Rock and Roll Cowards
Posted by: ejl on 17 November 2003
Am I the only one who is failing to find much of any political protest in contemporary pop?
The two big pop producing nations, the U.K. and the U.S., are engaged in a brutal and unbelievably ill-conceived war, for which every official rationale has evaporated in a haze of misinformation.
Yet the musical community seems silent.
I expect this from bands signed to major labels. The Dixie Chicks showed all of them the risks involved in anything less than rabid flag-waving.
Yet the independents have not really been different. I can't find even one political protest among the bigger indie releases this year.
The comparatively more peaceful Reagan/Thatcher years were -- incredibly enough -- better than this, with bands like the Minutemen, Dead Kennedys, Consolidated, Black Flag, Public Enemy, and others willing to launch a direct political criticism.
Punk now appears silent; The Strokes, Deadly Snakes, Blood Brothers, even Wire (!!) apparently had nothing to tell us this year.
With very few exceptions*, hip-hop appears interested only in its little world of shout-outs and disses.
Am I missing something? Is rock any different? Folk?
Or are contemporary artists just disinterested? Or afraid?
Eric
* Last year's "Fantastic Damage" being a welcome excpetion.
The two big pop producing nations, the U.K. and the U.S., are engaged in a brutal and unbelievably ill-conceived war, for which every official rationale has evaporated in a haze of misinformation.
Yet the musical community seems silent.
I expect this from bands signed to major labels. The Dixie Chicks showed all of them the risks involved in anything less than rabid flag-waving.
Yet the independents have not really been different. I can't find even one political protest among the bigger indie releases this year.
The comparatively more peaceful Reagan/Thatcher years were -- incredibly enough -- better than this, with bands like the Minutemen, Dead Kennedys, Consolidated, Black Flag, Public Enemy, and others willing to launch a direct political criticism.
Punk now appears silent; The Strokes, Deadly Snakes, Blood Brothers, even Wire (!!) apparently had nothing to tell us this year.
With very few exceptions*, hip-hop appears interested only in its little world of shout-outs and disses.
Am I missing something? Is rock any different? Folk?
Or are contemporary artists just disinterested? Or afraid?
Eric
* Last year's "Fantastic Damage" being a welcome excpetion.