My trip to Edinburgh - the wanderer returns
Posted by: Steve Toy on 19 February 2002
Bar none!
John's system - Clearaudio deck/Chord Solid/DNM pre (can't remember which one, but it retails at 1750 GBP)/Crimson monoblocks, all on QS Ref./Nordost Red Dawn cables/Neat Petite/Gravitas on Mana. had all the musical fundamentals in place - PR&T, tune, air, space and blackness and overall involvement.
[Oh, and Vuk, you take great pics, but I think you'd be a bit worried if you heard this system - I think you should now start taking note and showing more respect towards these "Cats and Toys"... ]
The only caveat being that his neighbours need to get out more.
Most of the time we listened at very low volumes, so I felt that the system was teasing me somewhat.
The one occasion that the volume was cranked a little was pure delight!
The Marantz CD recorder made a good stab at CD reproduction at its price - it compares favourably against a Rega Planet, IMHO, but was obviously outclassed by the rest of the system, and my own CDX I brought along completely trounced it beyond even his expectations [TC, over to you on this one...]
The CDX was more dynamic, tuneful, tighter and faster in the bass, but lacked a little top-end airiness and focus using the standard Naim DIN-DIN interconnect straight into the DIN sockets at the back of the DNM pre.
We then tried my Chord Anthems instead, using DIN-RCA adaptors at each end. This brought back the air, space and image focus, as well as the detail that I am used to from this player in my own system (the whispering voice heard at the start of the Ray of Light track by Madonna returned,) but it also made the bass sound perhaps a little too full to his tastes, but this may have simply exposed an issue of the speaker positioning in his room.
Sybil (James) was also present during these dems. He is probably the youngest member of this forum, but he sure knows his stuff , and I later went to his house to hear his system - and my CDX with the Music Works Block and leads.
He is using a 62/140 to drive Isobariks. When he told me this, my reaction was one of, "no way, that cannot work!"
I was expecting the Briks to sound leaden and flat.
They didn't. When the CDX was warmed up, and had made itself at home in this system, I was treated to one of the most spectacularly musical presentations that I have ever heard.
This is the second time I have heard Briks, and this time (unless my memory fails me) they sound more musical, i.e: tuneful, if a lot less "hi-fi" in some respects - notably sheer output, scale, dynamics and detail.
There was no Mana or QS in sight, just stands whose names I don't recollect.
The tune was there, it timed like a bastard (to quote Mr Ribee ) it was fast, agile, articulate, and detailed - that whispering voice was heard at the start of Ray of Light about 6 inches above the top of the Bricks and slightly to the right...
Yes, this system defied all logic and personal experience to date - it did imaging, depth, space and blackness; oh, and the bass - totally controlled, punchy and very tuneful.
The only drawback, IMHO, was that the 140 did drive the Briks to reasonably high levels - far higher than TC's neighbours would ever have tolerated , but the dynamics started to flatten out a bit, and we stopped short of pushing the system towards hardness.
If I had the room, I'd try and get me some Briks, because they are truly awesome beasts for all the right reasons.
James is very fortuate that his listening room has wonderful sonic properties which are totally suited to Isobariks - the ceiling is 4m high, and the listening position is 6m away. I think the Briks were about 2.5m apart.
If we used John's TT and amps on QS Ref. and his cables at James's place with his Briks, that would be mind-blowing...
I left wanting a big room and Briks, James was left wanting a CDX. Unfortunately, neither of us will get what we want in the near future.
For the record, TC also cooked me an excellent Rogan Josh and took me to a local pub which served wonderful beers - Bass, Caledonian Deuchars and Eighty Shilling, Hoegaarden, Pilsner Urquell, as well as a few decent malts - the Laphraig was rather good.
I left that place feeling most satisfied, and he was more than nice enough to let me dent his whisky collection a little when we got back to his place!
Cheers,
Steve.
[This message was edited by Steven Toy on WEDNESDAY 20 February 2002 at 05:38.]