The authoritarian principle

Posted by: graphoman on 21 October 2009

This time I do definitely not mention the exact phenomenon since, again, I want to stick to theory. (Recent time I did not succeed in it.)

In a discussion Mike-B wanted to prove he is right because he has been an engineer and university lecturer. In my topic “Basic Hi-Fi” I tried to show the irrelevance of this view.

Now Mike gave us one more evidence why he felt he was authentic to judge in matters audio:

“I may have just retired but can still hear 16kHz and the run out track on Pepper, I have always been a practising musician, less these days, but in the past I was able to differentiate the make of most instruments, age strings, sing an A in the absence of an oboe etc... That's just some of the non-science reasons why I think this issue is (maybe) 99% psychosomatic.”

I have never been a musician, let alone blessed with “absolute hearing”. However, my brother (Ferenc Darvas) is one of the best and most accepted theatre musicist, componist and pianist in Hungary, active almost in every field, once a film music of his was nominated in Paris (he did not win), and as for “serious music”, in his younger years he had even been lecturer on the Franz Liszt Music Academy. (Soon he recovered from this disease.) Got “absolute hearing” from an age of 10, of course.

You can imagine, such a golden ear would have come handy for me, once-editor of a hifi mag, allways in need of some jury to be trusted. Unfortunately, my brother - as we tried X time - had not the least talent to judge on audio phenomema. He was not even able to distinguish between, say, a Naim and a Hong-Kong cheapy. The “inner hearing ablility” prevented him to concentrate on real audio, just to the texture of music.

Since the editorial office was identic with my humble home, lots of the best hungarian music critics were permanently visited me and many a time a tried their abilities in our hobby. To make a long story short, it was the Impossibility itself.

That time, the most “exportable” musicians of Hungary was the Franz Liszt Chamber Orchestra I has been (and still am) in friendly term with. In a “séance”, concertmaster J.R. and the leader of the second solo K.K. visited me and they tried to tell apart a naim 250 (chrome, of course) from a cheapy model, in blind test. They voted on the latter.

Food for thought.

graphoman
PS. If you want to blame me that referring to my once-carreer I suffer in the same disease of authoritanism I should refuse it. The position/job of editors is definitely not coupled to abilities others than journalism. I never had golden ears. My job had never called for more than realising, collecting and publishing news, views, tendences.
Posted on: 21 October 2009 by JonR
Lazslo,

To be honest I fail to see the point of this thread other than to make a snide attack at Mike.

If you're going to dwell on the previous experience/profession of a fellow protagonist in an argument over, let's not be coy, cable directionality, the "exact phenonmenon" you're quite obviously referring to, then I think you are on pretty dangerous ground, IMO. After all, by your own admission, you are a journalist by profession, whereas Mike is a scientist. If I, as a layman, were to approach both of you and ask for your views on whether or not cables are directional, and then ask for proof, whose answers do you think I am more likely to give credence to?
Posted on: 21 October 2009 by musfed
A Dutch internet hifi magazine has a returnig article where they interview musicians. One of the topics is hifi. Which they usually do not own themselves apart from the usual radio or small main brand Japanese set. For example if I remember correctly, Luka Bloom has a stereo in his garage with only one speaker working.
Posted on: 21 October 2009 by Geoff P
If you are implying that trained musicians with your so called 'authoritarian ear' are not suited to judge subtle music presentation effects in HiFi systems because this maxim applies to your brother you are being silly.

Other than that I can see no point to this thread. Especially since your previous subject of cable directionality has been flayed to death, disected and buried. You don't dig up dead bodies.
Posted on: 21 October 2009 by Mike-B
JonR, thanks for your comments.
I do not know how this kicked off and am at a total loss to understand what is winding his spring up. I for one will be ignoring in future and will refuse to engage until the hostility subsides. It is – lets us say – not in the spirit of this forum which is I believe is intended to be a friendly exchange of news, information, ideas and advise between enthusiasts with a common interest. It is to be expected that people disagree and push their own opinions in adult level discussion, this is what these forums are all about (aren’t they?)

