Is there a future for High-End HiFi?
Posted by: Johns Naim on 16 April 2004
Afternoon All
Perhaps I should add to my opening subject,the proviso of 'of any significance'
Ambling around the forum here as I am want to do, shows the main topics to be of the usual somewhat Naim focussed thoughts (no bad thing in that) and meanderings about HiFi and Naim in general.
Nonetheless here and there pops up a few threads about the way things seem to be heading re the development of HiFi, and the ever increasing AV side of things, in fact arguably perhaps the dominant side of the equation, and how music will be deliverd in the future.
It would appear that the not-too-distant future will likely be an amalgamation of multi-channel surround into both the music as well as the HT arenas, as few people have the space and funds necessary to have two separate systems.
Further, as the pressures of time become increasingly demanding, with regards to actually being able to spend large amounts of spare time listening to music on one's high-end HiFi such as to justify the outlay required to purchase it, and the competition for disposable income with items like computers etc now coming so strongly into our lives as well, all these things combined push the high-end expensive HiFi into very much an increasing niche market, with a smaller and smaller share of the overall pie IMHO.
To be sure, it was always the province of enthusiasts and hobbyists, but it appears that in return for the smaller quantities being sold, re a diminshing market, that the prices keep ever increasing, thus placing so much that is good out of reach for many.
On that point it is very refreshing to see Naim bring out the new CD5i range etc, as it has brilliant performance, and is very affordable.
The outlook for high-end HiFi nowadays is very different IMV from when I started out with this hobby. High-end equipment, whilst not cheap, was relatively affordable for the enthusiast, and one could contemplate and aspire to actually owning 'the best'
The 'best' thesedays, in the high-end specialist scene, is really only achievable by VERY wealthy folks, or obsessives who will sacrifice overall quality of life simply to have the 'best' kit.
The mass market, i.e non-enthusiast was never interested in music seriously enough to want, or appreciate what a high-end system could do, however it seems to have embraced HT with an enthusiasm it never showed for specialist HiFi.
Perhaps it is the really quite good results in terms of the overall involvement/satisfaction factor one can get for reasonably modest outlays, or the accesibility of the 'fix' with no seeming black art/tweakery involved, but the mass market seems to have taken to HT in a way that is in stark contrast to the way serious 2 channel systems were ignored by most.
What intrigues me about this, is that with the blending of multi-channel music & HT that now appears to be happening, and arguably a pointer to the future, I sadly see 2 channel becomming more and more like valves, mono, and 78rpm records - around, there, expensive, and largely irrelevant to most except die-hard enthusiasts. Not to be harsh, but it would seem to be the reality.
Further, in the new arena of multi-channel amps etc, the innovators of new technology are invariably the mainstream manufactures, and the gap in performance between them and the specialist high-end seems to be narrowing, whilst price differences continue to increase.
In this seemingly impending new order/direction for home entertainment of the music and HT kind that seems to be fast descending upon us, I wonder how relevent the high-end specialist manufacturer will continue to be.
For example, normally one does not use the word Sony and high-end in the same sentence, however I note on some of the US HT forums, that some folks are selling/trading VERY expensive (US $10,000 +) AR valve amps on the new top of the line DA9000ES digital receiver, as with it's state of the art digital amplification it is reputed to have a similar and more than competitive valve like sound to the AR's, whilst also offering DD & DTS decoding facilities for the HT side of things, and costs a VERY great deal less.
A few years ago, to mention Sony and Audio Research in the same breath would've been deemed laughable. Times change, and I've no doubt that in the mainstream, digital amplification will be the way things will go, for various reasons - cost, size, heat, efficiency, and not least simple circuit design that promises much re sound quality - the fact that an amp like the Sony appears to compete sound-wise with high-end AR's says an awful lot for the future IMHO.
No doubt, the specialist manufacturers, recognising the trend, will either do a take on the swiss watch industry when it was threatened by the Japanese, and retreat further into producing high-end 'Rolexes', of value only to a very select few who can afford it, or come out with the equivalent of the swatch perhaps.
What does seem apparent through all of this to me, is that either my ears are going off, or the performance gap between the high-end of the mainstream makers, and the true specialist manufacturer/tweaker/tuner, is narrowing considerably, whilst the price differential only grows, as the market share for the specialist ever diminishes, and consequent costs/profit margins required to stay in business increase.
Certainly with the ever likely advent of digital amplification, and the simplicity that conveys to a circuit, the envelope for the specialist to tweak the sound to any degree so as to sound demonstrateably better, as against merely different, seems to be narrowing considerably.
Witness the sad, but recent demise of Tag McClaren. I am also under the impression that Levinson is in trouble as well. My Naim dealer here in OZ, has so far been unsucessful to the best of my knowledge in as yet selling one AV2 - the main reason simply being price, or rather the price/performance equation.
And as if my words could be prophetic in some way, I note, just having returned from some window shopping, and picking up a latest Sony catalogue, that here in OZ, they no longer offer a two channel stereo amp for sale. Period.
Personally I really applaud the new entry level Naims, as having heard them, the performance v's the price is fantastic, and holds out some hope, in terms of being able to get something quite special at a price that one can contemplate.
I would like to think in this ever and rapidly changing HT & music scene, that companies like Naim won't end up becomming the Rolex of HiFi, but will continue to make stunning and affordable components for the enthusiast. If that involves DVD, or a sub/sat system, whatever, that is fine by me, provided that there is an edge in performance over competing products, and within a relevant price structure.
Otherwise, apart from wealthy millionaires, and the afore-mentioned obsessives, out-of-sight high-end gear, and especially 2 channel looks like going the way of the 78rpm record IMHO.
Anyway, just some thoughts and general meanderings of the 2 cents variety on a Sat afternoon.
Thoughts anyone?
Cheers
John...
Populist thinking exalts the simplistic and the ordinary
Perhaps I should add to my opening subject,the proviso of 'of any significance'
Ambling around the forum here as I am want to do, shows the main topics to be of the usual somewhat Naim focussed thoughts (no bad thing in that) and meanderings about HiFi and Naim in general.
Nonetheless here and there pops up a few threads about the way things seem to be heading re the development of HiFi, and the ever increasing AV side of things, in fact arguably perhaps the dominant side of the equation, and how music will be deliverd in the future.
It would appear that the not-too-distant future will likely be an amalgamation of multi-channel surround into both the music as well as the HT arenas, as few people have the space and funds necessary to have two separate systems.
Further, as the pressures of time become increasingly demanding, with regards to actually being able to spend large amounts of spare time listening to music on one's high-end HiFi such as to justify the outlay required to purchase it, and the competition for disposable income with items like computers etc now coming so strongly into our lives as well, all these things combined push the high-end expensive HiFi into very much an increasing niche market, with a smaller and smaller share of the overall pie IMHO.
To be sure, it was always the province of enthusiasts and hobbyists, but it appears that in return for the smaller quantities being sold, re a diminshing market, that the prices keep ever increasing, thus placing so much that is good out of reach for many.
On that point it is very refreshing to see Naim bring out the new CD5i range etc, as it has brilliant performance, and is very affordable.
The outlook for high-end HiFi nowadays is very different IMV from when I started out with this hobby. High-end equipment, whilst not cheap, was relatively affordable for the enthusiast, and one could contemplate and aspire to actually owning 'the best'
The 'best' thesedays, in the high-end specialist scene, is really only achievable by VERY wealthy folks, or obsessives who will sacrifice overall quality of life simply to have the 'best' kit.
The mass market, i.e non-enthusiast was never interested in music seriously enough to want, or appreciate what a high-end system could do, however it seems to have embraced HT with an enthusiasm it never showed for specialist HiFi.
Perhaps it is the really quite good results in terms of the overall involvement/satisfaction factor one can get for reasonably modest outlays, or the accesibility of the 'fix' with no seeming black art/tweakery involved, but the mass market seems to have taken to HT in a way that is in stark contrast to the way serious 2 channel systems were ignored by most.
What intrigues me about this, is that with the blending of multi-channel music & HT that now appears to be happening, and arguably a pointer to the future, I sadly see 2 channel becomming more and more like valves, mono, and 78rpm records - around, there, expensive, and largely irrelevant to most except die-hard enthusiasts. Not to be harsh, but it would seem to be the reality.
Further, in the new arena of multi-channel amps etc, the innovators of new technology are invariably the mainstream manufactures, and the gap in performance between them and the specialist high-end seems to be narrowing, whilst price differences continue to increase.
In this seemingly impending new order/direction for home entertainment of the music and HT kind that seems to be fast descending upon us, I wonder how relevent the high-end specialist manufacturer will continue to be.
For example, normally one does not use the word Sony and high-end in the same sentence, however I note on some of the US HT forums, that some folks are selling/trading VERY expensive (US $10,000 +) AR valve amps on the new top of the line DA9000ES digital receiver, as with it's state of the art digital amplification it is reputed to have a similar and more than competitive valve like sound to the AR's, whilst also offering DD & DTS decoding facilities for the HT side of things, and costs a VERY great deal less.
A few years ago, to mention Sony and Audio Research in the same breath would've been deemed laughable. Times change, and I've no doubt that in the mainstream, digital amplification will be the way things will go, for various reasons - cost, size, heat, efficiency, and not least simple circuit design that promises much re sound quality - the fact that an amp like the Sony appears to compete sound-wise with high-end AR's says an awful lot for the future IMHO.
No doubt, the specialist manufacturers, recognising the trend, will either do a take on the swiss watch industry when it was threatened by the Japanese, and retreat further into producing high-end 'Rolexes', of value only to a very select few who can afford it, or come out with the equivalent of the swatch perhaps.
