Your best recorded album?
Posted by: Javi A. on 18 June 2016
Hi to all!
I just like to know what do you think it is the best recorded/mixed/mastered album in terms of definition and clarity? Do you use it for your testing porpuses?
Thanks for your oppinions :-)
Your avatar is an obvious frontrunner. Familiar, well recorded/mastered music is safe for testing gear but lately I'm thinking that some poorer recordings shouldn't be ruled out in a listening demo. Tracks that are very musically engaging with a great performance yet lack something sonically. If the test gear can find something in those then you're onto something grand. While you can't put lipstick on a pig, quality gear should not render marginal SQ recordings you enjoy unlistenable.
Oh Javi A great question. Here's a few from me:-
Cowboy Junkies - Trinity Sessions
Talk Talk - Colour of Spring
Shelby Lynne - Just a little Lovin'
David Sylvian - Secrets of the Beehive
I always think the recording and mastering engineer never get the credit they deserve compared with the producer.
I tend to agree with Joerand, I use very familiar tracks across a variety of genres, and eras and varying mastering and recording techniques. For me a good system has got make the sound come alive.. and you do get accustomed to greater clarity and insight and take it for granted.
For example, alas my Hugo has had to be rturned to Chord for repair under warranty.. so I have been using my NDX DAC out instead. Good though the NDX is, I find it lacking in the insight, clarity and analogue naturalness no matter what the quality of the recording.. the result is a sound that feels false and relatively uninspiring. Yes there is the PRaT, nice tonal balance and stereo imaging, but these are Hifi things.. It doesn't communicate to me in the way I have become accustomed to with familiar tracks and so they sound artificial and false by this standard ... so I am not that bothered in immersive listening from any of my digital sources until the DAC is repaired.
I have been quite suprised by the extent this has affected my listening.
Simon
joerand posted:Your avatar is an obvious frontrunner. Familiar, well recorded/mastered music is safe for testing gear but lately I'm thinking that some poorer recordings shouldn't be ruled out in a listening demo. Tracks that are very musically engaging with a great performance yet lack something sonically. If the test gear can find something in those then you're onto something grand. While you can't put lipstick on a pig, quality gear should not render marginal SQ recordings you enjoy unlistenable.
I agree. Although I also use an unfamiliar track to avoid preconceptions and to try to prevent existing preferences influence the decision.
The SQ of some of the pop and jazz records coming out of the studios of Columbia/CBS and RCA in the 1950s and 1960s was staggering. These are three of the best-recorded records I possess:
Simon, what was the issue with your Hugo? I am expecting mine back from Chord this week after 2 months (I am in Australia). Unit would not turn on even when connected to mains, returned to interstate retailer who returned to importer and then back to UK. Am yet to be advised of root cause of problem.
Apologies Javi for hijacking your post.
Harry
This might be the best-recorded album I possess (and have ever heard):
Stevie Ray Vaughan -The Sky is Crying - pressed on 200g vinyl at 45rpm - excellent combination make this sound tremendous to me. Heard a band play Little Wing at a party a weeks ago, really good but could have done without the bit of swing they added, but mostly missed Stevies humming amp, so evident on the above recording.
Get this one and forget anything else:
The last track - "Fly" by Reed Foehl - is a DSDPure recording - that is what our black an olive boxes are made for
Like Eminem told us in 8mile: "Lose yourself in the music..."
Or some of the Steely Dan albums, notably Aja, Katy Lied, Gaucho and Two against nature
I am completely agree with "Amused to Death"... in fact its dynamic range is huge. I used to consume all my music on CD but now with tydal am I discovering the loudness was and diferences between several remastered versions.
It will be a good idea to realease albums also in "no loudness" version for audiophiles, i.e. "pub version" and "home version" :-)
...Javi
Kevin-W posted:The SQ of some of the pop and jazz records coming out of the studios of Columbia/CBS and RCA in the 1950s and 1960s was staggering. These are three of the best-recorded records I possess:
The best version of Blues in Orbit I have heard is the MFSL disc (luckily I have 2 copies). Band in the living room experience.
