What are you listening to and WHY might anyone be interested? (Vol.IX)

Posted by: Richard Dane on 01 January 2013

With 2013 upon us, it's time to start a fresh thread.  I've gone back to an earlier thread title because often the "why" is the most interesting part of the post.

Anyway, links:
Volume VIII: https://forums.naimaudio.com/di...nt/12970396056050819
Volume VII: https://forums.naimaudio.com/di...6878604287751/page/1
Volume VI: https://forums.naimaudio.com/di...ent/1566878604097229
Volume V: https://forums.naimaudio.com/di...ent/1566878605140495
Volume IV: https://forums.naimaudio.com/di...ent/1566878605795042
Volume III: https://forums.naimaudio.com/di...ent/1566878607309474
Volume II: https://forums.naimaudio.com/di...ent/1566878606245043
Volume I: https://forums.naimaudio.com/di...ent/1566878607464290

Posted on: 08 March 2013 by Florestan

Johann Sebastian Bach:  David Fray (Piano) 

 

Partita no 2 in C minor, BWV 826
Toccata in C minor, BWV 911

Partita no 6 in E minor, BWV 830 

Very nice in David Fray fashion of course.  Recorded in the Notre-Dame du Liban church in Paris.  The sound quality thus has that airy, open feeling and perfectly suitable for this music - with a big nod to reverence and the peace and joy of this music.   Of course, this is completely the opposite feeling one gets from listening to the same music, at least for me, that is forced to sound "like two skeletons copulating on a corrugated tin roof."   Thank goodness for small mercies. 
 
 


Posted on: 08 March 2013 by Haim Ronen
Originally Posted by Florestan:

Johann Sebastian Bach:  David Fray (Piano) 

 

Partita no 2 in C minor, BWV 826
Toccata in C minor, BWV 911

Partita no 6 in E minor, BWV 830 

Very nice in David Fray fashion of course.  Recorded in the Notre-Dame du Liban church in Paris.  The sound quality thus has that airy, open feeling and perfectly suitable for this music - with a big nod to reverence and the peace and joy of this music.   Of course, this is completely the opposite feeling one gets from listening to the same music, at least for me, that is forced to sound "like two skeletons copulating on a corrugated tin roof."   Thank goodness for small mercies. 
 
 

 

Doug,

 

David Fray is going to give a concert at the Chicago Symphony in May playing Mozart (piano concerto #25), Bartok and work of Mason Bates (2006).

Posted on: 08 March 2013 by matt podniesinski

Posted on: 08 March 2013 by Haim Ronen

Posted on: 08 March 2013 by Florestan
Originally Posted by Haim Ronen:
Originally Posted by Florestan:

 

Doug,

 

David Fray is going to give a concert at the Chicago Symphony in May playing Mozart (piano concerto #25), Bartok and work of Mason Bates (2006).

Haim,

I've said it before but it bares repeating from time to time.  "It's just not fair!"  I hope you are taking advantage of some of these opportunities?  Of course, this explains why I have to buy so much music....

Posted on: 08 March 2013 by Florestan

Franz Schubert:  Maria-Joao Pires (Piano) 

 

Piano Sonata No. 16 in A minor, D 845

Piano Sonata No. 21 in B flat major, D 960


This is just lovely.  Pires knows how to only focus on beauty of the music, the spiritual aspects and a wonderfully warm tone.  She isn't in a hurry and that suites me just fine.  It's been around 16 years since her last Schubert outing with Le Voyage Magnifique and it has been well worth the wait.  That album was dedicated to Sviatoslav Richter who died that year on August 1st. 


Posted on: 08 March 2013 by Haim Ronen
Originally Posted by Florestan:
Originally Posted by Haim Ronen:
Originally Posted by Florestan:

 

Doug,

 

David Fray is going to give a concert at the Chicago Symphony in May playing Mozart (piano concerto #25), Bartok and work of Mason Bates (2006).

Haim,

I've said it before but it bares repeating from time to time.  "It's just not fair!"  I hope you are taking advantage of some of these opportunities?  Of course, this explains why I have to buy so much music....

Doug,

 

I don't know about Fray.. We saw last Sunday Paul Lewis playing the three late sonatas of Schubert and the next guy on my list is definitely Andre-Marc Hamelin. Pollini is also playing the first Brahms piano concerto. He is in such high demand that he is performing three nights so you can pick the one that is convenient for you.

Posted on: 08 March 2013 by Haim Ronen
Originally Posted by Florestan:

Franz Schubert:  Maria-Joao Pires (Piano) 

 

Piano Sonata No. 16 in A minor, D 845

Piano Sonata No. 21 in B flat major, D 960


This is just lovely.  Pires knows how to only focus on beauty of the music, the spiritual aspects and a wonderfully warm tone.  She isn't in a hurry and that suites me just fine.  It's been around 16 years since her last Schubert outing with Le Voyage Magnifique and it has been well worth the wait.  That album was dedicated to Sviatoslav Richter who died that year on August 1st. 


Now that looks real good. At times it felt like Paul Lewis was in overdrive while playing the D960.