What does seem apparent through all of this to me, is that either my ears are going off, or the performance gap between the high-end of the mainstream makers, and the true specialist manufacturer/tweaker/tuner, is narrowing considerably, whilst the price differential only grows, as the market share for the specialist ever diminishes, and consequent costs/profit margins required to stay in business increase.
Certainly with the ever likely advent of digital amplification, and the simplicity that conveys to a circuit, the envelope for the specialist to tweak the sound to any degree so as to sound demonstrateably better, as against merely different, seems to be narrowing considerably.
Witness the sad, but recent demise of Tag McClaren. I am also under the impression that Levinson is in trouble as well. My Naim dealer here in OZ, has so far been unsucessful to the best of my knowledge in as yet selling one AV2 - the main reason simply being price, or rather the price/performance equation.
And as if my words could be prophetic in some way, I note, just having returned from some window shopping, and picking up a latest Sony catalogue, that here in OZ, they no longer offer a two channel stereo amp for sale. Period.
Personally I really applaud the new entry level Naims, as having heard them, the performance v's the price is fantastic, and holds out some hope, in terms of being able to get something quite special at a price that one can contemplate.
I would like to think in this ever and rapidly changing HT & music scene, that companies like Naim won't end up becomming the Rolex of HiFi, but will continue to make stunning and affordable components for the enthusiast. If that involves DVD, or a sub/sat system, whatever, that is fine by me, provided that there is an edge in performance over competing products, and within a relevant price structure.
Otherwise, apart from wealthy millionaires, and the afore-mentioned obsessives, out-of-sight high-end gear, and especially 2 channel looks like going the way of the 78rpm record IMHO.
Anyway, just some thoughts and general meanderings of the 2 cents variety on a Sat afternoon.
Thoughts anyone?
Cheers
John...
Populist thinking exalts the simplistic and the ordinary
Posted on: 17 April 2004 by o.j.
quote:Hy John!
Originally posted by Johns Naim:
Afternoon All
Perhaps I should add to my opening subject,the proviso of 'of any significance'
Ambling around the forum here as I am want to do, shows the main topics to be of the usual somewhat Naim focussed thoughts (no bad thing in that) and meanderings about HiFi and Naim in general.
Nonetheless here and there pops up a few threads about the way things seem to be heading re the development of HiFi, and the ever increasing AV side of things, in fact arguably perhaps the dominant side of the equation, and how music will be deliverd in the future.
It would appear that the not-too-distant future will likely be an amalgamation of multi-channel surround into both the music as well as the HT arenas, as few people have the space and funds necessary to have two separate systems.
Further, as the pressures of time become increasingly demanding, with regards to actually being able to spend large amounts of spare time listening to music on one's high-end HiFi such as to justify the outlay required to purchase it, and the competition for disposable income with items like computers etc now coming so strongly into our lives as well, all these things combined push the high-end expensive HiFi into very much an increasing niche market, with a smaller and smaller share of the overall pie IMHO.
To be sure, it was always the province of enthusiasts and hobbyists, but it appears that in return for the smaller quantities being sold, re a diminshing market, that the prices keep ever increasing, thus placing so much that is good out of reach for many.
On that point it is very refreshing to see Naim bring out the new CD5i range etc, as it has brilliant performance, and is very affordable.
The outlook for high-end HiFi nowadays is very different IMV from when I started out with this hobby. High-end equipment, whilst not cheap, was relatively affordable for the enthusiast, and one could contemplate and aspire to actually owning 'the best'
The 'best' thesedays, in the high-end specialist scene, is really only achievable by VERY wealthy folks, or obsessives who will sacrifice overall quality of life simply to have the 'best' kit.
The mass market, i.e non-enthusiast was never interested in music seriously enough to want, or appreciate what a high-end system could do, however it seems to have embraced HT with an enthusiasm it never showed for specialist HiFi.
Perhaps it is the really quite good results in terms of the overall involvement/satisfaction factor one can get for reasonably modest outlays, or the accesibility of the 'fix' with no seeming black art/tweakery involved, but the mass market seems to have taken to HT in a way that is in stark contrast to the way serious 2 channel systems were ignored by most.
What intrigues me about this, is that with the blending of multi-channel music & HT that now appears to be happening, and arguably a pointer to the future, I sadly see 2 channel becomming more and more like valves, mono, and 78rpm records - around, there, expensive, and largely irrelevant to most except die-hard enthusiasts. Not to be harsh, but it would seem to be the reality.
Further, in the new arena of multi-channel amps etc, the innovators of new technology are invariably the mainstream manufactures, and the gap in performance between them and the specialist high-end seems to be narrowing, whilst price differences continue to increase.
In this seemingly impending new order/direction for home entertainment of the music and HT kind that seems to be fast descending upon us, I wonder how relevent the high-end specialist manufacturer will continue to be.
For example, normally one does not use the word Sony and high-end in the same sentence, however I note on some of the US HT forums, that some folks are selling/trading VERY expensive (US $10,000 +) AR valve amps on the new top of the line DA9000ES digital receiver, as with it's state of the art digital amplification it is reputed to have a similar and more than competitive valve like sound to the AR's, whilst also offering DD & DTS decoding facilities for the HT side of things, and costs a VERY great deal less.
A few years ago, to mention Sony and Audio Research in the same breath would've been deemed laughable. Times change, and I've no doubt that in the mainstream, digital amplification will be the way things will go, for various reasons - cost, size, heat, efficiency, and not least simple circuit design that promises much re sound quality - the fact that an amp like the Sony appears to compete sound-wise with high-end AR's says an awful lot for the future IMHO.
No doubt, the specialist manufacturers, recognising the trend, will either do a take on the swiss watch industry when it was threatened by the Japanese, and retreat further into producing high-end 'Rolexes', of value only to a very select few who can afford it, or come out with the equivalent of the swatch perhaps.
What does seem apparent through all of this to me, is that either my ears are going off, or the performance gap between the high-end of the mainstream makers, and the true specialist manufacturer/tweaker/tuner, is narrowing considerably, whilst the price differential only grows, as the market share for the specialist ever diminishes, and consequent costs/profit margins required to stay in business increase.
Certainly with the ever likely advent of digital amplification, and the simplicity that conveys to a circuit, the envelope for the specialist to tweak the sound to any degree so as to sound demonstrateably better, as against merely different, seems to be narrowing considerably.
Witness the sad, but recent demise of Tag McClaren. I am also under the impression that Levinson is in trouble as well. My Naim dealer here in OZ, has so far been unsucessful to the best of my knowledge in as yet selling one AV2 - the main reason simply being price, or rather the price/performance equation.
And as if my words could be prophetic in some way, I note, just having returned from some window shopping, and picking up a latest Sony catalogue, that here in OZ, they no longer offer a two channel stereo amp for sale. Period.
Personally I really applaud the new entry level Naims, as having heard them, the performance v's the price is fantastic, and holds out some hope, in terms of being able to get something quite special at a price that one can contemplate.
I would like to think in this ever and rapidly changing HT & music scene, that companies like Naim won't end up becomming the Rolex of HiFi, but will continue to make stunning and affordable components for the enthusiast. If that involves DVD, or a sub/sat system, whatever, that is fine by me, provided that there is an edge in performance over competing products, and within a relevant price structure.
Otherwise, apart from wealthy millionaires, and the afore-mentioned obsessives, out-of-sight high-end gear, and especially 2 channel looks like going the way of the 78rpm record IMHO.
Anyway, just some thoughts and general meanderings of the 2 cents variety on a Sat afternoon.
Thoughts anyone?
Cheers
John...
Populist thinking exalts the simplistic and the ordinary
think there is no future for high end hifi.and
after more than 20 years there exists no exact
definition of thev term "high end"
think there is a future for natural sounding music reproduction.
Naim,Linn,FM acoustics,Nad are still on there (successfull)2channel ways.But they also began
to go the multichannel way.
Multichannel was a product that was pushed
by industry(you n e e d a DvD othewise you cant watch our new movies,and you n e e d 6channels to hear the c o m p l e te sound.)(would not exist without special kind of software)
Part of marketing for multichannel was,to make
consumer dependant on the software and
therefore consumer had to buy the hardware.
So multichannel does not need a special lobby
of enthusiasts like Hifi or highend Freaks.
HT is often more akind of lifestyle(bring the cinema to your home)than a matter of quality to
the buyers.
Hifi and highend are products pulled by the consumers.(we want better sound)
They do not pull as they did before HT was invented.and therefore only the best 2channel
equipmentmanufactureres will survive.
Audio research has a special position on the
Valve market,think they are the biggest
company that does only valve amplifiers.(no solid state any more)and until now i think no
multichannel. maybe a good idea to be that
conservative in the amp market.(and their amps
have bypass switches to integrate any Multichannel amp with front preouts.)
Think naims unity gain is an very important
feature in Hifi of today.It is the missing link between Hifi and HT.And i do not know
other eqipment with this feature in 5i priceclass.
O.J.
Posted on: 17 April 2004 by Not For Me
double quote:
--------------------------------------------------------------------------------
Originally posted by Johns Naim:
Afternoon All
Perhaps I should add to my opening subject,the proviso of 'of any significance'
Ambling around the forum here as I am want to do, shows the main topics to be of the usual somewhat Naim focussed thoughts (no bad thing in that) and meanderings about HiFi and Naim in general.
Nonetheless here and there pops up a few threads about the way things seem to be heading re the development of HiFi, and the ever increasing AV side of things, in fact arguably perhaps the dominant side of the equation, and how music will be deliverd in the future.
