What are you listening to and WHY might anyone be interested? (Vol. X)

Posted by: Richard Dane on 31 December 2013

On the cusp of 2014, we start a new thread...

Anyway, links:
Volume IX: https://forums.naimaudio.com/to...16#22826037054683416
Volume VIII: https://forums.naimaudio.com/di...nt/12970396056050819
Volume VII: https://forums.naimaudio.com/di...6878604287751/page/1
Volume VI: https://forums.naimaudio.com/di...ent/1566878604097229
Volume V: https://forums.naimaudio.com/di...ent/1566878605140495
Volume IV: https://forums.naimaudio.com/di...ent/1566878605795042
Volume III: https://forums.naimaudio.com/di...ent/1566878607309474
Volume II: https://forums.naimaudio.com/di...ent/1566878606245043
Volume I: https://forums.naimaudio.com/di...ent/1566878607464290

Posted on: 25 May 2014 by KeanoKing
Originally Posted by patk:

Beck - Morning Phase

 

 

 

First listen

 

[cd]

Still waiting for this to arrive along with the latest Damon albarn release

 

atb

kk

Posted on: 25 May 2014 by KeanoKing
Originally Posted by Clive Blackman:
Originally Posted by KeanoKing:

First listen also

 

And what do you think? I've had this for a while now and it's rapidly risen up the list of most frequently played discs on nServe.

Enjoyed it, very easy to listen to. with this type of music I take several listens before I appreciate it.

 

atb

kk

Posted on: 25 May 2014 by KeanoKing
Originally Posted by patk:

Time for some more blues ...

 

 

Love this but my favourite is most things haven't worked out

 

atb

kk

Posted on: 25 May 2014 by Quad 33

A little bit of PF revision.

 

 

[Original 1994 CD]  Hope the reissued vinyl has the same superb SQ.  Just seen what daft money is being asked for this CD on Amazon.  

Posted on: 25 May 2014 by KeanoKing

His latest and looking forward to the gig this coming friday

 

 

Atb

kk

Posted on: 25 May 2014 by Haim Ronen

Rameau pour le matin.

Posted on: 25 May 2014 by Kevin-W

On CD, just felt like hearing some quality Scandi-jazz

 

Posted on: 25 May 2014 by Kevin-W
Originally Posted by Quad 33:

A little bit of PF revision.

 

 

[Original 1994 CD]  Hope the reissued vinyl has the same superb SQ.  Just seen what daft money is being asked for this CD on Amazon.  

I think the reissue vinyl will be very good G. The original '94 vinyl, which I have, is extremely fine (it's a pity the music mostly doesn't match the sound quality ). If you think people ask silly money for the original CD, you should see the daft prices asked for the original vinyl!

Posted on: 25 May 2014 by GraemeH

Always adventurous and accessible and well engineered.

 

G

Posted on: 25 May 2014 by Raider

Richard Thompson Best Of

An excellent best of from this very talented musician. Great music for a Sunday afternoon

 

 

Posted on: 25 May 2014 by Aleg

 

First spin

Posted on: 25 May 2014 by Voltaire

The background: The Rails are a new duo specialising in folk-rock, although the term "new" is used advisedly. The male half of the pair has been playing guitar for long enough to have been hailed a "teenage prodigy" after working with everyone from Son Volt and the Pernice Brothers to Jerry Lee Lewis, Ray Davies, the Pogues and the Pretenders (Mojo called him a rock Zelig, a neat way of capturing his ubiquity). He even recorded a solo album for Heavenly, prompting Nick Hornby to describe him as "an unearthly cross between James Burton, Peter Green and Richard Thompson". "Walbourne's fluid, tasteful, beautiful solos drop the jaw, stop the heart, and smack the gob, all at the same time," proclaimed Hornby, one of the greatest music writers ever to be named after a toy train company.

 

Talking of Richard Thompson, the female half of the Rails is his – and Linda Thompson's – daughter (as well as Teddy Thompson's sister, we have just ingeniously surmised). It was Hornby who gave Walbourne his pass into British folk-rock's foremost dynasty when he introduced him to Linda Thompson. Through her he met Kami when they both worked on Linda's 2007 album Versatile Heart – and they later recorded together, before going on the Rails, as Dead Flamingoes. Her own CV is pretty full, including stints touring with Sean Lennon and Bonnie "Prince" Billy and issuing her own solo album, Love Lies, in 2011.

