This upgrade makes my old system sound broken!

Posted by: Sloop John B on 29 September 2015

This has never happened to me since I ditched my JVC MIDI-HIFI.

Why do people say such silly things?
Posted on: 30 September 2015 by feeling_zen
First time I heard it, someone had just upgraded to a Statement S1 pre and reported that their 552 "sounded broken".

I can't politely repeat what I thought of that. It is such a bonkers thing to say. It is worse than saying something sounds like utter crap - something crap at least works. If it is broken it implies it isn't even functionally useful.

I started on the Hi-fi ladder with a second hand A&R Cambridge A60. Now at something rather further along and current Naim amplification. But I don't think my A60 sounds broken. It sounds great. My 282/SCDR/250.2 just sounds better. 

But if there are those out there that feel their 500 components sound broken, by all means send them my way. I'll even pay the postage on your old 552 junk.
Posted on: 30 September 2015 by DanielP
Originally Posted by Richard Dane:

And surely "My Jaw Hit the floor" is now a phrase of legend around these parts.

 

I thought this one was good, from a Stereophile interview:

 

"... his little winger went wang. His jaw dropped. He had no clue that anything could be that unbelievable"

Posted on: 30 September 2015 by Gingerbeard

Google 'My Lying Ears' and click on the very first link it brings up. Cracking article which I recommend everyone on here reads, if only for a bit of fun 

 

Incidentally, my latest up-grade has sent my system and listening experience through the stratosphere and like the late, great Syd Barrett, my mind is well and truly blown!!!  

Posted on: 30 September 2015 by Graham Clarke
Originally Posted by feeling_zen:
First time I heard it, someone had just upgraded to a Statement S1 pre and reported that their 552 "sounded broken".

Probably one of my posts.  Have you considered the possibility that the comment was ... a joke?  Didn't think I'd need to explain that... 

 

Clearly 500 series components are excellent regardless of whether something else comes along that betters it or not.

Posted on: 30 September 2015 by Huge
Originally Posted by Richard Dane:

...

And surely "My Jaw Hit the floor" is now a phrase of legend around these parts.

...

Due to tripping over speaker cables perhaps?

Posted on: 30 September 2015 by 911gt3r
Originally Posted by Graham Clarke:
Originally Posted by feeling_zen:
First time I heard it, someone had just upgraded to a Statement S1 pre and reported that their 552 "sounded broken".

Probably one of my posts.  Have you considered the possibility that the comment was ... a joke?  Didn't think I'd need to explain that... 

 

Clearly 500 series components are excellent regardless of whether something else comes along that betters it or not.

Graham, you should with all respect go and stand in a corner for introducing the word ' br..... bro...... broken' in you and DBs ruthless comparison between the S1/552. Clearly you are both having a laugh,........and as for ' pi.....pin.....pinging' ?!?  Rascals you Peter

Posted on: 30 September 2015 by thebigfredc

My personal brow furrower on the forum is '..pulled the trigger..' meaning the individual has made a recent decision to buy the stated item.

Posted on: 30 September 2015 by Graham Clarke
Originally Posted by Huge:
Originally Posted by Richard Dane:

...

And surely "My Jaw Hit the floor" is now a phrase of legend around these parts.

...

Due to tripping over speaker cables perhaps?

Must have been that pesky, hard to position NACA5.  Maybe that's the real reason they introduced the more flexible Super Lumina speaker cable.

Posted on: 30 September 2015 by Graham Clarke
Originally Posted by 911gt3r:
Originally Posted by Graham Clarke:
Originally Posted by feeling_zen:
First time I heard it, someone had just upgraded to a Statement S1 pre and reported that their 552 "sounded broken".

Probably one of my posts.  Have you considered the possibility that the comment was ... a joke?  Didn't think I'd need to explain that... 

 

Clearly 500 series components are excellent regardless of whether something else comes along that betters it or not.

