What are you listening to and WHY might anyone be interested? (Vol. XI)

Posted by: Richard Dane on 31 December 2014

On the cusp of 2015, we start a new thread...

Anyway, links:

Volume X: https://forums.naimaudio.com/to...-be-interested-vol-x

Volume IX: https://forums.naimaudio.com/to...16#22826037054683416

Volume VIII: https://forums.naimaudio.com/di...nt/12970396056050819
Volume VII: https://forums.naimaudio.com/di...6878604287751/page/1
Volume VI: https://forums.naimaudio.com/di...ent/1566878604097229
Volume V: https://forums.naimaudio.com/di...ent/1566878605140495
Volume IV: https://forums.naimaudio.com/di...ent/1566878605795042
Volume III: https://forums.naimaudio.com/di...ent/1566878607309474
Volume II: https://forums.naimaudio.com/di...ent/1566878606245043
Volume I: https://forums.naimaudio.com/di...ent/1566878607464290

Posted on: 22 December 2015 by Haim Ronen

Posted on: 22 December 2015 by joerand
Mike-B posted:

Question for anyone with "Amused to Death" on vinyl  ...........  How does that explosive crash at the end of track 06 "Late Home Tonight, Pt 1" stay in the grove on vinyl ???   With my 24/192 (remastered) download it's scary,  playing the album at normal levels that short sudden crash hits the speakers with such high volume it almost makes me think it might break them.    Hence the question,  how does the cart/stylus hang on to the groove. ???

Wider and/or deeper grooves? I believe technology has been around since the 1970's where computer processing can regulate the groove width and depth based on relative volume and bass. Wider deeper grooves leave more material on the ridges which help keep the stylus from jumping.

Posted on: 22 December 2015 by matt podniesinski

Posted on: 22 December 2015 by joerand

The Doors. Waiting For The Sun (1968). Early 70's pressing on the Elektra butterfly label.

Posted on: 22 December 2015 by joerand

The Doors. L.A. Woman (1971).  The Bernie Grundman remaster on Rhino vinyl from 2009. This is a nice sounding pressing, but I think BG's 1999 HDCD remaster has better resolution and a more controlled bass.

Posted on: 22 December 2015 by bishopla

Vinyl

Posted on: 22 December 2015 by bishopla

SACD

Posted on: 22 December 2015 by joerand

Hi Larry,

I think your boys should win it all. Some great games coming up on New Year's Eve & Day. Enjoy!

Posted on: 22 December 2015 by bishopla
joerand posted:

Hi Larry,

I think your boys should win it all. Some great games coming up on New Year's Eve & Day. Enjoy!

 

Hi Joe,

I am looking forward the games. Bama's defense is outstanding. I look for the Buckeyes to be back in the hunt next year.

Cheers,

Larry

Posted on: 22 December 2015 by bishopla

HDCD

Posted on: 22 December 2015 by joerand

Eric Clapton. E.C. Was Here (1975). Remastered CD from 1996. In the mood for some live gritty blues.

Posted on: 22 December 2015 by Mward2205
ewemon posted:
bishopla posted:

Vinyl

... Shame he won't let the mastertapes out of his sight ...

Was that a joke?

Posted on: 22 December 2015 by ewemon
Mward2205 posted:
ewemon posted:
bishopla posted:

Vinyl

... Shame he won't let the mastertapes out of his sight ...

Was that a joke?

Just realised what I wrote but the answer is nope. True shame though maybe one day we will get decent masterings of his golden period albums.

Posted on: 22 December 2015 by ewemon
joerand posted:

Eric Clapton. E.C. Was Here (1975). Remastered CD from 1996. In the mood for some live gritty blues.

I love how he shouts out the chord changes in Ramblin to the band. Personally I find the original cd to be more crankable.

Posted on: 22 December 2015 by ewemon

Posted on: 22 December 2015 by ewemon

Posted on: 22 December 2015 by ewemon

 

Last nights listening.

Posted on: 23 December 2015 by nickpeacock

Art Angel by Grimes - pop with an edge, very interesting.

Natalie Prass's self titled debut album - ably assisted by the excellent Matthew E White. A gem of an album: gentle, uplifting. Excellent late night listening.

Grey Tickles, Black Pressure by John Grant - because he is a genius (Down Here is a fabulous song).

Posted on: 23 December 2015 by joerand
ewemon posted:

Great album (maybe second only to Graceland?). I've got an original pressing and just bought the 2013 vinyl simply because I found it reduced to $8. Have yet to unseal it and do an objective comparison. I can definitively recommend a 'pass' on the 2011 CD remaster.

Posted on: 23 December 2015 by dav301

On CD:-

Alice Cooper - Love it to Death

Posted on: 23 December 2015 by Bert Schurink

1st run for me...

 

Posted on: 23 December 2015 by kuma

Toscanini/NBC Symphony: Cherubini Requiem Mass in C Minor 1950 recording

The first listen.
It has been mentioned that Beethoven admired Cherubini's work and I can see why. This feels like Beethoven’s Missa Solemnis where there is a heroic element as well as a sense of yearning and resignation. Toscanini’s handling as usual passionate and extremely emotional with tremendous pain is felt under these notes. Maybe there is more of theatrical elements and it's over done than Beethoven's heart felt approach. But I actually enjoyed it more than I thought I would.

Posted on: 23 December 2015 by Stevee_S

Streaming | WAV | Bandcamp | Download

(2013)

Good, enjoyable Berlin School style electronica from Perge.

"Like their first album 'Dyad', it is heavily influenced by the "classic" Tangerine Dream period. New compositions painstakingly created to have the signature sound of the Franke / Froese / Schmoelling years, but this time with some of the Baumann and Haslinger eras in there too". ~ Bandcamp

Posted on: 23 December 2015 by Mike-B
joerand posted:
Mike-B posted:

Question for anyone with "Amused to Death" on vinyl  ...........  How does that explosive crash at the end of track 06 "Late Home Tonight, Pt 1" stay in the grove on vinyl ???   With my 24/192 (remastered) download it's scary,  playing the album at normal levels that short sudden crash hits the speakers with such high volume it almost makes me think it might break them.    Hence the question,  how does the cart/stylus hang on to the groove. ???

Wider and/or deeper grooves? I believe technology has been around since the 1970's where computer processing can regulate the groove width and depth based on relative volume and bass. Wider deeper grooves leave more material on the ridges which help keep the stylus from jumping.

Interesting,  I still wonder if its still able to actually stay in contact with the grove surface.
The DR data base numbers are unchanged between original relaeas CD & new (remastered) CD or download with 11 min & 15 max,  but they don't include LP (obviously) 
Posted on: 23 December 2015 by Kevin-W
Mike-B posted:

Question for anyone with "Amused to Death" on vinyl  ...........  How does that explosive crash at the end of track 06 "Late Home Tonight, Pt 1" stay in the grove on vinyl ???   With my 24/192 (remastered) download it's scary,  playing the album at normal levels that short sudden crash hits the speakers with such high volume it almost makes me think it might break them.    Hence the question,  how does the cart/stylus hang on to the groove. ???

It seems to stay in somehow Mike, although I know what you mean.