What are you listening to and WHY might anyone be interested? (Vol. XI)
Posted by: Richard Dane on 31 December 2014
On the cusp of 2015, we start a new thread...
Anyway, links:
Volume X: https://forums.naimaudio.com/to...-be-interested-vol-x
Volume IX: https://forums.naimaudio.com/to...16#22826037054683416
Volume VIII: https://forums.naimaudio.com/di...nt/12970396056050819
Volume VII: https://forums.naimaudio.com/di...6878604287751/page/1
Volume VI: https://forums.naimaudio.com/di...ent/1566878604097229
Volume V: https://forums.naimaudio.com/di...ent/1566878605140495
Volume IV: https://forums.naimaudio.com/di...ent/1566878605795042
Volume III: https://forums.naimaudio.com/di...ent/1566878607309474
Volume II: https://forums.naimaudio.com/di...ent/1566878606245043
Volume I: https://forums.naimaudio.com/di...ent/1566878607464290
The new Low album
My main listening for the last week since I haven't been on here much
Damn good.
G
Streaming | FLAC
(2000)
I just fancied listening to Chrissie Hynde's voice and this quick trip through their hits is soothing the itch.
A brilliant collection of artists superbly recorded. Masterful.
G
Lera Auerbach: 24 Präludien mit postludium für violoncello und Klavier
Ani Aznavoorian (cello)
Lera Auerbach (piano)
also,
Camille Thomas (cello)
Beatrice Berrut (piano)
The highlight of my week was picking up the Lera Auerbach score that I ordered in July. Composed in 1999, the first performance of this music was first in 2008 with Alisa Weilerstein on cello and Lera Auerbach at the piano.
Lera Auerbach had the following to say about this cycle, which also exists in a version for violin and piano: "The special character of the pieces lies in regarding familiar things from an unexpected perspective and discovering that these things are not what they may seem to be at first glance. The context and order of the Preludes are very important for their comprehension."
At the piano this morning, I was again struck with the familiar notion that it is so much easier to have others bring music to life and so why not continue to simply put on the album and absorb it that way for ever? I always think this at the beginning of every hard journey though. The temptation is always to take the easy road out. After the usual blood, sweat, and tears this feeling subsides. In the beginning, with all music that interests me, I tend to listen a great deal only at the beginning. Slowly the transition happens (after you learn the notes and can technically play it) where I make it my own and finally to find yourself in the wonderful position of playing more and listening less to others.
It is funny how I grew to love these preludes from a small sampling from the Thomas/Berrut CD. Then, after listening dozens and dozens of times, I now have listened to the composer and Ani Aznavoorian play these works. The differences are not minor and clearly obvious, yet, one finds out more about the music while looking at it in different ways.
I like both versions, however, I did find myself being haunted by a certain ghost of the past who would strongly state that the style trumps all and the composer must have wanted it a certain otherwise they wouldn't play it that way. Well, with Bach we have no proof or evidence how Bach might have played something. None of us for centuries have had this privilege. This is a great example for me that proves how true it is that music is not a static book of rules. I doubt that the composer here has an arrogant attitude to all except her own? Just like everyone has a unique fingerprint and every snowflake is unique, so too is the gift of music to those who desire its marvellous power for us.
I'm glad these ghosts have been snuffed out, as this is unhealthy anyway. Both versions are awesome and equally hold there own with much imagination and self-affirming life.
Streaming | FLAC
(1980)
Their music accompanied me for a number of years from the mid seventies onward, this was not their best album but nonetheless it was pretty good and very enjoyable. I always think that Bob Seger has a perfect voice for rock.
A brilliant collection of artists superbly recorded. Masterful.
G
Thanks for posting it, sounds refreshing after not playing it for over five years. When I am in a Hancock mood I usually go for his 'Maiden Voyage' or 'The Piano'.
Having enjoyed her Songbird album earlier this weekend I thought I give this a play. Excellent it is, too
New to me, first listens. Have more recent albums by Sharon Jones & Dap Kings, so added these.
Dap-Dippin' with ...
CD (2002)
Naturally
CD (2005)
And now this 2 CD album.
(2005)
Just some fun music.
This morning during my workout a very good progressive rock album...
This morning 1st listen, will need another round to really listen to it, as it was background music..
Now listening to this, I like the music and the execution is also decent...
Midnight Oil. Diesel And Dust. On CD from 1988. Heavy bass and drum driven music, and Peter Garrett's vocal style is unwavering, but it's a decent album and I appreciate that the band has a political message to deliver.
Grew up with these guys. I found Garrett's posturing and the overt polticism to be a real turn off. I was unusual in not revering them.
Queen, Greatest Hits, prompted by the thread discussing the awful Queen branded turntable, a bit of fun from my youth. Flac via audirvana/hugo
Robert Plant and Alison Krauss, Raising Sand, something a little different and very classy. flac via audirvana/hugo
The new Low album
My main listening for the last week since I haven't been on here much
Kate Bush, 50 Words For Snow. Didn't get on with this the last time I tried it so a second attempt. So far so good, enjoying the mood of the song and not quite as irritated by the repetition. flac via audirvana/hugo
Kate Bush, 50 Words For Snow. Didn't get on with this the last time I tried it so a second attempt. So far so good, enjoying the mood of the song and not quite as irritated by the repetition. flac via audirvana/hugo
Nope, I still think this is a truly dismal and awful album. I'm clearly not hearing what everyone else is.