Graham, you should with all respect go and stand in a corner for introducing the word ' br..... bro...... broken' in you and DBs ruthless comparison between the S1/552. Clearly you are both having a laugh,........and as for ' pi.....pin.....pinging' ?!?  Rascals you Peter

If I'm standing in the corner then either you're joining me or are sitting on the naughty step because I think you've repeated that more than me, Peter

 

 

"My jaw dropped!!"  when I was told to "open wide"

Posted on: 30 September 2015 by Darke Bear
Originally Posted by Graham Clarke:
Originally Posted by feeling_zen:
First time I heard it, someone had just upgraded to a Statement S1 pre and reported that their 552 "sounded broken".

Probably one of my posts. ..

At least you put your money where your mouth was and purchased the S1.

That means you are part-forgiven.

 

DB.

Posted on: 30 September 2015 by 911gt3r
Originally Posted by Graham Clarke:
Originally Posted by 911gt3r:
Originally Posted by Graham Clarke:
Originally Posted by feeling_zen:
First time I heard it, someone had just upgraded to a Statement S1 pre and reported that their 552 "sounded broken".

Probably one of my posts.  Have you considered the possibility that the comment was ... a joke?  Didn't think I'd need to explain that... 

 

Clearly 500 series components are excellent regardless of whether something else comes along that betters it or not.

Graham, you should with all respect go and stand in a corner for introducing the word ' br..... bro...... broken' in you and DBs ruthless comparison between the S1/552. Clearly you are both having a laugh,........and as for ' pi.....pin.....pinging' ?!?  Rascals you Peter

If I'm standing in the corner then either you're joining me or are sitting on the naughty step because I think you've repeated that more than me, Peter

 

 

"My jaw dropped!!"  when I was told to "open wide"

Possibly 

Posted on: 30 September 2015 by Don Atkinson
Originally Posted by Jan-Erik Nordoen:
Originally Posted by nigelb:

... broadening the discussion to the general difficulty in describing what we hear and how it makes us feel.

Why the need to describe what we hear, when describing the feeling suffices?

primarily because we wish to describe the difference in sound for the benefit of others.

 

What your system produces in terms of sound is factual. 

 

How that sound effects you as a person, is emotional.

Posted on: 30 September 2015 by Don Atkinson
Originally Posted by Richard Dane:

Hang on Tony, what about lifted veils?  And surely "My Jaw Hit the floor" is now a phrase of legend around these parts.

 

I tend to agree with Jan-Erik on this; why tie yourself in knots trying to describe what you hear (never reliable anyway)? Much better and easier instead to describe how it makes you feel, physically and emotionally.  Easier for the reader to relate and understand.  

 

Unless you're English, of course...

Rubbish (basically) and IMHO, of course !

 

Careful choice of words can and should covey the sound that a system produces. I'm (almost) certain that Naim's R&D team are looking for a "sound" as well as an "emotional" effect.

 

Even live music, played to a small audience affects them emotionally in different ways. The emotional effect is so subjective as to be almost meaningless. It confuses the type of music, the musical reproduction system in use and the state of mind of the reporter.............

 

Apologies for the "click-bait" introduction.

Posted on: 30 September 2015 by Graham Clarke
Originally Posted by Darke Bear:
Originally Posted by Graham Clarke:
Originally Posted by feeling_zen:
First time I heard it, someone had just upgraded to a Statement S1 pre and reported that their 552 "sounded broken".

Probably one of my posts. ..

At least you put your money where your mouth was and purchased the S1.

That means you are part-forgiven.

 

DB.

Well, there is that, not that I really feel any need to defend a joke!

 

Posted on: 30 September 2015 by Graham Clarke
Originally Posted by Don Atkinson:
Originally Posted by Jan-Erik Nordoen:
Originally Posted by nigelb:

... broadening the discussion to the general difficulty in describing what we hear and how it makes us feel.

Why the need to describe what we hear, when describing the feeling suffices?

primarily because we wish to describe the difference in sound for the benefit of others.

 

What your system produces in terms of sound is factual. 

 

How that sound effects you as a person, is emotional.

Indeed.  For me the S1 upgrade was such a jump that I found it both exciting and occasionally emotional and through that excitement wanted to share my experience.

