Saint Matthew Passion, BWV 244 by Johann Sebastian Bach
Fabio Trumpy (Tenor), Werner Güra (Tenor), Bernarda Fink (Mezzo Soprano),
Topi Lehtipuu (Tenor), Konstantin Wolff (Baritone)
René Jacobs / Berlin RIAS Chamber Chorus, Academy for Ancient Music Berlin, Berlin State And Cathedral Choir
It is always hard to know, if one is honest about it, whether it is the performance or simply just the growing relationship one has with the music or work that causes one excitement. I am a strong believer in the latter. The more time I spend with any piece of music the more I feel a lifetime covenant relationship develop. This relationship is not easily broken or based on who is playing. It is the meaning of the music itself that I seek. Of course there is some aspect of the performance that plays a role but this is more elusive as it easily can be swayed by mood, personal attitudes, biases, or old boys club mentality. It is not my sole or even my primary concern for judgement. I just wish to share the joy of music and be an ambassador for great music that excites me.
This aside, my opinion on most music, of this type especially, is that I tend to prefer slower or moderate tempos compared to fast tempos (particularly in Bach). Jacobs falls into the quicker group and in this might only be bettered by Gardiner. These guys fall in the under two hour forty minutes. A vast majority of modern recordings fall into the two hour and forty to forty five range. The outlier is Klemperer who betters these guys by more than one hour. Munchinger, Richter, Herreweghe are examples who come in between the quickest group and Klemperer.
Jacobs, while quick, he does maintain a rather high level of passion and gravity of the work is certainly not lost. Recording quality is high and there is a short essay by Rene Jacobs giving his opinions and ideas explaining much of the bases for this recording. A nice addition to my growing knowledge of this work but in no way do I feel I have even moved beyond scratching the surface of this great work.
