Outstanding drummers
Posted by: Rasher on 04 October 2003
My choices would be:
Paul Thompson for the first two Roxy Music albums. My first choice.
Mike Shrieve for the first Santana album.
I think they brought a new level to drumming, made it a real emotional instrument, which others seem not able to do.
Paul Thompson especially.
Keith Moon was a bit good too.
Paul Thompson for the first two Roxy Music albums. My first choice.
Mike Shrieve for the first Santana album.
I think they brought a new level to drumming, made it a real emotional instrument, which others seem not able to do.
Paul Thompson especially.
Keith Moon was a bit good too.
Posted on: 20 November 2003 by syd
The greatest for me has to be Ginger Baker. Brilliant on record and brilliant live with Airforce, never saw him live with Cream unfortunately.
Ten Years Afters' Ric Lee
Tastes' John Wilson. Anybody enlighten me on what happened to these two?
The Magic Bands John"Drumbo"French. Anybody who can play the Captains music for more than 5 minutes without getting hopelessly lost has to be a bloody Genius.
Jimmy Carl Black The Mothers
Mike Shrieve Santana
Aynsley Dunbar The Retaliation and Zappa
John Densmore The Doors
Mick Fleetwood Fleetwood Mac
John Bonham Led Zep
Richard Coughlan Caravan
That's my top ten but really it should be the top ten rhythm sections as without a first class bassist no drummer can really shine.
Yours in Music
Syd
Ten Years Afters' Ric Lee
Tastes' John Wilson. Anybody enlighten me on what happened to these two?
The Magic Bands John"Drumbo"French. Anybody who can play the Captains music for more than 5 minutes without getting hopelessly lost has to be a bloody Genius.
Jimmy Carl Black The Mothers
Mike Shrieve Santana
Aynsley Dunbar The Retaliation and Zappa
John Densmore The Doors
Mick Fleetwood Fleetwood Mac
John Bonham Led Zep
Richard Coughlan Caravan
That's my top ten but really it should be the top ten rhythm sections as without a first class bassist no drummer can really shine.
Yours in Music
Syd
Posted on: 15 December 2003 by Steve O
John Bonham, Keith Moon, Ian Paice, Alan White and someone I don't think has been mentioned yet - Topper Headon.
Steve O.
Steve O.
Posted on: 16 December 2003 by Gunnar Jansson
quote:
Originally posted by KT66:
as a drummer - my personal faves in no real order are
Billy Ficca from Television - imho the greatest musician ever
Charlie from the Stones, he's white and swings
Clem Burke from Blondie
prior 67 Keith Moon
Mitch Mitchell- the first two Hendrix Lp's
tim
KT66
I also find Ficca´s drumming very good.
Funny thing is that a close friend of mine knows Richard Lloyd well and Lloyd told him that he was very dissatisfied with Ficca´s drumming on the two albums.
His opinion was something like: (don´t remember the exact words) "insensitive drummer who´s got it all wrong"
I still think it´s very good though.
Just goes to show how much I know about what is good or not?
Gunnar
Posted on: 16 December 2003 by Kurt
The best drummer? Elvin Jones, of course. Absolutely sublime and inventive as part of the Coltrane quintet.
Posted on: 02 February 2004 by effinity
Pierre Moerlin (from Gong - particularly the YOU album) for his creativity and raising consciousness while he played with free jazz and funk dance rhythms while holding down the 4/4 rock backbeat.
Elvin Jones for making me cry at Ronnie Scotts
Alex Acuna for being a boy from a peasant background in Peru who virtually walked to the US and became what he did.
All African and Latin drummers both hand and stick, not forgetting Tabla players and everybody who has tapped on a table and all your blessed heartbeats!
the whole effin world is a membrane on which to beat!
me, cause I play a mean Mozambique!
Steve
Elvin Jones for making me cry at Ronnie Scotts
Alex Acuna for being a boy from a peasant background in Peru who virtually walked to the US and became what he did.
