Artists who improve as they get older?

Posted by: JamieL_v2 on 18 August 2010

I guess it is one of the rock cliches that good rock music can only be written and played by those in the flowing of their youth.

To some extent I do tend to agree with that, much of the music I most enjoy is from when artists are struggling to find their voice, or enjoying the peak of creativity that comes as they become comfortable with their craft in the years that follow on immediately.

There are a few exceptions I to this for me. I know I bang on about Mark Kozelek, but I do think that over the last few years he has been writing his best music, and that his guitar playing and voice have both matured.

There are other artists I think have reached peaks later in their career, but perhaps not quite at the heights of their youthful flowering. I love the last two King Crimson studio albums 'The Power to Believe' and 'The Construction of Light', perhaps not 'Red' or 'In the Court of the Crimson King'. I also love Bowie's two mid 90's albums '1.Outside' and 'Earthling', but they are not 'Hunky Dory' or 'Ziggy Stardust'.

Miles Davis had several periods of great creativity, and perhaps with jazz there are (many) more examples. Classical I am sure is largely exempt from this cliche.

Live I find it very different, I have greatly enjoyed artists of all ages performances.

Very subjective I know, some will have very differing opinions on the same artist, but which artists do people think have improved with age?
Posted on: 18 August 2010 by fred simon


With all sincerity and humility, I think I have. Fortunately, others think so, too.

Fred



Posted on: 19 August 2010 by naim_nymph
Interesting question because it’s not easy to come up with many names…

Do you think Madonna has improved a lot with age?

Although i’m not really a fan, her early voice, songs, lyrics are awful compared to her later material.

Debs
Posted on: 19 August 2010 by Andy1912
A large proportion of very creative men in all areas of the arts do very little of note post-30. Obviously there are exceptions such as Piccaso and others, but very often the best and most creative of their work occurs when they are young men. The main hypothesis is that it is a sex/mating thing Eek
Posted on: 19 August 2010 by BigH47
Maca certainly didn't!
Posted on: 19 August 2010 by Philip Tate
I think Tom Waits gets better and better, and I think Ry Cooder's last three albums have been his best work.

Phil
Posted on: 19 August 2010 by King Size
Warren Zevon, the trio of albums he recorded before passing were his finest.
Posted on: 19 August 2010 by JWM
Most, if not all, of the great Opera singers.
Posted on: 19 August 2010 by J.N.
Richard Thompson is my nominated national treasure.

John.
Posted on: 19 August 2010 by JamieL_v2
Hi Debs, Madonna is a good example, I also think she looks better too now, but then I don't like 80's fashions.

I think another factor might be being part of a movement where musicians are creating something new, and feeding off each others ideas. While I do not necessarily think being older prevents being part of a movement, a sense of independence does tend to come with age.

I am sure there are more examples. There are quite a few musicians who do have a late flowering of ideas, like Bowie and Robert Plant, but I do not think they match the heights they achieved in their youth.
Posted on: 19 August 2010 by mudwolf
Paul Simon had a long streak of creativity but when he went solo and could try out different studios and musicians his lyrics improved also.

I think Joni's evolution into jazz is wonderful tho some don't. I downloaded a great DVD on her for my niece while I was busy one day.
Posted on: 19 August 2010 by Lontano
Improve might be a tough one for this man as he set the bar so high. He still keeps that bar high and at the age of 60, after 40 years in the business he can still keep 100,000 people enraptured for three hours a night, day after day. He is the Boss.
Posted on: 19 August 2010 by fred simon


Here's what the artist Hokusai had to say about his artistry improving with age:

I have been in love with painting ever since I became conscious of it at the age of six. I drew some pictures I thought fairly good when I was fifty, but really nothing I did before the age of seventy was of any value at all. At seventy-three I have at last caught every aspect of nature -- birds, fish, animals, insects, trees, grasses, all. When I am eighty I shall have developed still further, and I will really master the secrets of art at ninety. When I reach a hundred my work will be truly sublime, and my final goal will be attained around the age of one hundred and ten, when every line and dot I draw will be imbued with life.

Gives some perspective, doesn't it?



Posted on: 19 August 2010 by Andy1912
I guess there is a difference between technically better which I'm sure can easily be the case as we get older, and the height of our (radical) creativity which I feel is very hard for us to attain as we get older. I remember when I was doing my PhD many years ago and the (implicit) deal / trade that young researchers made with older professors was pretty much that the former generated the ideas and the latter made them work.

Andy
Posted on: 19 August 2010 by Vaughn3D
I believe Alanis Morrisette has gotten better with age. Not necesarilly the song writing but her voice has really grown. Most people likely think of her as the angry young girl from the 1st album but her newer stuff is great.
Posted on: 20 August 2010 by JamieL_v2
I remember hearing an interview with Ian Anderson (Jethro Tull) from a a few years ago who said his song writing was now more sophisticated. The problem is that the end result is not as good as those early songs.

