What are you listening to right now? (VOL III)

Posted by: Adam Meredith on 09 October 2008

VOL II - http://forums.naim-audio.com/eve/forums/a/tpc/f/38019385/m/3112927317

VOL I - http://forums.naim-audio.com/eve/forums/a/tpc/f/38019385/m/6532968996
Posted on: 24 November 2008 by Huwge
Started last night, finished this morning - has been a real grower this one



Now an old fave:

Posted on: 24 November 2008 by Mike7
Tangerine Dream - live in Brussels 76

again!
Posted on: 24 November 2008 by MilesSmiles
Posted on: 24 November 2008 by MilesSmiles


An amazing series of historic blues recordings. Can't get enough of it, the French Saga label did a fine job selecting these recordings IMHO.

Part I. 40’s Blues and Gospel from the Soul
Part II. 50’s Rhythm & Blues

The music called soul was born out of a confrontation between the blues experience and the spirituality of gospel. But before Ray Charles and Sam Cooke became the genre’s official godfathers, female voices had already lit the fuse to reconciliation between the sacred and the profane. That gave us such sacred divas as Sister Rosetta Tharpe, Mahalia Jackson and Wynona Carr, whose influence over Aretha Franklin was decisive. In the world of song, two major trends accompanied this movement: propelled by big band swing, Nellie Lutcher and Ella Johnson, Julie Lee and Myra Taylor made similar experiments, whilst Dinah Washington, Big Mama Thornton, LaVern Baker, Ruth Brown and Little Esther Phillips gave a quasi-mystic colour to their blues. Taking example from these exceptional singers, soul music would soon unveil all the diversity of its Black soul.
Posted on: 24 November 2008 by MilesSmiles


Playing a guitar with the aid of a bottleneck (or slide) is one of the blues’ essential traits. In Chicago, this style inspired by the great Hawaiian guitarists was dominated head and shoulders by Tampa Red (nicknamed “The Guitar Wizard”). His popular success was considerable for over three decades, and his velvet touch, evocative and languid, influenced slide guitarists (who all more or less emulated him), from Robert Nighthawk to Muddy Waters. One of them, Elmore James, would develop this style even further and, in turn, become a model for many musicians in both blues and rock.
Posted on: 24 November 2008 by Mike7
Posted on: 24 November 2008 by Mike7
Posted on: 24 November 2008 by Huwge
Posted on: 24 November 2008 by Mike7
Posted on: 24 November 2008 by BigH47
Posted on: 24 November 2008 by Huwge
Posted on: 24 November 2008 by Mike7


Venus in Furs - i love the violins..
Posted on: 24 November 2008 by Mike7


On vinyl..
Posted on: 24 November 2008 by mikeeschman
Beethoven Symphony No. 9 - Reiner/Chicago
Posted on: 24 November 2008 by Huwge
Two new ones that you will enjoy, Haim: Maxim Rysanov (Brahms) and John Holloway (J-M Leclair), respectively.

Posted on: 24 November 2008 by BigH47
Posted on: 24 November 2008 by Huwge
Probably the last one until the evening's TV viewing is done, delivering just the right measure of warmth.

Posted on: 24 November 2008 by BigH47
Posted on: 24 November 2008 by Lontano
5 Disc set of Robert Wyatt Ep's
Posted on: 24 November 2008 by Lontano
The Fireman - Electric Arguments
Posted on: 24 November 2008 by BigH47
Posted on: 24 November 2008 by mikeeschman
beethoven symphony no. 7 reiner/chicago
Posted on: 24 November 2008 by Klout10
Posted on: 24 November 2008 by 555
Posted on: 24 November 2008 by ewemon
Bob Marley- Live at the Boarding House San Francisco 7/7/75