Posted on: 25 May 2014 by dav301

On CD:-

 

Posted on: 25 May 2014 by Florestan

Ludwig van Beethoven:  Jean-Guihen Queyras (Cello Geoffredo Cappa, 1696), Isabelle Faust (Violin "Sleeping Beauty" Stadivarius, 1704), Alexander Melnikov (Fortepiano Alois Graff, c. 1828)

 

Trio for Piano and Strings no 7 in B flat major, Op. 97 "Archduke" 
Trio for Piano and Strings no 6 in E flat major, Op. 70 no 2

 

Without exception, it seems, Melnikov, Faust, and Queyras always put out very satisfying discs.  Together, maybe they are even better.

Posted on: 25 May 2014 by Florestan

Chopin - Liszt:  Balladen und Walzer:   Dora Deliyska (piano)

 

Waltz No. 10 in B minor, Op. 69: no 2  by Frédéric Chopin 
Waltz No. 14 in E minor, Op. posth.  by Frédéric Chopin 
 
Ballade no 1 in D flat major, S 170 by Franz Liszt 
Ballade no 2 in B minor, S 171 by Franz Liszt 
 
Ballade no 1 in G minor, Op. 23  by Frédéric Chopin
Ballade no 4 in F minor, Op. 52 by Frédéric Chopin 
 
Valse impromptu in A flat major, S 213 by Franz Liszt 
Paraphrase on a Waltz from Gounod's "Faust", S 407 by Franz Liszt 

 

Posted on: 25 May 2014 by Xenasys

Posted on: 25 May 2014 by Raider

 Porcupine Tree - Deadwing

Posted on: 25 May 2014 by Jeff Anderson

K D Lang

"Watershed"

cd rip to iTunes

Posted on: 25 May 2014 by hungryhalibut
Originally Posted by Florestan:

Ludwig van Beethoven:  Jean-Guihen Queyras (Cello Geoffredo Cappa, 1696), Isabelle Faust (Violin "Sleeping Beauty" Stadivarius, 1704), Alexander Melnikov (Fortepiano Alois Graff, c. 1828)

 

Trio for Piano and Strings no 7 in B flat major, Op. 97 "Archduke" 
Trio for Piano and Strings no 6 in E flat major, Op. 70 no 2

 

Without exception, it seems, Melnikov, Faust, and Queyras always put out very satisfying discs.  Together, maybe they are even better.

Yes, this is a wonderful record. Faust & Melnikov's complete Sonatas for Piano and Violin, also on Harmonia Mundi, is well worth getting hold of, if you don't have it.

Posted on: 25 May 2014 by Voltaire

1st play...

Posted on: 25 May 2014 by apye!

Have not listened to this for a long while, simply stunning! 

 

 

On vinyl...

Posted on: 25 May 2014 by Jeff Anderson

Laura Veirs

"Warp & Weft"

iTunes download

Posted on: 25 May 2014 by hungryhalibut
Originally Posted by Voltaire:

1st play...

I'll be interested to see what you think of it. To me, it starts well, then seems to veer off rather too close to smooth jazz for comfort, which surprised me, given that the Marcin Wasilewski trio are always so interesting. I've played it a few times, and that impression seems to grow rather than diminish.

Posted on: 25 May 2014 by Raider

David Bowie - Diamond Dogs

From his classic 70s period

Posted on: 25 May 2014 by Florestan

Der Doppelgänger (Schubert/Liszt):  Dora Deliyska (Piano)

 

Gretchen am Spinnrade (Schubert) for Piano, S 558 no 8 by Franz Liszt 
Lob der Tränen (Bénédiction des larmes), transcription for piano (after Schubert, D. 711b), S. 557 by Franz Liszt 
Ständchen "Horch, horch!" (Schubert) for Piano, S 558 no 9 by Franz Liszt 
Du bist die ruh' (I & II), transcription for piano (after Schubert, D. 776), S. 558/3 & S. 558bis/3 by Franz Liszt 
Schwanengesang (Schubert), S 560: no 7, Ständchen "Leise flehen" by Franz Liszt 
Die Forelle (Schubert, 1st version) for Piano, S 563 no 6 by Franz Liszt 
Der Müller und der Bach (Schubert) for Piano, S 565 no 2 by Franz Liszt 
Schwanengesang (Schubert), S 560: no 3, Aufenthalt by Franz Liszt 
Am Tage aller Seelen (Schubert) for Piano, S 562 no 1 by Franz Liszt 
Schwanengesang (Schubert), S 560: no 9, Frühlingssehnsucht by Franz Liszt 
Die Leiermann, transcription for piano (after Schubert, D. 911/24a), S. 561/8 (LW A50/8) by Der Wanderer (Schubert) for Piano, S 558 no 11 by Franz Liszt 
Schwanengesang (Schubert), S 560: no 12, Der Doppelgänger by Franz Liszt 
Erlkönig (Schubert) for Piano, S 558 no 4 by Franz Liszt 
 
