A modern operatic wonder

Posted by: Todd A on 11 November 2002

I was able to borrow a copy of Alfred Schnittke's Life with an Idiot from my local library and was simply amazed at this opera. The story, in so far as there is a comprehensible one, is told twice, and the whole thing is just about the most grotesque, brutal, and absorbing post-war opera I have yet heard. Mstislav Rostropovich outdoes himself conducting the work, and playing the solo cello and piano (!) parts. Sound is top-notch.

Like much Schnittke, the music is all over the place, displaying influences ranging from the Baroque to Shostakovich (with direct quotes) and beyond. This is no mere pastiche, though; it is an incredible mix of modernism, both musical and literary. I've listened to it twice and will need to listen to it four or five times more to "get it," or at least all of it. I'm sure that if I spoke Russian I would more fully understand it since some things are obviously lost in translation.

Story? Well, um, "I" is punished by the Party by being forced to live with an Idiot of his choosing from the local nut house. He chooses Vova (Lenin's nickname, and the character looks like Lenin) and takes him home to "Wife." All sorts of hilarity ensues, including an affair between Vova and Wife, an affair between Vova and I, and finally the decapitation murder of Wife. There's much more to it, including choral singing - both mixed and "homosexual" - and a few brief singing appearances by Marcel Proust! An interesting plot device is that Vova can say but one word: Ekh. He sings it over and over in a variety of settings. Hmm? A Lenin-esque figure speaking only jibberish? A critique? Nah. It is all very odd. Like I said, it will take a few more listens to absorb it all. Clearly, this is satirical and allegorical, and I just love it.

The bad news: it has been deleted. Not even MDT or amazon.de have it. I shall scour local CD huts and see if I can’t have a friend in NY hunt it down. If anyone out there owns a copy and wants to sell it, I will buy. Now if only Sony will reissue it. (It was only recorded in 1992). If you can find it, listen to it. I was so impressed that I ordered myself a copy of Schnittke’s setting of Faust. I hope it is as good.
Posted on: 11 November 2002 by Wolf
I'm very impressed by your broad interest and ability to find the obscure. Good review.

I just recently got Shostokovich's The Nose on LP and enjoyed it. Has similar bits like Lady McBeth of Mitinsk which I recently saw at the LA Opera. Almost chaotic at times and swooping into the absurd. Keep up the good reviews. roll eyes
Posted on: 11 November 2002 by herm
It is a wonderful work. I used to have it, lost it in one of those continental moves my life used to be subject to, and I still miss it. So if I run into two copies, I'll give you a holler, Todd.

One of the interesting things of Life with an Idiot is the sort of cultivated irresponsibility. It's a really naughty, anti piece. People really needed that at the time.

Herman
Posted on: 22 November 2002 by Todd A
Inspired by the great Life with an Idiot, I decided to buy one of Schnittke's other two operas: Historia von D. Johann Fausten. The recording in question is the 1996 Gerd Albrecht led recording on RCA, which I believe is the only one.

Alas, I cannot report that it lives up to Idiot. The orchestration is sparse and includes a number of electronic instruments and rarely ventures into anything much above piano. Even the orchestral descent into Hell is weak. Clearly there was much exotic stage action going on, but the musical representation of Hell should at least attempt to be frightening.

The text is not based on Goethe, as one might hope, but on an even earlier writing of the Faust legend by Jonathan Spies from the late 1580s. The original writing and the English translation are both appropriately archaic (I speak a little German, so even I can tell the text is ancient) and is not especially profound. I will say that the last 20 or so minutes (out of 100) of the opera pick up the pace a little, and the finale is excellent, but on the whole I was disappointed. Keep in mind that this was in relation to Idiot. On its own terms, Fausten is pretty good and I'm glad I bought it - and I'm glad it only set me back $10. One saving grace is some generally fine sound, particularly given that the recording is live.

Okay, then, but I must find Life with an Idiot.