maybe seen as the antidote to the high romanticism [rightly or wrongly, and who knows] and extreme slow tempi of Furtwangler, or the softer edged sweetness and light of Bruno Walter.
What we get is a characterisation that unerringly finds the beauty in the music, but never searches this out in particular, and contrasts it with the sheer power and revolutionary nature of it elsewhere. Here Beethoven seems to sound as fresh as you could imagine - fresh and revolutionary and terrifyingly powerful ...
Respectable, if not sweet sounding, BBC [broadcast monitor] mono recordings, which reflect the [then] very dry acoustic of the RFH and yield incredible clarity of musical balance, and for once a very natural timpani sound, sometimes even sounding like the cracks of cannon going of in their intensity. Listening to the Philharmonia simply play in these unedited recordings, I begin to wonder if there was a significantly finer orchestra in the world at that time, such is their fearless address of the music, certainty of resolve, and almost uncanny accuracy. A rare blend.
George
Posted on: 15 May 2008 by Graham Russell

Posted on: 15 May 2008 by JamieWednesday

Posted on: 15 May 2008 by JamieWednesday

Posted on: 15 May 2008 by JamieL

Orbital 'Times Fly EP' so rich.
Posted on: 15 May 2008 by FlyMe

There is more to him than his Minuet!
Posted on: 15 May 2008 by BigH47

Posted on: 15 May 2008 by von zipper
just had
Now

Now

Posted on: 15 May 2008 by Guido Fawkes
quote:Originally posted by von zipper:
just had![]()
![]()
Two great albums - The Garden of Jane Delawney is highly underrated IMHO. Celia Humphries is a great singer. Basket of Light is just wonderful IMHO.
Posted on: 15 May 2008 by sjust

Posted on: 15 May 2008 by sjust
This is what friends (and this community) are for.
Thanks, Haim !
Cheers
Stefan
Thanks, Haim !
Cheers
Stefan
quote:Originally posted by Haim Ronen:![]()
Adrian & Stefan,
The cover photograph was done by Lajos Keresztes, recording made in 1976.
Haim
Posted on: 15 May 2008 by Graham Russell

Posted on: 15 May 2008 by MilesSmiles

Posted on: 15 May 2008 by MilesSmiles

Posted on: 15 May 2008 by Haim Ronen
quote:Originally posted by Lontano:
In the meantime, my favourite Kenny Wheeler and IMHO, one of ECM's finest releases. A great line up on this album with Dave Holland, Peter Erskine, John Abercrombie and John Taylor
![]()
Adrian,
That is a great album. Thanks for reminding me, I have not listened to it for a long while.
Is it time to unpack your music or should we play it for you on our inferior system...?
Regards,
Haim
Posted on: 15 May 2008 by Haim Ronen
[QUOTE]Originally posted by sjust:
This is what friends (and this community) are for.
Thanks, Haim !
Cheers
Stefan
Stefanski,
This album inspired me visually last time I played it. After the music was over I grabbed the D200 and spent a late afternoon taking pictures of all kinds of road signs. I will send you a sample or two over the weekend.
Regards,
Haim
This is what friends (and this community) are for.
Thanks, Haim !
Cheers
Stefan
Stefanski,
This album inspired me visually last time I played it. After the music was over I grabbed the D200 and spent a late afternoon taking pictures of all kinds of road signs. I will send you a sample or two over the weekend.
Regards,
Haim
Posted on: 15 May 2008 by Haim Ronen

Huw,
Some cello & bassoon you might like.
Haim
Posted on: 15 May 2008 by MilesSmiles
quote:Originally posted by Haim Ronen:
Huw,
Some cello & bassoon you might like.
Haim
Haim,
this looks very interesting - will have to look out for it.
Cheers ... Oliver