What are you listening to and WHY might anyone be interested? (Vol.VIII)

Posted by: Richard Dane on 29 December 2011

With 2012 almost upon us, it's time to start a fresh thread.  I've gone back to an earlier thread title because often the "why" is the most interesting part of the post.

 

Anyway, links:

 

Volume VII: https://forums.naimaudio.com/di...6878604287751/page/1

Volume VI: https://forums.naimaudio.com/di...ent/1566878604097229

Volume V: https://forums.naimaudio.com/di...ent/1566878605140495

Volume IV: https://forums.naimaudio.com/di...ent/1566878605795042

Volume III: https://forums.naimaudio.com/di...ent/1566878607309474

Volume II: https://forums.naimaudio.com/di...ent/1566878606245043

Volume I: https://forums.naimaudio.com/di...ent/1566878607464290

 

 

 

Posted on: 30 September 2012 by Flettster

 

Cheers

Flettster

Posted on: 30 September 2012 by kuma
Originally Posted by EJS: Kuma, agree with the Serkin, that was a misguided recording project. Abbado was fine with Gulda, in the 70s, and he's again good here with Pires, heading up what sounds like a period instrument band. I listened to some samples of Abbado's other recent recordings with the Orchestra Mozart on DG, and maybe it's the lousy medium or the fact that I'm enjoying my first coffee of the day but those samples sounded as interesting as watching paint dry - it's Pires sparking the fire perhaps? She is wonderful, incidentally, perhaps a shade less fluent than in her younger years but she hasn't lost the knack of coaxing a singing voice out of her instrument.

EJ,

I must get Abbado/Gulda. I bet that's good. Pires/Abbado sounds interesting. Grimaud walking out on the gig was probably a blessing in disguise?

 

So far Abbado's style has been hit and miss for me. Know nothing of Orchestra Mozart but I sort of pegged him as 'pretty' soundtrack guy. :x

What's up with Yuja Wang? Her Rachmaninov disc for DG was full of going nowhere IMO and I didn't come across her since. You seem quite the follower 

C'mon, EJ.

She's sooooo qute!! 

Plus I sort of liked the fact that a pack of Marlboro sitting on her Steinway.

 

Out of all the 'piano babes' the record labels are popping out these days, I think Yuja actually got something other than good legs. I could not listen to her Rachmaninov tho. I mean after Richter, how can anyone better it?

Posted on: 30 September 2012 by kuma
 

 Originally Posted by EJS:

Continuing with the other recent high profile Mozart concerto recording, Uchida's third disc with the Cleveland. Compared to her earlier recordings with Tate, both concertos are given a much richer 

interpretation and sound. Just after Pires, Uchida comes across as the more robust, but also more conventional interpreter. The secret of the Jeunehomme is its haunting middle movement, and here the Cleveland and Uchida do very well, bringing the sound back to a whisper, just before the piano makes its entrance. Usually the piano then simply joins the orchestra's sad song but Uchida directly opens up the discussion, using her instrument to try to uplift the mood - but ultimately falling back into the orchestral net. Almost Schubert-like in its intensity

Going to see her playing/conducting Nos. 17 & 22 next year.

 

Interesting that Uchida sounds robust as her previous No.20 with Tate was anything but as you said. 

Posted on: 30 September 2012 by Chords

The famous 'pink Machaut'

Outstanding.

Quite different approach compared to usual way; I like a lot.

Very early music; full of secret shine.

 

I could get a copy very complicated way; if any of you have the original pls alarm me.

 

(just realized the amazon price...172$..)

Posted on: 30 September 2012 by Lloydy

 

Posted on: 30 September 2012 by EJS
Originally Posted by kuma:
Originally Posted by EJS: Kuma, agree with the Serkin, that was a misguided recording project. Abbado was fine with Gulda, in the 70s, and he's again good here with Pires, heading up what sounds like a period instrument band. I listened to some samples of Abbado's other recent recordings with the Orchestra Mozart on DG, and maybe it's the lousy medium or the fact that I'm enjoying my first coffee of the day but those samples sounded as interesting as watching paint dry - it's Pires sparking the fire perhaps? She is wonderful, incidentally, perhaps a shade less fluent than in her younger years but she hasn't lost the knack of coaxing a singing voice out of her instrument.

EJ,

I must get Abbado/Gulda. I bet that's good. Pires/Abbado sounds interesting. Grimaud walking out on the gig was probably a blessing in disguise?

 

So far Abbado's style has been hit and miss for me. Know nothing of Orchestra Mozart but I sort of pegged him as 'pretty' soundtrack guy. :x

What's up with Yuja Wang? Her Rachmaninov disc for DG was full of going nowhere IMO and I didn't come across her since. You seem quite the follower 

C'mon, EJ.

