Fantasies about going vintage...
Posted by: Fred11 on 28 September 2015
Hi all Naimes!
I have a chain of 202-200-hicap-dr-hiline-ndac-xps2-LP12 from 1989 (adikt, pre-cirkus-akito-stageline-hicap) into SBL. I love it. My last purchase was the hicap-dr and it really changed the 202.
Loving this part-vintage setup I have come a cross some 72`s. I really love the old olive shoebox looks, and from reading about 202 vs 72 its not a clear-cut case of which is the best. I would then use the hicap-dr-72-200. I listen about 50-50 to vinyl and digital. Prefer the good sit-down listening from vinyl most, but really love my weighty ndac-sound as well. Do anybody of You have an opinion on this?!?!?
Regards
Fred
Fred,
It's not more power for increased volume, it's more power for better control. Even at low volumes you will appreciate a deeper/more dynamically balanced presentation.
Varyat; of course, not for playing louder, but better; more control, dynamics, separation etc. But as I wrote I´m not necessarily hunting for a better sound. Perhaps a bit more warmth than the dry 202-200 gives, but otherwise I`m curious about the vintageness, size, looks and qualities of the 72. Will it be worse than the 202 or just different? I´m sure you are right about the two monos though...
Regards
Fred
I know, and they are just a bit different to any of the modern ones. I would think that this difference would be something that divides opinion. It is probably true that the new series [from top to bottom] are technically superior to the old shoe-box pre-amps, but not so much that you would need to be wearing a hair shirt to prefer one of the oldies if their presentation is to your liking.
One definite problem with these old pre-amps is that by none will be in tip-top condition if not serviced in their service life. But no doubt a visit to Naim HQ for a complete refreshing would restore their quality to as good as new, and something still very fine in replay ...
ATB from George
Fred, the 72/Hi/135's is very much like a more powerful Nait2, retaining its flow and character. I'm a massive Nait2 fan, and have found that it not only competes with many newer pre/powers or Nait's, for example 5i,XS,SN,202/200, but betters them in many areas except outright power. I also prefer it to a 72/140 or 42/110.
hi gary! I see what you mean but I'm not as big Nait 2 fan as you I guess. I really love the original Nait though! For me that's the holy one. (If I would compare it separates it would be a NAC52+NAP110
) Comments?
Dear Chris,
If I went for a Leak Stereo 20 amp, then I'd have to try to get a Point One pre-amp. It would be getting expensive!
I've just looked up what a Dac V1 actually is and it seems to me it (yours) could act as a pre into a Leak Stereo 20, unless I've massively misunderstood something.
I sort of assumed that a Stereo 20 would be cheaper than two 12.1s. My one time Stereo 20 was restored but not messed with (if that makes sense)... would probably have done you nicely.
Fred, I know where you're coming from on the Nait2.
Cheers, chris
Dear Chris,
The thoughts are crystallising. Firstly get a Leak 12.1 [mono] power amp, initially for use with the Trough Line, but eventually get a 32.5/Hicap, and use the 32.5 as a pre-amp that is designed to sum to mono, and use jst one output channel [as summed] to the mono Leak amp and one ESL.
No modifications, no fuss, and full compatibility of parts. I could even use the tape out so as to retain the volume control on the tuner and the volume control on the V1.
I absolutely hate stereo and it evil influence. The old Trough Line has shown why, and reminded me of the glory days before stereo became the Hellish dominator of replay.
I could even sell one ESL! Or keep it if there is no demand!
ATB from George
Efraim, it's been nearly 30 years since i owned my Nait1. Ran an LP12/Ittok/K9/Nait1/Kans, and it was possibly one of my all time most fun systems. I remember a friend asking me to baby sit his 32/Snaps/250 for a couple of months but i gave it a week and put the Nait1 back in, and the fun came back. So what i'm saying is although i've not heard one in years, i expect i'd fall for it all over again if i did!
Ok thanks, I was curious to hear your opinion. I guess we have our 'darlings' which also is linked to circumstances of memories (first impression?) and ownership, the moments we had with these systems so to speak. For me the original Nait goes even more directly to the heart of the music (a description I learned from you) where the 2 balance it out with better tune playing abilities, not a huge difference between my examples but my preference is for the original (could also be sample variations in favor for the original).
I am now on the cusp of really going for monaural reproduction. This will double the service life of my ESLs, and reduce the impact of the system on my quite modest living room and allow for optimal positioning of one speaker, rather than the inevitably sub-optimal positioning of two.
There does seem to be a fad, what with Beatles albums being re-released in mono...
I do remember when most things were mono, and having heard of stereo my first exploits at just about teenage years included taking a speaker from a junk valve radio, putting it in a box, and linking it to a working (valve) radio - ok, improvement (because of the box). Then playing with making amps, Iand messing about with microphones, I discovered that if I put a single microphone in a room and listened from the next room, if people were talking and the radio or TV was on it was hard to pick out the conversation. But with two microphones and listening on stereo headphones I could ignore the radio and follow a conversation because of the special information.
Then I made a stereo HiFi system, and never looked back. Other than people unfortunate enough to have only a single working ear, why would anyone want to lose the special information of stereo???
Regarding the original topic question, I wouldn't bother going vintage except going for a NAC52 (remember huge service/recap costs if needed, minimum 1000gbp for 52+52ps). Your LP12 could be upgraded with great success instead I think, a cirkus upgrade with Kore, then Radikal ![]()
I am now on the cusp of really going for monaural reproduction. This will double the service life of my ESLs, and reduce the impact of the system on my quite modest living room and allow for optimal positioning of one speaker, rather than the inevitably sub-optimal positioning of two.
There does seem to be a fad, what with Beatles albums being re-released in mono...
I do remember when most things were mono, and having heard of stereo my first exploits at just about teenage years included taking a speaker from a junk valve radio, putting it in a box, and linking it to a working (valve) radio - ok, improvement (because of the box). Then playing with making amps, Iand messing about with microphones, I discovered that if I put a single microphone in a room and listened from the next room, if people were talking and the radio or TV was on it was hard to pick out the conversation. But with two microphones and listening on stereo headphones I could ignore the radio and follow a conversation because of the special information.
Then I made a stereo HiFi system, and never looked back. Other than people unfortunate enough to have only a single working ear, why would anyone want to lose the special information of stereo???
Special information?
I cannot understand your point unless you explain what you mean by, "special." what is special about it?
ATB from George
Sorry, an iPad autocorrect I didn't spot - should have been 'spatial information'!

Vintage fantasies are all great, until you google "where are they now" and get this result ....

But, hey, they're your own fantasies and you set the boundaries.
Dave
The actual quality has not improved beyond a nuance, but the paraphernalia has got overly sophisticated. The days of a turntable or tuner and an integrated amplified with a speaker or two has long since passed by for the best replay.
I have just converted back to monaural, and it is rather wonderful with one ESL, a power amp and a mono tuner.
I can say that this is the most pleasing rendition of radio that I have ever found.
Now all I need to do is get the MAC to sum the two channels to mono [on both outputs of the DAC V1] and it will be simplified as far as possible!
Quality-wise it is probably better than 19 out of 20 replay systems in existence.
I am not worried about being at the very top!
Only a penny's worth!
ATB from George
I have just converted back to monaural, and it is rather wonderful with one ESL, a power amp and a mono tuner.
I can say that this is the most pleasing rendition of radio that I have ever found.
Now all I need to do is get the MAC to sum the two channels to mono [on both outputs of the DAC V1] and it will be simplified as far as possible!
Why do you need the mono signal on both outputs? JRiver can mix it down to one channel and it sounds good.