Are Older Nait Integrateds Superior To The Current Crop Of Integrated Amps?

Posted by: ryder. on 06 October 2016

I often read about the appeal of the older Nait 1, 2 or 3 which seemingly capture the energy and joie de vivre in music more than the current Naim integrateds (Nait 5is, XS, Supernait2 etc.). More recently, I read about the Nait 1 sounding close to the 552/500. For this reason, I have done a search on the Nait 1, 2 and 3 in an attempt to determine which unit sounds the "best". Apparently an old post in 2007 revealed that the Nait 3R is "better" than the rest of the Naits.

Now, few questions. Are these older Naits really much better than the current integrateds? As we all know, the term "better" is subjective as it can mean many things. Detail, resolution, bass, separation etc. To simplify things, which era of amps is better in giving the listener a more involving or emotional listen, a joie de vivre feel?

These older Naits are low in power in comparison to the Nait XS and Supernait2 which are significantly  more powerful. More power usually equates to better sounding amps which is the case as shown in the Naim's methodological hierarchy of amplifiers. Assuming that power is not an issue as the loudspeakers are not a demanding load, a low-powered Nait can be very appealing if the sound quality is up there with the best.

Talking about power, my recent experience with the NAP 200 and NAP 250 DR suggests that even though the speakers are relatively easy, more power will give more in areas of detail across the frequency spectrum and increased texture and layering in the bass. I am not sure if the older Naits which are low in power will do all these things.

It is my aspiration to own a small little integrated in the near future. As some might known, I was looking at a high quality integrated from Naim several months ago. Instead of going for the Supernait 2 I went for the 282/HCDR/250DR instead. The talk about the Nait 1 capturing the sound of the 552/500 is certainly intriguing. As I do not have experience with any of these older Naits, I would like to draw the experience from folks who have listened and compared these older Naits 1, 2, 3 or 3R to the current crop of Nait 5is, Nait XS and Supernait2. 

In summary, assuming that power is not an issue and the speakers are an easy load, which amp will give a more enjoyable listen? How do the Nait 1, 2, 3 and 3R compare to the current crop of integrateds? If these old Naits do sound more enjoyable, engaging or sonically superior than say the Nait 5si or XS2, why isn't there a current modern Naim integrated that matches if not surpass these older Naits?

Any thoughts would be appreciated.

Posted on: 07 October 2016 by ryder.
Harry posted:
ryder. posted:

As we all know, the term "better" is subjective as it can mean many things.

Thus answering your own question.

Who is to say which is "better"? Who has the best ears?

Whatever your ears tell you is better is better. Because you use your ears to listen to music, not somebody else's.

My ears tell me that nothing sounds like a 552/500. Not remotely. That's why they are so special. I have heard all the Naits but not in the same systems that I heard the 552/500. I don't think they sounded terribly good. but I can easily see the appeal You might find them compellingly good. So trust your ears.

If you can get your hands on a Nait 1/2/3 and twist the knob to output 552/500 levels of sonic magic you will have saved a huge sum of money, which at the end of the day is probably more important than anything.

That's true. In my case, I will trust most that have been written here as I can't use my ears to listen (to the older Naits). And I don't have the intention to do so either.

Posted on: 07 October 2016 by ryder.
gary yeowell posted:

A huge over simplification..... (Raw/crude/cheerful) usually put forward when justifying a big amp purchase.

Gary, it is not a case of justifying a big amp purchase. My remark is based on experience with many budget to mid-end integrateds and pre/power combinations. It can be a generalisation though as my impression is the older Naits together with the Olives and Chrome Bumpers are a little raw and crude in their presentation in comparison to the newer (Black) range of amps.

Posted on: 07 October 2016 by gary yeowell

You are welcome to bring your 282/250DR here and play it against the Nait1.

Posted on: 07 October 2016 by The Strat (Fender)

Once heard a Roksan Xerxes/Nait 1/Kans - raw and crude - do me a favour!

Posted on: 07 October 2016 by Willy
jon honeyball posted:

can you still get kan tweeters and bass units? I suspect not, but just asking...

Yes. My brother has just ordered up a full set and I'll be rebuilding his mk1s as active to be driven by a pair of 180s . The bass units are new built (falcon?) to original b110 spec. The tweeters are from hiquphon, not quite the same as the originals (Linn own that design) but close. 

Regards,

Willy.

Posted on: 07 October 2016 by james n
Willy posted:
jon honeyball posted:

can you still get kan tweeters and bass units? I suspect not, but just asking...

