Carlos Kleiber conducts
Posted by: graham55 on 10 February 2005
I've just spent the last four hours watching a couple of DVDs of Carlos Kleiber, one of my two great musical heroes of the late Twentieth Century. (The other was Jeff Buckley, and I'm pleased to say that I saw both in concert.)
Now I stand behind no-one in my admiration for Kleiber, but I'm not an orchestral musician and I can't see what he's doing to get THAT performance. Sure, I can see that his baton is flying about as I've never seen before (he was famous, apparently, for his "fast" stick technique) and I know that he was infamous for wanting up to four times as many rehearsals as any other conductor. And he conducted desperately few performances of anything.
But what is he doing out there? Most of the time the orchestra members are looking at their scores and, occasionally, Kleiber closes his eyes, drops his right baton hand and puts his left hand in his pocket. And yet the music sounds sublime!
So, is it all in the rehearsal? Or did he just conduct great orchestras who could play with their eyes closed? But, if that were the case, any other could do the same, and for those who have ears that's evidently not the case! Otherwise, I'd be entirely happy to stand before the Wiener Philharmoniker and wave a baton about.
So can anyone enlighten me?
G
Now I stand behind no-one in my admiration for Kleiber, but I'm not an orchestral musician and I can't see what he's doing to get THAT performance. Sure, I can see that his baton is flying about as I've never seen before (he was famous, apparently, for his "fast" stick technique) and I know that he was infamous for wanting up to four times as many rehearsals as any other conductor. And he conducted desperately few performances of anything.
But what is he doing out there? Most of the time the orchestra members are looking at their scores and, occasionally, Kleiber closes his eyes, drops his right baton hand and puts his left hand in his pocket. And yet the music sounds sublime!
So, is it all in the rehearsal? Or did he just conduct great orchestras who could play with their eyes closed? But, if that were the case, any other could do the same, and for those who have ears that's evidently not the case! Otherwise, I'd be entirely happy to stand before the Wiener Philharmoniker and wave a baton about.
So can anyone enlighten me?
G