Upgrades '02
Posted by: redeye on 26 December 2002
Please list your most significant improvement of the last year.
What you had...what you acquired and how well it blew your hair back
Mine was definitely a CDX (the first Cd player I've owned that doesn't make me feel like attacking it with a baseball bat on a regular basis)
Happy New Year btw
redeye
What you had...what you acquired and how well it blew your hair back
Mine was definitely a CDX (the first Cd player I've owned that doesn't make me feel like attacking it with a baseball bat on a regular basis)
Happy New Year btw
redeye
Posted on: 27 December 2002 by Jez Quigley
A big fat earth rod to replace the existing skinny one. £8.
"All systems are perfectly designed to get the results they get."
"All systems are perfectly designed to get the results they get."
Posted on: 27 December 2002 by Edo Engel
quote:Well, I bought my first Naim. It replaced some Sony stuff, so do I need to quantify the improvement?
Please list your most significant _improvement_ of the last year.
Cheers,
Edo
Posted on: 27 December 2002 by Nuno Baptista
Went from:
Nad C 540/Nait 5
to:
CD 5 /Nait 5
well all of you know my uncertain about choose a cd player,but now I´m happy with my choice!
MY system : Naim Nait 5 amplifier,Naim CD 5,B&W 601 speakers,Naca5
Nad C 540/Nait 5
to:
CD 5 /Nait 5
well all of you know my uncertain about choose a cd player,but now I´m happy with my choice!
MY system : Naim Nait 5 amplifier,Naim CD 5,B&W 601 speakers,Naca5
Posted on: 27 December 2002 by neil w
im with john on this one , a serious dose,
started with
72 , 180 , meridian 206b , sbl (black) , naca5 , custom design stands
then came 82 two hicaps ( used)
then 52 supercap ( new)
then 135's ( new)
then sbl cherry ( used)
then michelle orbe se , rb300 ,ortofon rohmann cart ( new)
then maple fraim, base + 6 levels ( new)
then cdx ( ex dem)
then cds2 ( ex dem)
then nap 500 ( ex dem)
currently thinking about a sme v when funds re coup
started with
72 , 180 , meridian 206b , sbl (black) , naca5 , custom design stands
then came 82 two hicaps ( used)
then 52 supercap ( new)
then 135's ( new)
then sbl cherry ( used)
then michelle orbe se , rb300 ,ortofon rohmann cart ( new)
then maple fraim, base + 6 levels ( new)
then cdx ( ex dem)
then cds2 ( ex dem)
then nap 500 ( ex dem)
currently thinking about a sme v when funds re coup
Posted on: 27 December 2002 by Wolf
In Sept. '01 I bought a used 90.3/92R and new CD3.5, Flatcap, Roksan Caspian Tuner and used Spendor 2/3 speakers.
In '02 I bought a demo of a 150 and traded in my CDP for a CD5 and Flatcap 2. Definitly better performance, at least more clarity. Traded my old Mac computer for a friend's P3 and pre-preamp for the MC cartridge. Then this fall I bought my dealers demo Fraim and a lot of vinyl.
After reading one upgrade posting (ron toolsie's I beleive) I think it's the 92R that's choking the system. I'm thinking of getting an 82 and will back it up with a couple hicaps when I can.
Then will the ugly head of upgraditis subside? Please tell me it will.
In '02 I bought a demo of a 150 and traded in my CDP for a CD5 and Flatcap 2. Definitly better performance, at least more clarity. Traded my old Mac computer for a friend's P3 and pre-preamp for the MC cartridge. Then this fall I bought my dealers demo Fraim and a lot of vinyl.
After reading one upgrade posting (ron toolsie's I beleive) I think it's the 92R that's choking the system. I'm thinking of getting an 82 and will back it up with a couple hicaps when I can.
Then will the ugly head of upgraditis subside? Please tell me it will.
Posted on: 27 December 2002 by Lightkeeper
Even after upgrade, I am still in lower Naim area, but I am very happy with it and I have finished my primary goal which is to have all Naim system.
Went from: Arcam Alpha 8 cdp/Kimber PBJ/Nait2/Kimber 8TC/Epos ES12
To: CD5/Nait2/all Naim cables/Intro2
By the way, I have waited 5 years to hear a Naim cdp
I have also break a limit of 1000 CDs
, if we can count this as an upgrade.
