What are you listening to and WHY might anyone be interested? (Vol.IX)

Posted by: Richard Dane on 01 January 2013

With 2013 upon us, it's time to start a fresh thread.  I've gone back to an earlier thread title because often the "why" is the most interesting part of the post.

Anyway, links:
Volume VIII: https://forums.naimaudio.com/di...nt/12970396056050819
Volume VII: https://forums.naimaudio.com/di...6878604287751/page/1
Volume VI: https://forums.naimaudio.com/di...ent/1566878604097229
Volume V: https://forums.naimaudio.com/di...ent/1566878605140495
Volume IV: https://forums.naimaudio.com/di...ent/1566878605795042
Volume III: https://forums.naimaudio.com/di...ent/1566878607309474
Volume II: https://forums.naimaudio.com/di...ent/1566878606245043
Volume I: https://forums.naimaudio.com/di...ent/1566878607464290

Posted on: 13 October 2013 by Wugged Woy
Originally Posted by EJS:

 

Next: Perahia, with an impressively structured and crystal clear reading.

 

EJ 

 

 

 

  

EJ, if you can track down this version, Ronan O'Hora on the Tring label, his d.960 is well worth the listen !! (Dare I suggest  a look at a well known, rain-forest site ).

Product Details

Posted on: 13 October 2013 by Lloydy

Posted on: 13 October 2013 by Lloydy

Posted on: 13 October 2013 by Geofiz

Perfect for a mid-day Sunday with a light rain falling.

 

Posted on: 13 October 2013 by Bert Schurink
Originally Posted by EJS:

 

Next: Perahia, with an impressively structured and crystal clear reading.

 

EJ

 

 

 

 

I would be interested now as you have listened to so many - which one you now prefer of this sonata ?

Posted on: 13 October 2013 by EJS

A rather unique 'filler' to Goerne's Schubert Edition Vol.6: Christoph Eschenbach's second recording of the B flat sonata. It is probably the most 'romantic' of the recordings I own, with tempi and dynamic range self-consciously pulled to the stretching point. I love this approach, if a pianist manages to hold the structure together. Eschenbach is no Ivo Pogorelich or David Fray, but he does all right. Maybe not a top contender, but pretty good and worth a spin.

 

EJ

Posted on: 13 October 2013 by patk

One more time ...

 

Posted on: 13 October 2013 by MDS

Time for my weekly dose. Ahhh!

Posted on: 13 October 2013 by EJS
Originally Posted by Bert Schurink:
Originally Posted by EJS:

 

Next: Perahia, with an impressively structured and crystal clear reading.

 

EJ

 

 

 

 

I would be interested now as you have listened to so many - which one you now prefer of this sonata ?

Good question. During the last two days I've listened to and posted on all the D.960s I have in my collection, save Brendel's last recording which I never much cared for. If I really had to make a choice, I'd cheat and take Kovacevich and Andsnes. And get Perahia, Pollini and Pires at the earliest opportunity. And then I'd miss Uchida's darkness and Kempff's steady left hand, and get them as well... And Lewis...

 

EJ

Posted on: 13 October 2013 by Haim Ronen

http://player.ecmrecords.com/g..._broken_dreams/media

Posted on: 13 October 2013 by Geofiz

More Cello music for a lazy Sunday

Posted on: 13 October 2013 by Quad 33

Relaxing music from this afternoon....

 

All on vinyl

Posted on: 13 October 2013 by patk

 

First listen. 

Posted on: 13 October 2013 by ewemon

Posted on: 13 October 2013 by ewemon
Originally Posted by patk:

Smokestack Lightning /The Complete Chess Masters 1951-1960

 

 

 

Posted on: 13 October 2013 by Lloydy

Posted on: 13 October 2013 by ewemon

Posted on: 13 October 2013 by ewemon

Posted on: 13 October 2013 by ewemon

Posted on: 13 October 2013 by ewemon

 

That was this afternoon listening.

Posted on: 13 October 2013 by ewemon

Posted on: 13 October 2013 by Bert Schurink

I will now listen to the 5th CD of the set - so far it has been a delight and I can recommend this set without any reservations...

 

Posted on: 13 October 2013 by Florestan
Originally Posted by Haim Ronen:

Doug, you make me feel guilty since I have been seriously neglecting all violin musics.

Haim, you have reminded me that this is an album that has been on my wish list for far too long.  Ordered this morning...

Posted on: 13 October 2013 by Florestan

Johann Sebastian Bach:  Michelle Makarski (Violin), Keith Jarrett (Piano) 

 

Sonata for Violin and Harpsichord no 1 in B minor, BWV 1014

Sonata for Violin and Harpsichord no 2 in A major, BWV 1015

Sonata for Violin and Harpsichord no 3 in E major, BWV 1016

Sonata for Violin and Harpsichord no 4 in C minor, BWV 1017

Sonata for Violin and Harpsichord no 5 in F minor, BWV 1018

Sonata for Violin and Harpsichord no 6 in G major, BWV 1019 

 
Curiosity killed the cat.  I need more time to let this sink in but my initial reaction is that the players (honestly, I think Jarrett mostly) is not giving us anything deeper than a from the surface interpretation.  It will please many who want (or expect) only notes from Bach - ( ie. it is viewed sacrilegious to inject any meaning into the music of Bach).  I have my own ideas but I almost always find interpretations grow on me though after time and several more listens and where I finally understand where they are coming from viewed from an observer, not one of assessing right or wrong, for which, in music, this does not exist.

 

Posted on: 13 October 2013 by bishopla
This is a good too.... I have seen Joe Bonamassa live three times and he always plays "Highway to Hell" from this album for a sound check right before he comes on stage...
 
Originally Posted by Lloydy: