Bach for the starter.
Posted by: u5227470736789439 on 29 November 2009
In another thread that has got into a debate about personal taste and the value thereof, I was asked for a few more early recommendations for recordngs of Bach's music that will appeal and be enjoyable from the off.
The poster suggested that he had enjoyed the new Avie CD set of the Brandenbergs conducted by Trevor Pinock, so let's start with these.
I think that the Brandenberg concertos are the most obvious place to start with Bach, as accessible popular and public music made with the same craft and genius as the later, and without question tougher to immediately grasp, works such as the Leipsig Choral Preludes [which are not actually strictly later but were finallised later in Bach's life] for organ, or The Art Of Fugue or the Musical Offering.
So for the Brandenbergs, may we consider the recordings by Pinnock, the earlier set on DG Archive especially, as I( think it is may be more accurate to the text, and Bach was definitely a most strict adherent to the text ... and they are full of joy, power, and swing ... wonderful, IMO.
Also to consider, though this must currently be second hand currently, is the set from HM Linde, on EMI Virgin which is my favourite set, but has been deleted for far too long. ON EMI Reflexe LPs and EMI Virgin CDs.
On EMI Virgin CD is the slightly more recent set from the Orchestra Of The Age Of Enlightenment, which is absolutely full of spirit and life enhancing joy. More from these later!
As an alternative and necessarily as secondary recommendation I shall put a word ion for the great historical sets from Adolf Busch [Abbey road, 1935], and Mogens Woldike [Copenhagen, 1950/53], both of which show that not everything modern is exactly better than what passed before.
The Busch set also contains his estimable 1936 recordings of the Orchestral Suites, and rounds out three CDs that should be in everyone's library who loves the music of Bach. On EMI in a superb new transfer rom 78s, whilst Woldike is in a very fine Danish transfer from 78s and early tapes.
The [Busch set of] Orcherstral Suites is wonderful, and if you are getting the DG Pinnock [of the Brandenbergs] then get the set with the Suites, the Brandenbergs and various other concertos. It is incredible VFM.
A set of the Suites I am very fond of is the wonderful DHM recordings by the Kjuiken family and La Petite Band. Priceless IMO.
So then we begin to cover the easy and well known works, but there is much else that is every bit as amazing:
The Violin Concertos, Harpsichord Concertos, the Multi-instrument Concertos ... Now we are into the territoy of buying a good few CDs here, but I will be bold and recommend the 3 CD set of Harpsichord Concertos with favourite [harpsichord] soloists and Trevor Pinnock with the English concert on DG-Archive. Complete and never routione or dull. A superb survey of the music in brilliant performances and most satisfactory recordings.
Then comsider the big 2 CD set of Violin Concertos from EMI Virgin with the Orchestra Of The Age Of Enlightenment. Some music making to transport the Soul here, and once again superb VFM.
May I rest now, and consider later in the week the chamber works, the intrumental solo worls, the organ works, and the harpsichord works ... They are not piano works, nerer were and never quite will be ...
The Cantatas and religious Choral Works will require another complete thread for another time.
Please anyone who wants to add in favourite recommendations please do post. It is not my view that matters, but that the non-initate finds a way into this greatest of all music mines! The Music the Johan Sebastion Bach left for us ....
ATB from George
Posted on: 29 November 2009 by {OdS}
George,
Thank you very much for this thread. Some recent discussions on this forum cranked up my interest in classical music in general and Bach in particular. I'll gladly keep an eye on the posts here

Posted on: 30 November 2009 by glevethan
George
I would like to thank you the detailed introduction to Bach. For the uninitiated (such as me) I find it extremely helpful to have someone "in the know" sort through the myriad of releases which are available for a particular artist and highlight a few key works with which to start. Hopefully this can become a "semi" regular posting of yours?
