What are you listening to and WHY might anyone be interested? (Vol.VIII)
Posted by: Richard Dane on 29 December 2011
With 2012 almost upon us, it's time to start a fresh thread. I've gone back to an earlier thread title because often the "why" is the most interesting part of the post.
Anyway, links:
Volume VII: https://forums.naimaudio.com/di...6878604287751/page/1
Volume VI: https://forums.naimaudio.com/di...ent/1566878604097229
Volume V: https://forums.naimaudio.com/di...ent/1566878605140495
Volume IV: https://forums.naimaudio.com/di...ent/1566878605795042
Volume III: https://forums.naimaudio.com/di...ent/1566878607309474
Volume II: https://forums.naimaudio.com/di...ent/1566878606245043
Volume I: https://forums.naimaudio.com/di...ent/1566878607464290
Cheers
Flettster
EJ,
I must get Abbado/Gulda. I bet that's good. Pires/Abbado sounds interesting. Grimaud walking out on the gig was probably a blessing in disguise?
So far Abbado's style has been hit and miss for me. Know nothing of Orchestra Mozart but I sort of pegged him as 'pretty' soundtrack guy. :x

C'mon, EJ.
She's sooooo qute!!
Plus I sort of liked the fact that a pack of Marlboro sitting on her Steinway.
Out of all the 'piano babes' the record labels are popping out these days, I think Yuja actually got something other than good legs. I could not listen to her Rachmaninov tho. I mean after Richter, how can anyone better it?
Originally Posted by EJS:
Continuing with the other recent high profile Mozart concerto recording, Uchida's third disc with the Cleveland. Compared to her earlier recordings with Tate, both concertos are given a much richer
interpretation and sound. Just after Pires, Uchida comes across as the more robust, but also more conventional interpreter. The secret of the Jeunehomme is its haunting middle movement, and here the Cleveland and Uchida do very well, bringing the sound back to a whisper, just before the piano makes its entrance. Usually the piano then simply joins the orchestra's sad song but Uchida directly opens up the discussion, using her instrument to try to uplift the mood - but ultimately falling back into the orchestral net. Almost Schubert-like in its intensity
Going to see her playing/conducting Nos. 17 & 22 next year.
Interesting that Uchida sounds robust as her previous No.20 with Tate was anything but as you said.
The famous 'pink Machaut'
Outstanding.
Quite different approach compared to usual way; I like a lot.
Very early music; full of secret shine.
I could get a copy very complicated way; if any of you have the original pls alarm me.
(just realized the amazon price...172$..)
EJ,
I must get Abbado/Gulda. I bet that's good. Pires/Abbado sounds interesting. Grimaud walking out on the gig was probably a blessing in disguise?
So far Abbado's style has been hit and miss for me. Know nothing of Orchestra Mozart but I sort of pegged him as 'pretty' soundtrack guy. :x

C'mon, EJ.
She's sooooo qute!!
Plus I sort of liked the fact that a pack of Marlboro sitting on her Steinway.
Out of all the 'piano babes' the record labels are popping out these days, I think Yuja actually got something other than good legs. I could not listen to her Rachmaninov tho. I mean after Richter, how can anyone better it?
Kuma,
I was thinking the same thing, that this was originally going to be with Grimaud, but I'm not sure. If so, Pires is a pretty luxurious second choice.
wrt Wang: glad you have your priorities straight and clear .
EJ
Haven't listened to this for years. Great sound
1. Prelude No 1 Op. 35 (Felix Mendelssohn)
2. Fugue No 1 Op. 35
3.Fantaisie Op. 17 in C Major
4. Variations Sur Le Nom Abegg Op.1
5. Etudes Symphoniques Op. 13
On Vinyl:-
On Vinyl:-
Wispelwey's new, third, recording of the Bach suites. A man intimately familiar with this music is finding new ways - highly recommended. The presentation in cap box and with 'making of' DVD is top notch, too.
Cheers,
EJ
On CD:-
on CD.
When I read Steve's post yesterday in 'What was the last vinyl you bought' thread. It reminded me I had a copy of The Beatles Yesterday & Today which I bought new some time in the late 1970's.
Graham.
Nice album.
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The mono chronology continues today:
Feeling a bit anti...
steve
When I read Steve's post yesterday in 'What was the last vinyl you bought' thread. It reminded me I had a copy of The Beatles Yesterday & Today which I bought new some time in the late 1970's.
Graham.
I had a roommate back in college ('76 - '80) who had a massive album collection, which he let me borrow over Christmas holiday. He had a copy of this album that had been his older sisters from back in the 60's. (I know some of you can see where this is going...)
I brazenly took the liberty of trying to peel back the cover - and lo and behold, he had a "butcher baby" album.
Of course he was thrilled, and gifted me with a white vinyl white album as a thank you gift. Which was better than how mad he would have been had my endeavor revealed nothing but to ruin his album cover!
When I read Steve's post yesterday in 'What was the last vinyl you bought' thread. It reminded me I had a copy of The Beatles Yesterday & Today which I bought new some time in the late 1970's.
Graham.
I had a roommate back in college ('76 - '80) who had a massive album collection, which he let me borrow over Christmas holiday. He had a copy of this album that had been his older sisters from back in the 60's. (I know some of you can see where this is going...)
I brazenly took the liberty of trying to peel back the cover - and lo and behold, he had a "butcher baby" album.
Of course he was thrilled, and gifted me with a white vinyl white album as a thank you gift. Which was better than how mad he would have been had my endeavor revealed nothing but to ruin his album cover!
Hi Dr Mark.
What a fantastic story. As you know the originals are worth mucho $. Not mine unfortunately only $12 according to Steve. So it's back to work for me tomorrow.
Regards Graham.
Beacon Theatre: Live From New York
Joe Bonamassa | Format: Audio CD
After a long and intense recital with Schubert's last three sonatas, a quick dip into Lewis' new album of the music he toured last year.
Cheers,
EJ
Pergolesi: Stabat Mater w/ Anna Prohaska adn Bernard Fink