Posted on: 08 March 2013 by Florestan

Forgotten Melodies:  Polina Leschenko (Piano)

 

Valse 'Amour', Op. 2 by Mischa Levitzki 

Arabesque valsante, Op. 6 by Mischa Levitzki 

Piano Sonata no 2 in B flat minor, Op. 36 by Sergei Rachmaninov (Horowitz version)

Forgotten Melodies Cycle 1, Op. 38 by Nikolai Medtner 

 

Nothing I could say would come close to explaining how Polina Leschenko's playing affects me.  She leaves me totally dumbfounded as I sit goggled throughout and afterward by the effect as if intoxicated beyond measure and I can't make the right words come out of my mouth.  Well, there are no words to suffice great music and playing.  Before anyone gets too excited though I should probably just plainly state, don't worry.  This is a very personal thing and it only applies really in my strange, unique world maybe.   It just happens to have hit a nice nerve with me. I have listened to and heard a lot of music so this tends to push you somewhere eventually, looking for something off the well beaten paths of all the greats of the past century.  When I listen, I often - actually, probably always - have to relate what I hear and imagine how this is accomplished at the keyboard.  In my mind she is one special player but then an artist like this wouldn't be suited to those who would only seek one or two recordings of anything.  There are too many things I'd like to talk about that just give me goosebumps.  Polina Leschenko makes a nice contrasts for someone who might have 20 or 30 recordings already of the same thing and don't mind being pushed to the edge from time to time.

 

This playing simply takes my breath away.  It is unique.  It has character.  It is fresh.  It is warm and poetic and at once aggressive and masculine.  It is soft, quick, and clearly voiced.  It opens up new worlds for me and whether you like her style or not it seems to be addictive for me to feel someone else's drive and spontaneity and exotic ideas rather than someone who can just play the notes really well.   

 

This will be a great weekend now.

Doug

 

Posted on: 08 March 2013 by Haim Ronen
Originally Posted by Florestan:

 

 

This will be a great weekend now.

Doug

 

 

Much earlier, Leschenko on Russian TV:

 

http://www.youtube.com/watch?v=6JWNJy-Z-xc

Posted on: 08 March 2013 by joerand

 

Pink Floyd.  The Final Cut.  2004 CD remaster.  This one has been growing on me lately.  Fifth night in a row listening to it.  I think this 2004 version has the best SQ of all my PF cds.

Posted on: 08 March 2013 by kuma
 
Originally Posted by Florestan:
Originally Posted by Haim Ronen:

 

Doug,

 

David Fray is going to give a concert at the Chicago Symphony in May playing Mozart (piano concerto #25), Bartok and work of Mason Bates (2006).

Haim,

I've said it before but it bares repeating from time to time.  "It's just not fair!"  I hope you are taking advantage of some of these opportunities?  Of course, this explains why I have to buy so much music....

Doug,

 

Book a flight and come over! 

Posted on: 08 March 2013 by kuma
 
Originally Posted by Haim Ronen: Pollini is also playing the first Brahms piano concerto. He is in such high demand that he is performing three nights so you can pick the one that is convenient for you.

Haim,

 

Pollini is playing all Chopin program on Apr.21 and all Beethoven Sonata program on May 5th at The Carnegie.

 

Tempting but good seats are gone tho. 

 

ALL-BEETHOVEN PROGRAM

  • Sonata No. 8 in C Minor, Op. 13, "Pathétique"
  • Sonata No. 21 in C Major, Op. 53, "Waldstein"
  • Sonata No. 24 in F-sharp Major, Op. 78
  • Sonata No. 23 in F Minor "Appassionata"

Program

  • CHOPIN Prelude in C-sharp Minor, Op. 45
  • CHOPIN Ballade in F Major, Op. 38
  • CHOPIN Ballade in A-flat Major, Op. 47
  • CHOPIN Four Mazurkas, Op. 33
  • CHOPIN Scherzo No. 3 in C-sharp Minor, Op. 39
  • DEBUSSY CLAUDE DEBUSSY Préludes, Book I
Posted on: 08 March 2013 by kuma



Roland Hanna: GERSHWIN CARMICHAEL CATS

A wonderful recommendation from Haim.

Posted on: 09 March 2013 by Bert Schurink

Nice start of the Saturday Morning:

 

Posted on: 09 March 2013 by Aleg

 

young star ...

Posted on: 09 March 2013 by elkman70

Posted on: 09 March 2013 by EJS

 

Cheers,

 

EJ

Posted on: 09 March 2013 by elkman70

Posted on: 09 March 2013 by elkman70

First listen and truly dreadful production in my opinion.

Posted on: 09 March 2013 by Bert Schurink

Listening a lended CD from a friend:

 

Posted on: 09 March 2013 by EJS

 

Cheers,

 

EJ

Posted on: 09 March 2013 by Bert Schurink

Very delicate and especially nice at the beginning in the high registers:

 

 

 

and I also would prefer it over another contender:

 

Posted on: 09 March 2013 by GraemeH

 

Everyone out....LOUD time!

Posted on: 09 March 2013 by Bert Schurink

I like the voice of Renee but the chosen tempo for the Four Last Songs is just too fast....