All African and Latin drummers both hand and stick, not forgetting Tabla players and everybody who has tapped on a table and all your blessed heartbeats!
the whole effin world is a membrane on which to beat!
me, cause I play a mean Mozambique!
Steve
Posted on: 02 February 2004 by fred simon
quote:
Originally posted by tony vesuvio:
The best rock drummer ever is Neil Peart bar none.
This raises some issues which are of great concern to me. Let me say from the outset that my comments are not in any way intended to disparage anyone, but, rather, to engage in friendly discussion. This is the spirit with which I hope my words are taken.
Given that the thread subject is "outstanding drummers," I'd like to point out, with all due respect, that while obviously Peart qualifies as an outstanding drummer (though not my own favorite cup of tea; I much prefer Mitch Mitchell, for instance, who is another outstanding drummer), it's not useful to proclaim someone "the best (any genre) drummer bar none." First of all, how would one even begin to measure such a thing?
More importantly, why should there even be a "best" musician (on any instrument) in the first place? Music is not an athletic competition. Where does the need to pronounce one as "the best" come from? Why can't we all be more than happy to recognize that just as there are many, many great human beings, there are many, many great human being musicians ... no need to rank them. I think the drive to rank derives from our innate desire to have our own taste validated, a desire which while perfectly natural, can be counterproductive. I've always felt that it was essential to maintain clear separation between one's own taste and more objective assessments of worth, so that one's world view is not strictly defined by one's taste.
If you mean to say, "Neil Peart is my favorite rock drummer" then, great ... just say that. I'm all for it, although speaking for myself, not only do I not find it useful to proclaim a musician as "the best, bar none," I can't even whittle down my favorites to just one, or even five ... there are just too many outstanding drummers of many flavors. In an earlier message Kurt declares Elvin Jones "the best drummer, of course." But where does that leave other equally great jazz drummers such as Jack DeJohnette, Tony Williams, and Philly Joe Jones, just to name a few? Further, how can a drummer firmly rooted in one genre be fairly compared to another rooted in a different genre? How do we pit Elvin Jones against Neil Peart (just to take the two examples I've singled out)?
I've no doubt that someone here will inevitably tell me to "lighten up," and perhaps understandably so. I really don't mean to be too heavy-handed about this, I'm not out to castigate anyone and, as I said above, I'm only raising the issue as a matter of friendly intellectual discussion, but I do think these are important things to consider if one is at all interested in fostering as open and flexible a mind as possible. If it's just a matter of semantics, that if by saying "so-and-so is the best drummer, bar none" all one really means is "so-and-so is my favorite drummer," a statement with which no one can justifiably argue, then in the interest of promoting communication and understanding, please just say what you mean. Otherwise, and again, with all due respect, it's too much of a pissing contest.
Posted on: 02 February 2004 by fred simon
quote:
Originally posted by tony vesuvio:quote:
Originally posted by richierich:
Got to be Bonham. Anyone listening to the live Led Zep album quickly realises that without him they would have been just another pub rock band.
I think you mean without Jimmy Page they would have been just another pub band as there originality and greatness was due to him and not due to some over rated tub thumper
My view is that Led Zeppelin was, as The Beatles were, an alchemical whole greater than the sum of its parts; removing any one part would compromise the whole.
Posted on: 03 February 2004 by Rasher
quote:
Originally posted by fred simon:
I've no doubt that someone here will inevitably tell me to "lighten up," and perhaps understandably so.
Hey Fred, Lighten up...
I love it when you go to such lengths to be diplomatic, but always manage to rip a strip off someone in the nicest possible way
Personally, I would say that Neil Peart is technically very good, but his playing to me is arrogant, pompous and just showmanship. I have a problem with his very right wing politics which has nothing to do with his drumming, but makes me even more biased than I already am
On the other hand, nice to have you along Tony and don't worry, it's always like this.
Posted on: 03 February 2004 by Rasher
BTW Fred, good to see you back here again.
