Explaining the compromises of on-wall speaker design (to your mum)
Posted by: Alonso on 28 May 2017
I was a big surprised to learn that ATC will soon offer on-wall loudspeakers, based on their 'classic' series (I am no sure if that's what they're called) but you know, the SCM11/19/40. The new on-walls will be the HTS7, HTS11 and HTS40.
https://www.whathifi.com/news/...lassic-floorstanders
So, maybe someone who actually knows about speaker design, could explain what are the major 'compromises' of on-wall speakers? Of course, the major advantage is space utilisation/concealment, but as every design, there are a series of compromises (the stuff marketing blurbs never mention). ATC argue that they've tweaked/re-designd the cross-over to make it sound best for this application, which does not mean that they have over-come all major compromises of this design, they've just optimised it within the limitations of this configuration.
So, from a purely audiophile stand-point, what is lost in designs of this type?
Alonso