In next year I plan to go for a Naim pre/power.
Ozren
Went from: Arcam Alpha 8 cdp/Kimber PBJ/Nait2/Kimber 8TC/Epos ES12
To: CD5/Nait2/all Naim cables/Intro2
By the way, I have waited 5 years to hear a Naim cdp
I have also break a limit of 1000 CDs
In next year I plan to go for a Naim pre/power.
Ozren
Posted on: 27 December 2002 by maxwellspeed
Well all, the past 10 months has edged me closer to chapter 11. But we are happy. Lucky for me, my girlfriend is the one who has put the most into the system. She has about 60% to my 40%. Here goes:
110-140-180.....
hi-cap 72-hi-cap 82.....
tannoy SLR6-Credos.....
from stacked on the floor to quadraspire....this happened real early
some crappy cd player to a cd3...happened early
added the Planar 25 about 3 months ago and it is all we listen to now.
whew....i believe that this coming year WILL NOT, be like the last...i swear we are done!!!!
110-140-180.....
hi-cap 72-hi-cap 82.....
tannoy SLR6-Credos.....
from stacked on the floor to quadraspire....this happened real early
some crappy cd player to a cd3...happened early
added the Planar 25 about 3 months ago and it is all we listen to now.
whew....i believe that this coming year WILL NOT, be like the last...i swear we are done!!!!
Posted on: 27 December 2002 by Manu
Most impressive upgrade,
Went from:
all the old Naim stuff;
CDX,102,82,52,140,180,250,XPS,SC,HI,NAPSC,SBL
to:
all the new Naim stuff.
CDX2,202,282,252,200,250,300,XPS2,SC2,HI2,NAPSC2,SL2.
Most impressive Naim products of the year 02 (IMO):
552, 300, SL2, CDX2, AV2 (in descending order).
Curious, Naim has brought a lot of "2" models in 2002. Will they continue: CDS3,....
Emmanuel
All opinions are my own, and reflect those of the organisation i work for, even if not stipulated.
Went from:
all the old Naim stuff;
CDX,102,82,52,140,180,250,XPS,SC,HI,NAPSC,SBL
to:
all the new Naim stuff.
CDX2,202,282,252,200,250,300,XPS2,SC2,HI2,NAPSC2,SL2.
Most impressive Naim products of the year 02 (IMO):
552, 300, SL2, CDX2, AV2 (in descending order).
Curious, Naim has brought a lot of "2" models in 2002. Will they continue: CDS3,....
Emmanuel
All opinions are my own, and reflect those of the organisation i work for, even if not stipulated.
Posted on: 28 December 2002 by NB
My biggest improvement in 2002 was the XPS for my CDX.
For 2003 its going to be a whole new system,
CDX2/XPS 252/Super/300
with perhaps a pair of SL2's
Happy new year.
NB

For 2003 its going to be a whole new system,
CDX2/XPS 252/Super/300
with perhaps a pair of SL2's
Happy new year.
NB
Posted on: 28 December 2002 by Roy T
No kit this year just LP's.
Next year upgrade the LP12 and prehaps a new box or two.
Next year upgrade the LP12 and prehaps a new box or two.
Posted on: 28 December 2002 by rocketeer
my '02 upgrades:
first, i went from CD3.5 to CDX: Whoom! What a step forward! Didn't sleep for weeks. Then came the NACA5: Stunning improvement! Two months later i went from 140 to 250: this was my upgrade of the year, more "devastating" than the CDX, since my jaw dropped and this lunatic grinning came up my face!
By now, i'm still grinning at my CDX/72/HI/250.
Happy new year!
rocketeer
first, i went from CD3.5 to CDX: Whoom! What a step forward! Didn't sleep for weeks. Then came the NACA5: Stunning improvement! Two months later i went from 140 to 250: this was my upgrade of the year, more "devastating" than the CDX, since my jaw dropped and this lunatic grinning came up my face!
By now, i'm still grinning at my CDX/72/HI/250.
Happy new year!
rocketeer
Posted on: 28 December 2002 by Jean-Marc
2002 was a very good year for me:
went from CD3.5/92/Hicap/180
to CDS2/82/2*Hicap/180
Biggest improvment?