Yes. My brother has just ordered up a full set and I'll be rebuilding his mk1s as active to be driven by a pair of 180s . The bass units are new built (falcon?) to original b110 spec. The tweeters are from hiquphon, not quite the same as the originals (Linn own that design) but close. 

Regards,

Willy.

Yes it's Falcon - They are also re-manufacturing the B139 as well so that'll keep the big Kan (Isobarik) crowd happy 

Posted on: 07 October 2016 by Dev B

Our second system is an Olive Nait 2 (serviced) and late Ku Stone Kan 2, on phase 5 Mana.

It sounds very good.

BUT, not as good as the 552, 250, Sonus Faber Olympica 1 in the main system.

My view is that if you think the Nait 2 is better or as good as the 552, there is something wrong with the set up of the 552. The 552 should and does completely trounce the Nait. I invite any demonstration in my room. 

My experience suggests that a Naim Nait XS and Hicap (only with Hicap and not on its own) into Kan is an excellent combination, and better than the Nait 2.

Regards Devraj

Posted on: 07 October 2016 by Massimo Bertola

I haven't heard a Nait (1) for too many years, I should probably avoid any comment on it; my recent experience is that of 42.5,SNAPS,140 into n-Sats as compared to SuperNait into n-Sats. I can only say that the CBs were really 'fun', while the SN was like a big but mannered man trying not to stumble into furniture at a party; but I can't help it, I'd take the SN vs older, smaller CBs any moment. As I once wrote, what would Naim have worked on, and for, over the last 35 years if I should prefer the CBs?

Posted on: 07 October 2016 by Evil Weasel
gary yeowell posted:

Will be back second week in Nov.

I look forward to it

Posted on: 07 October 2016 by cat345

Older Naits sound immediate and live. IMO, even Naim doesn't know exactly why it makes music that way but they have tried to make a more powerful Nait 2. Have they succeeded yet? I guess the answer is not that simple!

To those who want to understand I say forget it. Just try to find one and see for yourself. Remember that many stunning discoveries have been made by accident...

Posted on: 07 October 2016 by Mikeandvan

How does a 72/140 compare to Nait 1/2? I like the 72, and when I had a 250 once I swapped it back for the 140 as I found the 250 'slow'.

Posted on: 07 October 2016 by Arnsider

My first foray into Naim was prompted by a Nait1 into Kans, but couldn't afford them on a student grant! Some years later....Nait 3 into Rega Ela Mk2's with A5.....loved that sound!!!!

Posted on: 07 October 2016 by Massimo Bertola
cat345 posted:

Older Naits sound immediate and live. IMO, even Naim doesn't know exactly why it makes music that way but they have tried to make a more powerful Nait 2. Have they succeeded yet? I guess the answer is not that simple!

"We've tried making it more powerful. When I was away on holiday, some of our people cooked up a more powerful version and presented it to me on my return. It sounded awful."

That was Naim Audio's founder, the late Julian Vereker, MBE, talking to Sam Tellig about the 15Wpc Naim Nait 2 integrated amplifier, as reported in the April 1990 Stereophile (Vol.13 No.4).

Posted on: 08 October 2016 by Massimo Bertola

Anyway, since I'm always trying to keep an open mind about everything (and home audio, poor me, is something I love), I also want to keep an open mind about the recurrent idea of fun in home music reproduction.

Since that old sentence by Lennon&McCartney – fun is the one thing that money can't buy – cannot obviously apply here (albeit absurdly costly, a Nait can be bought for money), I invite everyone who personally experience fun in home audio reproduction to try and describe what that experience is.

I'll open a new thread about fun  and Naim, trying to define something ineffable that could be called Faim.

Posted on: 08 October 2016 by Stephen Tate

I found this on the back end of a review comparing old v's new.

"Comparing the NAIT 5Si to the original 1983-vintage NAIT proves enlightening because the newer design reveals that in terms of musical communication the 30-year-old design comes worryingly close to its performance. The 5Si, however, operates with a noticeable ease and grace that eludes the original on some material and makes suspending one’s disbelief that much easier. In that respect its performance is convincingly superior and more persuasive, especially on challenging and demanding music. I would, for example, always choose the 5Si for listening to, say, Edgard Varèse’ taxing modernist orchestral compositions or to dub or contemporary jazz. It has the added poise and elan such music requires"

 

Posted on: 08 October 2016 by mpw

we speak of the Linn Kan 1 being an excellent pairing to rediscover the fun. But Lin Kans are getting rarer and more expensive.

what would be a modern day equivalent to Linn Kans to pair with a naim nait 5i-2 ?

something made for each other types...

