Movies
Posted by: Maria vd K on 07 November 2004
Hi.
Now we have a site of music, i would like to now what kind of movies every one likes.
I have a lot movies.
Maybe i can get more movies.
Maria
Now we have a site of music, i would like to now what kind of movies every one likes.
I have a lot movies.
Maybe i can get more movies.
Maria
Posted on: 15 November 2004 by Mike Hughes
"opinionated snobs"
... but Tom, that's why we're all hanging around here.
I don't actually have a top ten films. However, I'd like to recommend two with a musical link. They are neither greatly innovative or even great by many/most definitions but they move me, they remind me of what I love about music and I am greatly suspicious of people who claim to love music but don't like these:
a) Almost Famous
b) Grace Of My Heart
Mike
... but Tom, that's why we're all hanging around here.
I don't actually have a top ten films. However, I'd like to recommend two with a musical link. They are neither greatly innovative or even great by many/most definitions but they move me, they remind me of what I love about music and I am greatly suspicious of people who claim to love music but don't like these:
a) Almost Famous
b) Grace Of My Heart
Mike
Posted on: 15 November 2004 by Bruce Woodhouse
Another special musical movie; The Committments. Always gives me a bit of a tingle.
Curiously 'Almost Famous' left me cold.
Bruce
Curiously 'Almost Famous' left me cold.
Bruce
Posted on: 15 November 2004 by adamk
No snobbishness here .......10 desert island films I could happily live with.....(in no particular order)
1) Being There
2) One Flew Over The Cuckoos Nest
3) The Exorcist
4) Predator
5) Pulp Fiction
6) Gladiator
7) Leon
8) Goldfinger
9) The Mask
10) Any Clint Eastwood Spaghetti Western/Dirty Harry
Looking at previous postings, I am obviously a complete philistine.
1) Being There
2) One Flew Over The Cuckoos Nest
3) The Exorcist
4) Predator
5) Pulp Fiction
6) Gladiator
7) Leon
8) Goldfinger
9) The Mask
10) Any Clint Eastwood Spaghetti Western/Dirty Harry
Looking at previous postings, I am obviously a complete philistine.
Posted on: 15 November 2004 by Kevin-W
quote:
Originally posted by Tom Alves:
Yes you've touched a raw nerve. I hate opinionated snobs who believe their taste is better than others. You might notice my list doesn't pretend to be a list of the greatest film of all time although I'd defend Napoleon, Casablanca and 2001 to be considered. Certainly they are far worthier than Pulp Fiction and Spinal Tap.
Of the 15 you list I've seen 8. Of the two you slag for being popularist, Star Wars was groundbreaking in its day according to most sources. It may not be a great Art movie but it certainly made an impression and had great influence on everything after. As well as remaining popular thirty years on. LotR is likewise a blockbuster of epic proportions. I'm not claiming that it's GREAT ART but a film that the vast majority think is good and above all enjoyable. Surely the point of cinema or shouldn't entertainment be counted for anything? FWIW the IMDB a resource used by the film industry and film buffs alike rate LotR & SW in the "top ten films of all time" which suggests they have some value. Or does only your highbrow opinion count?
So what if you've been a movie buff since 10 or 11, so've I, what does that prove? Absolutely nothing. You repeatedly claim you have a right to denigrate others opinions and taste 'cos you know better. Unfortunately you don't. The thing is you are in a very, very small minority and as such what you think is of little consequence.
Tom
http://www.activesbl.plus.com/RecordIndex.htm<HR></BLOCKQUOTE>
Tom
At last I've the chance to sit down and reply to your post!
I think your reply actually says more about you than my alleged snobbery.
Did I say my list constituted the best films of all time? No, don't think I did.
When, in my original post, did I say "my" "taste" was "better" than anyone else's? I don't think I did. What I did say was that it (the list) was elitist, which it is - some of the films (esp the Dreyer) are very difficult to see because they're rarely shown; they are not light viewing and will not appeal to everyone and most people will never have heard of them, let alone seen 'em. What's wrong with that?
I said Star Wars and LoTR were pap - what's wrong with that? I think they are! At least one person, Tim Jones, seems to agree with me on that one. Or are we not allow to criticise these precious cinematic talismans?
What I didn't do was slag those two movies off for being "popularist" (not sure there's such a word, but we'll let the OED decide that one). What's the point of, or value in, criticising something 'cause it's popular? In previous posts I have criticised "Star Wars" for infantilising visual cuture, which is a very different thing. Because it is so popular, I think its influence has been especially malign (interestingly it's been more inflential on studios and the commercial/marketing/merchandising sides of movie making than on the aesthetic - which is why its influence is regrettable), but that again is a different thing from slagging it off 'cause it's popular. Is it not?