 

Maybe it's my brain that is broken

Posted on: 30 September 2015 by Graham Clarke
Originally Posted by 911gt3r:
Originally Posted by Graham Clarke:
Originally Posted by 911gt3r:
Originally Posted by Graham Clarke:
Originally Posted by feeling_zen:
First time I heard it, someone had just upgraded to a Statement S1 pre and reported that their 552 "sounded broken".

Probably one of my posts.  Have you considered the possibility that the comment was ... a joke?  Didn't think I'd need to explain that... 

 

Clearly 500 series components are excellent regardless of whether something else comes along that betters it or not.

Graham, you should with all respect go and stand in a corner for introducing the word ' br..... bro...... broken' in you and DBs ruthless comparison between the S1/552. Clearly you are both having a laugh,........and as for ' pi.....pin.....pinging' ?!?  Rascals you Peter

If I'm standing in the corner then either you're joining me or are sitting on the naughty step because I think you've repeated that more than me, Peter

 

 

"My jaw dropped!!"  when I was told to "open wide"

Possibly 

Actually I went back and took a look at the original thread: https://forums.naimaudio.com/to...atement-has-landed-1

 

The first mention of a 552 possibly sounding broken was YOURS Peter!  Your second post.

 

Here you go, I'll let you choose step 1, 2 or 3 

 

Posted on: 30 September 2015 by 911gt3r

Bugger, you are right. Well well if we cannot have a giggle and banter with each other, what is this place coming to, eh? We are a loony bunch of nerds anyway with a seriously OCD- driven hobby, so allow me to take the first step.........AGAIN!  ATB Peter

Posted on: 30 September 2015 by badlands
Originally Posted by Graham Clarke:
 

Actually I went back and took a look at the original thread: https://forums.naimaudio.com/to...atement-has-landed-1

 

The first mention of a 552 possibly sounding broken was YOURS Peter!  Your second post.

 

Here you go, I'll let you choose step 1, 2 or 3 

 

Sure, why wouldn't he try to sell people on the Statement. What's a dealers profit on that transaction? If it's what I think it is you just guaranteed he's in business at least for the next five years.

Posted on: 30 September 2015 by 911gt3r

See what I am saying...........................???

Posted on: 30 September 2015 by Graham Clarke
Originally Posted by 911gt3r:

Bugger, you are right. Well well if we cannot have a giggle and banter with each other, what is this place coming to, eh? We are a loony bunch of nerds anyway with a seriously OCD- driven hobby, so allow me to take the first step.........AGAIN!  ATB Peter

Agreed!

Posted on: 30 September 2015 by Hook

I think some terms are well understood. For example, I think we can all agree what "clarity" means (e.g., coherence, intelligibility, lucidity, clearness, and so on).  Any upgrade that does not improve on clarity is not an upgrade IMHO. To my way of thinking, improved clarity is what makes a voice sound more natural, or a saxaphone sound more like a...saxophone.

 

Beyond that, I think our priorities diverge, and pretty much everything else is up for debate. The soundstage was deeper? Who cares - it's just a stereo artifact.  More "in the room"?  Really, a full orchestra fits in your lounge?  More foot tapping?  Yeah, well, I get the same effect from my car radio...  

 

Beyond any improvement in clarity, beyond an audio system's ability to faithfully communicate what is in the recording, I agree with Richard.  All we can accurately describe is our own preferences, and the best way to do that is to describe how our listening experience makes us feel. Were we able to relax, and emotionally connect with our favorite music at a deeper level than before? Did we find some new way of appreciating the artist's musical message? 

 

For the record, I am just as guilty as the next guy of using florid audio prose. It is only natural to do so, and especially right after a large purchase. We all want to feel like we've spent our money well, and so we seek the concurrence of other forum members, and we recoil when we receive the opposite. We also bath in the warm afterglow of a positive magazine review. For example, I was never a big fan of TAS's Robert Harley. But ever since his over-the-top review of the NDS, I can help but hold him in the highest esteem!  

 

ATB.

 

Hook

Posted on: 30 September 2015 by nigelb
Originally Posted by Don Atkinson:
Originally Posted by Richard Dane:

Hang on Tony, what about lifted veils?  And surely "My Jaw Hit the floor" is now a phrase of legend around these parts.