On a side note what about the vinyl enthusiasts amongst us? A quick search yielded the following:
KARL RICHTER Bach Brandenburg C. ARCHIV (DGG) 2 LPs
Karl Richter conducting the Munich Bach Orchestra: J. S. Bach Brandenburg Concertos
Archiv 2708013, stereo, Produktion Deutsche Grammophon DGG 2 LPs
BACH: BRANDENBURG CONCERTOS -3,4,5 -BUSCH Canada for Angel # COLC 14
Are either of merit or is the earlier Pinnock still the preferred flavor
Regards
Gregg
Posted on: 30 November 2009 by mongo
Hi GFFG, and thank you very much for taking the time to post that thread. As I thought there is far, far too much for a novice to attempt a review on their own.
I am shortly off to the towncentre and i shall be ordering some of what you have highlighted.
I shall begin with the 2CD Violin Concertos on EMI Virgin and the DG Archive set of the Brandenburgs.
Three days is their usual delivery promise.
As an aside i must confess i only bought the Brandenburg Concertos because in one week i read three unrelated books, none of which had anything to do with music or art. All three mentioned the concertos with fulsome praise such that i thought must be over the top. Indeed after listening to them i still did.
But such a coincidence demanded investigation. It took over a dozen careful listenings before i began to recognise a thread and many more before i was consumed by them. This may be the only time i have ever persevered to such an extent. It is the single most rewarding effort i have ever made. Hence my future explorations.
Many thanks again for your thoughts, and i'm looking forward to any more you may care to post.
Best regards, Paul.
Posted on: 30 November 2009 by mongo
Almost forgot. I have heard mention of St Matthews passion? Is this something a beginner might find rewarding? Certainly it gets plenty of mention in various sites and opinions.
Posted on: 30 November 2009 by droodzilla
quote:
Originally posted by mongo:
Almost forgot. I have heard mention of St Matthews passion? Is this something a beginner might find rewarding? Certainly it gets plenty of mention in various sites and opinions.
That's a really tough question Paul. It is a masterpiece, and one of the peaks among Bach's achievements as a composer. It is also around three hours long, and far more complex than the Brandenburgs (which isn't to say they're simple). However, as you persevered with the Brandenburgs, I'm inclined to say give the SMP a go - but please come back to it later, if you can't make headway now. I have the Naxos recording which is straightforward and good, but I'm sure there are better. I do envy you hearing this wonderful music for the first time.
Regards
Nigel
Posted on: 30 November 2009 by mongo
Hi Nigel.
Just returned from a brief tour of the Bach available in the city centre. Not bad, but i imagine i may have to order most of the suggestions.
As to the SMP i did glance at several versions but as you say 3hrs is a big bite all at once. I eventually came away with Glenn Gould's Well Tempered Clavier. Off to listen after dinner.
I'm back there on saturday to see if there have been any further deliveries of the violin concertos.
It's shaping up to be an adventure.
Posted on: 30 November 2009 by hungryhalibut
For the violin concertos, I'd recommend a 2003 CD by Hilary Hahn and the Los Angeles Chamber Orchestra on DG; it really is terrific.
Nigel
Posted on: 30 November 2009 by droodzilla
quote:
As to the SMP i did glance at several versions but as you say 3hrs is a big bite all at once. I eventually came away with Glenn Gould's Well Tempered Clavier. Off to listen after dinner.
Bear in mind Gould's interpretations are idiosyncratic and still polarise opinions. Me, I enjoy both his recordings of the Goldberg Variations, but find his Well Tempered Clavier a step too far on the path of wackiness! Would be interested to hear what you make of it.
Posted on: 01 December 2009 by mongo
Hi Nigel. That cd by Hilary Hahn was in stock, i'll get that one on saturday. Thanks for the suggestion.
Hi other Nigel.
A horrible discovery was made with the Gould. I have a little issue with tinittus in both ears. The right is ignorable, the left is not. With a concerto or virtually any other music it does not intrude, however, with unaccompanied piano the ringing totally overwhelmed the performance such that i could listen no longer than ten to twelve minutes. I think any solo instrument is therefore out of the question.
Distressing in many ways but if it gets no worse then i'll still be able to enjoy most anything i wish. I am a little peeved though. i was looking forward to some harpsichord music as i enjoyed the little that there is in the Brandenburgs. Still, i'm sure there is enough non solo Bach to keep me going for a considerable time yet.