I do think for a lot of bands like Jethro Tull and Yes that technology was to the detriment of their music. They got home studios and drum computers and each wrote using those, but it meant the interplay between the musicians, which was at the heart of their music was lost.

Mudwolf, I am not sure about your comment on Joni Mitchell, I would tend to say that her increased influence from Jazz came in her initial hiatus of writing, from 1970-80, unless you are talking of more recent work which I have missed. Although later albums like 'Night Ride Home' have some nice songs, they still do not match their heights of albums like 'Hejira' for me.

I guess all depends on how you define 'older', Joni was 30 when she wrote 'Hejira', 33 for 'Mingus', perhaps looking back to those ages they seem quite youthful, but at 16 they may have seemed ancient.

Perhaps the question infers that an artist has a dip and then again reaches another creative high, but perhaps a long period of high quality is more valid.

I would say that the drop, or perceived, drop in quality of work is mostly in writing, performance often stays at a high level long beyond that, or sometimes improves. As someone who collects a lot of live recordings I do know that some of those great early performances are seem through rose tinted spectacles, some although mentioned with awe were pretty ropey.
Posted on: 20 August 2010 by Bruce Woodhouse
Perhaps a more subtle answer to the question would be to consider artists for whom age/maturity has added a dimension to their art, perhaps 'suited' them. I think this is often true of visual artists actually but much pop/rock is so wrapped up in bright, sharp and youthful emotions that it seems harder to think of examples. Too many ageing rockstars either write about the same stuff as they did at 22 (and sound silly as a result) or seem to lose any creative focus at all.

I'll suggest a couple. Leonard Cohen writes beautifully about ageing in his last two albums without sounding trite or bitter. I'd also suggest Nick Cave as an artist that somehow seems to suit his age; well I certainly like his later output a lot more.

Bruce
Posted on: 20 August 2010 by The Strat (Fender)
quote:
Originally posted by Philip Tate:
I think Tom Waits gets better and better, and I think Ry Cooder's last three albums have been his best work.

Phil


Ry is somebody who has been consistently brilliant - certainly Chavez Ravine is amongst his very best work. Haven't tried Flathead.
Posted on: 21 August 2010 by TomK
quote:
Originally posted by Lontano:
Improve might be a tough one for this man as he set the bar so high. He still keeps that bar high and at the age of 60, after 40 years in the business he can still keep 100,000 people enraptured for three hours a night, day after day. He is the Boss.


He's the Boss all right. Not sure he's improved as he's got older but he's certainly ageing gracefully and maintaining an unbelievably high standard over what's coming up for forty years. The Beatles accompanied my childhood years. The Boss has accompanied my adult life.

Here's to the Boss.
Posted on: 22 August 2010 by Skip
Definitely Tony Bennett and Mel Torme.

Frank Sinatra, not so much.
Posted on: 22 August 2010 by Kevin-W
Scott Walker.

Not everyone's cup of tea these days but one of the very few artists to become more radical as he gets older.

And what about Robert plant? His voice has certainly gotten better/more interesting with age and his solo work, from the 90s onwards at least, shows a youthful curiosity and a willingness to experiment/move on.
Posted on: 23 August 2010 by pcstockton
Coltrane, Hendrix, Lennon....

Seeing the pattern there?
Posted on: 23 August 2010 by Martin M
IMO Frank Zappa seemed to have three superb phases:

1) Freak Out to Uncle Meat
2) Overnight Sensation to One Size Fits All
3) The Yellow Shark and Civilization Phaze 3

The latter two albums are my favourites of his and to me the ultimate expression of his art.

Another would be Andy Partridge. Apple Venus Part 1 is in another league from 'White Music'.

Son House would be another. However, he was in jail or hust undiscovered for most of his life....

I agree with Richard Thompson and Scott Walker. However, many musicians seemed to have said all they were going to say by the time they hit 30.
Posted on: 23 August 2010 by DrMark
Do you think that it may also have to do with the sudden influx of money (in those cases where such has been the case) and they lose the edge and desire because they have "made it"?

Just a thought...
Posted on: 23 August 2010 by pcstockton
quote:
IMO Frank Zappa seemed to have three superb phases:


I see a few more than that:

- First Mothers (up to Uncle Meat)
- Second Mothers (Flo and Eddy)
- Early Instrumental (Hot Rats, Wazoo, Waka Jawaka etc)
- Third Mothers (Roxy, One Size etc...)
- Serious (e.g. LSO/Boulez/Yellow Shark)
- O'Hearn/Bozzio Years>
- The Ike Willis Years
- Best Band/Make A Jazz Noise Tour and albums
- Synclavier/Civ III and other electronica
Posted on: 23 August 2010 by pcstockton
quote:
Andy Partridge


WTF! Did you just right about Zappa and Andy Partridge in the same post?

The horror!