Speaker quest for new 300
Posted by: Ben00 on 30 January 2016
hello experts,
I had a first listening sessions at my dealer's last Friday. I asked him to setup a comparison between : Fact 12, Sopra 2 and 803D3. three speakers - surely not comparable, but having aroused most of my interest lately. the dealer was able to setup a rig nearly identical to mine : NDX/XPS/282/HC/250DR/NACA5. he had no 300DR available.
when arriving in the shop, the dealer had moved his 803 to another store and as such I had to settle for an 802D3... increasing some of the imbalance that was already present. although the fact12 would be in the same price league. the 802's are going to be a bit too large for my room which measures 8m by 5m, but since the setup is against the long wall, I am only positioned about 3m from the speakers. they will be against a wall as well. but anyway character / sound would be similar... and that was what I was there for : to get an idea on how they all sounded.
i had heard the new B&W before - at the same dealer that had an interesting session back in November where he simultaneously compared all the new D3s versus their older siblings. in the 802 room, as a late comer, I had only heard the D3's since the audience had decided 'they only wanted to listen to the D3' from a certain point onwards ...
back to Friday. Started with the fact12's. amazing how slim their facia's are. there were nearly hidden from where i was sitting. went through the same playlist on Tidal with all speakers : Take-5;Melanie del Biasio; Chandler's Spring from 4 seasons; thunder from Barenboim's Pastorale; Ed Sheeran's Photograph and Kaleo's Way Down we Go to finish. the Fact's were very precise - pure - beautiful separation on the Jazz. but somehow it wasn't producing goosebumps which may partly be due to the volume being a tad low. the classical pieces made me realise how thin the soundstage was - no way that Barenboim hired a chamber orchestra to get his music played. Kaleo was swinging all right - but the present feeling did not leave. providing this feedback to the dealer later, he indicated that the fact's require a huge amount of current/power.
moving on to the Sopra's - much more of a presence in the room, albeit not at everyone's taste. i could live with them - my wife found them ugly (on paper). the first bars of Brubeck made clear that this speaker was on the opposite side of the 'intensity spectrum'. the music was all over me. higher sensitivity - lowered the volume a bit - but still everything was 'splashing'. I like that - a lot. we were back in front of a symphony orchestra and the expression on Photograph was stunning. it took me to Kaleo to realise that the Sopra may be overdoing it for the means it has - the lows and the lower mids got in eachother's way and the distortion levels were clearly a level of 2 higher than the fact's. somehow these speakers reminded me of my own old 804S's that exhibit some of the same mingling. and I guess a more transparent and clear picture was part of my wish list.
the 802's were rolled in. i was curious to find out how they compared to the recent experience. i kind of expected them to excell over the other two - not least because of the price ticket. in essence, they combined the best of the two previous speakers. big soundstage and great control and precision. did not have goosebumps though. the lows were magnificent. certainly not too bright - what is apparently a much used description of the older series.
i finished off with listening to Ben Howard's In Dreams consecutively with the 3 speakers. the facts did better then expected on this kind of music. the sopra's kind of lost it being all over the place and the 802D3 did the job - perhaps too surgically. it may become a reason over emotion dilemma. the reason wants to understand and hence needs transparency - the emotion wants punch and glitter. difficult.
the dealer is getting the 803's back in for another session next week. he also has KEF blades and Utopia's in the shop. Sonus Faber as well - but he suggested to leave them aside. he is advertising Vivid's - an odd looking speaker made by the 'Nautilus architect'. some very special engineering apparently in there. he had huge electrostatic speakers hooked up to impressive Audio Research amplification -but my ears were a bit tired... would be great to listen though...
so going in next week for another experience. all your feedback / help may improve the experience. any advice would be more than welcome.