What are you listening to? (Vol VII)

Posted by: Richard Dane on 29 December 2010

On the cusp of another new year, yet again it's time to start a new thread, I think...

Vol VI - https://forums.naimaudio.com/ev...8019385/m/9042967727

Vol V - http://forums.naim-audio.com/e...385/m/9962941917/p/1

Vol IV - http://forums.naim-audio.com/e...8019385/m/1832985817

Vol III - http://forums.naim-audio.com/e...385/m/6192934617/p/1

Vol II - http://forums.naim-audio.com/e...8019385/m/3112927317

Vol I - http://forums.naim-audio.com/e...8019385/m/6532968996


AND - this might be of interest:
http://forums.naim-audio.com/e...962920617#1962920617
Posted on: 10 August 2011 by Jono 13

 

What a good ol' boy he is too.

 

Jono

Posted on: 10 August 2011 by EJS

Cheers,

EJ

Posted on: 10 August 2011 by floid

 Bruce on Vinyl

Posted on: 10 August 2011 by floid

 Pink Floyd - Meddle

Posted on: 10 August 2011 by MilesSmiles

Posted on: 10 August 2011 by floid

 Porcupine Tree - In Absentia

Posted on: 10 August 2011 by MilesSmiles

Posted on: 10 August 2011 by floid

 Wav File on Unitiserve

Posted on: 10 August 2011 by KeanoKing

sweet!

 

atb

kk

Posted on: 10 August 2011 by KeanoKing

Posted on: 10 August 2011 by MilesSmiles

Posted on: 10 August 2011 by EJS

 

Cheers,

EJ

Posted on: 10 August 2011 by Florestan

Posted on: 10 August 2011 by Florestan

Posted on: 10 August 2011 by Florestan

I think there is a lot more to Vilde Frang than meets the eye.  Yes, the marketers of course have very little imagination or latitude in there presentation so I am cautiously wary of this machine that supposedly gives many what they want.  I am more interested in what is beneath the surface and musically I find her musical depth intriguing.  For me, she is one to watch.

 

This recital, only her 2nd disc on EMI, is a case in point.  This is a difficult program, both musically and for the fact that it isn't a mainstream, marketable offering (for most people).  I applaud her for this program (especially the Bartok and Strauss).  Not often heard / recorded.

 

I have but one minor quibble with this release and it has nothing to do with the artists.  Again, it is the marketing department.  The same is true of every big name performer a record label is "selling" or trying to promote.  No doubt, she is the headliner here and should be in the forefront mostly but why is there no recognition towards the poor pianist?  An equal partner in the Grieg and Strauss but we only see his name on the cover.  No biography.  No picture of them even playing together.  Like I said, this is a general rant, as I can point out this dreadful pattern in most mainstream label releases.  Hmph!

 

Posted on: 10 August 2011 by Haim Ronen

 

New arrival, first spin.

Posted on: 10 August 2011 by dav301

From last night and on CD:-

 

Posted on: 11 August 2011 by naim_nymph
Originally Posted by Haim Ronen:

 

One of those wonderful discs which cost ($1.25 for a used, 'as new' copy) less than half of the shipping charges.

 

On top of Kozena's crystalline voice, Musica Antiqua Koln are playing delightfully. Highly recommended.


Johann Christoph Bach (1642-1703)

Ach, dass ich Wassers g'nug hätte [7'22]

 

Francesco bartolomeo Conti (1682-1732)

Languet anima mea [13'24]

 

Johann Sebastian Bach (1685-1750)

Vergnügte Ruh, beliebte Seeienlust BWV 170 [17'49]

Bekennen will ich seinen Namen BWV 200 [3'21]

 

Carl Philipp Emanuel Bach (1714-1788)

Selma H 739 (Wq. 236) [2'05]

 

Johann Christoph Friedrich Bach (1732-1795)

Die Amerikanerin BR JCFB G 47 [11'12]

 

Magdalena Kožená messo-soprano

 

Musica Antiqua Koln (on authentic instruments)

Reinhard Goebel

 

Recording: Cologne, Melanchthon-Kirche Feb 2003

 

[DDD] Archiv Produktion © 2005 Deutsche Grammophon

 

~~<<>>~~

 

Thank you Haim!

 

my pre-owned copy arrived yesterday, a very nice buy for a couple of quid.

It really is all delightful...

 

i can see ...hear why you highly recommend it now : )

 

Debs

 

 

Posted on: 11 August 2011 by EJS

 

Umberto Giordano wrote 14 operas, of which only two stood the test of time: Andrea Chenier (1896) and Fedora (1897). Chenier is about a poet who is executed during the French revolution - his love, unable to carry on without him, joins him to the guillotine. The opera really is all about the tenor, but the most famous aria is actually the soprano's "La Mamma Morte", made famous in Callas' rendering when played by Hanks in the film 'Philadelphia'.

 

This recording is a great reminder of one of opera's golden periods, the 1950s.

 

Cheers,

EJ

Posted on: 11 August 2011 by Gale 401

This black stuff.

Posted on: 11 August 2011 by Gale 401

This classic black stuff.

Posted on: 11 August 2011 by dav301

On CD:-

 

 

 

 

Posted on: 11 August 2011 by MilesSmiles

Russian SACD night.

 

Posted on: 11 August 2011 by MilesSmiles

Posted on: 11 August 2011 by Gale 401

On the black stuff.