HDX rip better than iTunes rip?
Posted by: iiyama on 05 March 2009
Since Naim and others, on this forum have claimed that the HDX has the best rip software, which is superior to any other ripping software available, i.e. iTunes & EAC.
This has been challenged by some on this forum and indeed the audiophile community. An article has picked up on this and puts forward a case that would suggest otherwise.
The site also has a link to an article by Kent Poon, (Mastering engineer and member of the AES (Audio Engineering Society) who compares iTunes and EAC and their ability to rip 'bit for bit'
I'm sure others will have something to say!
This has been challenged by some on this forum and indeed the audiophile community. An article has picked up on this and puts forward a case that would suggest otherwise.
The site also has a link to an article by Kent Poon, (Mastering engineer and member of the AES (Audio Engineering Society) who compares iTunes and EAC and their ability to rip 'bit for bit'
I'm sure others will have something to say!
Posted on: 12 March 2009 by 'haroldbudd'
quote:Originally posted by CharlieP:
I am with Kuma and js on the blind testing. It can be useful some of the time.
I recently tried comparing macbook output in 16bit vs 24bit. I could switch back and forth. When doing this quickly, the difference was small or not noticeable. But the difference seemed to become more obvious the longerI listended. I clearly felt the 24bit was mor musical, less stressful. Of course, I could have been imagining it all...
Let's see what was the topic? Oh yeah....
Same here, 24bit . Perhaps when the others have the little get together, they could post exactly what they were listening to and descriptive findings on each recording so that we may do the same at home. We may all have different replay chains , rooms, and be at different levels of the Naim ladder but it would be easy to rip the same discs and see how the different sonic impressions vary. I could at least compare iTunes with error correction on, to XLD with different offset correction settings. ( don't really want to install Windows so I will leave the other rippers to someone else to try )
* please not too much Fleetwood Mac, I have a severe allergic reaction to Stevie Nicks, Peter Green stuff is O.K though.
cheers
Posted on: 12 March 2009 by kuma
quote:Originally posted by DHT:
Kuma blind tests can be carried over weeks if you choose.
Whilst, nothing more unproductive than debating over the validity of an ABX testing, you got me curious.
What's your method for a long-term blind testing?
Posted on: 12 March 2009 by DHT
Don't look!
Posted on: 12 March 2009 by CharlieP
My appologies for possibly fueling an off-topic BT or DBT debate...
It is perhaps the mark of a professional that they possess the intellectual honesty to avoid deceiving themselves most of the time; and for the rest they revisit their conclusions and also look for possible confirmation from others. No offense intended, just my 2 cents.
It is perhaps the mark of a professional that they possess the intellectual honesty to avoid deceiving themselves most of the time; and for the rest they revisit their conclusions and also look for possible confirmation from others. No offense intended, just my 2 cents.
Posted on: 12 March 2009 by js
We actually do this sort of thing in the shop amongst ourselves, sometimes with a good laugh. We've done the blind rip thing a few times but never for Gary in that method. I believe I've told gary which was which when I played them but I honestly don't recall. It's been a while but Ken, Mark and I did this for each other many months ago. Itunes vs Wavelab vs HDX rip and they were all different played from the same drive with Wavelab as the player TC interface and either a SN or Nagra as DAC. Wav only. I don't recall if I did that sort of thing with an EAC type ripper but I've found it quite similar to an HDX when things are working right, enough so that I haven't bothered comparing for nuance in our best setup. Leaving the HDX file on the HDX to be played would be an unfair advantage. One that owners may enjoy but that wasn't the endeavor. It was whether the actual files were similar quality and apparently EAC etc. can do a fine job.quote:Originally posted by DHT:quote:should we ignore all your posts about the Weiss because you compared it other things in your own home sans blindfold? Every post should be taken with a grain of salt but those comments are over the top
JS I listen to all potential new products 'blindly' paying careful attention to match output, it is the only way, why not conduct the test again, ask a friend to mix up the rips, and then honestly report back?
Posted on: 12 March 2009 by Harry H. Wombat
quote:Originally posted by js:
Enough drink and you can have a true blind audition.![]()
Indeed js! Blind (drunk) testing is surely the way forward
Posted on: 12 March 2009 by Former member
And one of these,quote:Originally posted by Harry H. Wombat:quote:Originally posted by js:
Enough drink and you can have a true blind audition.![]()
Indeed js! Blind (drunk) testing is surely the way forward![]()
for Gary 1 US.
Posted on: 12 March 2009 by 'haroldbudd'
LOL 
Posted on: 12 March 2009 by DeltaSigma
quote:Originally posted by paremus:
The comment about "blind testing" is more than reasonable. I see no other way that the underlying bias of the listeners can be avoided in such subjective matters.
