What are you listening to and WHY might anyone be interested? (Vol.IX)

Posted by: Richard Dane on 01 January 2013

With 2013 upon us, it's time to start a fresh thread.  I've gone back to an earlier thread title because often the "why" is the most interesting part of the post.

Anyway, links:
Volume VIII: https://forums.naimaudio.com/di...nt/12970396056050819
Volume VII: https://forums.naimaudio.com/di...6878604287751/page/1
Volume VI: https://forums.naimaudio.com/di...ent/1566878604097229
Volume V: https://forums.naimaudio.com/di...ent/1566878605140495
Volume IV: https://forums.naimaudio.com/di...ent/1566878605795042
Volume III: https://forums.naimaudio.com/di...ent/1566878607309474
Volume II: https://forums.naimaudio.com/di...ent/1566878606245043
Volume I: https://forums.naimaudio.com/di...ent/1566878607464290

Posted on: 18 October 2013 by Florestan

Alan Feinberg (Piano) 

 

1.A Sad Pavan for these Distracted Times by Thomas Tomkins 
2.Pavan and Galliard "St. Thomas Wake": Galliard by John Bull 
3.Qui passe for my Lady Nevell, MB 19 by William Byrd 
4.Pavan in the Second Tone by John Bull 
5.Galliard by John Bull 
6.Gloria tibi Trinitas I by John Blitheman 
7.Fantasia by John Bull 
8.In nomine no 9 by John Bull 
9.Canon 4 in 2 by John Bull 
10.The Galliiarde to the Third Pavian  by William Byrd 
11.In nomine no 5 by John Bull 
12.Dutch Dance by John Bull 
13.Fantasia by Orlando Gibbons 
14.Pavan by Orlando Gibbons 
15.Aeterne rex altissime by John Redford 
16.Galliard for Keyboard, MB 129a "Lord Lumley" by John Bull 
17.Fitzwilliam Virginal Book: Ut re mi fa so la by John Bull 
18.Christe redemptor omnium, K 33 by John Bull 
19.Fantasia by John Bull 
20.Bull’s Goodnight by John Bull 
 
As one can see this all just amounts to basically a lot of Bull.  Some interesting stuff and some not so interesting stuff.  Maybe in small doses it is easier.  I can't say that I've ever heard a virginal or am very familiar with very much Elizabethan music so this was an education.  A lovely sounding piano though - (Steinway Model D, s/n 590904).
 
Posted on: 18 October 2013 by Florestan

 

Johannes Brahms:  Hélène Grimaud (Piano), Conductor:  Andris Nelsons, Orchestra/Ensemble:  Vienna Philharmonic Orchestra 

 

Concerto for Piano no 2 in B flat major, Op. 83 
Concerto for Piano no 1 in D minor, Op. 15

 

Of course, I find Hélène Grimaud to be an interesting performer and so it will come as no surprise that I thoroughly enjoyed her latest take on Brahms.  I would never say of anyone though that anything could ever be the last word.  There is no such thing.  I also wonder why Grimaud tends to provoke many.  I'd venture to guess that such views are a little harsh and maybe self fulfilling prophecies.  I like her style and understand what she is doing (which is always interesting in its own way) and so I have enjoyed this recording as I do any of her other recordings.  And those eyes....

 

 

 

 

 

Posted on: 18 October 2013 by Florestan

Antonio Pompa-Baldi (Piano)

 