It would appear that the not-too-distant future will likely be an amalgamation of multi-channel surround into both the music as well as the HT arenas, as few people have the space and funds necessary to have two separate systems.
Further, as the pressures of time become increasingly demanding, with regards to actually being able to spend large amounts of spare time listening to music on one's high-end HiFi such as to justify the outlay required to purchase it, and the competition for disposable income with items like computers etc now coming so strongly into our lives as well, all these things combined push the high-end expensive HiFi into very much an increasing niche market, with a smaller and smaller share of the overall pie IMHO.
To be sure, it was always the province of enthusiasts and hobbyists, but it appears that in return for the smaller quantities being sold, re a diminshing market, that the prices keep ever increasing, thus placing so much that is good out of reach for many.
On that point it is very refreshing to see Naim bring out the new CD5i range etc, as it has brilliant performance, and is very affordable.
The outlook for high-end HiFi nowadays is very different IMV from when I started out with this hobby. High-end equipment, whilst not cheap, was relatively affordable for the enthusiast, and one could contemplate and aspire to actually owning 'the best'
The 'best' thesedays, in the high-end specialist scene, is really only achievable by VERY wealthy folks, or obsessives who will sacrifice overall quality of life simply to have the 'best' kit.
The mass market, i.e non-enthusiast was never interested in music seriously enough to want, or appreciate what a high-end system could do, however it seems to have embraced HT with an enthusiasm it never showed for specialist HiFi.
Perhaps it is the really quite good results in terms of the overall involvement/satisfaction factor one can get for reasonably modest outlays, or the accesibility of the 'fix' with no seeming black art/tweakery involved, but the mass market seems to have taken to HT in a way that is in stark contrast to the way serious 2 channel systems were ignored by most.
What intrigues me about this, is that with the blending of multi-channel music & HT that now appears to be happening, and arguably a pointer to the future, I sadly see 2 channel becomming more and more like valves, mono, and 78rpm records - around, there, expensive, and largely irrelevant to most except die-hard enthusiasts. Not to be harsh, but it would seem to be the reality.
Further, in the new arena of multi-channel amps etc, the innovators of new technology are invariably the mainstream manufactures, and the gap in performance between them and the specialist high-end seems to be narrowing, whilst price differences continue to increase.
In this seemingly impending new order/direction for home entertainment of the music and HT kind that seems to be fast descending upon us, I wonder how relevent the high-end specialist manufacturer will continue to be.
For example, normally one does not use the word Sony and high-end in the same sentence, however I note on some of the US HT forums, that some folks are selling/trading VERY expensive (US $10,000 +) AR valve amps on the new top of the line DA9000ES digital receiver, as with it's state of the art digital amplification it is reputed to have a similar and more than competitive valve like sound to the AR's, whilst also offering DD & DTS decoding facilities for the HT side of things, and costs a VERY great deal less.
A few years ago, to mention Sony and Audio Research in the same breath would've been deemed laughable. Times change, and I've no doubt that in the mainstream, digital amplification will be the way things will go, for various reasons - cost, size, heat, efficiency, and not least simple circuit design that promises much re sound quality - the fact that an amp like the Sony appears to compete sound-wise with high-end AR's says an awful lot for the future IMHO.
No doubt, the specialist manufacturers, recognising the trend, will either do a take on the swiss watch industry when it was threatened by the Japanese, and retreat further into producing high-end 'Rolexes', of value only to a very select few who can afford it, or come out with the equivalent of the swatch perhaps.
What does seem apparent through all of this to me, is that either my ears are going off, or the performance gap between the high-end of the mainstream makers, and the true specialist manufacturer/tweaker/tuner, is narrowing considerably, whilst the price differential only grows, as the market share for the specialist ever diminishes, and consequent costs/profit margins required to stay in business increase.
Certainly with the ever likely advent of digital amplification, and the simplicity that conveys to a circuit, the envelope for the specialist to tweak the sound to any degree so as to sound demonstrateably better, as against merely different, seems to be narrowing considerably.
Witness the sad, but recent demise of Tag McClaren. I am also under the impression that Levinson is in trouble as well. My Naim dealer here in OZ, has so far been unsucessful to the best of my knowledge in as yet selling one AV2 - the main reason simply being price, or rather the price/performance equation.
And as if my words could be prophetic in some way, I note, just having returned from some window shopping, and picking up a latest Sony catalogue, that here in OZ, they no longer offer a two channel stereo amp for sale. Period.
Personally I really applaud the new entry level Naims, as having heard them, the performance v's the price is fantastic, and holds out some hope, in terms of being able to get something quite special at a price that one can contemplate.
I would like to think in this ever and rapidly changing HT & music scene, that companies like Naim won't end up becomming the Rolex of HiFi, but will continue to make stunning and affordable components for the enthusiast. If that involves DVD, or a sub/sat system, whatever, that is fine by me, provided that there is an edge in performance over competing products, and within a relevant price structure.
Otherwise, apart from wealthy millionaires, and the afore-mentioned obsessives, out-of-sight high-end gear, and especially 2 channel looks like going the way of the 78rpm record IMHO.
Anyway, just some thoughts and general meanderings of the 2 cents variety on a Sat afternoon.
Thoughts anyone?
Cheers
John...
Populist thinking exalts the simplistic and the ordinary
--------------------------------------------------------------------------------
Hy John!
think there is no future for high end hifi.and
after more than 20 years there exists no exact
definition of thev term "high end"
think there is a future for natural sounding music reproduction.
Naim,Linn,FM acoustics,Nad are still on there (successfull)2channel ways.But they also began
to go the multichannel way.
Multichannel was a product that was pushed
by industry(you n e e d a DvD othewise you cant watch our new movies,and you n e e d 6channels to hear the c o m p l e te sound.)(would not exist without special kind of software)
Part of marketing for multichannel was,to make
consumer dependant on the software and
therefore consumer had to buy the hardware.
So multichannel does not need a special lobby
of enthusiasts like Hifi or highend Freaks.
HT is often more akind of lifestyle(bring the cinema to your home)than a matter of quality to
the buyers.
Hifi and highend are products pulled by the consumers.(we want better sound)
They do not pull as they did before HT was invented.and therefore only the best 2channel
equipmentmanufactureres will survive.
Audio research has a special position on the
Valve market,think they are the biggest
company that does only valve amplifiers.(no solid state any more)and until now i think no
multichannel. maybe a good idea to be that
conservative in the amp market.(and their amps
have bypass switches to integrate any Multichannel amp with front preouts.)
Think naims unity gain is an very important
feature in Hifi of today.It is the missing link between Hifi and HT.And i do not know
other eqipment with this feature in 5i priceclass.
O.J.
-----------------------------------------------
But what will they think in Barnsley?
DS
--------------------------------------------------------------------------------
Originally posted by Johns Naim:
Afternoon All
Perhaps I should add to my opening subject,the proviso of 'of any significance'
Ambling around the forum here as I am want to do, shows the main topics to be of the usual somewhat Naim focussed thoughts (no bad thing in that) and meanderings about HiFi and Naim in general.
Nonetheless here and there pops up a few threads about the way things seem to be heading re the development of HiFi, and the ever increasing AV side of things, in fact arguably perhaps the dominant side of the equation, and how music will be deliverd in the future.
It would appear that the not-too-distant future will likely be an amalgamation of multi-channel surround into both the music as well as the HT arenas, as few people have the space and funds necessary to have two separate systems.
Further, as the pressures of time become increasingly demanding, with regards to actually being able to spend large amounts of spare time listening to music on one's high-end HiFi such as to justify the outlay required to purchase it, and the competition for disposable income with items like computers etc now coming so strongly into our lives as well, all these things combined push the high-end expensive HiFi into very much an increasing niche market, with a smaller and smaller share of the overall pie IMHO.
To be sure, it was always the province of enthusiasts and hobbyists, but it appears that in return for the smaller quantities being sold, re a diminshing market, that the prices keep ever increasing, thus placing so much that is good out of reach for many.
On that point it is very refreshing to see Naim bring out the new CD5i range etc, as it has brilliant performance, and is very affordable.
The outlook for high-end HiFi nowadays is very different IMV from when I started out with this hobby. High-end equipment, whilst not cheap, was relatively affordable for the enthusiast, and one could contemplate and aspire to actually owning 'the best'
The 'best' thesedays, in the high-end specialist scene, is really only achievable by VERY wealthy folks, or obsessives who will sacrifice overall quality of life simply to have the 'best' kit.
The mass market, i.e non-enthusiast was never interested in music seriously enough to want, or appreciate what a high-end system could do, however it seems to have embraced HT with an enthusiasm it never showed for specialist HiFi.
Perhaps it is the really quite good results in terms of the overall involvement/satisfaction factor one can get for reasonably modest outlays, or the accesibility of the 'fix' with no seeming black art/tweakery involved, but the mass market seems to have taken to HT in a way that is in stark contrast to the way serious 2 channel systems were ignored by most.
What intrigues me about this, is that with the blending of multi-channel music & HT that now appears to be happening, and arguably a pointer to the future, I sadly see 2 channel becomming more and more like valves, mono, and 78rpm records - around, there, expensive, and largely irrelevant to most except die-hard enthusiasts. Not to be harsh, but it would seem to be the reality.
Further, in the new arena of multi-channel amps etc, the innovators of new technology are invariably the mainstream manufactures, and the gap in performance between them and the specialist high-end seems to be narrowing, whilst price differences continue to increase.
