NAC282 Flashing Mute button

Posted by: Tamarin on 22 September 2016

I upgraded from a SuperNait (1) w/HiCapDR to NAC282/HiCapDR and NAP250.2 (very low usage 2013 models). The improvement in grip, soundstage and PRAT is substantial and jaw dropping.

I'm now curious to try the 282 without the HiCapDR for comparison, as I went to straight to the 282 w/HiCapDR, since I was already using the HiCapDR on my SN. It almost seems like the boogie factor is a bit too far over the top for my setup.

Other details
- I've been running in the new gear for nearly 6 weeks.
- I've adjusted speaker positions, and added a Powerline to the HiCapDR.
- My din cables are all either original Naim, or Flashback cables. Speaker cable is NACA5 with Naim dual banana connectors on both ends.
- Room size: 6.25M x 4M x 2.5M H / 20'5" x 13'4"x 8'3" H.

Please see my profile for additional details on my setup.

My 282, as received, was missing upgrade link plug 1 (the round 5 pin link plug), so I ordered a new genuine Naim 5 pin round link plug from Analogue Seduction.

With the arrival of the 5 pin link plug, I powered everything down, unplugged the HiCapDR to 282 din5 cable from the 282 upgrade 1 socket, and inserted the new round link plug. I then moved the din4 end of the 250-2 din4 to xlr3 cable from the HiCapDR to the 282's standard output din4 socket.

Upon power up, I'm getting the dreaded 282 flashing mute button. I've tried all of the following to no avail
- Rechecked the connections against the Connections Guide. I verified that I'm connected exactly per the "NAC 282 + NAPSC + DAC + NAP 200" diagram on page 14, though with the only difference being the 250.2 of course. Oh, and I use Aux1 for the nDAC, in since I use Aux2 w/pwr for my SuperLine.
- I unplugged my Superline just as test. No difference.
- I searched the forums and tried all suggestions I could find, like holding the mute button (didn't work), trying to enter Programming mode and exit (can't get into Prog mode with the mute button flashing, so that was a non-starter).
- I removed the new 5 pin link plug and tried to check if it was defective via my ohm meter. Only pin 1 to pin 3 is shorted, just like in this pic:  http://s26.photobucket.com/use...ankinngPlug.jpg.html. This fellow has earlier classic gear, but I believe the 5 pin link pin wiring has remained same with the current black gear. So as far as I can tell, the link plug is not defective.
- I tried power cycling a few times, including to remove both link plugs, and reconnect them while powered down.

All my gear is 2nd hand. I don't have a relationship with any local Naim dealers.

I gave up for now and looped my HiCapDR back in. I first powered up the NAPSC, and the mute was flashing as expected. Then as soon as I powered up the HiCapDR, the flashing stopped.

Any suggestions on what I missed with the 282 + NAPSC only mode, or what might be wrong?

 

Posted on: 22 September 2016 by G McMurtry

I'm not sure what you're asking but long story short - a 282 will not work without a NAPSC, period. If you're using a 250, which doesn't supply power back to preamps (a NAP155 or 200 does) then you also need a Hicap in order to make it work.

Posted on: 22 September 2016 by Tamarin

G, yes, I already understood the NAPSC requirement, and it is always connected. However, I think you nailed my problem regarding your second point. I didn't realize that a HiCap was required when using the 250(.x). So thanks kindly for straightening me out on that point.

Okay, so my desired comparison is not doable with the gear that I have. Anyone have suggestions to turn down the 282 boogie factor a click or two without requiring a new massive infusion of cash (I just splurged on the 282, 250.2 and PL).

Posted on: 22 September 2016 by badlands

I would look at the speakers, Mission 770 speakers are pretty old, and were pretty hot sounding. I would maybe demo some modern speakers.

Posted on: 22 September 2016 by G McMurtry

What's your source? A lesser source on that system might sound a little lean - however - I'm not sure that you'll ever be able to really reduce the boogie factor on that system. You've bought Naim - that's what they focus on...

Posted on: 22 September 2016 by Tamarin

Badlands, you may be absolutely right, though I do want to point out that my 770 mkV's are not stock. Indeed, upon my initial upgrade from a NAD 3140 to the SuperNait(1), the stock 770s immediately became unlistenable (this was the start of my Naim journey). So I undertook an upgrade project to see if the 770s could be reworked to my satisfaction, before contemplating outright replacement.

The crossover was reworked to remove the 12khz bump, and the tweeter series resistor value was increased from 4.7 to 5.6 ohms on top of that. The new design was implemented with high grade components like Goertz copper foil inductors, Mundorf caps/resistors, and Supra internal wiring. Not to mention that ferrofluid dries out after an extended time, which can cause further problems. So I replaced the original Vifa tweeters with their modern equivalent - ScanSpeak Discovery D2606/9220. The reworked 770s have kept up with my upgrades until now without embarrassing themselves. But the thought has occurred to me that it is possible that they are now the weak link, despite the upgrades (I'm hoping not, but realize that it is possible).

