Woman Vocals - suggestions
Posted by: Iver van de Zand on 24 July 2012
Dear forummembers,
I could use some help with suggestions for a certain type of music I like. My interest goes to Woman Vocals especially in the genres of Folk, Jazz and Easy Listening. I try to follow some music magazines but this type of music is not always des ribed or reviewed. Any of you have any suggestions on top of below list of musicians I really like:
Eva Cassidy - Sara K. - Holly Cole - Cassandra Wilson - Jacintha - Diana Krall - Caroll Kid - Chie Ayado - Stacey Kent - Mathilde Santing - Patricia Kaas - Carla Lother - Rebecca Pidgeon
Thanks for the elp,
Iver
hear ... hear .... :-) ... impressive "Qeaux Qeaux Joans"
... and how can we forget one of the greatest Mademoiselles ever recorded:
Tut tut... There's only one Mademoiselle.
+1 for London Grammar
SoundStage! review:
American Blues from the Netherlands
Sound Liaison Studio Showcase Series No. 1
Format: 24-bit/96kHz FLAC (download)Musical Performance
Sound Quality
Overall Enjoyment
I've been among the prophets saying that high-resolution downloads are the future of audiophile music sales. Surely it will benefit the majors to make high-quality downloads a first choice rather than an MP3 extra, but I believe that individual artists can benefit as well. Most new-to-the-scene performers have little money for middlemen and disc manufacture, yet can get things together for the Internet.
Frans de Rond and Peter Bjørnild have taken this approach with Sound Liaison, producing recordings available only in 24-bit/96kHz downloads that mirror the master recording. And man, are they ever sweet. I've seldom heard recordings that were so successful in both performance and sound aspects.
De Rond hails from the Netherlands, where he studied double bass at The Royal Conservatory in The Hague while concurrently studying recording techniques. Bjørnild also studied double bass, moving to the Netherlands to continue studies at The Hague. Since graduating, he has played almost every type of music, from classical to jazz. Together de Rond and Bjørnild bring two pairs of golden ears to their label. Bjørnild claims that, "a recording should be as realistic and beautiful sounding as possible. As if, when closing your eyes, you find yourself in the best seat in the hall."
The partners discovered a fine recording hall (Studio-Eleven, Hilversum) and set out to record amazing musicians in this great acoustic place in front of live audiences. It's a daring feat; one take and no place to hide, but the abilities of the musicians involved make it seem easy. I chose to talk about the first album by Carmen Gomes Inc. It was a tough choice because all of the three current albums were worthy of review.
Carmen Gomes has won many awards in the Netherlands and surrounding areas. Like so many new European singers, she sings in English -- excellent English, I might add. She's formed a group called Carmen Gomes Inc., with Folker Tettero on guitar, Peter Bjørnild on double bass, and Marcel van Engelen on drums. Her style is bluesy and intimate with a sexy voice that's sweet as dark tupelo honey, and her interpretations are unerring. The musicians play to her and to each other, and the ensemble is so tight that the four musicians breathe and move as one.
There are some standards on the set that knocked me over with their fresh approach. Any singer can misplace a few accents and rhythms and come up with something that's original, but perhaps also uneasy and a little strange. Not Gomes, who has taken the songs to their bones and then restructured them to suit her style. Thus "Fever" doesn't sound like a cover of Peggy Lee; it sounds like a brand new take on a familiar song. You emerge from hearing it not thinking it's better or lesser than Lee's version, but that it's a valid new interpretation that could have come first.
The same approach works on "Angel Eyes," "You Don't Know What Love Is," and "I'm on Fire." Most of the rest, including the title song, "Oblivion," "Time Will Tell," "Gasoa Blue," and "The Sea," are Gomes originals that fit right in with the standards. The recording achieves exactly what Bjørnild set out as his goal. It can provide the best seat in your listening room. Go to the Sound Liaison site, listen to a few samples, download an album, and see if you don't agree that this intimate effort is one of the best and best-sounding jazz vocal albums to come along in many a day. By the way, the small audience applauds enthusiastically enough after the last chords of a song die away, but the attendees never interrupt or make themselves known while a song is going on. No doubt they were completely mesmerized into silence, as was I.
Be sure to listen to: On "Dock of the Bay," Gomes creates a languid, bluesy version that is a little bit reminiscent of Bobbie Gentry while still coming across as quite original. It'll cast a spell over you.
. . . Rad Bennett
Hope Sandoval
+1
looking forward to the new Mazzy Star album later this month.
Just received it the other day. First listen is pretty encouraging.
(Fair enough, they haven't broken any new ground, but hey you'd be disappointed if you found they'd gone all RATM on you.)