I would also highly recommend the MFSL Isaac Hayes Hot Buttered Soul. I suppose if I sat down and thought about making up a list then there would be a lot of recommendations but those two spring to mind.
Pushed to pick one album, Nightfly would get my vote.
Pushed to choose an artist Deep Purple.
I wouldn't need pushing to choose an engineer, Martin Birch. (Until I just looked at his list of credits, I didn't realise he engineered Argus, one of my goto, test albums.)
Fleetwood Mac
- 1969 - Then Play On (engineer)
- 1970 - Kiln House (engineer)
- 1972 - Bare Trees (engineer)
- 1973 - Penguin (producer, engineer, mixing)
- 1973 - Mystery to Me (producer, engineer, guitar)
Deep Purple
- 1969 - Concerto for Group and Orchestra (engineer)
- 1970 - Deep Purple in Rock (engineer)
- 1971 - Fireball (engineer)
- 1972 - Machine Head (engineer)
- 1972 - Made in Japan (engineer)
- 1973 - Who Do We Think We Are (engineer)
- 1974 - Burn (engineer, mixing)
- 1974 - Stormbringer (co-producer, engineer, mixing)
- 1975 - Come Taste the Band (co-producer, engineer, mixing)
- 1976 - Made in Europe (co-producer, engineer, mixing)- recorded live in April 1975
- 1977 - Last Concert in Japan (co-producer, engineer) - recorded live in December 1975
Wishbone Ash
- 1970 - Wishbone Ash (engineer)
- 1971 - Pilgrimage (engineer)
- 1972 - Argus (engineer)
Rainbow
- 1975 - Ritchie Blackmore's Rainbow (co-producer, engineer, mixing)
- 1976 - Rising (producer, engineer, mixing)
- 1977 - On Stage (producer, engineer, mixing) - recorded live in 1976
- 1978 - Long Live Rock 'n' Roll (producer, engineer, mixing)
- 1986 - Finyl Vinyl (producer) - collection
Whitesnake
- 1978 - Snakebite (producer)
- 1978 - Trouble (producer)
- 1978 - Live at Hammersmith (producer)
- 1979 - Lovehunter (producer, engineer)
- 1980 - Ready an' Willing (producer, engineer, mixing)
- 1980 - Live...In the Heart of the City (producer, engineer) - recorded live in 1978 and 1980
- 1981 - Come an' Get It (producer, engineer, mixing)
- 1982 - Saints & Sinners (producer, engineer, mixing)
- 1984 - Slide It In (producer)
Black Sabbath
- 1980 - Heaven and Hell (producer, engineer)
- 1981 - Mob Rules (producer, engineer)
Blue Öyster Cult
- 1980 - Cultösaurus Erectus (producer, engineer)
- 1981 - Fire of Unknown Origin (producer, engineer)
Iron Maiden
- 1981 - Killers (producer, engineer)
- 1982 - The Number of the Beast (producer, engineer)
- 1983 - Piece of Mind (producer, engineer, mixing)
- 1984 - Powerslave (producer, engineer, mixing)
- 1985 - Live After Death (producer, engineer, mixing)[5]
- 1986 - Somewhere in Time (producer, engineer, mixing)
- 1988 - Seventh Son of a Seventh Son (producer, engineer, mixing)
- 1990 - No Prayer for the Dying (producer, engineer, mixing)
- 1992 - Fear of the Dark (producer, engineer, mixing)
Other artists
- 1969 Jeff Beck - Beck-Ola (engineer)
- 1970 Peter Green - The End of the Game (engineer)
- 1970 The Groundhogs - Thank Christ for the Bomb (engineer)
- 1971 Stackridge - Stackridge (engineer)
- 1971 Canned Heat and John Lee Hooker - Hooker 'N' Heat (Mixdown Engineer) - recorded in 1970
- 1971 Jon Lord - Gemini Suite (engineer)
- 1971 Skid Row - 34 Hours (engineer)
- 1971 Toad - Toad (engineer)
- 1971 Faces - Long Player (engineer)
- 1971 Jodo "Guts" LP (engineer)
- 1972 Silverhead - Silverhead (producer)
- 1972 Toad - Tomorrow Blue (engineer)
- 1972 Flash - Flash (engineer)
- 1972 Flash - In the Can (engineer)
- 1973 Gary Moore - Grinding Stone (producer, engineer)
- 1974 Tony Ashton & Jon Lord - First of the Big Bands (engineer)
- 1976 Jon Lord - Sarabande (producer, engineer, remixing)
- 1977 Paice, Ashton & Lord - Malice in Wonderland (engineer)
- 1978 The Electric Chairs-"The Electric Chairs"(producer)
- 1978 Wayne County & the Electric Chairs - Storm The Gates Of Heaven (producer)
- 1978 Wayne County & the Electric Chairs - Blatantly Offensive E.P. (producer)
- 1978 Roger Glover - Elements (producer)
- 1979 Cozy Powell - Over the Top (producer)
- 1982 Michael Schenker Group - Assault Attack (producer, engineer)
Yello "Baby". On thin vinyl.
