What was the last concert you went in 2015?

Posted by: kuma on 11 January 2015

My first concert for 2015 started with youthful pairing of Paul Lewis/Vasily Petrenko at the Orchestra Hall last night.

 

Petrenko opened with Elgar's 'In the South' Overture and I was pleasantly surprised how lively and energetically it was played. Even the CSO musicians seemed more upbeat and animated than usual. I throughly enjoyed Petrenko's refreshing take on this tune.

 

Lewis has been a *regular* at the CSO for a few years. His Emperor Concerto is heroic, bold and confident as I expected him to be. The only draw back I felt was the orchestra was a bit soft and not as rhythmic feeling they were trailing a tad behind Lewis. A bit of a surprise really after such a lively Elgar piece.

 

Lewis did not offer his own cadenza in the Emperor but he played Schubert's Allegretto in C Minor as an encore. The trouble was he was still on the Beethoven mode. ( I love his Beethoven but not totally sold on his Schubert work )

 

Symphonic Dances was exciting Petrenko keeping the CSO on their toes. Perhaps it did not have the menacing weight of Berliner/Rattle set but the CSO Brass rose to the occasion adding an extra brilliance.

And it was cool that noone coughed after the final gong and kept the silence for a pretty good duration.

 

Posted on: 10 April 2015 by Bert Schurink

Just booked the next seasons Piano Series (15/16) with: Radu Lupu, Murray Perahia, Behzod Abduraimov, Khatia Buniatishvili, Lang Lang and Daniil Trifonov........ I am excited.

Posted on: 11 April 2015 by kuma

Sounds terrific Bert.

 

I am going to hear Trifonov play Rachmaninoff's Piano Concerto No.1 next week!

 

 

What will he be playing in your neck of the woods next season? 

Posted on: 11 April 2015 by Bert Schurink
Originally Posted by kuma:

Sounds terrific Bert.

 

I am going to hear Trifonov play Rachmaninoff's Piano Concerto No.1 next week!

 

 

What will he be playing in your neck of the woods next season? 

It will be Rachmaninov nr 2

Posted on: 11 April 2015 by kuma

Mahler Symphony 7: CSO/Haitink

 

Haitink is a familiar face at the CSO as a frequent guest conductor.

 

The frail conductor who just turned 86, got through the grueling score with no intermission giving us a hell of a memorable performance.

It seems that he always get more out of the orchestra via his skilful command, expression and finesse. Respect and affection he gets out of the musicians were very obvious and they gave him 120%.

 

I still have a bit of trouble with outer movements but two Nightmusik and Scherzo were the best I have heard filled with varying moods, colours and wit. 

Enthusiastic audience applauded after every movement last night in spite the maestro turned around just after the 3rd movement saying 'you don't have to applaud every movement, you know. Keep your energy till the end!'

 

There was a slightly risky moment that the orchestra was a bit awkward together in the final movement but Haitink held everything together with the max impact. 

 

One thing I can say is that 'Need more cowbells!"

 

Incidentally, CSO performed the US premier of the 7th on 15 April 1921 with Frederick Stock conducting.

 

I can't wait his return to the Orchestra Hall next season with Strauss and Mozart PIano Concerto with Emanuel Ax. 

Posted on: 12 April 2015 by Bert Schurink
Originally Posted by kuma:

Mahler Symphony 7: CSO/Haitink

 

Haitink is a familiar face at the CSO as a frequent guest conductor.

 

The frail conductor who just turned 86, got through the grueling score with no intermission giving us a hell of a memorable performance.

It seems that he always get more out of the orchestra via his skilful command, expression and finesse. Respect and affection he gets out of the musicians were very obvious and they gave him 120%.

 

I still have a bit of trouble with outer movements but two Nightmusik and Scherzo were the best I have heard filled with varying moods, colours and wit. 