1.Léocadia: Les chemins de l'amour by Francis Poulenc 

Arranger: Antonio Pompa-Baldi. 
2.Improvisation for Piano no 15 in C minor, FP 176 "Hommage à Edith Piaf" by Francis Poulenc 
3.Hymne à l'amour by Marguerite Monnot  
Arranger: Roberto Piana. 
4.Rosemonde by Francis Poulenc 
Arranger: Antonio Pompa-Baldi. 
5.Un grand amour by Marguerite Monnot 
Arranger: Roberto Piana. 
6.Poems (5) of Max Jacob, FP 59: no 4, Berceuse by Francis Poulenc 
Arranger: Antonio Pompa-Baldi. 
7.Métamorphoses (3): no 1, Reine des mouettes by Francis Poulenc 
Arranger: Antonio Pompa-Baldi. 
8.Métamorphoses (3): no 2, C'est ainsi que tu es by Francis Poulenc  
9.La vie en rose by R. S. Louiguy 
Arranger: Roberto Piana. 
10.Les amants d'un jour by Marguerite Monnot 
Arranger: Roberto Piana. 
11.Poèmes (2) d'Aragon: no 1, C by Francis Poulenc 
Arranger: Antonio Pompa-Baldi. 
12.Paris by André Bernheim 
Arranger: Roberto Piana. 
13.Je sais comment by Julien Bouquet 
Arranger: Roberto Piana. 
14.Mélodies (2) de Apollinaire: no 1, Le pont by Francis Poulenc 
Arranger: Antonio Pompa-Baldi. 
15.Mon légionnaire by Marguerite Monnot 
Arranger: Roberto Piana. 
16.Tel jour, telle nuit: no 7, Je n'ai envie que de t'aimer by Francis Poulenc 
Arranger: Antonio Pompa-Baldi. 
17.C'est à Hambourg by Marguerite Monnot 
Arranger: Roberto Piana. 
18.Chansons gaillardes (8): no 5, Couplets bachiques by Francis Poulenc 
Arranger: Antonio Pompa-Baldi. 
19.Nos souvenirs chantent by Francis Poulenc 
Notes: Arranger: Antonio Pompa-Baldi. 
20.Non, je ne regrette rien by Charles Dumont 
Arranger: Roberto Piana. 
21.Mon Dieu! by Charles Dumont 
Arranger: Roberto Piana. 
22.Chansons polonaises (8): no 2, Le départ by Francis Poulenc 
Arranger: Antonio Pompa-Baldi. 
23.Chansons polonaises (8): no 4, Le dernier mazour by Francis Poulenc 
Arranger: Antonio Pompa-Baldi. 
24.Poèmes (5) de Ronsard: Attributs by Francis Poulenc 
Arranger: Antonio Pompa-Baldi. 
25.Montparnasse by Francis Poulenc 
Arranger: Antonio Pompa-Baldi. 
26.Hyde Park by Francis Poulenc 
Arranger: Antonio Pompa-Baldi. 
27.Parisiana: no 2, Vous n'écrivez plus? by Francis Poulenc 

Arranger: Antonio Pompa-Baldi. 

 

My guilty pleasure this evening- the wonderful melodies of a time long past now.  The piano is the same one from the Bull recording (Steinway Model D, s/n 590904) and so it goes without saying it is a warm and inviting sound.  I guess I liked Tharaud's swinging Paris album so it is natural that I have no Le Boeuf with this one either.  When I need a break from the constant serious music that I listen to I find these albums like a breath of fresh air.

 

Posted on: 18 October 2013 by Haim Ronen

On vinyl.

Posted on: 18 October 2013 by Haim Ronen
Originally Posted by Florestan:

Alan Feinberg (Piano) 

 

 
As one can see this all just amounts to basically a lot of Bull.  Some interesting stuff and some not so interesting stuff.  Maybe in small doses it is easier.  I can't say that I've ever heard a virginal or am very familiar with very much Elizabethan music so this was an education.  A lovely sounding piano though - (Steinway Model D, s/n 590904).
 

Doug,

 

My copy is on its way (ordered it four days ago). The short samples I listened to sounded quite promising.

Posted on: 19 October 2013 by joerand

 

The Steve Miller Band. Brave New World from 1969. On orange label Capitol vinyl. Funky, bluesy rock.  Nice SQ, but would like to find an original issue.

Posted on: 19 October 2013 by Kevin-W

Posted on: 19 October 2013 by Steve C

Psychedelic,Acid,Garage,Space rock.

Monster Magnet-Last Patrol on vinyl. 

Posted on: 19 October 2013 by Quad 33

New this week....One of five from the Blue Note Official Collectors T Shirt & Vinyl Collection.

 

Posted on: 19 October 2013 by Bert Schurink
Originally Posted by Iver van de Zand:
I like her music a lot Bert. Where do you buy her albums, I only was able to find 1 at the stores
Iver
 
Originally Posted by Bert Schurink:

 

I Iver, just checked you are living in Belgium - so I don't know which online possibilities you have available. But here in Germany I just buy the album via amazon.de. I just quikcly checked for you they are also sold through amazon.com and bol.com (I assume bol is also oriented on Belgium).... So I guess that should help you.