In this seemingly impending new order/direction for home entertainment of the music and HT kind that seems to be fast descending upon us, I wonder how relevent the high-end specialist manufacturer will continue to be.
For example, normally one does not use the word Sony and high-end in the same sentence, however I note on some of the US HT forums, that some folks are selling/trading VERY expensive (US $10,000 +) AR valve amps on the new top of the line DA9000ES digital receiver, as with it's state of the art digital amplification it is reputed to have a similar and more than competitive valve like sound to the AR's, whilst also offering DD & DTS decoding facilities for the HT side of things, and costs a VERY great deal less.
A few years ago, to mention Sony and Audio Research in the same breath would've been deemed laughable. Times change, and I've no doubt that in the mainstream, digital amplification will be the way things will go, for various reasons - cost, size, heat, efficiency, and not least simple circuit design that promises much re sound quality - the fact that an amp like the Sony appears to compete sound-wise with high-end AR's says an awful lot for the future IMHO.
No doubt, the specialist manufacturers, recognising the trend, will either do a take on the swiss watch industry when it was threatened by the Japanese, and retreat further into producing high-end 'Rolexes', of value only to a very select few who can afford it, or come out with the equivalent of the swatch perhaps.
What does seem apparent through all of this to me, is that either my ears are going off, or the performance gap between the high-end of the mainstream makers, and the true specialist manufacturer/tweaker/tuner, is narrowing considerably, whilst the price differential only grows, as the market share for the specialist ever diminishes, and consequent costs/profit margins required to stay in business increase.
Certainly with the ever likely advent of digital amplification, and the simplicity that conveys to a circuit, the envelope for the specialist to tweak the sound to any degree so as to sound demonstrateably better, as against merely different, seems to be narrowing considerably.
Witness the sad, but recent demise of Tag McClaren. I am also under the impression that Levinson is in trouble as well. My Naim dealer here in OZ, has so far been unsucessful to the best of my knowledge in as yet selling one AV2 - the main reason simply being price, or rather the price/performance equation.
And as if my words could be prophetic in some way, I note, just having returned from some window shopping, and picking up a latest Sony catalogue, that here in OZ, they no longer offer a two channel stereo amp for sale. Period.
Personally I really applaud the new entry level Naims, as having heard them, the performance v's the price is fantastic, and holds out some hope, in terms of being able to get something quite special at a price that one can contemplate.
I would like to think in this ever and rapidly changing HT & music scene, that companies like Naim won't end up becomming the Rolex of HiFi, but will continue to make stunning and affordable components for the enthusiast. If that involves DVD, or a sub/sat system, whatever, that is fine by me, provided that there is an edge in performance over competing products, and within a relevant price structure.
Otherwise, apart from wealthy millionaires, and the afore-mentioned obsessives, out-of-sight high-end gear, and especially 2 channel looks like going the way of the 78rpm record IMHO.
Anyway, just some thoughts and general meanderings of the 2 cents variety on a Sat afternoon.
Thoughts anyone?
Cheers
John...
Populist thinking exalts the simplistic and the ordinary
--------------------------------------------------------------------------------
Hy John!
think there is no future for high end hifi.and
after more than 20 years there exists no exact
definition of thev term "high end"
think there is a future for natural sounding music reproduction.
Naim,Linn,FM acoustics,Nad are still on there (successfull)2channel ways.But they also began
to go the multichannel way.
Multichannel was a product that was pushed
by industry(you n e e d a DvD othewise you cant watch our new movies,and you n e e d 6channels to hear the c o m p l e te sound.)(would not exist without special kind of software)
Part of marketing for multichannel was,to make
consumer dependant on the software and
therefore consumer had to buy the hardware.
So multichannel does not need a special lobby
of enthusiasts like Hifi or highend Freaks.
HT is often more akind of lifestyle(bring the cinema to your home)than a matter of quality to
the buyers.
Hifi and highend are products pulled by the consumers.(we want better sound)
They do not pull as they did before HT was invented.and therefore only the best 2channel
equipmentmanufactureres will survive.
Audio research has a special position on the
Valve market,think they are the biggest
company that does only valve amplifiers.(no solid state any more)and until now i think no
multichannel. maybe a good idea to be that
conservative in the amp market.(and their amps
have bypass switches to integrate any Multichannel amp with front preouts.)
Think naims unity gain is an very important
feature in Hifi of today.It is the missing link between Hifi and HT.And i do not know
other eqipment with this feature in 5i priceclass.
O.J.
-----------------------------------------------
But what will they think in Barnsley?
DS
Posted on: 17 April 2004 by andy c
Hi,
I think its down to how objective you are. In reality manufacturers seem to fall out all the time about the best 'format' to use. Witness Betamax v VHS, with the former being much better in terms of quality but discontinued due to market pressures.
I think to a certain degree the same can be said for 2 channel compared to multi-channel. I feel that until I think that the format wars have settled down, coupled with a similar software output to that of CD and records, then I'd be reluctant to go the whole hog and plump for SACD or DVD-A.
I do have a good DVD-V player, in to a Yamaha processor which is piggy-backed onto my Naim kit. It gives better sound and picture than VHS or Satellite for movie watching, and also the few Music DVD-V's I have (peter Gabriel etc) do sound 'differant'.
In pure music terms tho I perfer the Naim sound. I also accept I dare not listen to the AV2 etc because that could affect this though process.
So, to conclude I see where you are coming from, but I will wait a little longer for the formats to become more estabished before heavy investment in something which could become obsolete. How do you draw that line - difficult to say i suppose.
andy c!
I think its down to how objective you are. In reality manufacturers seem to fall out all the time about the best 'format' to use. Witness Betamax v VHS, with the former being much better in terms of quality but discontinued due to market pressures.
I think to a certain degree the same can be said for 2 channel compared to multi-channel. I feel that until I think that the format wars have settled down, coupled with a similar software output to that of CD and records, then I'd be reluctant to go the whole hog and plump for SACD or DVD-A.
I do have a good DVD-V player, in to a Yamaha processor which is piggy-backed onto my Naim kit. It gives better sound and picture than VHS or Satellite for movie watching, and also the few Music DVD-V's I have (peter Gabriel etc) do sound 'differant'.
In pure music terms tho I perfer the Naim sound. I also accept I dare not listen to the AV2 etc because that could affect this though process.
So, to conclude I see where you are coming from, but I will wait a little longer for the formats to become more estabished before heavy investment in something which could become obsolete. How do you draw that line - difficult to say i suppose.
andy c!
Posted on: 17 April 2004 by o.j.
Only necessary difference between stereo and multichanel
is that there is the posibility to have more
than one listener place in a (real)cinema.they do it with more speakers and a special delay for every speaker.At home you
have only the posibility to create o n e listener place that is not in perfect stereotriangle.
Most people (and so do i)use the same listenerplace for Hifi Music
and home theater watching.
So the only soudwise benefit of a 5channel
home theater is that theprocessor can decode
the multichannel software.whole information could be also on a stereo cd and reproduced by only two speakers if the room information would be given in the producton process of software with phase shiftings.
there would be no need of 6 speakers and no longer signal paths(through processors)and it
would sound as great as our stereo always does.
and if you would syncronise this signal
with a DVd(which should be no problem via digital output) only to get the picture from there there would be solved the bad sound problem coming out of nearby all dvd players(compared to cd players)

O.J.(dreaming about perfect sound reproduction)
is that there is the posibility to have more
than one listener place in a (real)cinema.they do it with more speakers and a special delay for every speaker.At home you
have only the posibility to create o n e listener place that is not in perfect stereotriangle.
Most people (and so do i)use the same listenerplace for Hifi Music
and home theater watching.
So the only soudwise benefit of a 5channel
home theater is that theprocessor can decode
the multichannel software.whole information could be also on a stereo cd and reproduced by only two speakers if the room information would be given in the producton process of software with phase shiftings.
there would be no need of 6 speakers and no longer signal paths(through processors)and it
would sound as great as our stereo always does.
with a DVd(which should be no problem via digital output) only to get the picture from there there would be solved the bad sound problem coming out of nearby all dvd players(compared to cd players)
O.J.(dreaming about perfect sound reproduction)
Posted on: 17 April 2004 by Bob McC
Why can't people just respond to a post instead of quoting the whole damn thing again?
Bob
Bob
Posted on: 17 April 2004 by o.j.
I would do if i knew how to do that exact.
O.J.
O.J.
Posted on: 17 April 2004 by Arye_Gur
I think that nothing is put in danger HI Fi equipment yet. It is a fact that many people including youth who had never seen a record are buying TTs and records.
What is going to be - to my opinion - is a combination of Hi Fi equipment with many others ways to listen to music or watching movies but the HiFi will stay the core of these new systems.
Arye
What is going to be - to my opinion - is a combination of Hi Fi equipment with many others ways to listen to music or watching movies but the HiFi will stay the core of these new systems.
Arye
Posted on: 17 April 2004 by Geoff P
John
In no particular order some comments.
1) Naim is to be applauded for introducing the 5i series to make quality HiFi more accessible
Thought- Maybe Naim's motives are to begin re-positioning itself to survive as the % of it's expensive high end systems sold reduces. Sort of doing a "controlled" version of the likes of Musical fidelity and Arcam/Cyrus and even B&W. No think about it!
2) HT comes as an unobtrusive style based solution in a large cardboard box with the minimum amount of challenge to setup, even down to color coded speaker plugs and sockets. The key is the word "unobtrusive". It won't intrude upon the carefully positioned decorations and furniture placements that create the "ïdeal home" look.
