Stray Dogs: A moving film

Posted by: acad tsunami on 02 January 2007

Stray Dogs: A moving film

A few days ago I watched the DVD of a very moving film called Stray Dogs. I had thought to simply mention the film briefly on ‘Which was the last DVD you watched?’ thread but I doubt many of you would watch the film on my say so and as I have not been able to get this film out of my mind I thought I would give it it’s own thread in the hope some of you take the time to read this.

I have taken much of the following from a website and edited it in places.




Set in post-Taliban Afghanistan, a young boy Zahed (aged 10) and his sister Gol-Gothai (aged 6), struggle to fend for themselves on the streets of Kabul, searching for scraps and wood on a rubbish tip for anything that might be salvageable or even used to burn for keeping warm on the cold winter nights.

The children recognise their own circumstances in a stray dog that they rescue from a group of boys chasing it down the street with burning torches with the intent to kill it. The children are homeless but what food they can find they share with the dog.



Their father was a Taliban but he is now locked up in an American prison. Their mother is also in prison for having remarried when her husband disappeared without trace for 6 years to fight a Holy War, a crime that will condemn her to being branded a whore and burned to death. Thanks to a friendly guard however, the children are able to spend the nights locked up in a prison cell with their mother.


However, when a new guard takes over they are thrown out and stoned by the guard who tells them their mother is a whore. The little girl appeals to the guard for kindness and understanding but they are left to wander the dangerous streets, the only means they can see of being re-united with her is to commit a crime themselves.

All the children want here are two things – forgiveness - for their father to forgive their mother, in other words for people to put the ways of the past behind them and move on – and shelter from the cold. Simple things, but not small things, they are however two commodities that seem to be increasingly in short supply in modern-day Afghanistan.



Eventually the two children are told by another street boy that they can learn how to commit a crime by watching the Italian film ‘Bicycle thieves’ which is showing in town. They spend their last pennies on tickets and having watched the film set about stealing a bike. The boy is arrested and bundled into a police truck with his tiny sister left to run after the truck calling out that she too is a bicycle thief and should also be locked up as a criminal.

The reality of the situation is finally brought home to the boy as he realises he has not been put in the same prison as his mother and that his sister is now totally alone on the streets.

The final scene sees the little girl exhausted from running across town still holding her dog. She desperately bangs on the door of the prison and a guard calls out from inside ‘who is it’?

‘It’s me’, the tiny girl calls back, desperate to be admitted ‘it’s me, the sister of the bicycle thief’ and then the film abruptly ends. No warning. It just ends. The credits role.

The girl was utterly alone with no family, no one to care for her, nowhere to sleep and no money and I was shocked by the ending, its abruptness and harshness. I couldn’t get it out of my mind and even woke up during the middle of night unable to get her final words out of my head. I told myself ‘hey it’s just a film’ but it is not just a film at all. Millions of children live like this, street children, cold, hungry, shoeless, robbed, abused, raped, exploited and even hunted like animals and murdered.

I am not a wealthy man, in fact my income is pitiful but my life is way better than the life of street children. In the morning after I watched this heartbreaking film I arranged to donate a small amount on a monthly basis to a children’s charity and I ask those of you on the forum to do the same and start 2007 with a good dead. Every contribution helps. Even £5 per month. Please. UNICEF
Posted on: 02 January 2007 by u5227470736789439
Dear Acad,

I read that post with constenation. The world is a mad, and cruel place, and without going into it more, would you please post a link to a place where the film might be sought. I, for one, want to see this, even if the only result might be to further undermine my faith in human nature.

"It strike me over the years that I am more and more grateful for those people in my ife who demonstrate real integrity. They are priceless, but quite rare..." [Edit].

Kindest regards from Fredrik
Posted on: 02 January 2007 by acad tsunami
Fredrik,

I rented it but if I had my own I would have happily sent it to you. If you cant rent it in your area you can buy it Here.

Acad
Posted on: 02 January 2007 by u5227470736789439
Thanks, dear Acad. Fredrik
Posted on: 03 January 2007 by Rasher
We have a huge responsibility.
In the days of the First and Second World War the public relied upon and believed what they were told, and there was little suspicion to challenge the usual patriotic view. Now we know better and can source news reports and judge the truth for ourselves, we take the responsibility to have to back up our views, whatever they are, with a good case. Knowing now about how cruel the world is and the consequences of our actions polarises us into groups that choose not to care, and those that care too much for our own good. There seems to be little middle ground. It’s hard living in this era with politicians that belong to the last.
Maybe one day our politicians will belong to the camp that care too much, and until that day, we can just take the full responsibility on ourselves, which is exactly what the makers of this film are doing. If the politicians do not represent us, take your message and shout it yourself.
Thanks for posting this Acad, but I’m afraid I usually have trouble now getting through harrowing films.
Posted on: 03 January 2007 by acad tsunami
Rasher,

Thank you for your comments. One reviewer described this film as 'emotionally challenging'and so it is but it may fall just short of 'harrowing' but that depends on the viewer. There is much humour too. The little girl is totally adorable and if not for the predicament that she and her brother faces one could say that much of the film is heart warming. The big shock was the abrupt ending and here we have a stroke of cruel genius or is it genius of great compassion? The viewer is shamelessly manipulated and left outraged and impotent and in the dark. How dare they leave the poor girl there in that situation?

The acting of the little girl (she was only 7 at the time)is truly astonishing, many of the things she and her brother get up to, tragic as they are, are also humorous, endearing and noble and we somehow think they will work things out and there will be a happy ending but then comes the almighty slap in the face brutal reality of the final scene and we are left feeling cheated because we will never know what will become of her. It feels almost like a fly on the wall documentary such is the stark realism. It felt so real I wanted to go and adopt the little baggage. Watching her totally disarm and shame the guard with her quiet compassion was beautiful.

It would upset you to see this film. It would upset any decent person, but I would still recommend you to watch it.

Most people will never get to see a film like this but I wonder how many millions will go to see the new 'Rocky' balboa film out this week? Yes, it's a bloody weird world we live in - sick and beautiful in equal measure maybe.

Regards,

Acad
Posted on: 03 January 2007 by Bob McC
I'm a bit confused here.
was it a film with ACTING in it with all the retakes for different angles, credits for the actors, wages for the actors etc, or was it a DOCUMENTARY, and if so what's with the 'acting' statement.
Posted on: 03 January 2007 by acad tsunami
Bob,

It's a film with acting - albeit by first time amateurs.

Acad

'As the explicit reference to Bicycle Thieves in the film makes clear, Stray Dogs owes a lot to Italian neo-realism, but this is not just some theoretical application of film technique. In showing that neo-realist techniques are still appropriate through its use of real post-war locations and non-professional actors, and by demonstrating just how powerful and remarkably effective those techniques can still be, it also shows us that what was true about peoples lives then is true also now. This is serious filmmaking that has something important to say about the lives of real people and about the world we live in today. Marziyeh Meshkini’s film tells us this with impressive simplicity, clarity, vitality, truthfulness and force'.