Posted on: 19 October 2013 by Bert Schurink

Posted on: 19 October 2013 by Bert Schurink

Posted on: 19 October 2013 by tonym

On vinyl (and a very fine album IMO) George Michael "Listen Without Prejudice Vol. 1" - 

 

Posted on: 19 October 2013 by Kevin-W

Posted on: 19 October 2013 by Quad 33

Inspired by joerand....Steve's seventh album Recall The Beginning... A Journey From Eden was produced by SMB occasional keyboard player and co-writer Ben Sidran, and released in March 1972. The album featured another new line-up, with long standing bassist Gerald Johnson appearing for the first time. Bed Sidran and Jim Keltner guest on keyboards and drums, and arranging legend Nick DeCaro handles the horns and strings.

 

Original Vinyl

 

 

Posted on: 19 October 2013 by Wugged Woy
Originally Posted by Florestan:

 

Johannes Brahms:  Hélène Grimaud (Piano), Conductor:  Andris Nelsons, Orchestra/Ensemble:  Vienna Philharmonic Orchestra 

 

Concerto for Piano no 2 in B flat major, Op. 83 
Concerto for Piano no 1 in D minor, Op. 15

 

Of course, I find Hélène Grimaud to be an interesting performer and so it will come as no surprise that I thoroughly enjoyed her latest take on Brahms.  I would never say of anyone though that anything could ever be the last word.  There is no such thing.  I also wonder why Grimaud tends to provoke many.  I'd venture to guess that such views are a little harsh and maybe self fulfilling prophecies.  I like her style and understand what she is doing (which is always interesting in its own way) and so I have enjoyed this recording as I do any of her other recordings.  And those eyes....

 

 

 

 

 


Florestan, Grimaud certainly has a flair for Brahms. Not easy for smaller womens hands, I believe. I really like this too :

 

And you are right, what a lovely sight she is too

Posted on: 19 October 2013 by Quad 33

CD

Posted on: 19 October 2013 by Kevin-W

Deluxe vinyl edition.

 

Just gets better every time you hear it.

 

 

Posted on: 19 October 2013 by Quad 33
Originally Posted by Kevin-W:

Deluxe vinyl edition.

 

Just gets better every time you hear it.

 

 

K... Where did you get your Deluxe vinyl edition from? G

Posted on: 19 October 2013 by Kevin-W
Originally Posted by Quad 33:
Originally Posted by Kevin-W:

Deluxe vinyl edition.

 

Just gets better every time you hear it.

 

K... Where did you get your Deluxe vinyl edition from? G

Reflex in Newcastle G - but Sister Ray also had it last week when I popped in. Rough trade East also. It was exclusive to indie shops. It usually costs about £25 or so.

Posted on: 19 October 2013 by Jeff Anderson

 

Alex Parks "Introduction"

Posted on: 19 October 2013 by Haim Ronen

Andras Schiff (ECM): Robert Schumann-Geistervariationen

 

PapillonsOp. 2 
KinderszenenOp. 15 
WaldszenenOp. 82 
Geister Variations(
Fantasiein C major Op. 17 

"András Schiff has chosen a selection of pieces which span the whole of Schumann’s creative output for this recital. They range from the earlyPapillonsto theGeistervariationswhich was the last piece of music Schumann wrote before his mental breakdown and incarceration in an asylum. In the programme notes, he makes clear that Charles Rosen alerted him to a manuscript of the third movement of the C major Fantasie in the Szechenyi Library in Budapest which has an alternative ending. In this version - which was ultimately rejected by Schumann - the composer quotes Beethoven’sAn die ferne Geliebteat the end of the movement. Schiff plays both versions to allow listeners to compare and contrast."
 


Posted on: 19 October 2013 by Rob T

Posted on: 19 October 2013 by ignatz

Keith Levene and Jah Wobble: Back on the Block, because I want to hear how low split Briks driven by  2 x NAP 250s can go... (The answer is VERY).

Posted on: 19 October 2013 by Jeff Anderson

 

Matthew Perryman Jones "Land Of The Living"