She's sooooo qute!! 

Plus I sort of liked the fact that a pack of Marlboro sitting on her Steinway.

 

Out of all the 'piano babes' the record labels are popping out these days, I think Yuja actually got something other than good legs. I could not listen to her Rachmaninov tho. I mean after Richter, how can anyone better it?

Kuma,

 

I was thinking the same thing, that this was originally going to be with Grimaud, but I'm not sure. If so, Pires is a pretty luxurious second choice.

 

wrt Wang: glad you have your priorities straight and clear .  

 

EJ

Posted on: 30 September 2012 by Lloydy

 

Haven't listened to this for years. Great sound

Posted on: 30 September 2012 by Haim Ronen

 

1. Prelude No 1 Op. 35 (Felix Mendelssohn)

2. Fugue No 1 Op. 35

3.Fantaisie Op. 17 in C Major 

4. Variations Sur Le Nom Abegg Op.1

5. Etudes Symphoniques Op. 13

Posted on: 30 September 2012 by Lloydy

Posted on: 30 September 2012 by dav301

On Vinyl:-

 

Posted on: 30 September 2012 by dav301

On Vinyl:-

 

Posted on: 30 September 2012 by Lloydy

Posted on: 30 September 2012 by EJS

 

Wispelwey's new, third, recording of the Bach suites. A man intimately familiar with this music is finding new ways - highly recommended. The presentation in cap box and with 'making of' DVD is top notch, too.

 

Cheers,

 

EJ

Posted on: 30 September 2012 by BigH47

On CD:-

 

Posted on: 30 September 2012 by Lloydy

Posted on: 30 September 2012 by osprey

 

 

on CD.

Posted on: 30 September 2012 by Quad 33

 

When I read Steve's post yesterday in 'What was the last vinyl you bought' thread. It reminded me I had a copy of The Beatles Yesterday & Today which I bought new some time in the late 1970's.  

 

Graham.

Posted on: 30 September 2012 by cfbal4

http://upload.wikimedia.org/wikipedia/en/3/38/Whatever_gets_you_through_the_day.JPG

 

Nice album.

 

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Posted on: 30 September 2012 by DrMark

The mono chronology continues today:

 

 

 

Posted on: 30 September 2012 by Paper Plane

Feeling a bit anti...

 

 

steve

Posted on: 30 September 2012 by DrMark
Originally Posted by Quad 33:

 

When I read Steve's post yesterday in 'What was the last vinyl you bought' thread. It reminded me I had a copy of The Beatles Yesterday & Today which I bought new some time in the late 1970's.  

 

Graham.

I had a roommate back in college ('76 - '80) who had a massive album collection, which he let me borrow over Christmas holiday.  He had a copy of this album that had been his older sisters from back in the 60's.  (I know some of you can see where this is going...) 

 

I brazenly took the liberty of trying to peel back the cover - and lo and behold, he had a "butcher baby" album. 

 

 

Of course he was thrilled, and gifted me with a white vinyl white album as a thank you gift.  Which was better than how mad he would have been had my endeavor revealed nothing but to ruin his album cover!

Posted on: 30 September 2012 by Quad 33
Originally Posted by DrMark:
Originally Posted by Quad 33:

 

When I read Steve's post yesterday in 'What was the last vinyl you bought' thread. It reminded me I had a copy of The Beatles Yesterday & Today which I bought new some time in the late 1970's.  

 

Graham.

I had a roommate back in college ('76 - '80) who had a massive album collection, which he let me borrow over Christmas holiday.  He had a copy of this album that had been his older sisters from back in the 60's.  (I know some of you can see where this is going...) 

 

I brazenly took the liberty of trying to peel back the cover - and lo and behold, he had a "butcher baby" album. 

 

 

Of course he was thrilled, and gifted me with a white vinyl white album as a thank you gift.  Which was better than how mad he would have been had my endeavor revealed nothing but to ruin his album cover!

Hi Dr Mark.

What a fantastic story. As you know the originals are worth mucho $. Not mine unfortunately only $12 according to Steve. So it's back to work for me tomorrow.

 

Regards Graham.

Posted on: 30 September 2012 by bishopla

Beacon Theatre: Live From New York

Joe Bonamassa Audio CD
Posted on: 30 September 2012 by EJS

 

After a long and intense recital with Schubert's last three sonatas, a quick dip into Lewis' new album of the music he toured last year. 

 

Cheers,

 

EJ

Posted on: 30 September 2012 by Florestan

Pergolesi: Stabat Mater w/ Anna Prohaska adn Bernard Fink