What are you listening to? (VOL VI)
Posted by: Richard Dane on 30 December 2009
On the cusp of a new year, it's time to start a new thread, I think...
VOL V - http://forums.naim-audio.com/e...385/m/9962941917/p/1
VOL IV - http://forums.naim-audio.com/e...8019385/m/1832985817
VOL III - http://forums.naim-audio.com/e...385/m/6192934617/p/1
VOL II - http://forums.naim-audio.com/e...8019385/m/3112927317
VOL I - http://forums.naim-audio.com/e...8019385/m/6532968996
AND - this might be of interest:
http://forums.naim-audio.com/e...962920617#1962920617
VOL V - http://forums.naim-audio.com/e...385/m/9962941917/p/1
VOL IV - http://forums.naim-audio.com/e...8019385/m/1832985817
VOL III - http://forums.naim-audio.com/e...385/m/6192934617/p/1
VOL II - http://forums.naim-audio.com/e...8019385/m/3112927317
VOL I - http://forums.naim-audio.com/e...8019385/m/6532968996
AND - this might be of interest:
http://forums.naim-audio.com/e...962920617#1962920617
Posted on: 15 April 2010 by MilesSmiles
quote:Originally posted by Chief Chirpa:
[Oh, and Charlotte sent me an email this afternoon, but that's another story...
Sweet dreams.

Will play the DVD later tonight.
Posted on: 15 April 2010 by Whizzkid
First listen to this awesome vinyl package.
Dean...

Dean...
Posted on: 15 April 2010 by ewemon

Posted on: 15 April 2010 by Lontano
Never released on CD and long out of print on vinyl, so ebayed and a good purchase.
Miroslav Vitous Group including the late great Kenny Kirkland
Miroslav Vitous - Bass
John Surman - Soprano and Baritone Saxophones, Bass Clarinet
Kenny Kirkland - Piano
Jon Christensen - Drums
Miroslav Vitous Group including the late great Kenny Kirkland
Miroslav Vitous - Bass
John Surman - Soprano and Baritone Saxophones, Bass Clarinet
Kenny Kirkland - Piano
Jon Christensen - Drums

Posted on: 15 April 2010 by Joe Bibb

Posted on: 15 April 2010 by MilesSmiles

Posted on: 15 April 2010 by Lontano

Posted on: 15 April 2010 by Voltaire

Posted on: 15 April 2010 by Blueknowz
Spent the last two day stripping a gate, making good defective wood,priming&undercoating.
Cutting the grass& walking the dogs! listening to my iRiver B30 on shuttle!
Cutting the grass& walking the dogs! listening to my iRiver B30 on shuttle!
Posted on: 15 April 2010 by Voltaire

Posted on: 15 April 2010 by Chief Chirpa
quote:Originally posted by MilesSmiles:quote:Originally posted by Chief Chirpa:
[Oh, and Charlotte sent me an email this afternoon, but that's another story...
Sweet dreams.
Will play the DVD later tonight.
No, really. Told me she's here for some gigs in the summer, wants me* to go. Anyway...

* Well, me and very possibly everyone else on her mailing list, I suppose.
Posted on: 15 April 2010 by Lontano
Tibbetts' 1983 effort for ECM straddles-and ultimately transcends-the fine lines of improv, jazz, and dub. In fact, Tibbetts' music has generally fallen beneath the cracks. Affixing a genre label to his often-exquisite constructs is inevitably a fool's gesture.
Beginning with the galvanic "Test," Tibbetts lays down the basic components that follow. Undulating, watery beds of tablas, hand-struck percussion, and sub-continental Indian guitar wraiths peak from within a common matrix, only to collapse under their own critical mass into a seething sonic stew. His longtime musical foil Marc Anderson often provides caressing counterpoint, as on the mutually penned compositions "Night Again" and "Climbing," both of which set delicate, interwoven tabla lines amongst woodblock percussive loops and nocturnal shades of guitar. Atmospheric and audacious stuff.
Recorded in St. Paul, Minnesota in 1983.
Personnel: Steve Tibbetts (guitar, kalimba, tapes); Bob Hughes (bass); Marc Anderson (congas, steel drums, percussion); Tim Wienhold (vase); Steve Cochrane (tabla).
Beginning with the galvanic "Test," Tibbetts lays down the basic components that follow. Undulating, watery beds of tablas, hand-struck percussion, and sub-continental Indian guitar wraiths peak from within a common matrix, only to collapse under their own critical mass into a seething sonic stew. His longtime musical foil Marc Anderson often provides caressing counterpoint, as on the mutually penned compositions "Night Again" and "Climbing," both of which set delicate, interwoven tabla lines amongst woodblock percussive loops and nocturnal shades of guitar. Atmospheric and audacious stuff.
Recorded in St. Paul, Minnesota in 1983.
Personnel: Steve Tibbetts (guitar, kalimba, tapes); Bob Hughes (bass); Marc Anderson (congas, steel drums, percussion); Tim Wienhold (vase); Steve Cochrane (tabla).

Posted on: 15 April 2010 by Blueknowz
On the Original Black!
Too much prog on here apparently!
Too much prog on here apparently!

Posted on: 15 April 2010 by ewemon

Posted on: 15 April 2010 by ewemon

Posted on: 15 April 2010 by DIB

Featuring the wonderful Sonny Landreth.
.
Posted on: 15 April 2010 by MilesSmiles

Posted on: 15 April 2010 by Voltaire

A brilliant album imho.
Posted on: 15 April 2010 by Voltaire
quote:Originally posted by MilesSmiles:![]()
A superb album and a very talented singer. It is such a shame that (in the uk) this album became synonymous with bourgeoisie dinner parties which were a thinly disguised excuse for preening displays of one-upmanship and social pretention.
Posted on: 15 April 2010 by MilesSmiles
quote:Originally posted by Voltaire:
A superb album and a very talented singer. It is such a shame that (in the uk) this album became synonymous with bourgeoisie dinner parties which were a thinly disguised excuse for preening displays of one-upmanship and social pretention.
An even bigger shame that nobody ever invited me - I love decadence.

Posted on: 15 April 2010 by MilesSmiles
quote:Originally posted by Voltaire:![]()
A brilliant album imho.
Agree, her 'Quality of Mercy" is one of my favourite tracks on this album.

Posted on: 15 April 2010 by Voltaire
quote:Originally posted by MilesSmiles:quote:Originally posted by Voltaire:
A superb album and a very talented singer. It is such a shame that (in the uk) this album became synonymous with bourgeoisie dinner parties which were a thinly disguised excuse for preening displays of one-upmanship and social pretention.
An even bigger shame that nobody ever invited me - I love decadence.![]()
The only reason I know about them is because I was a cater/waiter at some of them..

Posted on: 15 April 2010 by Voltaire

Posted on: 15 April 2010 by dav301
On CD:-

Posted on: 15 April 2010 by GML