Posted on: 03 February 2004 by fred simon
quote:
Originally posted by Rasher:quote:
Originally posted by fred simon:
I've no doubt that someone here will inevitably tell me to "lighten up," and perhaps understandably so.
Hey Fred, Lighten up...
I love it when you go to such lengths to be diplomatic, but always manage to rip a strip off someone in the nicest possible way
Thanks, Rasher. But I really don't mean to rip anyone; I'm just raising food for thought.
quote:
Personally, I would say that Neil Peart is technically very good, but his playing to me is arrogant, pompous and just showmanship. I have a problem with his very right wing politics which has nothing to do with his drumming, but makes me even more biased than I already am
To be honest, I really don't listen to a lot of Rush or Peart, and had no idea what his politics are. If he is indeed right wing, that makes me even less interested; for me, politics have a lot to do with one's humanity and, thus, musicianship.
quote:
BTW Fred, good to see you back here again.
You're sweet.
Posted on: 03 February 2004 by greeny
quote:
To be honest, I really don't listen to a lot of Rush or Peart, and had no idea what his politics are. If he is indeed right wing, that makes me even less interested; for me, politics have a lot to do with one's humanity and, thus, musicianship.
OK, now we are getting ridiculous.
Only left wing musicians are any good eh??
Complete bobbins.
Or are you just admitting that you are prejudice against people with different political beliefs to your own.
Posted on: 03 February 2004 by Rasher
I agree with with Fred that there is some significance to political leaning in music, in the same way as it can relate to visual art/imagery or literature. In fact, the more I think about it, the more obvious it becomes.
It's not prejudice, because it wouldn't probably matter in any other area other than art, it's just that it comes through somehow.
It's not prejudice, because it wouldn't probably matter in any other area other than art, it's just that it comes through somehow.
Posted on: 03 February 2004 by fred simon
No, I would never say that only leftist musicians can be excellent; I'm sure there are plenty of great musicians are right wing nuts.
What I said was that knowing Peart is right wing makes me even less interested in spending time hearing him than I was before, which, for musical reasons, wasn't very much to begin with.
But this opens several interesting cans of worms, and each worm is a different shade of gray. Ultimately, music is larger than any one human, which is why some of the most sublime music has been made by humans who have behaved despicably. I like to think that in those cases, the music represents their best possible self. And quite possibly such is the case with Mr. Peart, as well.
But I've also noticed that one's world view does factor in with many of my favorite artists. If The Beatles, for instance, had written, without a trace of irony, All You Need Is Hate, Give War A Chance, and similar such songs, I'm not so sure I would be as enamored of them as I am. I find that my politics do generally align with those of my favorite musicians: Bob Dylan, Joni Mitchell, James Taylor, Shawn Colvin, Rickie Lee Jones, Sting, Pat Metheny, Lyle Mays, Keith Jarrett, Pete Seeger, Stevie Wonder, Danilo Perez, Charlie Haden, Willie Nelson, Jonatha Brooke, for instance.
It's not that I'm automatically prejudiced against people with different political beliefs than my own, but it all depends on what those beliefs are. Like everyone else, I have my line drawn in the sand.
What I said was that knowing Peart is right wing makes me even less interested in spending time hearing him than I was before, which, for musical reasons, wasn't very much to begin with.
But this opens several interesting cans of worms, and each worm is a different shade of gray. Ultimately, music is larger than any one human, which is why some of the most sublime music has been made by humans who have behaved despicably. I like to think that in those cases, the music represents their best possible self. And quite possibly such is the case with Mr. Peart, as well.
But I've also noticed that one's world view does factor in with many of my favorite artists. If The Beatles, for instance, had written, without a trace of irony, All You Need Is Hate, Give War A Chance, and similar such songs, I'm not so sure I would be as enamored of them as I am. I find that my politics do generally align with those of my favorite musicians: Bob Dylan, Joni Mitchell, James Taylor, Shawn Colvin, Rickie Lee Jones, Sting, Pat Metheny, Lyle Mays, Keith Jarrett, Pete Seeger, Stevie Wonder, Danilo Perez, Charlie Haden, Willie Nelson, Jonatha Brooke, for instance.