I haven't got a "problem" with you or anyone else going to see LoTR or SW - watch what you want, it's a free country. But what's wrong with pointing out that there are alternatives?
I am aware of the IMDB, thank you very much, I've used it for some years as a resource. But so what if a small proportion of its many millions of users voted LoTR one of the best films ever? What do these polls mean? They don't actually tell you anything, apart from providing pointers about who voted, and when.
So what if 99.999999999999999% of the world's population think Star Wars is great? I think it's crap, and I have a perfect right to say so. Or perhaps you think I don't. Which says more about you than it does me. Again.
Also, how can you possibly call me a snob, an elitist, etc with a straight face when you say things like "surely the point of cinema". What an absurdly pompous thing to say! Who the fuck are you (or anyone else) to say what's the point of cinema? If you thought before dipping your nib you'd realise that human creative activity (what we call "art" for shorthand) - be it painting, music, poetry, prose, sculpture, film - has no single "point" or "purpose". There is no purpose to cinema. It can be entertaining, yes (and it's always best when it's entertaining), but its purpose is not to entertain. Get the difference?
Finally, I saw Gance's "Napoleon" (was it at the Festival Hall?) many years ago when Kevin Brownlow restored it, with a live orchestral accompaniment. While it was undoubtedly a hugely impressive film, staggering in its technical ingenuity and its heroic energy; hugely individual (it could not have been made by anyone else); immensely appealing in mmany ways on all sorts of levels, for me it lacked the depth or intelligence of a Renoir (or, for that matter, Marcel Carné, early Godard [before he disappeared up his arse] and even the little-seen silents of Gance's predecessor, Louis Feuillade). The triple-screen, while initially impressive, is ultimately pointless, like Kubrick's endless re-takes and his specially-ground lenses.
The point is that there's no real story under all those effects, no real exploration of Napoleon's character or the effect it had on the world around him (David Thomson once memorably wrote that it was "a banal and thorough endorsement" of the Corsican dictator). That's not to say it's a bad film, just that it's deeply flawed; still very much worth watching, though (like Griffith's 1916 epic "Intolerance", or even "Apocalypse Now").
I suspect that when it comes to film you are sometimes or even often seduced by shiny surfaces and grand gestures. Nothing wrong with that, but there are more subtle pleasures you know, and some people find those seductive. Nothing wrong with that either. But you should beware of what Tim Jones so astutely called PR pap - phrases like "a blockbuster of epic proportions". It doesn't mean anything; it's not an aesthetic judgement, it's marketing-speak.
Anyway, I guess you have once again chosen to ignore what I have said (I look forward to you choosing to competely ignore my future movie musings) in your rage - or whatever hangup you have – to avenge the slights made against you and all all other decent people by culture "snobs" like me.
I think your posts on this matter demonstrate that you are actually an inverted snob with some issues you need to sort out. What are you so scared of if you're in the majority, as you claim? But you seem like a nice enough bloke.
Cheer up!
Kevin (Grateful Dead: Europe 72)
BTW, I've seen, I think, 19 films this month (only three of them I'd seen before); two at the pictures (including "Birth" which I saw this afternoon - OK, not great); 9 on DVD/video and the rest on telly. Paradoxically my semi-employed state allows me the time to see more movies, but of course I can't afford to - which is why public libaries, generous friends and (cough) "other sources" come in so handy. One of the better ones was "Bridget Jones' Diary" which I saw on TV on Saturday night - of its type, I thought it was well made and very enjoyable (although the music on the soundtrack was very annoying).
Posted on: 15 November 2004 by Tim Jones
Tom -
I think it was Harrison Ford who said to George Lucas of his terrible dialogue: "You can write this stuff George but it's sure as shit hard to say"
Just to prove I'm not completly a snob this week I watched 'The Burbs' and 'School of Rock' - the latter only for Joan Cusack I admit...
However I also watched "The Battle of Algiers" which I thought was a masterful deconstruction of colonial assumptions. Cough. No, seriously the bit with the helicopter was dead good.
Tim
I think it was Harrison Ford who said to George Lucas of his terrible dialogue: "You can write this stuff George but it's sure as shit hard to say"
Just to prove I'm not completly a snob this week I watched 'The Burbs' and 'School of Rock' - the latter only for Joan Cusack I admit...
However I also watched "The Battle of Algiers" which I thought was a masterful deconstruction of colonial assumptions. Cough. No, seriously the bit with the helicopter was dead good.
