What are you listening to? (VOL VI)
Posted by: Richard Dane on 30 December 2009
On the cusp of a new year, it's time to start a new thread, I think...
VOL V - http://forums.naim-audio.com/e...385/m/9962941917/p/1
VOL IV - http://forums.naim-audio.com/e...8019385/m/1832985817
VOL III - http://forums.naim-audio.com/e...385/m/6192934617/p/1
VOL II - http://forums.naim-audio.com/e...8019385/m/3112927317
VOL I - http://forums.naim-audio.com/e...8019385/m/6532968996
AND - this might be of interest:
http://forums.naim-audio.com/e...962920617#1962920617
VOL V - http://forums.naim-audio.com/e...385/m/9962941917/p/1
VOL IV - http://forums.naim-audio.com/e...8019385/m/1832985817
VOL III - http://forums.naim-audio.com/e...385/m/6192934617/p/1
VOL II - http://forums.naim-audio.com/e...8019385/m/3112927317
VOL I - http://forums.naim-audio.com/e...8019385/m/6532968996
AND - this might be of interest:
http://forums.naim-audio.com/e...962920617#1962920617
Posted on: 13 March 2010 by Klout10
And now:

Posted on: 13 March 2010 by markah
quote:Originally posted by munch:Mark,quote:Originally posted by markah:quote:Originally posted by Diccus62:
If you have seen Anais live believe me it would be more than a musical interest![]()
Oh really..................??![]()
![]()
Have you seen her live?
Stu
No Stu, only her stablemate Ani DiFranco.
Posted on: 13 March 2010 by droodzilla
Ralph Towner playing with a saxophonist and a trumpeter:


Posted on: 13 March 2010 by Steve2701
Lisa's voice is probably one of the most haunting / magical that I have yet come across.
This gives great insight into their many and varied output.
Gladiator may be next - but then again it may just be Marie Brennan - we will see.
This gives great insight into their many and varied output.
Gladiator may be next - but then again it may just be Marie Brennan - we will see.

Posted on: 13 March 2010 by MilesSmiles

Posted on: 13 March 2010 by ewemon

Posted on: 13 March 2010 by ewemon

Posted on: 13 March 2010 by ewemon

Posted on: 13 March 2010 by ewemon

Posted on: 13 March 2010 by u5227470736789524
Norah Jones "The Fall"
don't like the cover, but love the music

don't like the cover, but love the music
Posted on: 13 March 2010 by Sloop John B

As I hit the ripe old age of 45 I found myself musing at how short the time between this albums release and John's death, even though as a 15 year old in 1980 it seemed a lifetime since the Beatles were together.
a great vibe to the "live" songs here mostly recorded on the last day in the studio.
sourcing the picture I came across this from Paul
quote:I was going through a really difficult time around the autumn of 1968. It was late in the Beatles’ career and we had begun making a new album, a follow-up to the “White Album.” As a group we were starting to have problems. I think I was sensing the Beatles were breaking up, so I was staying up late at night, drinking, doing drugs, clubbing, the way a lot of people were at the time. I was really living and playing hard.
The other guys were all living out in the country with their partners, but I was still a bachelor in London with my own house in St. John’s Wood. And that was kind of at the back of my mind also, that maybe it was about time I found someone, because it was before I got together with Linda.
So, I was exhausted! Some nights I’d go to bed and my head would just flop on the pillow; and when I’d wake up I’d have difficulty pulling it off, thinking, “Good job I woke up just then or I might have suffocated.”
Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us. We weren’t a well-off family- we didn’t have a car, we just about had a television – so both of my parents went out to work, and Mum contributed a good half to the family income. At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily. That’s how it is for everyone, I think. As each day goes by, you just can’t bring their face into your mind, you have to use photographs and reminders like that.
So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.”
It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out.
So, being a musician, I went right over to the piano and started writing a song: “When I find myself in times of trouble, Mother Mary comes to me”… Mary was my mother’s name… “Speaking words of wisdom, let it be.” There will be an answer, let it be.” It didn’t take long. I wrote the main body of it in one go, and then the subsequent verses developed from there: “When all the broken-hearted people living in the world agree, there will be an answer, let it be.”
I thought it was special, so I played it to the guys and ’round a lot of people, and later it also became the title of the album, because it had so much value to me, and because it just seemed definitive, those three little syllables. Plus, when something happens like that, as if by magic, I think it has a resonance that other people notice too.
Not very long after the dream, I got together with Linda, which was the saving of me. And it was as if my mum had sent her, you could say.
The song is also one of the first things Linda and I ever did together musically. We went over to Abbey Road Studios one day, where the recording sessions were in place. I lived nearby and often used to just drop in when I knew an engineer would be there and do little bits on my own. And I just thought, “Oh it would be good to try harmony in mind, and although Linda wasn’t a professional singer, I’d heard her sing around the house, and knew she could hold a note and sing that high.
So she tried it, and it worked and it stayed on the record. You can hear it to this day.
These days, the song has become almost like a hymn. We sang it at Linda’s memorial service. And after September 11 the radio played it a lot, which made it the obvious choice for me to sing when I did the benefit concert in New York City. Even before September 11th, people used to lean out of cars and trucks and say, “Yo, Paul, let it be.”
So those words are really very special to me, because not only did my mum come to me in a dream and reassure me with them at a very difficult time in my life – and sure enough, things did get better after that – but also, in putting them into a song, and recording it with the Beatles, it became a comforting, healing statement for other people too.
- Paul McCartney
SJB
Posted on: 13 March 2010 by ewemon