Posted on: 08 October 2016 by Bob Edwards
mpw posted:

we speak of the Linn Kan 1 being an excellent pairing to rediscover the fun. But Lin Kans are getting rarer and more expensive.

what would be a modern day equivalent to Linn Kans to pair with a naim nait 5i-2 ?

something made for each other types...

That is, I think, part of the problem - there is no other speaker that any of the more recent Naits were specifically designed to drive.  NB - I am fully aware that the 1 or 2 can brilliantly drive a number of other speakers.  For example, I drove Linn Index 1 and 2 speakers with a Nait 1 (and, later, a 2).  They worked very well; however, I'm sure no one will be surprised to read that substituting Kans (Mk. 2) instantly and hugely upgraded the system. 

I had a Nait 5 recently, and it was . . . fine.  Worked well, sounded good, etc., but it just didn't have the inner spark or fire that the 1 and 2 had.  That said, it was obviously more neutral, extended, controlled, etc. - better, in other words, in many important areas.  But it didn't make me want to play that essential one more track . . .

Posted on: 08 October 2016 by DrMark

My initial exposure to Naim was a Nait 3R, and I really liked it. I seem to like it more than many here when they look at the Nait line of integrated amps.

Years later I bought a Nait 5i, and was rather disappointed, which surprised me given all the love it receives on the Forum, but I found it "dry" and it just didn't involve me, so I only kept it a very short time. For whatever reason, it just wasn't the right piece of kit for me.

Then I  had a SN for quite a while, and I think it is a very good amp - IMHO it is a completely different animal than the "little" Naits because of the power, and had a markedly different presentation but I liked it. If I hadn't come across the deal I got on my current system I would still happily be running it with no complaints.

I'd love to hear/have a Nait 2 or 3 for a second system.

Posted on: 08 October 2016 by Mark J

Bottom line is you need to live with a shoe box Nait for a while. Provided your source is up to the task and speakers aren't a pig to drive I doubt you will be unmoved by the experience. It's a wonderfully seductive music maker (1 or 2)

Posted on: 09 October 2016 by badlyread
mpw posted:

we speak of the Linn Kan 1 being an excellent pairing to rediscover the fun. But Lin Kans are getting rarer and more expensive.

what would be a modern day equivalent to Linn Kans to pair with a naim nait 5i-2 ?

something made for each other types...

Guru Juniors. I know that they are hard to come by but that will hopefully be sorted out soon (there other ways and means). I've had mine for 2 years now and they are brilliant on the end of a Nait 2. 

Posted on: 09 October 2016 by audio1946

over the years they have been voiced differently to suit inputs and more valid, the speaker design.  Modern house   construction have made a difference too...

Posted on: 09 October 2016 by The Strat (Fender)

I think it's important to recognise that quite often with newer products functionality will have advanced but that does not necessarily mean performance will have been enhanced let alone any resultant enjoyment.   

Digital SLRs - every bit of functionality on the planet but is the resultant image as good as say a Nikon FE/Nikkor Lens and Fuji Velvia?

Regards,

Lindsay

Posted on: 09 October 2016 by Bob Walker

My System

LP12 ittock 3 Cadenza red Armageddon

CDX2 XPS 2

102 Hicap 140

Sbls

Question Amps Change to Super Nait /Phono Stage ?Supercap

Or

202 Dr Hicap Dr 250 Dr

in members opinion what's the best option

Thanks

 

Posted on: 09 October 2016 by Bob Edwards
Bob Walker posted:

My System

LP12 ittock 3 Cadenza red Armageddon

CDX2 XPS 2

102 Hicap 140

Sbls

Question Amps Change to Super Nait /Phono Stage ?Supercap

Or

202 Dr Hicap Dr 250 Dr

in members opinion what's the best option

Thanks

 

Bob -

52/250.

Aro or Ekos.

Activate SBLs if desired.

Posted on: 09 October 2016 by Huge
The Strat (Fender) posted:

...

Digital SLRs - every bit of functionality on the planet but is the resultant image as good as say a Nikon FE/Nikkor Lens and Fuji Velvia?

Regards,

Lindsay

No: necessarily not as good as, but dependant on the artistic skills of the photographer there can be a huge improvement.

Unless the photographer messes up there will certainly be substantial improvement in every technical aspect of the image!