What are you listening to and WHY might anyone be interested? (Vol. X)

Posted by: Richard Dane on 31 December 2013

On the cusp of 2014, we start a new thread...

Anyway, links:
Volume IX: https://forums.naimaudio.com/to...16#22826037054683416
Volume VIII: https://forums.naimaudio.com/di...nt/12970396056050819
Volume VII: https://forums.naimaudio.com/di...6878604287751/page/1
Volume VI: https://forums.naimaudio.com/di...ent/1566878604097229
Volume V: https://forums.naimaudio.com/di...ent/1566878605140495
Volume IV: https://forums.naimaudio.com/di...ent/1566878605795042
Volume III: https://forums.naimaudio.com/di...ent/1566878607309474
Volume II: https://forums.naimaudio.com/di...ent/1566878606245043
Volume I: https://forums.naimaudio.com/di...ent/1566878607464290

Posted on: 13 September 2014 by Florestan

Johann Sebastian Bach:  The Goldberg Variations - Glenn Gould (180g LP) 

 

Posted on: 13 September 2014 by MDS

Bit of contrast to Joni M but, hell, it's Saturday night!  

Posted on: 13 September 2014 by dav301

On Vinyl from the Mono Box:-

 

 

 

Posted on: 13 September 2014 by matt podniesinski

On vinyl. 

Posted on: 13 September 2014 by Florestan

Ludwig van Beethoven:  Viktoria Mullova (Violin), Kristian Bezuidenhout (fortepiano)

 

Violin Sonata No. 3 in E-flat Op. 12 No. 3

Violin Sonata No. 9 in A Op. 47 "Kreutzer"

 

Of course I just copied the descriptions above directly from the album only to make a point.  According to Beethoven himself he titled these works as Sonaten für Pianoforte (Klavier) und Violine - not violin sonatas.   Judging from the cover though since Mullova is the much bigger person in size and apparently in stature too they decided to ignore the other player and her partner (I hope).  

 

I wonder if the graphic artist who created this cover ever equally considered cutting Mullova's face off below that mid-point of her nose rather than Bezuidenhout's?  Somehow, I think not.

 

Posted on: 13 September 2014 by kuma

 

This is a very likable performance.

Gluzman is passionate but excellent phrasing and tempo manipulation keeping the tension and momentum. Orchestra here. lead by American conductor Andrew Litton,  is closely working WITH the soloist, too. Expressiveness and good dynamic contrasts go a long way to keep me engaged. There is a much wider emotional range in this set than Jansen. Bold and daring with a dash of schmultz with wheeping upper registers not too dissimilar from Szerying's tone. 

 

Someone compared him with Kreisler. I could see the similarity in a romantic phrasing but the difference is that Gluzman has much clearer note definitions and contemporary flair preventing from the tunes becoming saccharin sweet.

Posted on: 13 September 2014 by Haim Ronen

Posted on: 13 September 2014 by kuma

Clean and competent but it's lacking emotional mojo. Dynamically played with wide expressions but somehow missing humanity behind notes. 1st movement ends in bravura finish. 2nd movement intro does not have the menacing undertones. Perhaps not angry enough in spite all that commotions he creates. Sweet passages not sweet enough. Lively Scherzo yet feels surface excitement only. Funeral March is stately but does not have a sense of doom. Reminiscent bits are pastel hued and school girlish. The final movement has no bite. The entire set is too orderly and that the human emotions are not like that.

 

Schumann once said of Chopin's work "canons buried in flowers.""

 

Flowery Chopin without canons is musically deadly. :/

Posted on: 13 September 2014 by DrMark

In memory of Joe Sample:

 

Posted on: 14 September 2014 by GraemeH

Kids still asleep upstairs this morning as this gently seeps out of the PMC's and drifts around the room downstairs with the smell of morning coffee.

 

Bliss.

 

G

Posted on: 14 September 2014 by Bert Schurink

Music which comes across in pictures

 

Posted on: 14 September 2014 by Char Wallah

 

frankblackfrancis -  2cd

 

acoustic versions of Pixies classic tracks and re-recorded ones using trumpet, violin, guitar and electronics. Very abstract stuff for a Sunday morning. 

Posted on: 14 September 2014 by Char Wallah

 

PORCUPINE TREE  |  VOYAGE 34   -  remastered version cd.

Posted on: 14 September 2014 by Hmack

Some beautiful (and beautifully recorded) classical music for a fine Sunday morning:

 

 

- a hi res download (24bit 292 KHz) from HD Classics.

Posted on: 14 September 2014 by Florestan

Stephen Hough:  In the Night 

 

 

Posted on: 14 September 2014 by Haim Ronen

Keyboard music from the eighteen century on the Spanish Glossa label. 

Posted on: 14 September 2014 by Haim Ronen
Originally Posted by Florestan:

Stephen Hough:  In the Night 

 

 

 

Doug,

 

So many recordings made for night music (latest one is Jenny Lin's 'Night Stories') while most performers completely neglecting our mornings and afternoons, I wonder why.

Posted on: 14 September 2014 by Kevin-W

First play of Percy's new effort, on three-sided vinyl. So far, so good:

 

Posted on: 14 September 2014 by matt podniesinski

Posted on: 14 September 2014 by Bert Schurink

Nice while reading a newspaper

 

Posted on: 14 September 2014 by patk

 

The Brothers and Sisters - Dylan's Gospel

 

Saw this posted in the music forum.  Bob Dylan put to gospel arrangement.  First listen. 

Posted on: 14 September 2014 by osprey

Audiophile Jazz

 

 

Current song: Benny Goodman - Let's Dance
Stream title: Audiophile Jazz
Bit rate: 320 Kbps
Current listeners: 101
Maximum listeners: 1000
Server status: Online
AutoDJ status: Online
Source connected: Yes
Station time: Sep 14, 2014 05:42 PM
Current playlist: Jazz
Track details: Benny Goodman - Let's Dance - Benny Goodman: South of the border

Posted on: 14 September 2014 by matt podniesinski

Posted on: 14 September 2014 by Bert Schurink

Always pleasant

 

 

 

Posted on: 14 September 2014 by Bert Schurink
Originally Posted by kuma:

 

Low energy entrance. Chailly's orchestration seems always a tad out of time. She’s slightly more emotive than the Mendelssohn program. Orchestra feels heavy and serious sounding more like Beethoven. There seems to be an imbalance between the orchestra and the soloist as they are doing their own things rather than playing sympathetically to one another. Adagio is sufficiently romantic but not as emotionally charged missing the vulnerability. Final movement is lively but it’s a bit loose and she's tripping rhythmically in some spots. Technically she seems even a bit behind others. I had a high hope for her because some of her You tube clips showed some promise. 

Not every recording from a good artist is good...., but some artists have a steady quality record. I am not familiar with this recording but like her Four Seasons