It all originated (I think) when I put my opinion in on the subject of cable directivity.
As I, and all engineers, the proposition is based on what we (individually) know on the subject and contains known facts and theory that have credence. I tried to tease out some real information and not subjective beliefs (albeit genuinely & some strongly held beliefs). I put forward some ideas on what I believe might be a possible cause for those who hear a difference.

I am still waiting for any information other than unsubstantiated writings and/or for someone to volunteer to take part in or show me the results of a substantiated repeatability test. If I can get such material that flies in the face of all I believe to be, then I will genuinely pursue and try somehow to investigate. I used to have a few million quids worth of R&D machinery to do such work, but you never know, some interesting projects have come out of back yard sheds & garages.

And thanks for upgrading me to a scientist; I am a humble engineer.
Engineers prove scientist to be wrong. Winker
Posted on: 21 October 2009 by Lyubo
Heifetz called high fidelity and stereo "high phooey and hystereo". Big Grin
Posted on: 21 October 2009 by Andy1912
Music in general is considered an art not a science and it might be best just to stick with this view regarding music reproduction. One of the helpful results is that we can then use terms such as "different" rather than "better" and personal preference can exist comfortably. This forum is littered with people claiming how helpful it is to audition and I have personally heard very expensive audio alongside much cheaper examples and preferred the latter.

As an aside I once emailed Alan Shaw who owns and designs all Harbeth speakers about the quality of different ways of connecting the speaker cables to the speaker posts. He wasn't in the slightest bit interested. I am also aware that he tests all his speakers on cheapo-amps.....

Best

Andy
Posted on: 21 October 2009 by mikeeschman
I would like to participate in this thread, but I can't find a handle to grab hold of.

Still, for the record, if MikeB is a practicing musician with good skills, that does add to his credibility.
Posted on: 21 October 2009 by BigH47
I'm glad you included "good skills" in your post.
Seems too many so called musicians without IMO.

Not for the first time here I can't tell WTF they are talking about.
Posted on: 21 October 2009 by Rockingdoc
Musicians rarely hear themselves or their ensembles from the position of the audience, so have completely skewed ideas of what sounds right apart from their own little musical bubble. Obviously a pianist is hearing a more accurate representation than say a violinist with the instrument stuffed in their ear with bone conduction to boot, but neither have the neccessary distance of the audience. Musicians are usually experienced at judging how the music is going, not the overall sound.
Posted on: 21 October 2009 by mikeeschman
Most musicians I know spend a decent amount of time in the audience, and know the difference.
Posted on: 21 October 2009 by Mike-B
quote:
if MikeB is a practicing musician with good skills

I wish .... Frown A long time ago maybe, but these days a blow with friends in pubs doesn't count.
Rockindoc is right, musicians can delude themselves from their bubble, But I have to defend formal (classical) training as the skill of listening to all around you and balancing sound as would a conductor with various size ensembles was all part of the grading structure. e.g. Air on the G String - in pianissimo - played as an orchestra or large ensemble can only give "that" magic if everyone has all ears open.
Posted on: 21 October 2009 by mikeeschman
quote:
Originally posted by Mike-B:
I wish .... Frown A long time ago maybe, but these days a blow with friends in pubs doesn't count.


It's like riding a bicycle :-)

Well, not quite. But you don't lose everything when you retire from playing.
Posted on: 21 October 2009 by Mat Cork
quote:
Originally posted by Mike-B:
...these days a blow with friends in pubs doesn't count.

Good to see the musical community is still very liberal.
Posted on: 21 October 2009 by Exiled Highlander
Mikeeschman
quote:
Hide Post
Most musicians I know spend a decent amount of time in the audience, and know the difference.
So, am I correct in thinking that in your view, practising and well skilled musicians are in a better position to comment on the qualities of Hi-Fi systems?

Is that what you are saying?

Cheers

Jim
Posted on: 21 October 2009 by Mat Cork
Surely we must all decide for ourselves what's best for us in terms of hifi. I am the finest judge of hifi anywhere in my own living room (or I'm at least in the top 2).
Posted on: 22 October 2009 by Bruce Woodhouse
Ultimately we surely all agree that what can be measured (ie a scientific analysis) of a musical reproduction is only a small part of the story of how a piece is appreciated by the listener. Similarly a skilled technical assessment by an experienced musician (or recording engineer) may be 'correct'. It just may not be that relevant to me.