Posted on: 01 December 2009 by Sniper
I would recommend Bach's concertos for 1,2,3 and even 4 harpsichords - before all 4 are going at it hammer and tongs you had better warn your neighbours.
A taste here"To strip human nature until its divine attributes are made clear, to inform ordinary activities with spiritual fervor, to give wings of eternity to that which is most ephemeral; to make divine things human and human things divine; such is Bach, the greatest and purest moment in music of all time."
- Pablo Casals
Posted on: 01 December 2009 by Sniper
Here is an excellent online resource where one can learn a good deal about Bach, listen to different versions by different performers and compare. There are BBC documentaries about the life and work of bach plus hundreds of video performances. Enjoy!
Bach ChannelPosted on: 02 December 2009 by {OdS}
quote:
Originally posted by Sniper:
A taste here
Sniper: thank you for the link! This sounds like the kind of classical music I'm seeking to discover these days

Posted on: 02 December 2009 by mongo
Sniper my dear fellow! I consider this to be naught but magic. A joyful feast!
So i bought the 5 discs. All of that wonder for twenty five quid? Seems absurd, I feel as though i have cheated someone. The set should get here by the weekend.
Very many thanks indeed.
Posted on: 02 December 2009 by Steve Bull
I've come late to this thread and have some catching up to do with the reading. But many thanks to George for persevering with attempts at our education and enlightenment. Much appreciated.
Posted on: 02 December 2009 by Sniper
quote:
Originally posted by mongo:
Sniper my dear fellow! I consider this to be naught but magic. A joyful feast!
So i bought the 5 discs. All of that wonder for twenty five quid? Seems absurd, I feel as though i have cheated someone. The set should get here by the weekend.
Very many thanks indeed.
I'm thrilled for you and pleased to be of service. I would dearly love to hear them live. All 5 discs eh? Don't forget to post a report. Enjoy!
Posted on: 06 December 2009 by mongo
Hi Sniper.
Got the 5cd Harpsichord Concerto set you mentioned and it is indeed blindingly good even on a mere two listenings.
I expect it to get better as i get accustomed to the newness. It is lined up as this evening's event.
An excellent call. Regards, Paul.
Posted on: 06 December 2009 by u5227470736789439
quote:
The Violin Concertos, Harpsichord Concertos, the Multi-instrument Concertos ... Now we are into the territoy of buying a good few CDs here, but I will be bold and recommend the 3 CD set of Harpsichord Concertos with favourite [harpsichord] soloists and Trevor Pinnock with the English concert on DG-Archive. Complete and never routione or dull. A superb survey of the music in brilliant performances and most satisfactory recordings.
As recommemded by me in the Openong Post as well!
Enjoy: They are fantastic!
ATB from George
Posted on: 06 December 2009 by mongo
Hi George. Yes i had not forgotten your obviously considered recomendations, Thank you again.
I'm still looking for the DG Pinnock with the Busch Orchestral suites and The Orchestra Of The Age Of Enlightenment Violin Concertos. Really it is quite difficult to state how much i regret missing out on this music for so many years and i intend to catch up quickly.
Best regards, Paul.
Posted on: 06 December 2009 by Sniper
Mongo,
Sometimes I try to follow all the harpsichords or even just one but its impossible (for me) to do so for long. It is difficult enough in the concertos for two harpsichords but with three its hopeless. I can't read music or I would study the scores. I have not even seen them played live or on film so when I listen I'm lost following each thread as the bob and weave around each other the whole being greater than the sum of the parts (this for me is part of the genius of composers like Bach and Mozart). Its overwhelming so I just give up and let it wash over me but each play reveals more of the tapestry and as much as I am in awe of Bach as often as not I am left with a smile on my face.
Posted on: 07 December 2009 by mongo
Hi Sniper.
I have to agree. I have no musical training (another lamentable oversight) and i have to just listen to the performance and enjoy.
It's far too complex to decypher on the hoof but i expect to get better at it with increased familiarity.
Also after a listen i find myself waving my finger about as if it's a conductor's baton. Great stuff!