Dedicated spur installation!!!!!
JM
went from CD3.5/92/Hicap/180
to CDS2/82/2*Hicap/180
Biggest improvment?
Dedicated spur installation!!!!!
JM
Posted on: 28 December 2002 by Thunderbird 2
My upgrade route this year as follows,
Naim CDS2+XPS/Nap 52+S/cap/4 off 135's/DBL's
To
Wadia 861/Nap 500/DBL's
To
Wadia 861/Nap 500/B+W 801's
To
Wadia 861/2 Nap 500/B+W 801's
Proper music at last, really good music, nothing else Happy for Now. (apparently)
Kind regards David
Well Balanced Beings Promote Harmony In Music and Soul
Naim CDS2+XPS/Nap 52+S/cap/4 off 135's/DBL's
To
Wadia 861/Nap 500/DBL's
To
Wadia 861/Nap 500/B+W 801's
To
Wadia 861/2 Nap 500/B+W 801's
Proper music at last, really good music, nothing else Happy for Now. (apparently)
Kind regards David
Well Balanced Beings Promote Harmony In Music and Soul
Posted on: 28 December 2002 by Ron Toolsie
quote:
Naim CDS2+XPS/Nap 52+S/cap/4 off 135's/DBL's
To
Wadia 861/Nap 500/DBL's
To
Wadia 861/Nap 500/B+W 801's
To
Wadia 861/2 Nap 500/B+W 801's
Ok... I'll bite. I havent heard of too many people upgrading from the DBLs, although I admit there are some musical facets offered by my long departed Sonus Faber Extremas that I would like the DBLs to be able to incorporate.
Likewise, the CDS2 to Wadia.
I would be interested in hearing how you selected the products to upgrade to, and in which ways you feel the upgrades have been worthy.
You know, you could always have ran the DBLs active with six NAP500s, each in a 'monoblock' configuration.
The intial buzz about the NAP500 was the ability to use either one or two of the 500PS supplies, with two offering true monoblock performance. That would have allowed maybe a 50% savings over having to buy another complete 500 with 500PS.
What is the '4 off 135s' that you initially drove the DBLs with?
Ron
Dum spiro audio
Dum audio vivo
Posted on: 28 December 2002 by Thunderbird 2
quote:
Originally posted by naim de plume:
quote:
Originally posted by Thunderbird 2:
Wadia 861/2 Nap 500/B+W 801's
Thunderbird 2,
I tried to email you, but my email is bouncing
(and yep I deleted _no_spam)
I'd be interested to hear what other CD players
you auditioned (the Levinson 390S???). The
Wadia is on my list of players to audition
(but at the moment my dealer does not have
a demo unit).
Naim De Plume,
Have to admit, the Wadia I didn't choose by choice, but by accident, My Brother (Tone from HFC) keep harping on how close this Wadia was to a Turntable, and compared to a CDS2 has so much more detail and music and more analogue sounding, So I allowed him his 5 mins of humour, and what a surprise I got, boy this Wadia (American as well) this thing boogies and plays a good tune, with all those so called roundie things that are mentioned in darkened rooms. plus a digital pre-amp as well, saves money on a very overpriced 552 (IMMHO), now before Ron T. cries foul, I do like the Naim sound very much, hence the Nap 500's and have not yet found another amplifier that gives me 'That sound', but the Wada 861 is just so much better than the CDS2 every where, I also purchased the said Wadia used for £4500 gbp saving a good deal of money into the bargin. A used CDS2+XPS around £3500-£4000 plus a 52+S/cap another £2500ish, I sold my cdp+52 which funded the Wadia and went some way towards the purchase of the first Nap 500 also used £7k.
Ron, no need to bite sir, you are along the right lines on the musical front, the DBL's are great for outdoor events and Barmitzfers, but for accuracy and detail and overall ability to communicate the music, I found limiting, hence the 801's but speakers are personal, so one mans meat is another man's poision.The change was not for volume levels but for much better musical togetherness and exspression.Both sets of speakers are quite large so size and approval factor was not an issue.
Going fully active on the B+W 801's you would have thought would be truely great, humm I found the sound way too bright and overpowering, although seriously dynamic and powerful.
