Digital on Vinyl – What’s the Point?

Posted by: joerand on 03 January 2013

I’m happily dusting off my old vinyl, which has been in a box for about 26 years. The vast majority of my collection is rock from 1963 to 1985 and was recorded, mixed, and mastered analogue. There is something about that process that is very warm, genuine, and endearing to my ears.  No amount of digital remastering can capture that charm and so older vinyl (still readily available s/h) has it’s relevance in modern Hi Fi.

 

Some of my more recent LPs used digital mixing and mastering and the difference is audible, though not necessarily in a negative way.  For example, recording and production on my 1986 LP “Back in the High Life” by Steve Winwood is so surgically precise and clear it sounds as if I’m listening to a well-produced CD via the turntable.

 

Hence my question: what’s the point of putting digital music from this millennium on vinyl.  A CD is a much more practical medium.  Sure, a higher resolution file can be set to vinyl, but given that modern CDs and CDPs are getting the sound “right”, why buy it on vinyl for three times the cost?

Posted on: 04 January 2013 by RaceTripper
Originally Posted by joerand:

So RT, do you think solutions alone can adequately clean the surface or is it necessary to brush.  I'm very leery of brushes contacting the grooves, but I'm just learning about the mold release powder, and I think A few of my LPs have some left on them.  What's your recommendation there regarding brushes??

 

I only brush lightly and just enough to agitate the fluids a bit to loosen anything in the grooves. That's what Audio Intelligent recommends and that has worked for me 99% of the time. Certainly you don't need more than that for cleaning away mold release compound from new records.

 

If I see clumps of crud stuck on the record surface I will do what it takes to break it loose -- I'd rather have a damaged record than a damaged stylus. I have even used my fingernail for really stubborn particles, but that only as a last resort obviously.

 

Posted on: 04 January 2013 by joerand

Ok, thanks much RT.  I'm going to look into the items you've recommended.

Posted on: 05 January 2013 by Steve J

Joe,

 

2 points which are important with cleaning records.

 

Always replace records with a new sleeve

 

Never allow air drying. No matter how pure your water there are bound to be solutes from the cleaning process which form microscopic concretions with evaporation. 

 

If you have a large LP collection invest in a decent vacuum type RCM. It's a worthwhile investment.

 

Steve

Posted on: 05 January 2013 by Thorsten_L

Best cleaning fluid I ever used:

 

PURE GROOVE - CLEARAUDIO

 

Excellent. 

Posted on: 05 January 2013 by RaceTripper
Originally Posted by Steve J:

Joe,

 

2 points which are important with cleaning records.

 

Always replace records with a new sleeve

 

Never allow air drying. No matter how pure your water there are bound to be solutes from the cleaning process which form microscopic concretions with evaporation. 

 

If you have a large LP collection invest in a decent vacuum type RCM. It's a worthwhile investment.

 

Steve

+1 on using a vacuum

 

However, I never re-sleeve right after vacuuming the record. I allow any residual moisture a chance to air dry first. The vacuum never gets 100% of the water off.

Posted on: 05 January 2013 by Steve J

RT,

 

My LPs are bone dry after cleaning but obviously you wouldn't put a wet record in a sleeve.

Cleaning a record with a decent RCM can make a 'one box improvement' to SQ, even with new records, and I can never understand why people with large record collections don't invest in one. I often demonstrate this with HiFi friends when they visit, and always with their own LPs. IMO trying to clean a record without a vacuum is worse than not cleaning at all.

 

ATB

 

Steve

Posted on: 05 January 2013 by RaceTripper

Steve....I agree about importance of using a RCM.

 

In early 2011 I put a whole new two-channel system together and started playing records again, after letting them sit on shelves for some 10+ years. One of the first things I did was get a record cleaner, initially a Spin Clean. I soon realized that was not enough and got a Okki Nokki RCM. I am still amazed at how well it can restore the sound quality of old records after a thorough cleaning.

 

RCM is the way to go.

Posted on: 05 January 2013 by onip

When cleaning a vacuum cleaner with an RCM, though, you don't want to dry it to the point that you are running the vacuum over a dry record, which hurts the vinyl.  I let mine air dry a little because I think the risk of having a very slight amount of solutes is better than running hot vacuum over a dry record and you can never be sure when a record might be dry (it is different every time depending on the record). 

Posted on: 05 January 2013 by onip

OOPS, I meant, cleaning a record with an RCM in the first sentence there. My bad.

Posted on: 05 January 2013 by joerand

Does the vacuum head come into contact with the vinyl?

Posted on: 05 January 2013 by RaceTripper
Originally Posted by joerand:

Does the vacuum head come into contact with the vinyl?

Yes. The part of the vacuum that contacts the record surface is covered with pads. You want to keep them pristine, and change them when they start to wear out. Which reminds me, I am due to change mine out about now.

 

Ant to add to what I said already...I use two vacuum wands and two brushes with my RCM. One for the cleaning fluids and one for the pure water rinse. Also, when I vacuum, I do it for no more than two revolutions of the record.

Posted on: 05 January 2013 by joerand

Thanks RT.  I looked at the Okki Nokki expecting it to be Japanese for Nitty Gritty .  Turns out it's made in Germany.  I like it's features.  You sound quite satisfied with the performance, what about the built quality?  Will it last 20 years?

Posted on: 05 January 2013 by RaceTripper
Originally Posted by joerand:

Thanks RT.  I looked at the Okki Nokki expecting it to be Japanese for Nitty Gritty .  Turns out it's made in Germany.  I like it's features.  You sound quite satisfied with the performance, what about the built quality?  Will it last 20 years?

I am happy with it. It seems sturdy enough. However, I am on my second one. After a year of heavy use, the vacuum switch started going bad. Sumiko (the U.S. importer) handled it under warranty by giving me a complete new machine. That may have just been a fluke. I think he build quality and appearance are quite good otherwise.

 

If I had the money to spend, I might look at the Clearaudio, but it's considerably more expensive. But I have a CA turntable and the build quality is excellent. Like what you would expect from Naim.

Posted on: 05 January 2013 by Steve J

I'm lucky to own a Keith Monks RCM. The record is separated from the suction head by a thread and it is very efficient at sucking up the fluid from the record with no residue. I can play the record immediately after or put it away for storage. The hospital grade vacuum motor is also quiet enough for me to clean records whilst listening to another in the same room. It takes about 3 minutes to clean one record. I've had mine now for about 9 years with no problems, only changing the cleaning brush and thread spool as required. Spare parts are readily available from the company. Unfortunately these machines have now gone up from £1500 to £3500 since I bought mine. If I was in the market for a machine now I would also consider a Loricraft which uses the same vacuum method.

 

Steve

Posted on: 05 January 2013 by joerand

I'm lucky to own a Keith Monks RCM. The record is separated from the suction head by a thread and it is very efficient at sucking up the fluid from the record with no residue. I can play the record immediately after or put it away for storage. The hospital grade vacuum motor is also quiet enough for me to clean records whilst listening to another in the same room. It takes about 3 minutes to clean one record. I've had mine now for about 9 years with no problems, only changing the cleaning brush and thread spool as required. Spare parts are readily available from the company. Unfortunately these machines have now gone up from £1500 to £3500 since I bought mine. If I was in the market for a machine now I would also consider a Loricraft which uses the same vacuum method.

 

Steve

 

Wow!  For that money it ought to be Keith Moon's RCM .  

Thanks for all the suggestions and advice.  What I've learned hear is that there is a range of RCMs that will satisfactorily clean LPs without marring the vinyl surface.  And wasn't that what this post was all about to begin with ???