Nerina Pallot - Fires
Shaun Mullins - Souls Core
ewemon posted:Kevin-W posted:The SQ of some of the pop and jazz records coming out of the studios of Columbia/CBS and RCA in the 1950s and 1960s was staggering. These are three of the best-recorded records I possess:
The best version of Blues in Orbit I have heard is the MFSL disc (luckily I have 2 copies). Band in the living room experience.
I would also highly recommend the MFSL Isaac Hayes Hot Buttered Soul. I suppose if I sat down and thought about making up a list then there would be a lot of recommendations but those two spring to mind.
The Analog Productions Blues In Orbit vinyl is even better IMO (I've heard the SACD is very good as well). It's a fantastically well-recorded session - even the bog standard Columbia CD (with extra tracks) is excellent.
Kevin-W posted:ewemon posted:Kevin-W posted:The SQ of some of the pop and jazz records coming out of the studios of Columbia/CBS and RCA in the 1950s and 1960s was staggering. These are three of the best-recorded records I possess:
The best version of Blues in Orbit I have heard is the MFSL disc (luckily I have 2 copies). Band in the living room experience.
I would also highly recommend the MFSL Isaac Hayes Hot Buttered Soul. I suppose if I sat down and thought about making up a list then there would be a lot of recommendations but those two spring to mind.
The Analog Productions Blues In Orbit vinyl is even better IMO (I've heard the SACD is very good as well). It's a fantastically well-recorded session - even the bog standard Columbia CD (with extra tracks) is excellent.
Never heard the Analogue Productions vinyl set Kevin.
Silky soul. Gritty field recording. Sublime rhythm sections. Valved vocals. Atmosphere.temperature . Saturations.. Emotions ......
Kevin-W posted:This might be the best-recorded album I possess (and have ever heard):
Yes, Kevin, that's an excellent one. Holographic sound-staging
I'm going to suggest this album. Apart from the fabulous music, the reproduction quality is stunning.
Mike
Best recorded? Probably this.
Stevee_S posted:
Or some of the Steely Dan albums, notably Aja, Katy Lied, Gaucho and Two against nature
sadly I couldn't agree with Katy Lied - due to the infamous cockup on the master tape post-recording - great album though
Kevin-W posted:ewemon posted:Kevin-W posted:The SQ of some of the pop and jazz records coming out of the studios of Columbia/CBS and RCA in the 1950s and 1960s was staggering. These are three of the best-recorded records I possess:
The best version of Blues in Orbit I have heard is the MFSL disc (luckily I have 2 copies). Band in the living room experience.
I would also highly recommend the MFSL Isaac Hayes Hot Buttered Soul. I suppose if I sat down and thought about making up a list then there would be a lot of recommendations but those two spring to mind.
The Analog Productions Blues In Orbit vinyl is even better IMO (I've heard the SACD is very good as well). It's a fantastically well-recorded session - even the bog standard Columbia CD (with extra tracks) is excellent.
I have a rip of the SACD and indeed it's very good. But I have no comparison. The MFSL cd is very expensive, used