Examples of musicians playing against type.

Posted by: JamieL_v2 on 10 November 2011

I was not quite sure how to title this thread, but watching Steve Howe with Yes last night playing a Fender Stratocaster, I began to think of other predominantly Gibson players who let themselves loose on 'Strats' to great effect.

Of course it is not just guitar, trumpet players who do not usually use a mute could have a recording with that, an electric bass player trying an upright acoustic bass, or vice-ser-versa. The many acoustic verses electric crossovers. There must be numerous examples on many instruments.

The three musicians who made me think of this are Steve Howe, Jimmy Page and Steve Hackett, all accomplished guitarists predominantly known for playing Gibson guitars, guitars that accentuate the players picking and fretting, but have a high action, and unless customised, no tremolo arm, so do not have the light and fluid sound of the Fender Stratocaster with its low action, light strings and tremolo to pitch bend.

Here are the tracks that I could think of by the above guitarists, all unusually playing a 'Strat'.

Steve Howe 'Tempus Fugit' from the album 'Drama' (1980) (http://www.youtube.com/watch?v=78BivgombIE)
Steve Hackett 'The Steppes' from the album 'Defector (1980) (http://www.youtube.com/watch?v=3k0brnwiu_Y)
Jimmy Page 'For Your Life' from the album 'Presence' (1977) (http://en.wikipedia.org/wiki/For_Your_Life)
Jimmy Page 'In the Evening' from the album 'In Through the Out Door' (1979) (http://www.youtube.com/watch?v=XEmPr525z5w)

There must be numerous examples, both good and bad, from many genres of music, those are a few to make a start.

Posted on: 10 November 2011 by Gale 401

Jaime,

John Martyn could work both.

Stu

Posted on: 11 November 2011 by winkyincanada

Tom Morello, playing predominantly on a nylon string acoustic as "The Nigh****chman", was quite a step away from his Rage Against the Machine persona.

Posted on: 11 November 2011 by winkyincanada
Originally Posted by winkyincanada:

Tom Morello, playing predominantly on a nylon string acoustic as "The Nigh****chman", was quite a step away from his Rage Against the Machine persona.

Hilarious censorship by hoop.less. T w a t s.

Posted on: 11 November 2011 by BigH47

I have a ****ch

 

Wankers

 

That says it all doesn't. 

 

Faulty item 1001 on the cocked up hopeless forum.

Posted on: 11 November 2011 by JamieL_v2

Good job we don't have any forum members from S****horpe, who reputedly didn't get any email at the council offices for a week after they instigated a firewall which filtered out obscenities.

 

Hoopla might be clever than we think though if you listen to this introduction:

http://www.youtube.com/watch?v=oXBaDhVVnYY

 

I suspect that they are just puritanical and very incompetent

 

Back to the thread, great example Winkyincanada.

 

Edit: S****horpe - town in North Lincolnshire, **** - colloquial term for part of the female anatomy.

Posted on: 11 November 2011 by Guido Fawkes

A complicated thread, but I'll have a go. 

 

When Ritchie Blackmore started he was a skiffle man turned session guitar man sounding a little bit Hank. He made some great records with the Outlaws and other assorted bands; he was the founding member of that first Deep Purple incarnation who made some super records including a wonderful track called The Shield (one of psych's great moments that brings a hush over proceedings). Ritchie then against his better judgement participated in the Concerto. Despite his reservation the blend of rock and orchestra worked very well (some may disagree, but to them I say wring that neck) on Gemini Suite there was an even better blend of Purple and Orchestra.

 

Now Blackmore may not have been the greatest guitarist of all time (that is clearly Albert Lee), but he went on to make In Rock and become the axe hero of the world's finest hard rock band.  The definite rock album of the 70s, Machine Head, featured Ritchie playing the most famous riff in the history of rock music. And then he went on to create Rainbow - a more straightforward Rock band who released some fine albums and in Since You've Been Gone: one the great pop singles. 

 

And then Ritchie found Candice and discovered the Lute and assorted other ancient instruments and unlike some 70s rocksters who plod out the same old, same old until we are thoroughly immersed, produced something against type. Was in Gryphon on speed? Not quite. It was a unique kind of folk rock music. It's not Fairport or Steeleye or Trees and certainly not Dylaneque. With Candice's beautiful vocals we have the sound of Blackmore's Night. This is far removed from the purple axe man and quite enchanting. If you haven't got their albums then you are missing out on some very fine popular music with a twist.  

 

Think Black Night and then play Blackmore's Night's Toast To Tomorrow from Secret Voyage and you'll find an unbelievable contrast and a great track that sounds like ABBA at their best. Perhaps Candice is the Strange Kinda Woman that brings the best out of the modern folk hero. 


I bet Ted Nugent couldn't make that switch.


All the best, Guy