I do have a DIY set of speakers in the works which will be crossover-less, full range speakers based on 8 by Audience A3 full range drivers per speaker, plus 2 x passive radiators. But it will some time before those are built.

 

Posted on: 22 September 2016 by Tamarin

@G, it's a UnitiQute 2, but it functions as a transport only, when I use it with my main system, as I run it through my nDAC via coax SPDIF.

 

Posted on: 22 September 2016 by Tamarin

I also have a Townshend Rock7 tt, but it's out of commission at present.

Don't get me wrong, I dig the Naim BF. It just seems a bit over the top in my setup.

 

 
Posted on: 22 September 2016 by G McMurtry

My professional opinion - upgrade from the source first. I have doubts about whether a Qute is suitable as a source for that level of system, even as a transport. Are you using a power supply with the nDAC? If so, an "easy" upgrade (and yes, I know how glib it is of me to just casually spend your money) would be to an NDS, which will more than sort things out a bit. The nDAC's a bit of a dead end unless you're planning on acquiring an HDX down the line (unlikely, I'm guessing).

Posted on: 22 September 2016 by Tamarin

Much appreciated, G (despite your casual dip into my wallet). Yes, I have a T-XPS on the nDAC. I'm a big fan of the variable reclocking buffer of the nDAC, as I've found the gains due to jitter elimination to be non-subtle (likewise, with adding a Wyred4Sound Remedy Reclocker (on an LPSU) to my Sonos digital out to UQ2, which I also listen to directly on my desktop (in that configuration, no nDAC, as that's only in play when I use the UQ2 as a digital front end to my main system).

So it may not be an NDS, but I suspect that in the configuration that I use it, it closes the gap at least somewhat (Note that I'm skillfully avoiding any triggers that will restart the bits are/aren't bits wars). Having said that, it's all theoretical, as I've never auditioned an NDS in my system.

Lastly, though I already have 8 Naim black boxes, I'm actually trying to keep the box count from spiraling out of control. And I do have to join the many fans of the UQ2 that have observed that it punches way above it's weight.

Posted on: 23 September 2016 by Adam Zielinski

This is the most odd thread - why do you want to make your 282/HiCap/250 sound WORSE???

This is one of the most classic, iconic combos that will always sound good. 

If however you'd still like to spoil it I have a suggestion: just read this forum and apply all the advice in reverse 

Posted on: 23 September 2016 by hungryhalibut

I get the impression that you are a bit of a tweaker, which makes advice more tricky as the playing field is not level. As I see it, the new amplifier, which is extremely good, is showing up the inadequacies of the sources. Neither the CD5xs or the Qute are good enough, whether fed through the DAC or not. I'd get an NDX. In terms of box count, do you actually need a CD player at all? Maybe that's a box you could lose? I'd also try running the Superline from the 282 powered socket, and try an XPS dr on the nDac. Once the sources are sorted out it may or may not be time to look at the speakers. Do you have the system on a good rack - if not it won't sound as it can. You're not piling the boxes on top of each other, are you? 

One other thought - swap the 282 for a 272, put an XPS dr on the 272, put the Hicap on the Superline, and lose a lot of boxes you then won't need. 

Posted on: 23 September 2016 by yeti42

I'm curious about the Rock 7 as I have a 2. I bought an "upgrade" platter from Max, huge dynamics but it killed the timing and without the paddle and trough the cartridge wouldn't track anything. The 7 has that platter as standard (unless you have an early one) so does it time properly with a gimbled arm and are you using the trough? What has stopped it working?

When I was experimenting with Rock updates I had a 282/Hi/250 and a superline powered from AUX2. With hindsight the 282 does regiment things into a groove somewhat but it does it entertainingly (I'm comparing with a 552 here, a 252 might do the trick but you imply funds are spent out, so not an option) .

If you want to kill the boogie plug a switching mode power supply into the power block supplying the system or if you use one of the Fraims make sure the cones are touching the sides of the cups, does rather lose the point of a Naim system though.

 

Posted on: 23 September 2016 by Adam Zielinski

OP could also get a power conditioner and plug some Naim and a hairdryer into it

Posted on: 23 September 2016 by The Strat (Fender)

Wow there's much you can do to optimize there.  Your amp configuration really requires at least NDX/XPS or XPS on the nDac - if the latter you'll need to ensure a good data source for WAV files ideally.

I read what you say about your speakers but have you heard your amps with say Kudos S20 or Neat Momentum 5s?