6 tracks off the album.
Posted on: 13 March 2010 by ewemon

Posted on: 13 March 2010 by Blueknowz
Need something to calm me down after watching Everton throw away a 2 nil lead!
On the Black!
On the Black!

Posted on: 13 March 2010 by Flettster

Haven't listened to this for ages. Brushed off the cobwebs & it still sounds great.
Cheers
Flettster
Posted on: 13 March 2010 by Flettster

Playing some old discs today. Sonic heaven.
Cheers
Flettster
Posted on: 13 March 2010 by u5227470736789524
Brian Vander Ark

Posted on: 13 March 2010 by Haim Ronen

This is the music which the Naim dealer (who also happened to record it) played eleven years ago to introduce me to their gear.
Posted on: 13 March 2010 by Flettster

A great album.
Cheers
Flettster
Posted on: 13 March 2010 by irwan shah
The lovely sounds of the sitar in a modern context: Niladri Kumar's 'Zitar'.

Posted on: 13 March 2010 by irwan shah
Another ECM classic: Pat Metheny's 'Rejoicing' (with Billy Higgins on drums and Charlie Haden on double bass)

Posted on: 13 March 2010 by naim_nymph

record 2 - a side
If 6 Was 9
Burning Of The Midnight Lamp
Rock Me Baby
Like A Rolling Stone
record 2 - b side
Sgt Pepper's Lonely Hearts Club Band
Burning Of The Midnight Lamp [live]
Little Wing
Little Miss Lover
Taking Care of Business
record 3 - a side
Wind Cries Mary
Catfish Blues
Bold As Love
record 3 - b side
Sweet Angel (Angel)
Fire [Live]
Somewhere
(Have You Ever Been To) Electric Ladyland
Gypsy Eyes
Room Full Of Mirrors
Jimi Hendrix Experience (180g LP Limited Edition Box-Set)
Playing records 2 & 3 of this fantastic 8 LP set : )
Debs
Posted on: 13 March 2010 by naim_nymph

quote:Originally posted by munch:
Debs,
Its come then.
What do you think of the set as a whole??
Stu.
Well, it seems to me that after one record finishes, it's time to put the next on!


It's a bit like an anthology set really, lots of 'alternative takes, remixes and live performances. Also some microphone studio humour.
Two consistencies, the music is fabulous, and the pressings are quite excellent!
This box-set is the best EUR 79.99 i have ever spent!
Since i purchased this set the price has gone down a bit to EUR 75.99 + p&p jpc this is a lot less than amazon!
...and now playing record 4

a side:
Gloria
It's Too Bad
b side:
Stone Free
Spanish Castle Magic
Hear My Train A Comin
Posted on: 13 March 2010 by Flettster

This one got an airing this arvo.
Cheers
Flettster
Posted on: 13 March 2010 by naim_nymph

Antonio Lucio Vivaldi (March 4, 1678 – July 28, 1741) nicknamed "il Prete Rosso" (The Red Priest)
Seite 1:
Concerto Nr.5 Es-dur "La tempesta di mare" P.417
Concerto Nr.6 C-dur "Il piacere" P.7
Seite 2:
Concerto Nr.7 d-moll P.258
Concerto Nr.8 g-moll P.337
I Musici
Felix Ayo violine
Philips [stereo] LP