Mono blocking proved for me the better option, with a better balance of sound, much better Tonal control and more defined stage and image, may not be that important to a lot of fellows, but it has a bearing for me.
Next up is installing a modified power supply assembly and mains isolation circuity to improve matters further, after having a demostration of my brothers amplification and it's dramatic effects on my sound system (but not quite the Naim sound) I'm going to let him loose with the 500's, though I must point out he has already 'Helped along' other pieces of audio equipment (to great effect I might add, smart arse)in my main system, so when the transformers are done I will report on his progress.
Sorry to be long winded, but Christmas does take it out of you. Thank you for the replies.
Cheers David
Well Balanced Beings Promote Harmony In Music and Soul
Posted on: 29 December 2002 by Manni
Hi,
I went from:
CDS2,naimed LP12,NAT01,52,PioneerD23,6 ClassA monos,ACR-Horn(similar to the Klipschorn, but with Fostex drivers)
to:
CDS2,naimed LP12,NAT01,52,2X135,DBL
The big ACR speaker had a very dynamic sound and you can play it extremly loud so it is a fine speaker for rock-music.
But it was difficult to hear a complete Mahler symphony with it, especially the upper mids are too hard. Compared to the big horn, midrange and treble of the DBL are much sweeter, there are more details and the bass is much deeper.
By the way, compared to the ACR, the DBL is a small speaker!!!
Happy new year,
Manfred
I went from:
CDS2,naimed LP12,NAT01,52,PioneerD23,6 ClassA monos,ACR-Horn(similar to the Klipschorn, but with Fostex drivers)
to:
CDS2,naimed LP12,NAT01,52,2X135,DBL
The big ACR speaker had a very dynamic sound and you can play it extremly loud so it is a fine speaker for rock-music.
But it was difficult to hear a complete Mahler symphony with it, especially the upper mids are too hard. Compared to the big horn, midrange and treble of the DBL are much sweeter, there are more details and the bass is much deeper.
By the way, compared to the ACR, the DBL is a small speaker!!!
Happy new year,
Manfred
Posted on: 29 December 2002 by Ron Toolsie
quote:
Next up is installing a modified power supply assembly and mains isolation circuity to improve matters further, after having a demostration of my brothers amplification and it's dramatic effects on my sound system (but not quite the Naim sound) I'm going to let him loose with the 500's, though I must point out he has already 'Helped along' other pieces of audio equipment (to great effect I might add, smart arse)in my main system, so when the transformers are done I will report on his progress.
Interesting, interesting.... are these mains fixes at the A/C level or within the 500PS itself? If you are monoblocking the 500s, then fully half the regulators in the 500PS are not doing anything apart from creating spurious noise, and disabling them somehow may be of some utility.
I have tried in my system using a 1500VA 1:1 transformer (aka isolation transformer) but found it only to be transparent, i.e. did not change the sound for either better or for worse. I tried this with only source level components (CD player PS, 52s supercap and Snaxos Supercap) as well as allowing the brace of 135s to juice off it. I do however have a dedicated 75 Amp breakers on a dedicated spur, with dedicated ground, so mains quality may not be that much of an issue.
I can understand how other speakers may be more enticing and emotional than the DBLs. Although I do observe that when the system improves, the DBLs have the ability to sound small when needed to. With lesser balanced systems the DBLs can make small, intimate recordings into overly large Pan-O-Rama ones. But I am yet to hear them carve out an absolutely hologramic soundstage with every thread anchored in space, which the Sonus Faber Extremas did with consumate ease and beauty. The DBLs also seem to be more transparent to the odious colorations of the 52 and 135s- especially the latter. When you said you tried the B&W active, did you rather mean passively bi-amped into its passive xover, or did you have a Snaxo inline?
I certainly acknowlege that the CDS2 is not the ne plus ultra in players. I have a custom built player with 24 bit innards that reveals the CDS2 to be quite lacking in absolute top end extension and more than a little rolled off in microdetails.It also has a more fully extended, but not as tuneful LF end. Yet the CDS2 sounds supremely balanced in a very poised and unflappable way, whereas the other player seems to subliminly trip over its ruthlessly detailed presentation. I expect the CDS3 and CD555 to improve on the CDS2 in subjective bandwidth and microdynamics.
