What are you listening to and WHY might anyone be interested? (Vol. XI)

Posted by: Richard Dane on 31 December 2014

On the cusp of 2015, we start a new thread...

Anyway, links:

Volume X: https://forums.naimaudio.com/to...-be-interested-vol-x

Volume IX: https://forums.naimaudio.com/to...16#22826037054683416

Volume VIII: https://forums.naimaudio.com/di...nt/12970396056050819
Volume VII: https://forums.naimaudio.com/di...6878604287751/page/1
Volume VI: https://forums.naimaudio.com/di...ent/1566878604097229
Volume V: https://forums.naimaudio.com/di...ent/1566878605140495
Volume IV: https://forums.naimaudio.com/di...ent/1566878605795042
Volume III: https://forums.naimaudio.com/di...ent/1566878607309474
Volume II: https://forums.naimaudio.com/di...ent/1566878606245043
Volume I: https://forums.naimaudio.com/di...ent/1566878607464290

Posted on: 21 April 2015 by Bert
Originally Posted by kuma:

Ravel Gaspard de la Nuit: 1974 recording.

 

The piano version does not have the scale and harmonic density of the orchestra version but it exposes the structure and phrasing of the tune much better. On the slow 2nd movement Martha pulls apart all of Debussian influence which buried in the orchestral version. Scarbo is sufficiently intense and jarring. Deliberately abrupt and disjointed. Argerich is in her top form.

 

Kuma,

Indeed a wonderful version from Argerich.

 

The virtuosity and sheer power of young Ivo Pogorelich, (recorded 8 years later) is also very attractive, especially in Ondine and Scarbo.

 

Posted on: 21 April 2015 by Tony2011

Posted on: 21 April 2015 by Bert Schurink

Started with this, nice and relaxing

 

 

Posted on: 21 April 2015 by Bert Schurink

I am not so much into organ in jazz, but Jimmy Smith I like...

 

 

Posted on: 21 April 2015 by Paper Plane

CD1

 

steve

Posted on: 21 April 2015 by Gianluigi Mazzorana

I met a very nice seller that send me a free disc every time.

Thanks a lot Nakedsoul!

 

 

Posted on: 21 April 2015 by Steve J

CD rip via Hugo. Excellent.

Posted on: 21 April 2015 by Tony2011

Posted on: 21 April 2015 by Stevee_S
Originally Posted by Tony2011:

Nice one Tony, I had this on vinyl (along with their previous two LPs)  back in the day. Striking artwork.

 

Steve 

Posted on: 21 April 2015 by Tony2011
Originally Posted by Stevee_S:
Originally Posted by Tony2011:

 

Nice one Tony, I had this on vinyl (along with their previous two LPs)  back in the day. Striking artwork.

 

Steve 

Had forgotten about this album, Steve.  Sadly poor Evans and Simper never saw it coming. The vocals are strikingly similar to Gillan's. The rest is history as they say...

Posted on: 21 April 2015 by Tony2011

Posted on: 21 April 2015 by dayjay

Rush, Grace Under Pressure.  Not listéned to this one for a long time, not their best album but still very enjoyable.  24 bit flac streamed via Hugo

Posted on: 21 April 2015 by dayjay
Originally Posted by Paper Plane:

CD1

 

steve

I'm not a big fan but this is a really enjoyable album. Have to have a listen later I think

Posted on: 21 April 2015 by Haim Ronen

Senhora da Lapa

 

Maria Ana Bobone: voice 
Joao Paulo Esteves da Silva: piano 
Ricardo Rocha: portuguese guitar 
Peter Epstein: sax on tracks

 

A youtube of Bobone unrelated to the disc:

 

https://www.youtube.com/watch?v=Z6w2AAHAWyI

 

Posted on: 21 April 2015 by Bert Schurink

During workout, great prog album with the Epic Millontown - which is also the title of the album

 

 

Posted on: 21 April 2015 by Bert Schurink

Would have liked to seem him live, even in his last concerts

 

 

Posted on: 21 April 2015 by kuma
 
Originally Posted by Bert:

 

The virtuosity and sheer power of young Ivo Pogorelich, (recorded 8 years later) is also very attractive, especially in Ondine and Scarbo.

 

Bert, 

 

I am hoping to score this ablum in vinyl locally but so far it hasn't turned up.

 

It would be interesting to hear young Pogorelich's rendition. 