Hope Sandoval
+1
looking forward to the new Mazzy Star album later this month.
Just received it the other day. First listen is pretty encouraging.
(Fair enough, they haven't broken any new ground, but hey you'd be disappointed if you found they'd gone all RATM on you.)
I've been enjoying the new Mazzy Star (on vinyl), not quite up there with the superb So Tonight That I Might See album, which most agree was the high spot.
Worth having none the less.
Regards,
Mark
.
Just received it the other day. First listen is pretty encouraging.
(Fair enough, they haven't broken any new ground, but hey you'd be disappointed if you found they'd gone all RATM on you.)
I'm game ..
Must admit after first few listens I went back to 'into Dust'... Think it might be a grower though.
The new Morcheeba album is making a good effort at stopping a revisit currently.
Hey guys,
Above Winky and others recommended Hope Sandoval and Mazzy Star. I did not know this band so tried it on Spotify and today I bought "Fade Into You", "She Hangs Brightly" and "Season of Your Day". Another example fof how I appreciate your feedback; the albums are really good and to my taste !!! Super !
Frans de Rond and Peter Bjørnild have taken this approach with Sound Liaison, producing recordings available only in 24-bit/96kHz downloads that mirror the master recording. And man, are they ever sweet. I've seldom heard recordings that were so successful in both performance and sound aspects.
It says in the Sound Stage review that the Carmen Gomes albums are only available as downloads.
Would be nice to have an LP version.The Sound of all the Sound Liaison albums somehow have that vibe,maybe if we would ask them kindly.
Sarah Maclachlan's 'Fumbling Towards Ecstasy' is, IMHO, her best work. The hidden track at the end of the album (Sarah performing 'Possession' at the end of "Fumbling Towards Ecstasy') deserves a decent system and lots of volume. An excellent demo track.
Whilst not necessarily a solo artist, Nina Persson from the Cardigans has a voice to die for and needs a listen - I recommend listening to the album 'Long Gone Before Daylight' as a starter for 10.
One that's haunting me at the moment is Beck Goldsmith's rendition of ' I vow to thee my country' - a great track, well recorded and produced.
Hear, hear re Nina Persson & Long Gone Before Daylight.
Matraca Berg is a new discovery for me who hasn't been mentioned
Olly
Sarah Maclachlan's 'Fumbling Towards Ecstasy' is, IMHO, her best work. The hidden track at the end of the album (Sarah performing 'Possession' at the end of "Fumbling Towards Ecstasy') deserves a decent system and lots of volume. An excellent demo track.
Strange Possession is the first track on my version of FTE.
Theres a piano version at around 5 mins 50 seconds of the track Fumbling TowardsEcstasy itself on my cd version thats not on my vinyl copy. The piano version is also available on a 'Due South' compilation which is where i first heard it.
Hi Iver
There is hardly any distribution of Jazz CD's in the Netherlands anymore.
The Thousand Shades of Blue album will be released on CD the 15th of November.
The easiest way to buy the CD or any of her previous CD's is to contact Carmen.She speaks Dutch and English.
This is her email,info@carmengomes.
Hey Peter,
Thanks for the information mate !
Iver
Hi Iver
There is hardly any distribution of Jazz CD's in the Netherlands anymore.
The Thousand Shades of Blue album will be released on CD the 15th of November.
The easiest way to buy the CD or any of her previous CD's is to contact Carmen.She speaks Dutch and English.
This is her email,info@carmengomes.
quite good..
Maybe someone has recommended her but Jewel might be for you
Don't forget the amazing Etta James or Tracey Chapman.
we absolutely need to add Julienne Taylor.
I bought the album yesterday via Linn Records. It is a High Res album from a live concert. Her music is mostly Folk and her voice is one of the best I have heart yet. Highly recommended
Try Meg Hutchinson's album "Beyond that" and anything from Rosie Thomas; Sara Bareilles; Gabrielle Aplin. Enjoy.
Just recently found two previously unknown to me:
1. Janet Seidel (3 volumes of The Art Of Lounge is a good start)
2. Veronica Mortensen (Happiness Is Not Included and September Song)
Well worth a try IMHO
Listen to the lovely voice of Bea Hankey and the wonderful five part harmonies...
Firefly Burning - Lightships
http://firefly1.bandcamp.com/album/lightships
A collection of intimate songs of love and the sea bringing the energy of firefly burning's live performance onto record. Drawing on javanese gamelan, guitars, cello, violin, voice, gongs and piano, Lightships ranges from the folk-pop of 'Lady Laurie' evoking the muggy haze of a city summer night, to the epic seascape of the North Cornwall coast which colour ‘Little Boat’ and the minimalist fantasy ‘Arthur and the Great Element’.