Naim Valves
Posted by: Rockingdoc on 18 June 2001
In a previous life I was a bass-player (well I still am, but I used to get paid for it). At the time a company called Trace Elliot ruled the world of bass amplification with their clean, fast, punchy solid-state amps.
At a big conference I asked the directors of Trace Elliot if they would build a valve amp, and they replied never as the "distorted" sound of valves had no place in bass amplification. A few years later under the pressure of a change in fashion (back to the wonderful Ampeg SVT) they introduced a whole range of valve amps.
It is easy to accept that an instrument amplifier is part of the sound creation and not meant to be a "wire with gain", but I don't believe that any hi-fi system comes even close to a "wire with gain" either. We all choose our systems for the sound they make rather than the sound they reproduce.
I have two systems; one all valve and one all trannies, and I choose the tube room sometimes for a certain mood, with the trannie room for a different mood. Neither is "better".
About ten years ago I asked some represetatives from Naim if they would consider making valve amps, and they wouldn't even take the question seriously. My impression now is that the trend towards valves in high-end hi-fi continues to grow. Could the market shift enough for Naim to build one?
At a big conference I asked the directors of Trace Elliot if they would build a valve amp, and they replied never as the "distorted" sound of valves had no place in bass amplification. A few years later under the pressure of a change in fashion (back to the wonderful Ampeg SVT) they introduced a whole range of valve amps.
It is easy to accept that an instrument amplifier is part of the sound creation and not meant to be a "wire with gain", but I don't believe that any hi-fi system comes even close to a "wire with gain" either. We all choose our systems for the sound they make rather than the sound they reproduce.
I have two systems; one all valve and one all trannies, and I choose the tube room sometimes for a certain mood, with the trannie room for a different mood. Neither is "better".
About ten years ago I asked some represetatives from Naim if they would consider making valve amps, and they wouldn't even take the question seriously. My impression now is that the trend towards valves in high-end hi-fi continues to grow. Could the market shift enough for Naim to build one?