It's not that I'm automatically prejudiced against people with different political beliefs than my own, but it all depends on what those beliefs are. Like everyone else, I have my line drawn in the sand.
Posted on: 03 February 2004 by Cuski
Manu Katché anyone?
Posted on: 03 February 2004 by John C
Paolo how right you are! I went to Monday night's show and the display of control and subtlty from Blade was breathtaking. Comparing this band with the same line up 2 years ago is... well impossible. Blade especially has an extraordinary relationship with Shorter, and has absorbed his minimalism and economy of style.
John
John
Posted on: 03 February 2004 by MichaelC
quote:
Originally posted by effinity:
Pierre Moerlin (from Gong - particularly the YOU album) for ...
Such a great subject this - no one is right, no one is wrong. I personally prefer Pip Pyle's drumming - check out "And you tried so hard" from Camembert Electrique. That is drum work I can listen to in it's own right.
Mike
Posted on: 03 February 2004 by Rasher
Sorry Fred, but I think that although Sting may be burning tons of fuel by flying around the globe to preach about global warming, (therefore making himself ecologically active) he is in fact a bit of a Tory boy. I think you may find him rubbing shoulders with other Conservative supporters such as Elton John, Phil Collins, Eric Clapton etc etc.
I'm not sure that he would like it known though.
Unless you know different of course
I'm not sure that he would like it known though.
Unless you know different of course
Posted on: 03 February 2004 by fred simon
Rasher, I don't really know about the political leanings of Elton, Phil, and Eric, but Sting is not only a staunch environmentalist, but a long time supporter of Amnesty International, has spoken out against the current Iraq war (I think there's even a song on the new album), and then there's this lyric from his song Russians ...
There's no such thing as a winnable war
It's a lie we don't believe anymore
Mister Reagan says 'We will protect you'
I don't subscribe to this point of view
So, you see, he doesn't subscribe to that point of view.
There's no such thing as a winnable war
It's a lie we don't believe anymore
Mister Reagan says 'We will protect you'
I don't subscribe to this point of view
So, you see, he doesn't subscribe to that point of view.
Posted on: 04 February 2004 by Rasher
He lives in the hugest mansion and has "staff", but if his heart is in the right place, then that's OK by me. We call them "Champagne Socialists".
It must be tough to have so much wealth and try to hang on
to ideals. I'm not about to criticise 'cos I wouldn't stand the test myself, but it was just you implied that he was left wing.
Not wishing to labour the point (pun intended), but it comes to mind that there may be more right wing drummers than any other musician. That's probably total rubbish, but of the drummers that I've met, it may be true.
What the hell, eh?
It must be tough to have so much wealth and try to hang on
to ideals. I'm not about to criticise 'cos I wouldn't stand the test myself, but it was just you implied that he was left wing.
Not wishing to labour the point (pun intended), but it comes to mind that there may be more right wing drummers than any other musician. That's probably total rubbish, but of the drummers that I've met, it may be true.
What the hell, eh?
Posted on: 04 February 2004 by DavidY80
quote:
Originally posted by Rasher:
I have a problem with his [Neil Peart] very right wing politics which has nothing to do with his drumming, but makes me even more biased than I already am
I would certainly vote for Neil Peart as one of the best, but I'm interested to know what you base your assertion of "right wing" politics on. Are you still harping back to his reference to Ayn Rand?
Posted on: 04 February 2004 by Pete
quote:
Originally posted by DavidY80:
I would certainly vote for Neil Peart as one of the best, but I'm interested to know what you base your assertion of "right wing" politics on. Are you still harping back to his reference to Ayn Rand?
That always seems to be the favourite, and when it originally came out it was through an interview in NME that was apparently taken completely out of context and used by the writer as a piece of character assassination. Such is music journalism...