 

 

My favourite so far for Gaspard de la Nuit is by Samson François' 1967 recording.

 

Even more colourful and vivid than Argerich. Playful and more purposeful than Grossvenor. Francois possesses the same kind of confidence and daring bold moves as Horowitz. Keeping the tension and unexpected harmonizing and phrasing all through. Never gets monotonous due to different inflections and varying colours. Tempo also has been manipulated to the great effect coupled with animated story telling.

Unusually *ugly* Scarbo but I absolutely love what Francois did with it and I could easily see this is a kind of devilish black humour Ravel intended. ( Gremlins run amuk )

 

A spontaneity he brings to the table is similar to Kempff but his is jazz influenced. I've read that he was an admireer of Bud Powell !

Posted on: 21 April 2015 by EJS

Nrs 5 and 7 from Haitink's Amsterdam cycle. I've been critical about this fifth, which can feel rather workmanlike in I. However I'm in a bit of a Beethoven mood lately and have been listening to many different recordings, and this morning, this recording sounds unusually fine.

 

EJ

Posted on: 22 April 2015 by Stevee_S

JJ Cale ~ Really (1972)

 

To get me kick started on this beautiful morning while the sun is splitting sky.

 

Posted on: 22 April 2015 by Stevee_S

Streaming | CD FLAC rip

Mike Oldfield ~ Ommadawn (1975)

 

It's the sort of morning where this fits very well. This 2010 version with some previously unreleased material and some different mixes.

Posted on: 22 April 2015 by Mr Fjeld

Sun is out here too! Still, I'm inside having a day off from work just to listen to music. Just wonderful; getting up late, walk the dogs, enjoy a quiet breakfast and then sit down in front of the stereo with a cup of coffee made from freshly grinded beans.

first off was Trichotomy "Fact Finding Mission". This is an incredibly playful album; the rhythm, tempo, the use of occasional atonality, the sheer humour embedded in the music. Lovely Jazz!

 

Next up was "American Garage" by Pat Metheny Group. A nice record and although his musical style is now more evolved and the sound picture more dense, one instantly recognises his music. I was lucky enough to see him and his Unity Band at a concert last year.

 

Now listening to "Mingus at Antibes" a great recording from a live concert in 1960 with Charles Mingus and a fantastic ensemble: Ted Curson, Eric Dolphy, Booker Ervin, Danny Richmond and Bud Powell. The atmosphere is just unbelievable on this recording. There is a thread in this part of the forum about the greatest live recordings - and here is a worthy contender!

Posted on: 22 April 2015 by Mr Fjeld

Over to Nick Cave & The Bad Seeds' "Push The Sky Away". In my opinion one of the best albums he's made. I can think of no other artist which is as theatrical and to greater effect than Nick Cave - and he can write music as well.

 

Posted on: 22 April 2015 by Mr Fjeld

Back to Jazz with Esbjörn Svensson Trio's "From Gagarin's Point of View". A truly great album.

Posted on: 22 April 2015 by Bert
 

 

My favourite so far for Gaspard de la Nuit is by Samson François' 1967 recording. Even more colourful and vivid than Argerich. Playful and more purposeful than Grossvenor. Francois possesses the same kind of confidence and daring bold moves as Horowitz. Keeping the tension and unexpected harmonizing and phrasing all through. Never gets monotonous due to different inflections and varying colours. Tempo also has been manipulated to the great effect coupled with animated story telling.

Unusually *ugly* Scarbo but I absolutely love what Francois did with it and I could easily see this is a kind of devilish black humour Ravel intended. ( Gremlins run amuk )

 

A spontaneity he brings to the table is similar to Kempff but his is jazz influenced. I've read that he was an admireer of Bud Powell !

Ah, I have found a musical colleague with good ears!

Thank you Kuma. I will certainly try out Samson François' 1967 recording.

 

When mentioning Kempff, I get switched on, and would like to ask your opinion on his 1969 Goldberg Variations. His style is romantic, poetic (is that proper English? sorry I'm Dutch and always struggle to find the proper English adjectives) and quite different from many others. But after been in love with the Goldbergs from Gould, Perahia, Pescia, the version of Kempff is so relaxing and smooth, that I put it on just to relax and enjoy.

 

So with your piano knowledge, Kuma what is your view on Goldberg versions? (or should I simply search on earlier threads on this forum).

Posted on: 22 April 2015 by Mr Fjeld

John Coltrane "Blue Train".