Tim
Posted on: 15 November 2004 by matthewr
"I think it was Harrison Ford who said to George Lucas"
My favourite story of that ilk has Tolkein reading his latest just penned extract from the LoTR to (I think) CS Lewis at their favourite Oxford pub and Lewis rolling his eyes and saying "Dear God John not another fucking elf".
Star Wars I didn't like even when I saw it on original release as a 10 year old -- a fact that lead me to be ostracised to such an extent that I ended up hanging around with the uncool older kids who turned out the be the cool kids as they had records rather than toy light sabers and one of them (David Pilling) gave me my first album, namely his old battered copy of "Never Mind the Bollocks". For that at least I shall be eternally grateful to George Lucas. I've never actually seen Empire Strikes Back of the Return of the Jedi although oddly I have become aware of the plot and key scenes through a sort of pop culture osmosis.
LoTR (the first bit) I was lent by someone on DVD and only managed to watch about half of it before getting bored and turning it off (there seemed to be a lot of standing around talking porteniously. I think the book is genuinely terrible and it's success continues to boggle my mind.
Matthew
My favourite story of that ilk has Tolkein reading his latest just penned extract from the LoTR to (I think) CS Lewis at their favourite Oxford pub and Lewis rolling his eyes and saying "Dear God John not another fucking elf".
Star Wars I didn't like even when I saw it on original release as a 10 year old -- a fact that lead me to be ostracised to such an extent that I ended up hanging around with the uncool older kids who turned out the be the cool kids as they had records rather than toy light sabers and one of them (David Pilling) gave me my first album, namely his old battered copy of "Never Mind the Bollocks". For that at least I shall be eternally grateful to George Lucas. I've never actually seen Empire Strikes Back of the Return of the Jedi although oddly I have become aware of the plot and key scenes through a sort of pop culture osmosis.
LoTR (the first bit) I was lent by someone on DVD and only managed to watch about half of it before getting bored and turning it off (there seemed to be a lot of standing around talking porteniously. I think the book is genuinely terrible and it's success continues to boggle my mind.
Matthew
Posted on: 15 November 2004 by --duncan--
A few favorites that spring to mind-
The Jungle Book
Toy Story
Kes
Tokyo Story (Ozu)
The Godfather I/II
Ikiru (Kurosawa)
In the mood for love (Wong Kar-Wai)
A Matter of Life and Death
I love 'Ikuru' which is about a salaryman who has to come to terms with some bad news. He tries to cope by getting bladdered or chasing inappropriate women (no change there then!) but then tries a different tack. It's a lovely, humane, life-enhancing film. Ozu's 'Tokyo Story' gets into critics all-time top-tens frequently but don't let that put you off. The story is very simple: aged parents come to town to visit their off-spring who are not really interested in them. They hang around, getting in everyone’s way, and then they go home again. Not one for Vin Diesel fans perhaps. The telling is masterly: It's so straight-forward, with no overt empotional manipulation, it's hard to know why it's so moving.
duncan
Email: djcritchley at hotmail.com
The Jungle Book
Toy Story
Kes
Tokyo Story (Ozu)
The Godfather I/II
Ikiru (Kurosawa)
In the mood for love (Wong Kar-Wai)
A Matter of Life and Death
I love 'Ikuru' which is about a salaryman who has to come to terms with some bad news. He tries to cope by getting bladdered or chasing inappropriate women (no change there then!) but then tries a different tack. It's a lovely, humane, life-enhancing film. Ozu's 'Tokyo Story' gets into critics all-time top-tens frequently but don't let that put you off. The story is very simple: aged parents come to town to visit their off-spring who are not really interested in them. They hang around, getting in everyone’s way, and then they go home again. Not one for Vin Diesel fans perhaps. The telling is masterly: It's so straight-forward, with no overt empotional manipulation, it's hard to know why it's so moving.
duncan
Email: djcritchley at hotmail.com
Posted on: 16 November 2004 by Madrid
What, no "High Fidelity" or musicals for such a music-oriented group?
Posted on: 16 November 2004 by Paul Gravett
My favourite films
1) Performance (1970)
The best movie of all time, bar none.
The others (in no particular order):
Vertigo
Repulsion
Blade Runner
Family Life
Apocalypse Now
Taxi Driver
Badlands
The Animals Film
A Clockwork Orange
Paul
1) Performance (1970)
The best movie of all time, bar none.
The others (in no particular order):
Vertigo
Repulsion
Blade Runner
Family Life
Apocalypse Now
Taxi Driver
Badlands
The Animals Film
A Clockwork Orange
Paul
Posted on: 17 November 2004 by Nime
In defense of LOTR and Star Wars I would suggest that they are believable from a scenery, sound and action point of view. If you like action films then they obviously appeal more than if you prefer intelligent dialogue.