If you read stuff the man writes (not just lyrics, but such as Masked Rider, a travel book about cycling across bits of Africa) and what he has to say in interviews it's reasonably clear that he believes strongly in individuals pulling their weight to make a difference, but there's nothing wrong with that in itself and it hardly means he identifies with anything usually labelled "right wing". I will refer you, for example, to "Guns" on the Rheostatics album "Whale Music" which clearly wouldn't make Charlton Heston's list of favourite songs, but which features a Mr. N. Peart on guest drums and percussion.
So to me at looks like someone's been jumping to conclusions about someone else's beliefs. But beyond that it's pretty daft colouring the music with it, or nobody could listen to Wagner with a clear conscience.
Onto NP's drumming, it fits what he does very well indeed, and for that reason alone I would say he's a very good drummer. I wouldn't put him as a great, however, as I don't think he'd come off so well outside of the sort of thing Rush do, but having said that I note he's been taking lessons from swing great Freddie Gruber to broaden his style and take him into areas he knows he's relatively weak in. To me, that's a sign of a good musician, especially as he could easily have rested on his considerable laurels.
Pete.
Posted on: 04 February 2004 by fred simon
quote:
Originally posted by tony vesuvio:
And by the way, ...I can piss further than you!
Byeee
Apparently.
Posted on: 04 February 2004 by Mike Hughes
At the risk of steering us back "on topic". I speak as a drummer, music fan etc. There are outstanding drummers and there are outstanding performances. "Best" is an interesting concept which I won't re-heat here as you seem to have done it to death, however, some random thoughts.
1) I nominate Benny Benjamin; Uriel Jones and 'Pistol' Allen - the
Motown drummers. Three different styles. Technically there are plenty
who could out-whatever them but that's not the point. Ultimately,
it's what they give the song that matters. For the same reason, have
a listen to Jerry Harrison on Fear Of Music by Talking Heads. An
entire album without a drum roll and yet... Clem Burke on Eat To The
Beat (and live); Jim Keltner (much overlooked man of great taste and
restraint).
2) If I was aware of the politics of musicians before I bought their
music I wonder if I would have ever started a collection at all?
3) The issue with Neil Peart may be politics. It might also be what to
some is is his elaborate style teading some to conclude that he is
is technically great but lacking the ability to play space (I'm sure
any musicians here will know what I mean). It could also be that his
style was a significant contribution to the early, distinctive Rush.
None of those things make him 'outstanding' and none make him the
'best' but the fact you don't like his style or his politics don't
necessarily demean him either. If he adds to the music then he's
great. If he doesn't then he's not. Over-simplistic perhaps but it's
easier to live with than concepts of 'best' etc. We'll probably all
have different views on what does and doesn't add to the music. C'est
la vie.
1) I nominate Benny Benjamin; Uriel Jones and 'Pistol' Allen - the
Motown drummers. Three different styles. Technically there are plenty
who could out-whatever them but that's not the point. Ultimately,
it's what they give the song that matters. For the same reason, have
a listen to Jerry Harrison on Fear Of Music by Talking Heads. An
entire album without a drum roll and yet... Clem Burke on Eat To The
Beat (and live); Jim Keltner (much overlooked man of great taste and
restraint).
2) If I was aware of the politics of musicians before I bought their
music I wonder if I would have ever started a collection at all?
3) The issue with Neil Peart may be politics. It might also be what to
some is is his elaborate style teading some to conclude that he is
is technically great but lacking the ability to play space (I'm sure
any musicians here will know what I mean). It could also be that his
style was a significant contribution to the early, distinctive Rush.
None of those things make him 'outstanding' and none make him the
'best' but the fact you don't like his style or his politics don't
necessarily demean him either. If he adds to the music then he's
great. If he doesn't then he's not. Over-simplistic perhaps but it's
easier to live with than concepts of 'best' etc. We'll probably all
have different views on what does and doesn't add to the music. C'est
la vie.
Posted on: 04 February 2004 by Mike in PA, USA
I think Steve Smith plays very well.
Posted on: 04 February 2004 by Rasher
Dave Ghohl is a wonderful rock drummer. A bit of a multi talent really. Awesome.