Music - Art or Museum

Posted by: Mat Cork on 11 March 2009

MikeS has started some superb threads...and has illuminated my understanding of classical music (a genre which has provided us with some lovely tunes, and one I truly love).

Others have ralroaded discussions in what I consider to be an insecure and blinkered direction. Each genre offers something unique, but does not offer everything - claiming they do, to me smacks of some kind of football club like loyalty. Loyalty to me, is a poor virtue in many things.

So what are your thoughts on where music is going? Classical seems sacrosanct from criticism on here in some quarters - but is it still art? Are all orchestra's not merely covers bands, no different to Bjorn Again, Think Floyd...trotting out other peoples music with variations. Is another take by Clapton on the songs of Robert Johnson art, or just keeping something alive in a synthetic way?

I'm talking about music to inspire as art - not to listen to all the time, I still want some 'safe' stuff, even if I don't think it's 'art'. Surely art, needs to tear the place apart, forget the rules, forget about 'in tune', forget about 'grammar' forget about 'morals, forget about standard progressions'?

For me, some music still does this, rock music very rarely these days, jazz maybe sometimes, Classical not much since John Cage, but the experimental still exists. I want my music to destroy the structures it's supposed to be built on.

As the palestinian kid said on CNN when questioned why he threw petrol bombs - 'the city looks so pretty when it burns' - absolutely my man, absolutely.
Posted on: 12 March 2009 by Mat Cork
What you describe, so well, George is one of the wonders of classical...that artists have great discipline and technical skill. Genuinely great artists doubtless add their signature to some degree. I'm not denying that in any way George...and I'm not saying it's not wonderful. I'm simply saying it is not in any way as creative a process as a lot of experimental music, music that pushes boundaries. That is what I'm questioning here.

There is a notion, that we defend what we love in the face of all else. I love my Naim, but I don't think it does absolutely everything better than a Krell. It's tempting to defend the Naim in the face of all enquiry, but it doesn't make it right. If you see what I mean. My wife is beautiful, and extremely bright, but it would be foolish of me to argue she's a great cook (possibly more foolish to suggest she's not mind you).

I love experimental electronic music George, but it will never move me emotionally like Brahms violin concerto. It's a horses for courses thing. I just believe, no horse wins on every course.

Nice talking to you.
Posted on: 12 March 2009 by u5227470736789439
On your wife, best be kind about her cooking!

As ever it was is always the case that the performing artist, must be a team player, and the captain is always the composer!

... but an inspired captain with a dull or selfishly idividualistic team is onto a looser!

As for liking all sorts of styles, I agree.

Though no style of music consistently pleases me like classical, then you may note the occasional stray into other fields for me.

One of my favourite songs is "Nothing Else Matters." In a manner it does not really matter to me what the "matter that matters" in the song really is, because the song moves me and has a very personal resonance which on the right or wrong day can reduce me to tears. It is almost too painful to me sometimes, that song. And I love the version by Apolyptica perhaps even better than the original from Metallica.

But I listen carefully to quite lot of music, when others have it playing in the back ground I listen carefully to the music, which the people replaying it seem to treat as aural wall paper!

I do find too much music is tiring.

Mostly two - or at most four - hours a day is my maximum!

ATB from George