Ittock/Ekos
Posted by: woodface on 15 October 2001
Unfortunately, I did this in 1988 just after it was introduced. Big difference - too long ago to describe it - all I can remember is that my girlfriend at the time said "Blimey!" and we both started grinning.
Same sort of night/day experience when I added the Lingo.
Hope that helps!
That said the ekos is a great arm. MkII ekos is a lot better than mkI's and much less prone to the bearing fault common in early examples.
Alex
Try reducing this bias setting to about half of the tracking weight - I prefer this with my cartridge.
Chris
That said, to my ears, the Ekos' strength was in the incredible force it packed at the low end, but ultimately suffered for want of a more acceptable top end--which is to say that although I thought the Ekos had many strengths, I was disturbed by it's lack of a balanced presentation. Music judt didn't seem to flow as well through the Ekos as I rememered it.
In the end, I come to the inescapable conclusion that I liked the Ittock LV III better than the Ekos; selling it was one of the worst mistakes I've made.
Now, before everybody jumps, remember, the Ittock III is not the same beast as the Ittock II, and to my ears, it is a huge improvement (I've owned both the II and the III). Nor was it inexpensive when it came out. It existed shortly before the first Ekos was released, and had to have been close to $1700 US. I think some have suggested before that the later Ittocks were better than the early Ekos. A fact further suggested by Linn's very early return to the drawing board for the Ekos II.
If it were my money, I'd save half of it and find an Ittock LV III (a rare beast, actually) and spend the rest on something else. I just don't think the Ekos II is better on balance.
Judd
But what I really want to say is whats all this about discussing the pricing of this gear with the Missus? It will only make both of you very unhappy. Before anybody leaps in may I say that precisely the same would apply if a Missus was the obsessed one. The point is that these obsessions should be tolerated in partnerships on the basis of a minimum exchange of information. That way nothing gets in the way of enjoying the music.
I'm the only David O'Higgins that I know, but maybe you know another?