I rather liked "Saving Private Ryan" for the same reasons. There is a (calculated) attitude of almost complete indifference to death. That makes it far more real for me. Rather than watching staged set-pieces of people falling over in slow motion while being yanked by the obligatory rope from behind. The cool, understated alternative is horrifyingly brutal in comparison.
The Spaghetti Westerns are also great fun for much the same reasons. Humour is essential for contrast. Otherwise it's just the visual equivalent of relentless heavy metal. It helps if you have Clint Eastwood along for the ride though.
Simply achieving credibility is actually very hard to do. Unless your audience is very young and willing. And the cartoon has lots of colourful cuddly characters with rather silly voices.
Nime
I rather liked "Saving Private Ryan" for the same reasons. There is a (calculated) attitude of almost complete indifference to death. That makes it far more real for me. Rather than watching staged set-pieces of people falling over in slow motion while being yanked by the obligatory rope from behind. The cool, understated alternative is horrifyingly brutal in comparison.
The Spaghetti Westerns are also great fun for much the same reasons. Humour is essential for contrast. Otherwise it's just the visual equivalent of relentless heavy metal. It helps if you have Clint Eastwood along for the ride though.
Simply achieving credibility is actually very hard to do. Unless your audience is very young and willing. And the cartoon has lots of colourful cuddly characters with rather silly voices.
Nime
Posted on: 17 November 2004 by steved
Horror - The Exorcist, The Omen, Psycho
Musical - Sound of Music
Comedy - The Mask, LA Story, Blazing Saddles, Mad Mad... World
Scifi - Close Encounters of the Third Kind, Contact
Drama - Green Mile, Shawshank Redemption, Jaws, Gladiator
Other - Kes
Steve D
Musical - Sound of Music
Comedy - The Mask, LA Story, Blazing Saddles, Mad Mad... World
Scifi - Close Encounters of the Third Kind, Contact
Drama - Green Mile, Shawshank Redemption, Jaws, Gladiator
Other - Kes
Steve D
Posted on: 17 November 2004 by sideshowbob
Almost despite myself, I quite liked the LOTR films (the books, on the other hand, are unreconstructed dreck). Star Wars completely stinks in comparison.
-- Ian
-- Ian
Posted on: 17 November 2004 by Nick_S
Some of my favourite science fiction films: (Tarkovsky's) Solaris, Clockwork Orange, Dr. Strangelove, (Woody Allen's) Sleeper, Village of the Damned, 1978 remake of Invasion of the Body Snatchers, 1933 version of Kong Kong, The Time Machine, (Amenábar's) Abre los Ojos, 12 Monkeys, Escape From the Planet of the Apes, Barbarella, and Dark Star.
Nick
Nick
Posted on: 17 November 2004 by Tim Jones
Hmmm - OK I think I'm going to have to challenge you about Tarkovsky's 'Solaris' Nick. It has its moments, but jeez it goes on for.....ages. We talked about this in a similar thread a few months ago, but a friend and I tried to sit through the whole thing (it's on two DVDs, btw). We just about got through one DVD - which ended with the bizarre 'driving through Tokyo' sequence - but could manage no more.
PS Kevin - did you not like 'Birth'? The Henry James feel, the great ending where she rages at the sea, etc, etc?
Tim
PS Kevin - did you not like 'Birth'? The Henry James feel, the great ending where she rages at the sea, etc, etc?
Tim
Posted on: 18 November 2004 by Nick_S
Tim
Tarkovsky (like Kubrick's 2001: A Space Odyssey) deserves the big screen, so its worth keeping an eye out for in your local arthouse cinema the next time it comes around. When I encountered Lem's book, I thought how close the movie had got to capturing its atmosphere and the sense of guilt and regret of Kelvin in relation to the manifested form of Hari and the circumstances surrounding her original death. For me I like it because it is the negation of an action-packed Hollywood SciFi movie --- contemplative and deep.
Nick
Tarkovsky (like Kubrick's 2001: A Space Odyssey) deserves the big screen, so its worth keeping an eye out for in your local arthouse cinema the next time it comes around. When I encountered Lem's book, I thought how close the movie had got to capturing its atmosphere and the sense of guilt and regret of Kelvin in relation to the manifested form of Hari and the circumstances surrounding her original death. For me I like it because it is the negation of an action-packed Hollywood SciFi movie --- contemplative and deep.
Nick
Posted on: 18 November 2004 by sideshowbob
In simpler terms, Tarkovsky's Solaris rocks.
-- Ian
-- Ian