What are you listening to? (Vol VII)
Posted by: Richard Dane on 29 December 2010
Vol VI - https://forums.naimaudio.com/ev...8019385/m/9042967727
Vol V - http://forums.naim-audio.com/e...385/m/9962941917/p/1
Vol IV - http://forums.naim-audio.com/e...8019385/m/1832985817
Vol III - http://forums.naim-audio.com/e...385/m/6192934617/p/1
Vol II - http://forums.naim-audio.com/e...8019385/m/3112927317
Vol I - http://forums.naim-audio.com/e...8019385/m/6532968996
AND - this might be of interest:
http://forums.naim-audio.com/e...962920617#1962920617
CD
Laura Marling Live R2 
James Grant - Holy Love
First play, 4 tracks in and this is wonderful. Available on Spotify and I got the CD from here... http://www.themusicindex.com/c...rce/system/store.htm
Another hunch that paid off...
Nick Heyward - Tangled ~ Expanded Edition
The boy sure knows how to write pop songs, this time with electric guitar.
And all you Haircut 100 fans out there, they have been in the studio http://nickheyward.com/
1st play. Arrived in the post today & inspired by a recent play by Floid.
Thanks! It sounds brilliant
Patricia Barber (b.1955)
Early Autumn 4:43
Greys 5:32
Alone Together 4:28
Spy Sly 4:24
Easy to Love 4:30
Too Late Now 4:46
Winter Illusion 5:23
Retrograde 3:18
Two for the Road 4:38
Then I'll Be Tired of You 5:06
Michael Arnopol bass
Mark Walker drums
Patricia Barber piano, vocals
Recorded in May 1989 at Universal Recording Corp.
Studio A Chicago, Illinois
(Split was recorded entirely with tube microphones)
Premonition Records (cd) © 2004 issue
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Hi Lloydy!
This I think (so i'm not really sure) this is PB’s debut album (?)
It’s a very classy studio take of nothing but really nice jazz trio songs, the mood and tempo changes from track to track and the studio take can give an unkind dead-pan feel in places but it’s still very pleasurable, sometimes relaxing, sometimes stimulating, but with a wonderful taste of what comes in her later albums.
As much as I love PB’s other albums, I merely like this one quite a lot, although 'Split' is still new to me and probably a grower.
But i happen to know you’re well smitten with her music, so (like me) you really should consider collecting all her albums, and after all... our collections won't be complete without all of 'em 
Debs
"our collections won't be complete without all of 'em "
HA!! You could get a job working for PB's PR & marketing team Debs, you'd earn a fortune!
I'm going "Live - a Fortnight in France" next methinks! So much to buy and so little time!
On vinyl and very good
Playing disc no.8 of 17 CD Box-set...
Johann Sebastian Bach (1685-1750)
The English Suites - no.4 in F major BWV 809
Toccata en fa diese mineur BWV910
(recordings from 1949)
Toccata en ut mineur BWV 911
Toccata en re majeur BWV 912
Fantaisie et fugue en la mineur BWV 904
Partita no.6 en mi mineur BWV 830
(recordings from 1947)
This Compilation & digital remastering © 2007 EMI Music France
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On vinyl:
Then:
LP3
Weird and wonderful and beautifully sung by the magnificent Annie Haslam.
The album is remarkable for the orchestration with virtually every instrument being played by the album's producer: Mr Roy (Move/ELO) Wood - who is a Wizzard guy, Who also did the cover art in his spare time.
On the black stuff.
On CD - GO! Beat © 1997
Weird and wonderful and beautifully sung by the magnificent Annie Haslam.
The album is remarkable for the orchestration with virtually every instrument being played by the album's producer: Mr Roy (Move/ELO) Wood - who is a Wizzard guy, Who also did the cover art in his spare time.
And who is also Mr Annie Haslam too...
steve
Weird and wonderful and beautifully sung by the magnificent Annie Haslam.
The album is remarkable for the orchestration with virtually every instrument being played by the album's producer: Mr Roy (Move/ELO) Wood - who is a Wizzard guy, Who also did the cover art in his spare time.
And who is also Mr Annie Haslam too...
steve
Is it just me?
This compilation 1997, CD issue 2001
Opeth - Heritage. Outstanding album.
Weird and wonderful and beautifully sung by the magnificent Annie Haslam.
The album is remarkable for the orchestration with virtually every instrument being played by the album's producer: Mr Roy (Move/ELO) Wood - who is a Wizzard guy, Who also did the cover art in his spare time.
And who is also Mr Annie Haslam too...
steve
Is it just me?
It is just you - Annie Haslam looks nothing like Basil Brush. Is that Roy Wood with Basil?
Steve - I wasn't aware of Annie & Ron being Mr & Mrs