Thought- Because surround sound is honestly an "artificial" sound field it can sound pretty dynamic even in a crap style based system. At least enough so to give the general public the idea they have a "wow" of a system for a bargaing price.
3) Us HiFi nuts become even more obssesive when it comes to the whole HT/ surrond sound thing it seems. To some extent it is dangerous territory for the likes of Naim to venture into, because they have to sacrifice the "character" of their equipment for the Video side. No way can they invent their own processing electronics.
Thought - Judged by the comments that occur here whenever a thread gets going about the imminent DVD5, now in so called beta test, evrybody wants it to have some different bell or whistle on it. It "must" have this says one. It "must" have someting else says another. Both will not buy unless their desires are met. Naim is being asked to cover all the bases. God help them!
4) Analog Vinyl is in resurgence!
Thought- Maybe this is the savior. Apparently the number of TT's on offer has never been as larger. A recent quote "There was more analog at the 2004 CES show (USA) than at any show since the late 1980's". I certainly feel there is a trend amongst the HiFi nuts like us to return to Vinyl (if we ever left it). There is a clear attraction to the sound which can equal and surpass high quality CD replay at a lower cost. In a recent thread here the consensus was you can get yourself a class Vinyl replay system for a lot less than the 7000 or so smakers you have to fork out for a CDS3 to compete with it. Perhaps this will become the refuge of the HiFi enthusiast along with a set of headphones as HT surround sound takes over the living room.
5) There is NO substitute for high quality stereo.
Thought- I as you know am like yourself a surround sound music enthusiast BUT after an hour or so of that I always ended up "coming home" to the stereo sound and reaching for a record or a CD. IT is still the best. Maybe this is enough to keep it and HiEnd quality HiFi alive.
regards
GEOFF
In no particular order some comments.
1) Naim is to be applauded for introducing the 5i series to make quality HiFi more accessible
Thought- Maybe Naim's motives are to begin re-positioning itself to survive as the % of it's expensive high end systems sold reduces. Sort of doing a "controlled" version of the likes of Musical fidelity and Arcam/Cyrus and even B&W. No think about it!
2) HT comes as an unobtrusive style based solution in a large cardboard box with the minimum amount of challenge to setup, even down to color coded speaker plugs and sockets. The key is the word "unobtrusive". It won't intrude upon the carefully positioned decorations and furniture placements that create the "ïdeal home" look.
Thought- Because surround sound is honestly an "artificial" sound field it can sound pretty dynamic even in a crap style based system. At least enough so to give the general public the idea they have a "wow" of a system for a bargaing price.
3) Us HiFi nuts become even more obssesive when it comes to the whole HT/ surrond sound thing it seems. To some extent it is dangerous territory for the likes of Naim to venture into, because they have to sacrifice the "character" of their equipment for the Video side. No way can they invent their own processing electronics.
Thought - Judged by the comments that occur here whenever a thread gets going about the imminent DVD5, now in so called beta test, evrybody wants it to have some different bell or whistle on it. It "must" have this says one. It "must" have someting else says another. Both will not buy unless their desires are met. Naim is being asked to cover all the bases. God help them!
4) Analog Vinyl is in resurgence!
Thought- Maybe this is the savior. Apparently the number of TT's on offer has never been as larger. A recent quote "There was more analog at the 2004 CES show (USA) than at any show since the late 1980's". I certainly feel there is a trend amongst the HiFi nuts like us to return to Vinyl (if we ever left it). There is a clear attraction to the sound which can equal and surpass high quality CD replay at a lower cost. In a recent thread here the consensus was you can get yourself a class Vinyl replay system for a lot less than the 7000 or so smakers you have to fork out for a CDS3 to compete with it. Perhaps this will become the refuge of the HiFi enthusiast along with a set of headphones as HT surround sound takes over the living room.
5) There is NO substitute for high quality stereo.
Thought- I as you know am like yourself a surround sound music enthusiast BUT after an hour or so of that I always ended up "coming home" to the stereo sound and reaching for a record or a CD. IT is still the best. Maybe this is enough to keep it and HiEnd quality HiFi alive.
regards
GEOFF
Posted on: 17 April 2004 by syd
quote:
Originally posted by bob mccluckie:
Why can't people just..... Bob
If they must quote it would be better to curtail most of the original post as I have above.
Yours in Music
Syd
Posted on: 17 April 2004 by ben r
Most of the people who buy low to mid priced home theatre wouldnt buy naim anyway, even if home theatre didnt exist. But with the introduction of the lower priced gear naim has a shot at getting someone onto their line. A long as cds and lps are the main sources for music hi end has a shot,but if all these new formats dont get settled I dont know,but ultimately it is up to us the buyer ti buy it and the dealer to sell it. i have said it before in other posts, if Naim wants to really expand in the us, they need to have dealer who are committed to it and can demo just about everything. Alot of dealers just have a smattering of it and hope someone comes in and buys it. That is not going to work
Posted on: 17 April 2004 by Rick Weldon
yes there is a bright future for hi end hi fi.long term and in what form god only knows, but a good percentage of people will always want something much better than the avarage. music will always play a major part in most peoples lives.a good number of people will always pay a little more to hear it repoduced better.thats where manufactures like naim(and a few others!) led and staffed by people who still give a toss will continue to be leading lights and relevent for donkeys years.
Posted on: 17 April 2004 by Camlan
John
An interesting and thought provoking post. As it happens, I was having the same conversation with my dealer last night when he came to install some demo equipment.
Whilst we both thought there was a future for 2 channel, we got to discussing the age and background of the majority of hi-fi enthusiasts. We both agreed that the majority were in their teens/twenties in the 70s and 80s when 'rock' music was beginning to extend it's horizons and sound quality was seen to be important. That is was certainly started me on the Hi-Fi road. What is of concern for the future of high end Hi-Fi outside of the multi channel threat is the lack of a similar culture amongst todays youth (I am prepared to be shot down over this) where ease of availability/use seems to be the main criterion.
There is another even more regrettable side to this in my view. I am strongly of the belief that quality hi-fi introduces the listener to new and perhaps at the time for them more 'difficult' music. Listening to good hi-fi has introduced me to jazz and classical music that I would probably have dismissed as noise on a lesser system. Has anybody else the same experience I wonder? If I am right in this then the potential demise/retrenchment in quality hi-fi will have important downsides for the recorded music industry as a whole
An interesting and thought provoking post. As it happens, I was having the same conversation with my dealer last night when he came to install some demo equipment.
Whilst we both thought there was a future for 2 channel, we got to discussing the age and background of the majority of hi-fi enthusiasts. We both agreed that the majority were in their teens/twenties in the 70s and 80s when 'rock' music was beginning to extend it's horizons and sound quality was seen to be important. That is was certainly started me on the Hi-Fi road. What is of concern for the future of high end Hi-Fi outside of the multi channel threat is the lack of a similar culture amongst todays youth (I am prepared to be shot down over this) where ease of availability/use seems to be the main criterion.
There is another even more regrettable side to this in my view. I am strongly of the belief that quality hi-fi introduces the listener to new and perhaps at the time for them more 'difficult' music. Listening to good hi-fi has introduced me to jazz and classical music that I would probably have dismissed as noise on a lesser system. Has anybody else the same experience I wonder? If I am right in this then the potential demise/retrenchment in quality hi-fi will have important downsides for the recorded music industry as a whole
Posted on: 17 April 2004 by o.j.
Hy Camlan!
I agree on your comment,and also about the
difficult music thing.
I remember that i was in a concert of jazzer
joe zawinul and later on i heared records of him on Hifi system.even the eqipment was expensive( audioresearch accuphase kit)i was
missing the musicians playing together.And it was completley seneless.Vice versa i must admit
If i had heared Zawinul first on this Hifi i would not have been intrested to hear him playing live.Simple music is easier to follow
on a hifi system that does not realy prat.and
clever producers of today(mainstream) are therefore creating music where it is easy to follow the tune with any system.(i mean music
where exact timing is not that nessecary)
Another case is today Disco music:young people
try to reproduce this in cars,well knowing that
it is easier to get what they remember from discothek and are looking for,
than on their not prat doing home Stereo equpment.But nobody tells them that the key
would not be an 400Watt pioneer amp at home.
And they do not know todays or yesterdays
quality Home hifi equpment.And remembering
the homeopathic sound of my accuphase audioresearch amp combo(was very expensive too)
i can understand them to be sceptic against
Hifi products.The goal would be to bring them to good shops and to demoe them good and not
so expensive stuff.Naim has the products(5i cd5i but
good shops are rare today and not so well known as they were, 20 years ago.
O.J.
I agree on your comment,and also about the
difficult music thing.
I remember that i was in a concert of jazzer
joe zawinul and later on i heared records of him on Hifi system.even the eqipment was expensive( audioresearch accuphase kit)i was
missing the musicians playing together.And it was completley seneless.Vice versa i must admit
If i had heared Zawinul first on this Hifi i would not have been intrested to hear him playing live.Simple music is easier to follow
on a hifi system that does not realy prat.and
clever producers of today(mainstream) are therefore creating music where it is easy to follow the tune with any system.(i mean music
where exact timing is not that nessecary)
Another case is today Disco music:young people
try to reproduce this in cars,well knowing that
it is easier to get what they remember from discothek and are looking for,
than on their not prat doing home Stereo equpment.But nobody tells them that the key
would not be an 400Watt pioneer amp at home.