I am yet to audition the XPS2, that probably remedies some of these shortcomings.
Every stereo amp I know performs better as a monoblock (i.e. with only one channel driven without any sort of channel bridging).. the NAP250 so configured in the '125' format is much closer to a 135 than a 250. As hallowed as the NAP500 may be, I am sure that this too works better when asked to work less. The remark I made about having DBLs driven with six NAP500s was not really a bite..... I hope that somebody out there tries it and reports how it fares as compared to a three pack 500 system. I expect that will happen in Hong Kong or Singapore a long time before it happens stateside. If your B&W can be passively biamped (or even passively triamped), there is no reason why you too could not gainfully employ the services of 4, or even 6 NAP500s.
Ron
Dum spiro audio
Dum audio vivo
Posted on: 29 December 2002 by Thunderbird 2
quote:
Originally posted by Ron Toolsie:
quote:
Next up is installing a modified power supply assembly and mains isolation circuity to improve matters further, after having a demostration of my brothers amplification and it's dramatic effects on my sound system (but not quite the Naim sound) I'm going to let him loose with the 500's, though I must point out he has already 'Helped along' other pieces of audio equipment (to great effect I might add, smart arse)in my main system, so when the transformers are done I will report on his progress.
Interesting, interesting.... are these mains fixes at the A/C level or within the 500PS itself? If you are monoblocking the 500s, then fully half the regulators in the 500PS are not doing anything apart from creating spurious noise, and disabling them somehow may be of some utility.
I have tried in my system using a 1500VA 1:1 transformer (aka isolation transformer) but found it only to be transparent, i.e. did not change the sound for either better or for worse. I tried this with only source level components (CD player PS, 52s supercap and Snaxos Supercap) as well as allowing the brace of 135s to juice off it. I do however have a dedicated 75 Amp breakers on a dedicated spur, with dedicated ground, so mains quality may not be that much of an issue.
I can understand how other speakers may be more enticing and emotional than the DBLs. Although I do observe that when the system improves, the DBLs have the ability to sound small when needed to. With lesser balanced systems the DBLs can make small, intimate recordings into overly large Pan-O-Rama ones. But I am yet to hear them carve out an absolutely hologramic soundstage with every thread anchored in space, which the Sonus Faber Extremas did with consumate ease and beauty. The DBLs also seem to be more transparent to the odious colorations of the 52 and 135s- especially the latter. When you said you tried the B&W active, did you rather mean passively bi-amped into its passive xover, or did you have a Snaxo inline?
I certainly acknowlege that the CDS2 is not the ne plus ultra in players. I have a custom built player with 24 bit innards that reveals the CDS2 to be quite lacking in absolute top end extension and more than a little rolled off in microdetails.It also has a more fully extended, but not as tuneful LF end. Yet the CDS2 sounds supremely balanced in a very poised and unflappable way, whereas the other player seems to subliminly trip over its ruthlessly detailed presentation. I expect the CDS3 and CD555 to improve on the CDS2 in subjective bandwidth and microdynamics.
I am yet to audition the XPS2, that probably remedies some of these shortcomings.
Every stereo amp I know performs better as a monoblock (i.e. with only one channel driven without any sort of channel bridging).. the NAP250 so configured in the '125' format is much closer to a 135 than a 250. As hallowed as the NAP500 may be, I am sure that this too works better when asked to work less. The remark I made about having DBLs driven with six NAP500s was not really a bite..... I hope that somebody out there tries it and reports how it fares as compared to a three pack 500 system. I expect that will happen in Hong Kong or Singapore a long time before it happens stateside. If your B&W can be passively biamped (or even passively triamped), there is no reason why you too could not gainfully employ the services of 4, or even 6 NAP500s.
Ron
Dum spiro audio
Dum audio vivo
Ron,
Thanks you for the reply sir, very intresting.
First, yes have tried the 801's Tri-amped with 3 Nap 500's, with 'Custom built' Digital Time aligned/x/overs/indepentant level adjustment units/ both passively and actively (6 135's)
Similar to the TACT 2.2 unit, but this proved very difficult to get right, and when finshed produced the most wonderful HIFI sound I heard at that cash threshold!!!! but I'm afraid Muisc was not a that the top of the output tree.