Of course it's reasonable - it's amazing that some of the same people who would presumably argue that there is a strong element of subjectivity in assessing the sound quality of a recording are also opposed to a technique that is widely used in various fields of scientific and social research as a means of eliminating the impact of various biases such as those due to familiarity, brand loyalty, etc.
Posted on: 12 March 2009 by gary1 (US)
quote:Originally posted by munch:
Always best to play a whole track or two on one source then do the same on the other.
With the volume set at the same level.
Agree with that statement. Which is what we did whether it was listening to different software and files or different DACs.
Actually, double blind studies are the best from a scientific perspective, but if we did that then who would change the input and files and no one would know what we were listening to.
Posted on: 13 April 2009 by docmark
I just read an interesting article in HiFi Critic, in which the author compared computer rips to rips made by the HDX. He stated that there was no question about the results - "The HDX-produced rip was so far ahead of the computer rips that it was alarming." He went on to say that those who claim it's possible to put together an HDX from computer parts for £300 are deluded. Fighting words?!
Posted on: 13 April 2009 by matt303
Maybe he should write a paper on what the differences in the data is. I'm sure philips would be interested in how it's so difficult to get data off their (almost) 30 year old format.
I don't take what's printed in HiFi mags with very much value after seeing one claim that one HDMI cable gave much richer colours.
I don't take what's printed in HiFi mags with very much value after seeing one claim that one HDMI cable gave much richer colours.
Posted on: 13 April 2009 by Harry H. Wombat
Any statement from anyone that any rip to an equivalent format played through the same replay chain "sounds better" should be completely ignored unless accompanied by a description of how the files differ.
I must admit to moving from amused to astonished through irritated and finally to rage with this subject.
I must admit to moving from amused to astonished through irritated and finally to rage with this subject.
Posted on: 14 April 2009 by js
Listening Be Damned!
Semi joking here. I would very much like to find out, technically, what makes the difference but I'll decide on what works for me based on what I'm hearing before I'll let some one tell me what can or can't be better. Been told that too many times over the past 35 (very) odd years to let it bias me. As I've said before, this harkens back to 'perfect sound forever' speak at the dawn of CDs. Knowing why something happens isn't paramount to perceiving that it does. Many don't understand the difference between the way salt and sugar dissolve into water but they do know it works.
Posted on: 14 April 2009 by matt303
If you feed two identical files into a HDX there will be NO difference to hear.
Posted on: 14 April 2009 by js
I agree. Perhaps people should look at what might make two files not identical instead of insisting they are by one test. Results are the only sure way to know what works for you.quote:Originally posted by matt303:
If you feed two identical files into a HDX there will be NO difference to hear.
Posted on: 14 April 2009 by DeltaSigma
quote:Originally posted by js:
Perhaps people should look at what might make two files not identical....
Who is better qualified to do this than the computer science profession, and haven't the latter developed tools that are adequate for this purpose?
Posted on: 14 April 2009 by Harry H. Wombat
@js
You are right but we are not at that stage yet unless I have missed something. If one accepts that identical files etc sound the same then if a listening test detects a difference then one must first establish the files are different. If they are the same then either the hearing or the test itself is impaired. If they are different then, I believe your point comes into play (if I understood you correctly. Apologies if not).
If the files are different either the header is different or the data is different or both. The header can be materially different (different word/sample rate information) or immaterially different ( a date for example).
When one has the information as to how the files differ then one can discuss how the differences might arise and whether they are material.
All the above matters not one not if one does not accept one of the most basic laws of the universe that two files bit for bit identical are the same and will sound the same.
I have struggled to find a metaphor for this as it is it's own metaphor ( how does a hot knife go through butter)? Consider picking up two identical copies of the same book. You check that all the letters are the same and in order. The books are identical. You read one book and find it is War and Peace. Would you be surprised if you read the other one and found it was Crime and Punishment?
You are right but we are not at that stage yet unless I have missed something. If one accepts that identical files etc sound the same then if a listening test detects a difference then one must first establish the files are different. If they are the same then either the hearing or the test itself is impaired. If they are different then, I believe your point comes into play (if I understood you correctly. Apologies if not).
If the files are different either the header is different or the data is different or both. The header can be materially different (different word/sample rate information) or immaterially different ( a date for example).
When one has the information as to how the files differ then one can discuss how the differences might arise and whether they are material.
All the above matters not one not if one does not accept one of the most basic laws of the universe that two files bit for bit identical are the same and will sound the same.
I have struggled to find a metaphor for this as it is it's own metaphor ( how does a hot knife go through butter)? Consider picking up two identical copies of the same book. You check that all the letters are the same and in order. The books are identical. You read one book and find it is War and Peace. Would you be surprised if you read the other one and found it was Crime and Punishment?