And they do not know todays or yesterdays
quality Home hifi equpment.And remembering
the homeopathic sound of my accuphase audioresearch amp combo(was very expensive too)
i can understand them to be sceptic against
Hifi products.The goal would be to bring them to good shops and to demoe them good and not
so expensive stuff.Naim has the products(5i cd5i but
good shops are rare today and not so well known as they were, 20 years ago.
O.J.
Posted on: 18 April 2004 by Nime
Software availability may be more important than the hardware in the media survival stakes. If you can't buy records then you must buy CDs to get new listening material.
Yesterday in the large city of Odense I found myself unable to buy classial music CDs let alone classical records. In a few of the bigger CD music chains they have a small selection of "popular" classics. "Best of Mozart" etc."
There was one really excellent classical/pop CD music shop in the shopping high street but sadly it is now gone.
Second-hand vinyl is still readily available here. I actually bought a clean-looking copy of 'Gaucho'! But it is quite unplayable & unlistenable on the old Sondek/Valhalla/Ittok 8/DL304 due to the usual 'rice crispies'.
So I just filed it (and the Sondek) away (yet again) and bought the CD to play on my new (very-low-end) NAD (underclass budget model) T-533 DVD/CD/DVD A player! To me it sounds absolutey bløødy amazing! Don't you just hate it when that happens? Tut tut!
Nime
Yesterday in the large city of Odense I found myself unable to buy classial music CDs let alone classical records. In a few of the bigger CD music chains they have a small selection of "popular" classics. "Best of Mozart" etc."
There was one really excellent classical/pop CD music shop in the shopping high street but sadly it is now gone.
Second-hand vinyl is still readily available here. I actually bought a clean-looking copy of 'Gaucho'! But it is quite unplayable & unlistenable on the old Sondek/Valhalla/Ittok 8/DL304 due to the usual 'rice crispies'.
So I just filed it (and the Sondek) away (yet again) and bought the CD to play on my new (very-low-end) NAD (underclass budget model) T-533 DVD/CD/DVD A player! To me it sounds absolutey bløødy amazing! Don't you just hate it when that happens? Tut tut!
Nime
Posted on: 18 April 2004 by MarkEJ
quote:
Originally posted by Camlan:
I am strongly of the belief that quality hi-fi introduces the listener to new and perhaps at the time for them more 'difficult' music. Listening to good hi-fi has introduced me to jazz and classical music that I would probably have dismissed as noise on a lesser system.
Totally agree -- very good point. The sophisticated marketing now used by record companies seems to aim particular product at those market segments likely to have the "appropriate" hardware to play them. "Dumbed-down" music for dumbed-down systems, ultimately leading to a dumbed-down audience. Norah Jones for Bang & Olufsen owners? Air for those with a penchant for cherry veneered MDF? I could go on -- admittedly these examples are sweeping and probably unfair, but you get the idea.
We listened to "In the Court of the Crimson King" yesterday (haven't heard it for a couple of years at least) and were astonished at how it simply refuses to date at all. I don't think it's the greatest album ever made, but considering it was made 35 years ago, contained at least one more or less completely abstract track and (IIRC) reached no. 5 in the album charts at the time, it indicates in quite a scary manner how objectives have changed in the music industry, and how overall product quality has risen not at all.
Why, therefore, should we surprised at the same thing happening with replay hardware?
Best;
Mark
Posted on: 18 April 2004 by gusi
<crystall ball on>
For as long as peolpe like to listen to music at home there will be a market for "hifi" equipment.
As more material gets released on multichannel media, undoubtfully the focus will change away from stereo systems.
There is a lot of legacy material out there. The shelf life of a CD is 100 years so it will take a while for this media to disappear.
My guess is that stereo gear will take two generations to vanish from all but the antique shops.
Innovation seems to favour convenience in the last few decades. eg the mobile phone displaces the palmPC, one of the biggest recent life style improvements are the ATM and the debit card (consumerists, rejoice!). So in terms of media we'd probably end up with some form of audio-on-demand or down loadable format, should your hard disk crash you can take it back to the store for a reload etc. No doubt the technical issues will be solved re piracy and making harddisks (or other form of permanent storage) sound good. (Note that many Radio and TV stations already operate off hard disks.)
Currently 6 channel technology is really an extension of 2 channel. The extra 4 channels seem to be mostly used for 3d effects in movies but I am sure that sound engineers and artists will find a way to make them useful in music too.
No doubt the Naim 656 pre amp will have a stereo button that powers down the non two channel circuitry for optimal stereo play back.
Note that this is all just extending current technology. For something truly revolutionary you'd need to be able to tap into you ear nerves or perhaps have one single continous electrostatic speaker that you paint all over your walls (Engineers! On your marks...)
<crystal ball off>
Gus
For as long as peolpe like to listen to music at home there will be a market for "hifi" equipment.
As more material gets released on multichannel media, undoubtfully the focus will change away from stereo systems.
There is a lot of legacy material out there. The shelf life of a CD is 100 years so it will take a while for this media to disappear.
My guess is that stereo gear will take two generations to vanish from all but the antique shops.
Innovation seems to favour convenience in the last few decades. eg the mobile phone displaces the palmPC, one of the biggest recent life style improvements are the ATM and the debit card (consumerists, rejoice!). So in terms of media we'd probably end up with some form of audio-on-demand or down loadable format, should your hard disk crash you can take it back to the store for a reload etc. No doubt the technical issues will be solved re piracy and making harddisks (or other form of permanent storage) sound good. (Note that many Radio and TV stations already operate off hard disks.)
Currently 6 channel technology is really an extension of 2 channel. The extra 4 channels seem to be mostly used for 3d effects in movies but I am sure that sound engineers and artists will find a way to make them useful in music too.
No doubt the Naim 656 pre amp will have a stereo button that powers down the non two channel circuitry for optimal stereo play back.
Note that this is all just extending current technology. For something truly revolutionary you'd need to be able to tap into you ear nerves or perhaps have one single continous electrostatic speaker that you paint all over your walls (Engineers! On your marks...)
<crystal ball off>
Gus
Posted on: 18 April 2004 by Giles Felgate
Hi John and all,
Over the past year in speaking with some of the older of my dealers here in Sydney, they seemed to be of the opinion that the industry was going through a spurt not too dissimilar to that of "hi-fi" in the 70's. By this they meant that a lot of people were interested in this much hyped phenomenon of HT, but were only looking at buying a "name" brand (read mass market) and plunking it in the loungeroom. One of the guys said that in the 70's it was look at the Linn and the A&R, buy the Marantz, now it was look at the plasma and the Arcam, buy the CRT (widesreen though) and the Pioneer.
One of the dealers in Inner-city Sydney said that over two thirds of their clients were buying the receiver and two speakers to start off, with the intention of buying the rest as funds came available. Less than 15% came back to buy more speakers & as their service is pretty good and their prices competitive, the dealer didn't think he was losing that much custom elsewhere. His particular feeling was that a lot of people found the additional cabling and space issue just not domestically acceptable. He reckoned that for every front speaker sold, he was selling 6-8 subwoofers and that rears/effect speakers were probably less than 5% of his total home theatre sales. He calls most of his customers "2.1 HT". What they all commented on was the general lack of interest in high-end multi-channel music - SACD & DVD-A are dead ducks in the southern hemisphere. This would tend to throw the convergence theory out the window and suggest that in some areas the demise of hi-fi is driven more by marketing than the market.
The general feeling from the dealers was that they didn't see home theatre as a competitor to hi-fi, just another line of product appealing to a new market segment. The only decline in sales and even this was an acceptable one for a most places was in dedicated CD players. Even this had some caveats, in that three of the more highend places indicated that when selling DVD players above AUD 1500 (or LSD 500), their customer's often had CD players of equivalent or higher value. A want for high quality in one medium was reflected in a want for high quality in another.
Interestingly, one of the dealers made the observation that if HT was making any inroads into the hi-fi market, why weren't specialist shops closing down? Here in Sydney we haven't had any significant closures since the mid-90's (Ross, could you confirm?) when Audio Excellence closed. Certainly there is nothing to compare too the late 80's when about 4 or 5 places closed over 18 months.
Most of them felt that there was a future for high-end 2 channel stuff, one of them going to the extent of setting up an analogue only room at their dealership. For a lot of them the high-end stuff is what they got into the game for: showing what exceptionally well reproduced music really sounds like. It doesn't pay the bills, is a bit of an indulgence, but it's something they (and by extension, we) can't live without.
Giles
Over the past year in speaking with some of the older of my dealers here in Sydney, they seemed to be of the opinion that the industry was going through a spurt not too dissimilar to that of "hi-fi" in the 70's. By this they meant that a lot of people were interested in this much hyped phenomenon of HT, but were only looking at buying a "name" brand (read mass market) and plunking it in the loungeroom. One of the guys said that in the 70's it was look at the Linn and the A&R, buy the Marantz, now it was look at the plasma and the Arcam, buy the CRT (widesreen though) and the Pioneer.
One of the dealers in Inner-city Sydney said that over two thirds of their clients were buying the receiver and two speakers to start off, with the intention of buying the rest as funds came available. Less than 15% came back to buy more speakers & as their service is pretty good and their prices competitive, the dealer didn't think he was losing that much custom elsewhere. His particular feeling was that a lot of people found the additional cabling and space issue just not domestically acceptable. He reckoned that for every front speaker sold, he was selling 6-8 subwoofers and that rears/effect speakers were probably less than 5% of his total home theatre sales. He calls most of his customers "2.1 HT". What they all commented on was the general lack of interest in high-end multi-channel music - SACD & DVD-A are dead ducks in the southern hemisphere. This would tend to throw the convergence theory out the window and suggest that in some areas the demise of hi-fi is driven more by marketing than the market.