 
 
What continually amazes me how prolific some of favourite composers were.  Franz Schubert only lived 31 years here on earth and his output was stunning.  I think in Lieder alone he composed around 600 of these.  How many of us would even have heard a handful after a lifetime of 100 years?
 
 
I must admit that with Lieder and maybe especially with opera there was this fine line to deal with over the years.  I do not get it; I do not get it; I do not get it; I do not get it;....and then every so often over years and decades it hits you in between the eyes and it becomes, -  This is so perfect.  How could I have not seen this before?  This is why I preach relentlessly so often to never give up or write something off because it doesn't appeal (at least initially).
 
Much of my love and familiarity for lieder and opera though I do owe direct homage to Franz Liszt.  He alone has made it accessible to me.  He has brought it into my home and on to the piano so that I can spend personal one on one time with it.  I doubt that I would have "caught on" to this music without his advocacy.   The other thing that baffles me (and I wish it were not this way) is that I love to listen to music and enjoy and receive high satisfaction from listening but 100% of the time I find that the level of joy I experience as a listener doesn't even move the meter a millimetre in comparison to sitting at the piano and feeling this music in your fingers, in your ears, in your body, in your soul.  
 
I think this might be because as a listener only we can easily become lazy, complacent, or indifferent.  When you play you have to find the emotion or understanding.  It does not happen automatically by pressing the play button.  This connection I think leads to stronger connections or outcomes.
 
This week I have spent a great deal of time with the following.  How did Schubert manage to create or find a voice in the music that reflects so perfectly the words of these German poets?
 
 
 
Lob der Tränen (D 711), ("Praise of Tears"): (from Drei Lieder, Op. 13)
by August Wilhelm Schlegel (1767-1845)
Brisk winds,
Scent of flowers,
All Spring and youthful joy,
Fresh lips
Stolen kisses,
softly pressed on tender breast;
Then the grape's
nectar stolen,
Round dances and games  and jokes:
Whatever the senses
can achieve:
Ah,does it ever fulfil the heart?

When the moist
eyes shine
from the dew of melancholy limes,
then unsealed,
therein mirrored,
the sight of Heaven's meadow.
Then suddenly
in the twinkling of an eye
every wild gleam is extinguished;                               
as from the rain
flowers are nurtured,
dull spirits are raised.

Not with sweet
floods of water
did Prometheus mix our lime.
No, with tears;
Thereby in longing
and in pain have we come home.
A bitter threshold
these springs
for the birth of our earthly senses,
as they pressed
out of the narrows
into the sea of life.

Eternal yearnings
float in tears
and surround the stark world,   
In their arms
it's salvation
they evermore uphold.   
Shall your nature
then be purged
free from the dross of Earth,
You must in weeping
unite yourself
with yonder water's holy shoots.
 
 
 
Der Wanderer D 493 (The Wanderer): from Drei Lieder, Op. 4
by Georg Philipp Schmidt von Lübeck (1766–1849)
I come down from the mountains,
The valley dims, the sea roars.
I wander silently and am somewhat unhappy,
And my sighs always ask "Where?"

The sun seems so cold to me here,
The flowers faded, the life old,
And what they say has an empty sound;
I am a stranger everywhere.

Where are you, my dear land?
Sought and brought to mind, yet never known,
That land, so hopefully green,
That land, where my roses bloom,

Where my friends wander
Where my dead ones rise from the dead,
That land where they speak my language,
Oh land, where are you?

I wander silently and am somewhat unhappy,
And my sighs always ask "Where?"
In a ghostly breath it calls back to me,
"There, where you are not, there is your happiness."
 
 
Aufenthalt (D 957 No. 5 from Schwanengesang) (Resting Place):

by Ludwig Rellstab (1799-1860)

Thundering torrent, Roaring forest, Stony crag, My resting place.

Just as the waves roll One after one, My tears are flowing Eternally new.

As high in the treetops It billows and seethes, Just as unceasingly Beats my heart.

Und like the mountain’s Ancient core, Ever the same Remains my pain.