 

I tend to agree with Jan-Erik on this; why tie yourself in knots trying to describe what you hear (never reliable anyway)? Much better and easier instead to describe how it makes you feel, physically and emotionally.  Easier for the reader to relate and understand.  

 

Unless you're English, of course...

Rubbish (basically) and IMHO, of course !

 

Careful choice of words can and should covey the sound that a system produces. I'm (almost) certain that Naim's R&D team are looking for a "sound" as well as an "emotional" effect.

 

Even live music, played to a small audience affects them emotionally in different ways. The emotional effect is so subjective as to be almost meaningless. It confuses the type of music, the musical reproduction system in use and the state of mind of the reporter.............

 

Apologies for the "click-bait" introduction.

Agreed. If we are all supposed to describe how a system makes us feel and the emotions a piece of music (reproduction) evokes then it will further stifle well intentioned descriptions of hifi music-making. It's bad enough trying to describe the factual (as Don puts it) dimensions of music reproduction without attempting the emotional description.

 

Us Brits are also a reserved lot and not inclined to show (or describe) our emotions - even though I agree that hightening our emotional response to music reproduction is the most important reason for spending large slugs of cash on an array of black boxes.

 

It is also unfortunate that there are one or two on here that would be inclined to ridicule an individual's genuine attempt to really describe how a new bit of kit has managed to produce an emotional response. So we are left with many ridiculous descriptions, many of which are quoted above.

 

Yours,

 

Tired and emotional of Chesham

Posted on: 30 September 2015 by 911gt3r
Originally Posted by Hook:

I think some terms are well understood. For example, I think we can all agree what "clarity" means (e.g., coherence, intelligibility, lucidity, clearness, and so on).  Any upgrade that does not improve on clarity is not an upgrade IMHO. To my way of thinking, improved clarity is what makes a voice sound more natural, or a saxaphone sound more like a...saxophone.

 

Beyond that, I think our priorities diverge, and pretty much everything else is up for debate. The soundstage was deeper? Who cares - it's just a stereo artifact.  More "in the room"?  Really, a full orchestra fits in your lounge?  More foot tapping?  Yeah, well, I get the same effect from my car radio...  

 

Beyond any improvement in clarity, beyond an audio system's ability to faithfully communicate what is in the recording, I agree with Richard.  All we can accurately describe is our own preferences, and the best way to do that is to describe how our listening experience makes us feel. Were we able to relax, and emotionally connect with our favorite music at a deeper level than before? Did we find some new way of appreciating the artist's musical message? 

 

For the record, I am just as guilty as the next guy of using florid audio prose. It is only natural to do so, and especially right after a large purchase. We all want to feel like we've spent our money well, and so we seek the concurrence of other forum members, and we recoil when we receive the opposite. We also bath in the warm afterglow of a positive magazine review. For example, I was never a big fan of TAS's Robert Harley. But ever since his over-the-top review of the NDS, I can help but hold him in the highest esteem!  

 

ATB.

 

Hook

Good to see you back Hook.  ATB Peter

Posted on: 30 September 2015 by David Hendon

This fascinating discussion reminds me, taking a lateral leap, of reading reviews of fine wine - another set of products on which I spend my children's' future inheritance with regularity and conviction. What I basically want to know is whether the person describing the wine is a) someone who's judgement I trust and b) thought it was good, or hopefully very good, of its type and price.

 

I'm less interested in the description of what he or she tasted in the wine.  I think with hifi it is often the same, even with Naim hifi. What listening to the music on it makes them feel is far more interesting and revealing I think.

 

best

 

David

Posted on: 30 September 2015 by Jan-Erik Nordoen
Originally Posted by nigelb:
... Us Brits are also a reserved lot and not inclined to show (or describe) our emotions...
As a half Brit, I half understand over-regulation of emotion (if I were Japanese I would understand it better). Curiously, the British produce much of the best hi-fi on the planet (best in the sense of letting the effects, emotion and intention of music come through), not to mention many of the best bands. Repressed emotions finding other forms of expression? Japanese hi-fi must be quite something.