What are you listening to and WHY might anyone be interested? (Vol.VIII)
Posted by: Richard Dane on 29 December 2011
With 2012 almost upon us, it's time to start a fresh thread. I've gone back to an earlier thread title because often the "why" is the most interesting part of the post.
Anyway, links:
Volume VII: https://forums.naimaudio.com/di...6878604287751/page/1
Volume VI: https://forums.naimaudio.com/di...ent/1566878604097229
Volume V: https://forums.naimaudio.com/di...ent/1566878605140495
Volume IV: https://forums.naimaudio.com/di...ent/1566878605795042
Volume III: https://forums.naimaudio.com/di...ent/1566878607309474
Volume II: https://forums.naimaudio.com/di...ent/1566878606245043
Volume I: https://forums.naimaudio.com/di...ent/1566878607464290
Cheers,
EJ
This one, right? Haven't heard this particular performance - it's currently quite pricy on the used market, a bit too much so to buy blind but I've been lucky with other rare releases lately - it's on the shortlist and we'll see what happens.
Based on the old man's official recordings for EMI, I hadn't pegged him as a Bruckner man.
Thanks for the heads up!
EJ
EJ
I think it might be this one with the Live Performances
Aleg
Nice Sunday morning music. A most underrated artist IMO.
Graham
Before switching to his Beethoven piano sonatas disc on Audiofon.
1971. Prog Space Rock. 1st issue with Space log insert. On vinyl of course.
L'Heure espagnole, comédie musicale en 1 acte / Geori Boué, Jean Planel, Louis Arnoult, Roger Bourdin, Charles-Paul - Orchestre National de France, dir. Manuel Rosenthal (Enr. 1944)
Détails de l'enregistrement original :44:56 - ADD - Enregistré en concert le 28 décembre 1944 au Théâtre des Champs-Elysées de Paris, sur film Philips Miller (transcription 20 bits) - Notes en français et anglais
On vinyl:-
Prince - Batman
On CD:-
Letting Walcha and Alain and the other big name staples of the Organ world to take a well deserved day off while giving rotation for a while to Gerhard Weinberger here and will also slip in Werner Jacob a little later and time permitting Simon Preston.
I believe until last year Weinberger was Professor of Organ and Director of the Church Music Department at the Hochschule für Musik in Detmold, Germany. I like these recordings very much along with Weinberger's obvious devotion to the music of Bach. What I find so valuable about these recordings is Weinberger's scholarly and informed knowledge and understanding of this genre, both in the playing and in his writing. You get a very carefully detailed package and if you are in to these sorts of things it makes for a nice overall experience.
This morning I focused on Disc Nos. 1 & 2 already. Disc one used the large Gottfried Silbermann Organ at Dom St. Marien Freiberg (built from 1711-14 with major cleaning/repair done in 1738.) A major restoration was undertaken from 1981 to 1983 to restore it to its 1738 specification. Disc two is a recording of the Gottfried Silbermann Organ of St. Petri Freiberg (1734 to 1735). This organ went through a lot over the years but luckily still exists. All the organs originate in the Thuringia and Saxony areas which of course were virtually ground zero for Baroque organ settings.
Most of the discs are presented in a way Bach himself may have played when he sat down at an organ. From Weinberger's notes, he quotes J. H. Forkel (an important Bach biographer) who states:
"When J.S. Bach sat down at the organ outside religious services, then he began with a prelude and a fugue with full organ. Then his art of registering for a trio, a quartet, etc. became apparent...Moreover, a chorale ensued...Finally, the conclusion was formed by a fugue with the full organ."
After a weekend of Bruckner and Wagner, some lighter fare: one of Rossini's early comedies. This performance, recorded after a theatrical run, is very good. If I'm super critical, both Raimondi and Baltsa aren't the last word on agility (compared to their selves on earlier Rossini recordings, let alone specialists like Bartoli). But both sing with color, authority and great beauty of voice, and the rest of the cast is superb. Claudio Abbado was never better than in Verdi and Rossini.
EJ
Earlier, Class Actress - Rapprocher. Now, Fiona Apple:
The Decemberists followed by The Temper Trap. The latter is a very good follow up to "Conditions." Recommended. The Decemberists EP includes a very good cover of the Grateful Dead's 'Row Jimmy.'
Perfect Argentine and Italian flavors for a Sunday afternoon.
playing disc 12 of 17 cd box-set...
Domenico Scarlatti (1685-1757)
Keyboard Sonatas
Antonio Soler (1729-1783)
Keyboard Sonata in D major
Giovanni Battista Pescetti (c1704-1766)
Keyboard Sonata in c minor
Joseph Haydn (1732-1809)
Variations in f minor Hob XVII: 6
Mozart
12 variations in C major on "Ah, vous dirai-je Maman" K.265
Piano Sonata in F major K.280
Plain Recordings [2010 reissue] 180g LP : )
Hope Sandoval - vocals, harmonica, & percussion
David Roback - guitars, keyboards, & other instruments
William Cooper - strings
Keith Mitchell - drums
Jell Emery - bass
William Reid - additional guitar
Recorded/release 1996
Cheers
Flettster
Piano Concerto no1
Cheers
Flettster
This is lovely. An excellent recording and a change from the usual country songs.