Music is art as well as science. We own a large abstract painting, something that has given us delight for several years. My brother is a scientist with little emotional connection to art. On seeing the picture he went straight up to the surface and told me how he thought it had been made. His assessment is just as valid but has nothing to do with how I appreciate the picture.

I've not seen the disputed thread but each to his own. I guess a musician might seek different attributes to a HiFi reviewer. They might apprecaite music played on their 'own' instrument at a deeper and different level yet. All this is valid, it just is not the whole story.

Bruce
Posted on: 22 October 2009 by graphoman
I don’t really know how to put it to be understood.

1. Hi-Fi is out of the scope of science. Reasons are not theoretical but practical, of course. That’s why most people skilled in elektro-acoustics are hopelessly limited to accept phenomena that are based on practice.

2. The more talented a musician the worst audio judgement should be expected from him. Remember the words of Herbert von Karajan in 1983: “CD is simply perfect.”

3. I do not deny both Albert Einstein and his cousin Alfred Einstein (one of the best musicologists in those times) might be able to make right judgement in audio. I only think they would have no right to play out the card of authoritarian principle.

graphoman
Posted on: 22 October 2009 by Bruce Woodhouse
Graphoman

Forgive me but is your last post not 'authoritarian' in its very didactic nature?

We all apprecaite music differently. All appreciation is valid. Leave it at that!

Bruce
Posted on: 22 October 2009 by mikeeschman
quote:
Originally posted by graphoman:
I don’t really know how to put it to be understood.

1. Hi-Fi is out of the scope of science. Reasons are not theoretical but practical, of course. That’s why most people skilled in elektro-acoustics are hopelessly limited to accept phenomena that are based on practice.

2. The more talented a musician the worst audio judgement should be expected from him. Remember the words of Herbert von Karajan in 1983: “CD is simply perfect.”

3. I do not deny both Albert Einstein and his cousin Alfred Einstein (one of the best musicologists in those times) might be able to make right judgement in audio. I only think they would have no right to play out the card of authoritarian principle.

graphoman


I think you got it wrong on all three of theses. You are in an area where there are no verifiable absolutes.
Posted on: 23 October 2009 by JeremyB
quote:
I don’t really know how to put it to be understood.

1. Hi-Fi is out of the scope of science. Reasons are not theoretical but practical, of course. That’s why most people skilled in elektro-acoustics are hopelessly limited to accept phenomena that are based on practice.

2. The more talented a musician the worst audio judgement should be expected from him. Remember the words of Herbert von Karajan in 1983: “CD is simply perfect.”

3. I do not deny both Albert Einstein and his cousin Alfred Einstein (one of the best musicologists in those times) might be able to make right judgement in audio. I only think they would have no right to play out the card of authoritarian principle.

graphoman

Graphoman,

I believe a few of us sense that you are frustrated because you have some insight you want us to understand and no-one is getting it.

Are you proposing a new discipline that is neither strongly based in science nor music? Is the goal of the new discipline to produce better hifi systems? If so, what sort of people will appreciate these new hifi systems, assuming that sceintists and musicians are excluded by definition?
Posted on: 23 October 2009 by graphoman
Mike,

“You are in an area where there are no verifiable absolutes.”

Sorry but I don’t understand even a word of it.

Bruce,

“Forgive me but is your last post not 'authoritarian' in its very didactic nature?”

May I repeat my PS of my starting lines:
If you want to blame me that referring to my once-carreer I suffer in the same disease of authoritanism I should refuse it. The position/job of editors is definitely not coupled to abilities others than journalism. I never had golden ears. My job had never called for more than realising, collecting and publishing news, views, tendences.

Kind regards,

graphoman
Posted on: 23 October 2009 by Phil Cork
(sigh)

Is this thread still running....
Posted on: 23 October 2009 by graphoman
Jeremy,

“assuming that sceintists and musicians are excluded by definition”

Nobody is excluded by definition. Nobody is authority by definition.

graphoman
Posted on: 23 October 2009 by Phil Cork
quote:
Originally posted by Phil Cork:
(sigh)

Is this thread still running....