The modifications (Tone) has preformed are specialy constructed Torriod 'Style' Transformers, to his spec, with a 'Trick' mains isolation device ( Really cannot say to much as patent is just about through I think, although not his, I know) all this performed INSIDE his ampilifer case and the sound it gives is just ............ I've seen too many silly words used to describe great things, use your own thoughts along the lines of 'Jaw-Dropping'
Speakers again the DBL's arn't bad by any means, and I was looking for something a little different, and settled on the 801's (still pretty big though) I felt they gave the 'Extra's' I was looking for thats all.
CD players, again very personal If you like the Naim sound of their cdp's, your have to look long and hard to find something that's does the 'Naim thing' and then improve on it, I have an Accuphase as well, which is very good as well but not quite in the same league as the Wadia (for me), although I have to admit Tony's Wadia is highly modified and it sounds 'Different' to mine, if I say 'better' I'll never hear the last of it, but He's 'Re-arranged' My other Brother's (Lyndon's)to serious effect, quite something else but it is all down to your own personal taste, and I'm quite sure we differ in lots of ways, except the most fundemental one. it must play MUSIC Thank you Ron.
Cheers David
Well Balanced Beings Promote Harmony In Music and Soul
Posted on: 29 December 2002 by Thunderbird 2
Ron,
Have just noticed the last section of your post sir, Humm I feel 4 or 6 Nap 500 may be a touch over the top
. The mods (If I Let him) will be on the understanding that the Stock boxes are utilised only, so that may limit him some what.
But Having had his amplifier in the system in place of the 2 Nap 500's I can only say that I hope the mods works as well
because the 500's realy do struggle to keep in it's wake!!! and I'm not just talking outright power here.
Cheers David
Well Balanced Beings Promote Harmony In Music and Soul
Have just noticed the last section of your post sir, Humm I feel 4 or 6 Nap 500 may be a touch over the top
But Having had his amplifier in the system in place of the 2 Nap 500's I can only say that I hope the mods works as well
Cheers David
Well Balanced Beings Promote Harmony In Music and Soul
Posted on: 29 December 2002 by Ron Toolsie
quote:
First, yes have tried the 801's Tri-amped with 3 Nap 500's, with 'Custom built' Digital Time aligned/x/overs/indepentant level adjustment units/ both passively and actively (6 135's)
I'm not sure how you used the pre-amp in the Wadia CD player to drive 3 NAP500 passively. I had a D/A converter box once that had both fixed and adjustable level outputs (via a potientiometer). By FAR the best sound was using the fixed outputs through an external preamp, instead of trying to drive the power amps directly from the variable output. Could it be that the failure to get the passive 3x500 to gel musically was the inability of the the device upstream? A Supercap for instance has 3 stereo amp-level outputs, and can drive them simulataneously very well. I have had limited experience of multi-amping (all through the Supercaps multiple outputs) with great success.
Ron
Dum spiro audio
Dum audio vivo
Posted on: 29 December 2002 by Thunderbird 2
quote:
Originally posted by Ron Toolsie:
quote:
First, yes have tried the 801's Tri-amped with 3 Nap 500's, with 'Custom built' Digital Time aligned/x/overs/indepentant level adjustment units/ both passively and actively (6 135's)
I'm not sure how you used the pre-amp in the Wadia CD player to drive 3 NAP500 passively. I had a D/A converter box once that had both fixed and adjustable level outputs (via a potientiometer). By FAR the best sound was using the fixed outputs through an external preamp, instead of trying to drive the power amps directly from the variable output. Could it be that the failure to get the passive 3x500 to gel musically was the inability of the the device upstream? A Supercap for instance has 3 stereo amp-level outputs, and can drive them simulataneously very well. I have had limited experience of multi-amping (all through the Supercaps multiple outputs) with great success.
Ron
Dum spiro audio
Dum audio vivo
Ron,
Fair question sir, The Wadia (set at 100 max) feeding the the X/over/Alignment/level adjuster (which had remote a volume control on) feeding the 500's actively (3 times 2 channels), but Every active system I've heard sounds so Bright and in one's face, that it has put me off totaly.
Have also used a Spectral Pre-amp with specialy made 3 way 'Y' lead (passively) and still pretty much the same, although less detail and and more grain (cable?).
