In-ear headphones
Posted by: John Channing on 26 March 2001
John
John
Comfort? Dear boy, if your concerned about that, you're simply not flat-earth enough.
Rico - all your base are belong to us.
O.K. got it now....Headroom.
[This message was edited by Rockingdoc on WEDNESDAY 25 July 2001 at 16:41.]
So best take an ENT specialist with you while you audition them!
I would also like to know of comparative battery costs. They are both active?
quote:
Can't see that on their Web site, but I do see the MDREX70LP. I've had a couple of pairs and these are excellent. They have soft silicone ear pieces and get shoved right inside your ear.
They are the headphones I ended up buying for £35. They really are very good with incredibly tuneful bass, better than most speakers I have heard in fact. Initially they can sound a bit rough, but I found that this disappeared after a few days use. They are also very comfortable so can be worn for hours.
John
The Etymotics are becoming quite popular in the pro-audio world with sound engineers often carrying a set of their plugs and a set (or two) of their earphones at most times.
All in all, thoroughly recommended.
Have fun with the 'phones! The plugs come thoroughly recommended by me - I use them for sound engineering when necessary (it's always better to do without if the levels are low enough). My wife on the other hand found that they didn't stay in her ear canal securely enough to be useful when playing guitar in her band, so she's using some from a company called "Ear-Os" or something like that.
Potential UK buyers need to be aware that the evil Customs took GBP52, which was more than I expected, and certainly puts the price in the Stax bracket.
First impressions with either silicone or foam earpad options were poor. Too bright, lacking bass.
I thought they might need a bit of burn-in so connected them to Radio 3 via a nice headphone amp, and left them alone for 48 hours.
An unbelievable improvement. I now wonder if the improving effect of burn-in is indiectly proportional to the size of the transducer (which is miniscule in the Etymotics)
The sound now CAN be the best I've ever heard through anything. Why can be? Because the sound changes with the slightest movement of your jaw, which must be changing the skin tension or air pressure in the ear canal.
Even so the sound with a good source (CDS2 direct through Linsley-Hood design class A headphone amp with separate Hi-cap clone power supply) is superb. Worth the outrageous cost of the earhones.
With more portable sources (Sony Walkman pro) the limitations of the source are rather brutally revealed, but still sounds far more involving than through Senn. HD600s.
[This message was edited by Rockingdoc on TUESDAY 07 August 2001 at 14:42.]
After reading this thread I ordered some Etymotic ER4P's, costing about £202 direct from the US website. I am stunned by their sound quality (although as usual you should run them in overnight on a loud source to get them going).
Be aware that they suppress external noise to an amazing degree (could be dangerous!), and you might be put off by how far they have to be thrust into the jolly old ear canal (safe but scary).
In terms of sheer PRaT, involvement and neutrality (not things that always go together) they are truly devastating. Believe everything you have been told!
Nothing else I have heard comes close.
Kind regards
Henry