Posted on: 14 April 2009 by js
Harry, I'm with you on this. I just don't know enough about it say why these differences exist. I tend to agree that 2 identical files will sound the same from the same source as I can transfer back and forth between drives and it will sound as original in the original drive. Thumb drives are pretty telling and generally worse. It will however often sound slightly different in the interim drive. I could be more to my liking or not depending on the drive. It seems the retrieval method and buffer may be the difference but if compared they must be bit perfect to be transferred back and forth. This doesn't relate to rips unless they actually are the same but it's an example of something I know to be identical sounding different. I'm also not of the opinion that only an HDX can make good rips. It's friendly fast and convenient but there are programs when well setup that also do a good job. I just haven't found the rippers incuded in player programs to be one of those. Anyway, food for thought. I'm off on holiday and need to pack.
Posted on: 14 April 2009 by js
How would I know? I don't recall anyone testing for jitter for years after CDs came out. Scientists often don't get the result they expect or want. They don't insist the experiment was wrong. The retest and move on to find out why the results don't mesh.quote:Originally posted by jazzfan:quote:Originally posted by js:
Perhaps people should look at what might make two files not identical....
Who is better qualified to do this than the computer science profession, and haven't the latter developed tools that are adequate for this purpose?
Posted on: 14 April 2009 by Harry H. Wombat
Have fun! Just got back from my break and wishing I hadn't
sometimes these threads spiral out of control here and elsewhere so even though I suspect we disagree on many points I respect your approach.
I get irritated because I have studied and worked with computers for, jeez, 28 years now and there are some basic facts that seem to be misunderstood or ignored by many.
So please accept apologies now for when I get irritated in the future
I get irritated because I have studied and worked with computers for, jeez, 28 years now and there are some basic facts that seem to be misunderstood or ignored by many.
So please accept apologies now for when I get irritated in the future
Posted on: 14 April 2009 by Harry H. Wombat
quote:Originally posted by js:
How would I know? I don't recall anyone testing for jitter for years after CDs came out. Scientists often don't get the result they expect or want. They don't insist the experiment was wrong. The retest and move on to find out why the results don't mesh.
I remember an article/post by JV that I came across when googling when he talked about the digital stream read from a CD actually being an analogue waveform and as such subject to RF interference etc. Although I don't believe jitter per se was mentioned it was certainly in the minds of the designers of the first NAIM CDP. It was a very interesting post/article actually - just wish I could remember where I came across it!
Posted on: 14 April 2009 by matt303
Jitter has no effect when ripping a CD to a computer, only when playing a CD in a CD player* where the whole thing needs to be kept in time with the data stream being read from the disc.
I find it hard to understand why people find it so hard the believe that it's relatively simple to make a bit perfect rip from a CD. The discs are even encoded with error correction which will flag up if a sector has an error in it. Unless the software you are using does something very stupid you can't help but end up with the SAME DATA that was encoded on the disc. The worst you get is maybe some lost sectors due to damage/manufacturing errors which might show up as clicks or pops. Unless the software you are using does some post processing on the data you will end up with a bit perfect copy.
I agree with Harry about this, I'm a qualified and practicing software professional. Prior to this I worked in electronics on digital and analogue systems for instrumentation and data acquisition for 10 years.
* except the new players from Rega which rip to memory and play from that.
I find it hard to understand why people find it so hard the believe that it's relatively simple to make a bit perfect rip from a CD. The discs are even encoded with error correction which will flag up if a sector has an error in it. Unless the software you are using does something very stupid you can't help but end up with the SAME DATA that was encoded on the disc. The worst you get is maybe some lost sectors due to damage/manufacturing errors which might show up as clicks or pops. Unless the software you are using does some post processing on the data you will end up with a bit perfect copy.
I agree with Harry about this, I'm a qualified and practicing software professional. Prior to this I worked in electronics on digital and analogue systems for instrumentation and data acquisition for 10 years.
* except the new players from Rega which rip to memory and play from that.
Posted on: 14 April 2009 by DeltaSigma
I believe this is the Julian Vereker interview referred to above (done in 1991):
http://members.shaw.ca/mikesae/jvinterview.htm
And yes, jitter was specifically mentioned.
http://members.shaw.ca/mikesae/jvinterview.htm
And yes, jitter was specifically mentioned.
Posted on: 14 April 2009 by Harry H. Wombat
@jazzfan
Yup that's it, thx! Shall go away and re-read.
Hopefully that link will survive the moderators
[EDIT: But I agree with Matt - this is nothing to do with ripping as there are no timing issues involved as no requirement for instant replay]
Yup that's it, thx! Shall go away and re-read.
Hopefully that link will survive the moderators
[EDIT: But I agree with Matt - this is nothing to do with ripping as there are no timing issues involved as no requirement for instant replay]