The general feeling from the dealers was that they didn't see home theatre as a competitor to hi-fi, just another line of product appealing to a new market segment. The only decline in sales and even this was an acceptable one for a most places was in dedicated CD players. Even this had some caveats, in that three of the more highend places indicated that when selling DVD players above AUD 1500 (or LSD 500), their customer's often had CD players of equivalent or higher value. A want for high quality in one medium was reflected in a want for high quality in another.
Interestingly, one of the dealers made the observation that if HT was making any inroads into the hi-fi market, why weren't specialist shops closing down? Here in Sydney we haven't had any significant closures since the mid-90's (Ross, could you confirm?) when Audio Excellence closed. Certainly there is nothing to compare too the late 80's when about 4 or 5 places closed over 18 months.
Most of them felt that there was a future for high-end 2 channel stuff, one of them going to the extent of setting up an analogue only room at their dealership. For a lot of them the high-end stuff is what they got into the game for: showing what exceptionally well reproduced music really sounds like. It doesn't pay the bills, is a bit of an indulgence, but it's something they (and by extension, we) can't live without.
Giles
Posted on: 18 April 2004 by Johns Naim
Hello Everyone
In my fairly regular travels around the various HiFi/HT forums, I pretty much wind up coming back here, to home base as it were, not just because I'm a Naim owner, but for the excellent and considered opinion often to be found here, along with of course, the camaradarie, and I thank everyone for writing in.
I guess at the end of the day, quality is quality, and there will always be a place & market for those selling and those in pursuit of excellence, or something at least better than the mainstream. For which I applaud, as I'm sure we all do.
Perhaps I tend to forget the quality is quality angle sometimes myself, as I take in and absorb all the changes that seem to be happening so quickly re the new and developing technology, and trends in the market place.
I think the mainstream choice now, apart from the ubiquitious 'mini-system' is very much an AV receiver, and 2 or more speakers if space permits. Certainly most non-enthusiast friends I know are happy to have a new shiny silver HT in a box type solution with small sats and a sub where space is at a premium.
They love the excitement, bang and crash of the movies, and use such systems for music as well. However, virtually none of them either have the time or interest to sit and absorb/meditate/listen seriously to music - often it's just a background fill-in whilst doing the vacuuming, cooking, entertaining a few friends over drinks etc.
As such, these systems appear to do all that they require, and are seemingly interested in.
One friend who heard my Naim system, said it was the best he'd ever heard, but given the cost could no way justify that amount of money spent on one interest given his overall income and other interests etc, AND the time he'd have to spend with it to justify the investment, wasn't availble to him.
I get the impression from a number of friends, that they all like the quality, but cost, and the time factor re being able to sit and listen to it on a regular basis are the two principal 'no sale' components re their choice of not to go there re high-end HiFi, be it Naim or anything else.
Given that I myself as a 'diehard' enthusiast am finding it hard to allocate more than a modicum of hours sometimes, to spend in recreational music 'listening' I can identify with this.
Further, having just the other week re-insured etc for contents, including the HiFi, going around and valuing everything in terms of REPLACEMENT costs was frightening.
I run CDI/72/Hi-Cap/180/SBL's, which as a sytem is now around the 8 yr old mark, and has and continues to give wonderful enjoyment, BUT given the costs of the new equivalent products, I doubt I could ever afford such a system again, without making some serious sacrifices which I'm not sure now, being just that little bit older, and with other financial needs/aims, I'd be prepared to do. Certainly with insurance/replacement costs, I now understand the cost/VFM/time equation my friends face only to well, when contemplating the cost and returns of highend equipment.
From the listening I have done, personally I don't find multi-channel SACD brings much to the overall enjoyment factor as regards music.
If one regards the presentation aspects of stereo as giving either a spread of sound across the front, such as to be an acoustic window on a wider performance, or, in a more upfront presentation, to bring the performers into the room, then multi-channel puts you in the concert hall.
However, as regards the musical message and emotion of the performance, the gains are quite small in comparison with the cost to achieve them with commensurate quality amps and speakers for the extra channels etc IMHO.
From that point of view, I see no reason why the enthusiast/seeker of 'quality' could not be happy to continue with 2 channel mid to highend products.
The difficulty I fear, is that the mass marketing of AV as the new/big thing for combined HT & music, and dumbing down of standards and expectations generally, plus the aforementioned cost and spare time considerations, will mean that the enthusiast market will become ever smaller, and consequently the products ever more expensive.
That personally presents a real problem for me, as I like, and appreciate quality, and am prepared to pay a reasonable bit more for it, but not four and five times the cost, for arguablly small and often subjective diferences.
That is where, re the nub of it I think, I worry about the direction and future of high-end quality HiFi - essentially catering for a diminishing market and pricing itself out of reach for enthusiasts who possess less than an millionaires income. As an example, I mentioned earlier the sad demise of TAG McClaren - having given up some months back on 2 channel/stereo, and continuing with HT/AV,they have obviously made a decision based upon returns, to sell of what was obviously an unprofitable businees. At their elevated price level, not enough people were, or were able to afford, or interested enough to buy, their very expensive products it would seem.
Having heard a CDX2/XPS/552/SC/250/Allaes, as the best Naim gear I've ever heard, it was listened to out of curiousity, and whilst excellent, was still not 'perfect' IMV, and thus regretfully dismissed out of hand, as being not 'perfect' and completely unaffordable - given that the sytem cost more than a new BMW 3 series, which in turn attracts 15% import tariff, and 17% luxury car tax, I think my thoughts of it being millionaires territory are reasonable.
What DID impress me, was the CD5i, and Nait CD5i I heard recently. I thought it sounded great, very satisfying indeed, but the best point was that for a bit more than say top-of-the-line mainstream, aka Denon, Yamaha etc, I could have Naim quality and sound. A no-brainer as our US friends are want to say.
Whilst it's important to have 'flagship' cost no object products, just as car companies like Mercedes-Benz, and now BMW are moving into the high-end mainstream aka VW Golf etc, with products like the A-Class, and forthcoming 1 Class BMW, so as to increase their sales/customer base, so IMHO do companies like Naim need to cultivate similar markets in the HiFi field. Otherwise, I do see them if not going under, certainly just producing very high-end and expensive products, largely irrelevant for most of us, just like the Rolex watch example I used earlier.
As an enthusiast, and Naim fan, I would hate to see this happen. I would hope, that whatever the shakedown of format wars re DVD-Audio/SACD produce, developments of technology re HD delivery systems perhaps, that companies like Naim will be there, offering that little bit extra quality, but I sincerly hope at quantity levels that will make their products something that we can all realistically financially aspire to owning.
Heh, I can't afford a Rolex, but something better than a Seiko would be nice, an Omega Seamaster perhaps?
But that's another topic..
Warmest Regards to All
John...
Populist thinking exalts the simplistic and the ordinary
In my fairly regular travels around the various HiFi/HT forums, I pretty much wind up coming back here, to home base as it were, not just because I'm a Naim owner, but for the excellent and considered opinion often to be found here, along with of course, the camaradarie, and I thank everyone for writing in.
I guess at the end of the day, quality is quality, and there will always be a place & market for those selling and those in pursuit of excellence, or something at least better than the mainstream. For which I applaud, as I'm sure we all do.
Perhaps I tend to forget the quality is quality angle sometimes myself, as I take in and absorb all the changes that seem to be happening so quickly re the new and developing technology, and trends in the market place.
I think the mainstream choice now, apart from the ubiquitious 'mini-system' is very much an AV receiver, and 2 or more speakers if space permits. Certainly most non-enthusiast friends I know are happy to have a new shiny silver HT in a box type solution with small sats and a sub where space is at a premium.
They love the excitement, bang and crash of the movies, and use such systems for music as well. However, virtually none of them either have the time or interest to sit and absorb/meditate/listen seriously to music - often it's just a background fill-in whilst doing the vacuuming, cooking, entertaining a few friends over drinks etc.
As such, these systems appear to do all that they require, and are seemingly interested in.
One friend who heard my Naim system, said it was the best he'd ever heard, but given the cost could no way justify that amount of money spent on one interest given his overall income and other interests etc, AND the time he'd have to spend with it to justify the investment, wasn't availble to him.
I get the impression from a number of friends, that they all like the quality, but cost, and the time factor re being able to sit and listen to it on a regular basis are the two principal 'no sale' components re their choice of not to go there re high-end HiFi, be it Naim or anything else.
Given that I myself as a 'diehard' enthusiast am finding it hard to allocate more than a modicum of hours sometimes, to spend in recreational music 'listening' I can identify with this.
Further, having just the other week re-insured etc for contents, including the HiFi, going around and valuing everything in terms of REPLACEMENT costs was frightening.
I run CDI/72/Hi-Cap/180/SBL's, which as a sytem is now around the 8 yr old mark, and has and continues to give wonderful enjoyment, BUT given the costs of the new equivalent products, I doubt I could ever afford such a system again, without making some serious sacrifices which I'm not sure now, being just that little bit older, and with other financial needs/aims, I'd be prepared to do. Certainly with insurance/replacement costs, I now understand the cost/VFM/time equation my friends face only to well, when contemplating the cost and returns of highend equipment.
From the listening I have done, personally I don't find multi-channel SACD brings much to the overall enjoyment factor as regards music.
If one regards the presentation aspects of stereo as giving either a spread of sound across the front, such as to be an acoustic window on a wider performance, or, in a more upfront presentation, to bring the performers into the room, then multi-channel puts you in the concert hall.
