Removing "***" notes
Posted by: syd on 01 November 2003
Hi All
Yesterday I finally got around to giving the LP12 a good sorting out. The usual things such as VTA,bias settings etc. Then I decided to remove the hardboard base as I've read a lot of good things about this on numerous threads and with the lingo It's no longer so dangerous. I cut small pieces of hardboard to keep the feet level and set it up on the target wall stand and got it nice and level. What a revelation. Much more communicative, quieter silences, better defined Bass and cleaner vocals.Soundstage ls much improved and overall musicality a step up. Today I started to listen to some old LPs which I never got on with before. You know the types. Poor pressings, coloured vinyl, ultra thin and stuff obviously recorded in "Home Studios". I was amazed at how much better they sounded than when I first got them in the late Eighties and on much the same sistem (LP12,Valhalla,Ittok II,Asaka,32.5,HI,250,NACA4 and Saras.) The pressings sound much cleaner for one thing and I attribute this mainly to the removal of the Base as general tidying up of the LP12 hasn't had this effect before. The LPs get pulled out every now and then and given a blast but replaced after the first couple of tracks.
General Question. Can anyone explain why the removal of the baseboard has such a large and fundemental effect on the sound of the Linn? If this type of improvement came from, say, a £300-£500 headamp I would consider it a sum well spent.
Yours in Music
Syd
Yesterday I finally got around to giving the LP12 a good sorting out. The usual things such as VTA,bias settings etc. Then I decided to remove the hardboard base as I've read a lot of good things about this on numerous threads and with the lingo It's no longer so dangerous. I cut small pieces of hardboard to keep the feet level and set it up on the target wall stand and got it nice and level. What a revelation. Much more communicative, quieter silences, better defined Bass and cleaner vocals.Soundstage ls much improved and overall musicality a step up. Today I started to listen to some old LPs which I never got on with before. You know the types. Poor pressings, coloured vinyl, ultra thin and stuff obviously recorded in "Home Studios". I was amazed at how much better they sounded than when I first got them in the late Eighties and on much the same sistem (LP12,Valhalla,Ittok II,Asaka,32.5,HI,250,NACA4 and Saras.) The pressings sound much cleaner for one thing and I attribute this mainly to the removal of the Base as general tidying up of the LP12 hasn't had this effect before. The LPs get pulled out every now and then and given a blast but replaced after the first couple of tracks.
General Question. Can anyone explain why the removal of the baseboard has such a large and fundemental effect on the sound of the Linn? If this type of improvement came from, say, a £300-£500 headamp I would consider it a sum well spent.
Yours in Music
Syd