The one point at which I like, is the lack of 'Large amounts of boxes' the Wadia/500's 3 boxes in total (5 if you include the psu's) and a pair of speakers, I have no TT in this system so I don't require a seperate pre-amp.
I also have a take on this Pre-amp thereoy (taken from my Brother).NO matter how good the pre-amp £25K GBP in some cases, and the cables between £10k,(Martain uses) it is going to give a certain 'Sound' or colouration?(A great one yes, but colouration all the same) yes, now weather you like that colouration is down to the person who is listening? but is it worth that XYZ in cold hard cash stakes is another matter?
There is enough room inside the 500's to make them into the amps they should have been, so maybe I won't need the six you suggest Ron, but do you have/use 500's as well sir?, would be interested in your thoughts too?
But at the moment, it sounds pretty good to me, although a little 'Grunt' would not go amiss.
Cheers David
Well Balanced Beings Promote Harmony In Music and Soul
Posted on: 29 December 2002 by Martin Payne
quote:
Originally posted by Ron Toolsie:
If you are monoblocking the 500s, then fully half the regulators in the 500PS are not doing anything apart from creating spurious noise, and disabling them somehow may be of some utility.
Ron,
when the NAP500 was first released, I remember that it was said that running the NAP500 off two 500PS's was actually worse than the standard config.
I've recently been wondering who would be first to re-try the experiment fonted by a 552.
Given that the main part of the NAP500 is two mono amps separated by a large heatsink you would have thought that there wouldn't be much benefit of two full 500+PS rigs over one 500 with two 500PS's.
ISTR a comment that a second 500PS would only add about 20-25% to the cost of the standard 500 config.
cheers, Martin
Posted on: 29 December 2002 by Erik
I think Naim tried two PSs and found it worse.
/Erik
/Erik
Posted on: 29 December 2002 by KENB
Totally cleaned up the top end which was my only complaint. Also a PARASOUND phono section which gives a lot more involvement,dynamics and depth than the built in nait phono.
Happy new year
Happy new year
Posted on: 29 December 2002 by Ron Toolsie
Yes, I remember the original findings that the 500 with 2x500PS was worse than only using a single 500PS- the reason provided was that doubling up on the 500OPS resulted in noise-producing regulators that were not actually being used. But no more so than using a Supercap to power a Prefix, using only 1/7 of its voltage rails. So I am not entirely sure if this is the only reason behind this counterintuitive finding.
I think it probably will only be a matter of time before Naim releases its flagship NAP 275 (or so), a true monoblock version of the NAP500 with the external power supply only having 1/2 of the voltage rails that the stereo 500PS has. That way active DBL users would be able to have the full monty 12-pack.
In my tinkering with car audio, I have found that to produce TRUE bass power and extension, there is absolutely no substitute for raw power. A 500w Rockford Fosgate amp destroyed a 200W amp, and a 1000W amp demolished the 500 watter. The NAP500 may be also underpowered when it comes to driving a 15 inch bass driver to the beat of techno, or even PJ Harvey.
As much as I would like to, I have not yet heard a 500 in my system. There is a certain je ne sais quoi life that only an active system can seem to do.... I have a gut feeling that 3x300 active would see off a single passive 500 pretty easily. Auditioning this comparison is hardly within the abilities of 99.99% of dealers.
Ron
Dum spiro audio
Dum audio vivo
I think it probably will only be a matter of time before Naim releases its flagship NAP 275 (or so), a true monoblock version of the NAP500 with the external power supply only having 1/2 of the voltage rails that the stereo 500PS has. That way active DBL users would be able to have the full monty 12-pack.
In my tinkering with car audio, I have found that to produce TRUE bass power and extension, there is absolutely no substitute for raw power. A 500w Rockford Fosgate amp destroyed a 200W amp, and a 1000W amp demolished the 500 watter. The NAP500 may be also underpowered when it comes to driving a 15 inch bass driver to the beat of techno, or even PJ Harvey.
As much as I would like to, I have not yet heard a 500 in my system. There is a certain je ne sais quoi life that only an active system can seem to do.... I have a gut feeling that 3x300 active would see off a single passive 500 pretty easily. Auditioning this comparison is hardly within the abilities of 99.99% of dealers.
Ron
Dum spiro audio
Dum audio vivo