All the other advice about racks etc holds true as well

Regards,

Lindsay

Posted on: 23 September 2016 by Huge

Tamarin,

I firmly believe that the worst of your problems is still the Mission 770s.  They were a speaker voiced to give a sense of excitement to music (whether it's supposed to be there or not), and so were grossly underdamped in all frequency ranges.  Couple that with a lack of low level dynamics and you have something a subtle as a slegehammer (and rather less subtle than Peter Gabriel's version).  Note that the greater part of this characteristic is in the drivers and also at bass frequencies the way they interact with the enclosure.  Modifying the crossover won't correct for the excesses in the fundamental design of the drivers.

By going from the SN1 to the 282 / 250, you've put in an amp that has an inherently lively character but one that balances this with subtlety as well.  Unfortunately, in your case, the speakers remove all the subtlety leaving the 'boogie factor' sounding exposed and unameliorated.

In overall balance terms those who suggest a source upgrade is required are also correct, but you won't get the benefit of a more subtle source component through those speakers.

Posted on: 23 September 2016 by Adam Meredith
Huge posted:
.... so were grossly underdamped in all frequency ranges. 

I wonder if anyone could explain what this means.

Posted on: 23 September 2016 by Huge

Hi Adam,

It means that Qts is high (typically that means above about 0.4).
Above 0.5 Q is considered very high and the speaker very underdamped.

Posted on: 23 September 2016 by Mike-B

When I was making & repairing speakers I stuck to a general rule of thumb & for IB cabinets used driver Qts in the 0.35 - 0.55 range.   Reflex & most other port types from 0.27 - 0.35 works best for QB3 alignments.   Open baffle is best with with Qts above 0.55.      My current main speakers have a reflex ported bass with Qts 0.27.  

Posted on: 23 September 2016 by Huge

Mike,

The Mission 770 is ported; so 0.4 is a bit too high and 0.5 much to high.  I didn't want to confuse the issue by talking about other bass alignments!

Posted on: 23 September 2016 by hungryhalibut

Let's not have another thread with three pages of impenetrable discussion about damping. This is a family forum. 

Posted on: 23 September 2016 by Tamarin

Thanks kindly for all the responses, gentlemen. Much obliged.

@Adam Z, point taken. I'll rip out my dedicated spur, and instead just use a 50ft, 18 awg extension cord from an outlet in the main bath, with a surge protected, plastic outlet strip on the end.

@Hungry Fish, Tweaker? C'est moi? Say it isn't so. The SL is already hanging off Aux2/Pwr. The nDAC has a T-XPS. No box piling (shudder). The racks are admittedly modest. Salamander Designs A5 racks are solid mahogany shelves with threaded rod affairs. I have a Sound Mechanics Performance Series platform under the 282, and Auralex isolation platforms under the rest of the gear. I've considered replacing the SM and Auralex with tempered glass on 3 vibrapods (safer in earthquake country), or on 3 dome nuts, on top of the wood shelves. Yes, this is per the "Support Shelf for NDX" (https://forums.naimaudio.com/to...upport-shelf-for-ndx) topic with representation by many of you same co-conspirators. Perhaps a future tweak (oops, there we go again). I haven't gotten through ripping all my CDs yet, so still like having the CDP around. Maybe I'll lose it at some future time.

@Yeti42, I bought my Rock 7 used from a local audiophile. It has the thick white HDPE platter, with the center clamp mechanism, which works great to flatten and secure vinyl to the platter. I don't know if that's the upgrade platter or not. I do use the trough, and I've been happy with the timing and the sound. It's currently out of commission, as I acquired an RB1000, but haven't gotten around to putting it back together. I don't want to do anything to artificially compromise the Naim qualities. The thought to try a 252 has occurred to me (given the reputation of the 282 as a boogie machine), but that's not in the cards for now.

@Strat/Lindsay, I have a T-XPS on the nDAC. I have a QNAP TS-251 with Asset, transcoding FLAC to WAV. I haven't heard those speakers on my system unfortunately, but point taken.

@Huge, your analysis is resonating with me (sorry about that). Your point on the lively voicing of the 770s makes sense to me. Especially as it matches a hunch from an audio pal of mine who experienced something similar with a past system. At the time, he had Mission Argonauts. Upon an amplifier upgrade (non-Naim, Carver actually), he found the Argos to be "overdoing things".

The http://www.thefullwiki.org/Mis..._Freedom_loudspeaker points out that the MkV has an "...emphasis on speed, attack and dynamics". So indeed, perhaps that was fine with the SN1, but now with the 282/HCDR/250.2, perhaps it's gone over the top.

By the way, I collected some spare, original 770 woofers during the rebuild project, and one pair had larger magnets than the others. Those are the ones that are installed currently. Unfortunately, I don't know the parameters of the woofers (neither for the small magnet, nor the large magnet versions).

Thanks again to all. I'm going to focus first on the speakers. I'll proceed with my DIY Audience A3 speaker project and see if those end up being a better match for the 282/HCDR/250.2.