Only problem is i think i may do the finger thing on trains and walking about with the ipod

Posted on: 08 December 2009 by mongo
Hi George..As per your instructions the Pinnock DG archive Brandenburgs arrived yesterday.
And i must say i'm delighted with them. It seems possible, given a further listen or so that they may become favoured over the AVIE set.
I'm unable to articulate the difference or indeed understand why there should be one in the sense of being preffered as both are by the same conductor using the same instruments and presumably musicians of similar skill?
Nevertheless, being able to 'compare and contrast' has already increased my understanding (if that's the right word) of the work and therefore increased my already appreciable enjoyment.
Along with the Harpsichord and violin concertos these recordings have sent me on my way. i anticipate years of pleasure. Thank you indeed.
Paul.
Posted on: 08 December 2009 by u5227470736789439
Dear Paul,
Don't worry too much about the differences between the two Pinnock recordings. Each will illuminate the music in a slightly different way, and my particular problem with the AVIE set stems from some questions of the actual text. One has to be very brave to delete any note that JS Bach actually wrote and yet that is exactly what is done in the Violone [double bass] part, most obviously in the Finale of the Third Brandenburg Concerto. I suppose it was obvious to my ears having performed the music on quite a few occasions!
The DG set used the standard printed [Barenreiter] edition, which is an urtext - a printed edition that represents exactly what Bach actually left in the autographed score, without the corrupt editing that was once prevalent in these old pieces of music.
Have listen and see if you can find what has been done! And then have a guess at why! There may be a mention of it in the sleeve note, but just use your ears to start with!
Good listening! ATB from George
Posted on: 05 January 2010 by u5227470736789439
A few more starter performances in Bach, this time for the [more or less solo] instrumental music.
Sonatas and Partitas for solo Violin and the Sonatas with Continuo. Grumiaux on Philips and Podger on Channel Classics. The Philips issues are very inexpensive and superb, and the Channel sets are fully HIP and have the full swing of the music as well.
The Cello Suites go well in Fournier's DG Archive recordings.
The Goldberg variations are splendid in the French EMI set with Helmut Walcha bring huge drive and dynamic on the harpsichord, which still allows for reflection and depth as well. This is a big set also containing the 48 Preludes and Fugues often called the Well Tempered Clavier, as well as the Two and Three Part Inventions. Un-missable, and a starting point for great performances on the intended, dynamic and expressive instrument.
Another superb recording for a solo instrument is the lute recording by Rolf Lisveland called "Involutana" or something of the sort where the great and virtuosic play plays everything Bach wrote for the lute, and demonstrates not only the possibility of playing excruciatingly difficult [technically] music in a fashion that has so much aplomb that it sounds easy, but also is deeply involving.
Another little tit-bit is the set of French [keyboard] Suites played by Thurston Dart on a clavichord. This a Decca recording and will be found on second hand LP only unfortunately - at least as far as I know ...
ATB from George
PS: I offer these recommendations not so much as the best versions for every person, but rather as certain winners as an introduction to the music that I have found very satisfying after a very long time ...
Posted on: 06 January 2010 by droodzilla
Here's a link to the Walcha set, in case anyone's struggling to find it.
Walcha - French EMI BoxGeorge - good to see you posting here again; I hope you'll stick around, even if your visits become less frequent.
Posted on: 06 January 2010 by naim_nymph
I have it in the old wrapper... i think it's the same anyway(?)
5 x cd box-set @ 1996 ~ amazon france has it at EUR 18.50 (only available via other sellers),
and via amazon uk (other sellers) new. at a shocking £99 !
The new set (2007) is EUR 20,70 from amazon france or from EUR 9,29
Neuf from other sellers ~ bargain! : )
Is this a re-release and identical to the older one?
quote:
George - good to see you posting here again; I hope you'll stick around, even if your visits become less frequent.
ditto that!
George, your forum contributions are often very interesting readings.
I’ve always found your opinions, knowledge and experience to be very helpful in understanding the many aspects of classical musik, and (not to mention) my home, that would be seriously lacking a lot of spellbinding musik if it was not for your generous commitment here with promoting what relates to being so musically tasteful.
So please don’t go! : )
Deborah