However, as regards the musical message and emotion of the performance, the gains are quite small in comparison with the cost to achieve them with commensurate quality amps and speakers for the extra channels etc IMHO.
From that point of view, I see no reason why the enthusiast/seeker of 'quality' could not be happy to continue with 2 channel mid to highend products.
The difficulty I fear, is that the mass marketing of AV as the new/big thing for combined HT & music, and dumbing down of standards and expectations generally, plus the aforementioned cost and spare time considerations, will mean that the enthusiast market will become ever smaller, and consequently the products ever more expensive.
That personally presents a real problem for me, as I like, and appreciate quality, and am prepared to pay a reasonable bit more for it, but not four and five times the cost, for arguablly small and often subjective diferences.
That is where, re the nub of it I think, I worry about the direction and future of high-end quality HiFi - essentially catering for a diminishing market and pricing itself out of reach for enthusiasts who possess less than an millionaires income. As an example, I mentioned earlier the sad demise of TAG McClaren - having given up some months back on 2 channel/stereo, and continuing with HT/AV,they have obviously made a decision based upon returns, to sell of what was obviously an unprofitable businees. At their elevated price level, not enough people were, or were able to afford, or interested enough to buy, their very expensive products it would seem.
Having heard a CDX2/XPS/552/SC/250/Allaes, as the best Naim gear I've ever heard, it was listened to out of curiousity, and whilst excellent, was still not 'perfect' IMV, and thus regretfully dismissed out of hand, as being not 'perfect' and completely unaffordable - given that the sytem cost more than a new BMW 3 series, which in turn attracts 15% import tariff, and 17% luxury car tax, I think my thoughts of it being millionaires territory are reasonable.
What DID impress me, was the CD5i, and Nait CD5i I heard recently. I thought it sounded great, very satisfying indeed, but the best point was that for a bit more than say top-of-the-line mainstream, aka Denon, Yamaha etc, I could have Naim quality and sound. A no-brainer as our US friends are want to say.
Whilst it's important to have 'flagship' cost no object products, just as car companies like Mercedes-Benz, and now BMW are moving into the high-end mainstream aka VW Golf etc, with products like the A-Class, and forthcoming 1 Class BMW, so as to increase their sales/customer base, so IMHO do companies like Naim need to cultivate similar markets in the HiFi field. Otherwise, I do see them if not going under, certainly just producing very high-end and expensive products, largely irrelevant for most of us, just like the Rolex watch example I used earlier.
As an enthusiast, and Naim fan, I would hate to see this happen. I would hope, that whatever the shakedown of format wars re DVD-Audio/SACD produce, developments of technology re HD delivery systems perhaps, that companies like Naim will be there, offering that little bit extra quality, but I sincerly hope at quantity levels that will make their products something that we can all realistically financially aspire to owning.
Heh, I can't afford a Rolex, but something better than a Seiko would be nice, an Omega Seamaster perhaps?
But that's another topic..
Warmest Regards to All
John...
Populist thinking exalts the simplistic and the ordinary
Posted on: 18 April 2004 by Erik Lidstrom
I don’t think that HT will kill of the HiEnd market, it will properly be mp3 and the likes of hi compressed easily distributed audio. I cant tell the difrens between CD and mp3 on a sub 1000 euro system, and that is what most people is listening to. On the other hand on a god system mp3 sounds bloody awful but most people cant tell the difference on their sheep system, or just doesn’t care. So when the record companies gets the picture and starts distributing compressed audio via the internet the CD market will die off and leaving the HiEnd market without a reasonably prised medium to distribute new music on.
Sound vice mp3 sucks but the distribution is simple, as an example I can give my brother seriously interested in music an listens to it as much as he can. He doesn’t own a single CD, but has the likes of 30 GB of mp3s on his computer giving him the choice of tens of thousands of songs at the click of a button and if he misses a song he just downloads it. He enjoys listening to my “good” Naim system but the inconvenience and cost of buying and changing CDs isn’t worth it to him.
Sound vice mp3 sucks but the distribution is simple, as an example I can give my brother seriously interested in music an listens to it as much as he can. He doesn’t own a single CD, but has the likes of 30 GB of mp3s on his computer giving him the choice of tens of thousands of songs at the click of a button and if he misses a song he just downloads it. He enjoys listening to my “good” Naim system but the inconvenience and cost of buying and changing CDs isn’t worth it to him.
Posted on: 19 April 2004 by Rockingdoc
High quality hi-fi and stereo music reproduction will not disappear in my life-time, but the shops that sell it might.
Along with our Naim systems, my friends and I enjoy playing our old valve gear which is approaching 50 years old. We can still get the valves and we can still get the gear serviced by a few specialists. I also use 50 year old speakers, and many use old turntables. The quality of the sound is excellent.
As users of high-end specialist stereo hi-fi we don't have a problem, but I personally wouldn't look to a career making or selling it.
Along with our Naim systems, my friends and I enjoy playing our old valve gear which is approaching 50 years old. We can still get the valves and we can still get the gear serviced by a few specialists. I also use 50 year old speakers, and many use old turntables. The quality of the sound is excellent.
As users of high-end specialist stereo hi-fi we don't have a problem, but I personally wouldn't look to a career making or selling it.
Posted on: 19 April 2004 by greeny
One thing that has only been touched on so far in this thread, but which might have a large impact in supporting quality 2 channel music for the next 10-15 years is imminent retirees. Music was really in its heyday in the 60's and 70's (before computer games started taking over in the 80's) the 20 something's of 1970 are now at or near retirment age.
Now we all hear about how hard up pensioners are, and it's true for a fair percentage of them, but they also make up some of the most affluent people in the country. With time on their hands and money in their pockets, quality hiFi may form a sugnificant role in many of their lives.
So whereas there may be a reduction of young people buying good HiFi (iPods, plazma screens and HT being bought instead) there may be a significant increase in the 50+ age group buying quality stuff.
How many 50+'s were buying good hiFi 20 years ago (not many I suspect)
Now we all hear about how hard up pensioners are, and it's true for a fair percentage of them, but they also make up some of the most affluent people in the country. With time on their hands and money in their pockets, quality hiFi may form a sugnificant role in many of their lives.
So whereas there may be a reduction of young people buying good HiFi (iPods, plazma screens and HT being bought instead) there may be a significant increase in the 50+ age group buying quality stuff.
How many 50+'s were buying good hiFi 20 years ago (not many I suspect)
Posted on: 19 April 2004 by Johns Naim
Just to be completely contrare, I read something yesterday that made me sit up somewhat, to say the least.
A piece written by Alvin Gold for a Malaysian HiFi rag, where he commented on the sound of the new Digital DA9000ES Sony receiver, along with the matching 9000ES series multi-channel SACD player, in which he opinioned it was the best digital amp he'd ever heard, AND whilst listening in TWO channel mode.
What really struck me, was the comment that apparantly Sony are also developing a STEREO amp using this digital amplifier technology, AND reputedly a TWO channel SACD player to go with it! - will wonders never cease!
Yours slightly confused,,
John...
Populist thinking exalts the simplistic and the ordinary
A piece written by Alvin Gold for a Malaysian HiFi rag, where he commented on the sound of the new Digital DA9000ES Sony receiver, along with the matching 9000ES series multi-channel SACD player, in which he opinioned it was the best digital amp he'd ever heard, AND whilst listening in TWO channel mode.
What really struck me, was the comment that apparantly Sony are also developing a STEREO amp using this digital amplifier technology, AND reputedly a TWO channel SACD player to go with it! - will wonders never cease!
Yours slightly confused,,
John...
Populist thinking exalts the simplistic and the ordinary
Posted on: 19 April 2004 by Jay
quote:
AND reputedly a TWO channel SACD player to go with it! - will wonders never cease!
Yours slightly confused,,
John...
Hiya John
Been reading the comments with interest. Great to read that someone's thinking about the BIG picture rather than usual "is a hicap better than a flatcap?" questions. I didn't mean that to sound pompous, just that anything out of the usual sticks out
I'm not really into the multi-channel music thing myself (movies are a different issue!) but I must say that this latest development is finally something that makes sense.
Why?
Well I think they've finally been realistic about who the high res target actually is. It's you and I that already have a decent 2 channel system and not a gazillion speakers in their living room.
What could be better than a high res format that reproduces realistic music, sounds a pile better than CD, as good as vinyl (if not better) and doesn't make your lounge look like Easter Island?
I'd buy one if Naim put one out
Jay
PS If I could afford it!
Posted on: 20 April 2004 by Geoff P
quote:
So whereas there may be a reduction of young people buying good HiFi (iPods, plazma screens and HT being bought instead) there may be a significant increase in the 50+ age group buying quality stuff.
Greeny
I agree, mainly because that's exactly what I'm doing. Building my "retirement" system before the disposable income needs to go on the round the world cruises and the villa in Marbella.Ha! Ha!
Of course getting divorced helps aswell. With no SWMBO around I can put my godamm speakers wherever I like and multichannel can be as obtrusive as all hell since it does'nt bother me if it destroys the look of the lounge.
Hey how about a new marketing campagain along the lines of
"when you get older, so do your ears. They need better care so buy them quality HiFi. Call us to discuss a power supply upgrade for your hearing aid"
regards
GEOFF
Posted on: 20 April 2004 by Johns Naim
quote:
"when you get older, so do your ears. They need better care so buy them quality HiFi. Call us to discuss a power supply upgrade for your hearing aid"
*Giggle***snort*, PRICELESS.. :
Cheers
John..... picking himself up off the floor..
Populist thinking exalts the simplistic and the ordinary