Enthusiastic audience applauded after every movement last night in spite the maestro turned around just after the 3rd movement saying 'you don't have to applaud every movement, you know. Keep your energy till the end!'

 

There was a slightly risky moment that the orchestra was a bit awkward together in the final movement but Haitink held everything together with the max impact. 

 

One thing I can say is that 'Need more cowbells!"

 

Incidentally, CSO performed the US premier of the 7th on 15 April 1921 with Frederick Stock conducting.

 

I can't wait his return to the Orchestra Hall next season with Strauss and Mozart PIano Concerto with Emanuel Ax. 

Amazing - that's only possible in music to be 86 and still be somewhat on top the game.

Posted on: 12 April 2015 by FangfossFlyer
 
The Blues Band - Pocklington Arts Centre - last night.
 
Yet another great gig at this small intimate venue. With Paul Jones, Dave Kelly, Tom McGuinness, Gary Fletcher and Rob Townsend it was a fine evening and well worth seeing them if you can.
 
Richard
Posted on: 12 April 2015 by kuma
 
Originally Posted by Bert Schurink:

Amazing - that's only possible in music to be 86 and still be somewhat on top the game.

Bert,

 

The rest of his 2015 concert schedule is mind boggling. He complets CSO Mahler program this week and off to Boston: 

 

Boston Symphony Orchestra
Jean-Yves Thibaudet, Piano
 
Ravel: Ma Mere l’Oye 
Ravel: Piano Concerto in G 
Adès: Three Studies From Couperin
Mozart: Symphony No. 36
 
Schumann: Manfred Overture
Mozart: Piano Concerto No. 23 In A, K.488 
Brahms: Symphony No. 1
 
Maria João Pires, Piano <--------- Sorry to miss her performance!
 
Then off to Switzerland:
Tonhalle Orchestra
Mahler: Symphony No. 7
 
Then off to Germany:
Berliner Philharmoniker
Schubert: Symphony No. 5 in B flat major
Shostakovich: Symphony No. 15 in A major
 
Then off to UK: Barbican with LSO
London Symphony Orchestra 
Mozart: Violin Concerto no. 3, G major
Mahler: Symphony No. 1
 
Then off to Paris:
 
Back to London: 
BEETHOVEN: Overture, Leonore No 2
BEETHOVEN: Calm Sea and Prosperous Voyage
BEETHOVEN: Symphony No 9
 
Not a bad life at 86 globe trotting conducting world's best orchestras.
 
Posted on: 12 April 2015 by Bert Schurink
Originally Posted by kuma:
 
Originally Posted by Bert Schurink:

Amazing - that's only possible in music to be 86 and still be somewhat on top the game.

Bert,

 

The rest of his 2015 concert schedule is mind boggling. He complets CSO Mahler program this week and off to Boston: 

 

Boston Symphony Orchestra
Jean-Yves Thibaudet, Piano
 
Ravel: Ma Mere l’Oye 
Ravel: Piano Concerto in G 
Adès: Three Studies From Couperin
Mozart: Symphony No. 36
 
Schumann: Manfred Overture
Mozart: Piano Concerto No. 23 In A, K.488 
Brahms: Symphony No. 1
 
Maria João Pires, Piano <--------- Sorry to miss her performance!
 
Then off to Switzerland:
Tonhalle Orchestra
Mahler: Symphony No. 7
 
Then off to Germany:
Berliner Philharmoniker
Schubert: Symphony No. 5 in B flat major
Shostakovich: Symphony No. 15 in A major
 
Then off to UK: Barbican with LSO
London Symphony Orchestra 
Mozart: Violin Concerto no. 3, G major
Mahler: Symphony No. 1
 
Then off to Paris:
 
Back to London: 
BEETHOVEN: Overture, Leonore No 2
BEETHOVEN: Calm Sea and Prosperous Voyage
BEETHOVEN: Symphony No 9 (‘Choral&rsquo
 
Not a bad life at 86 globe trotting conducting world's best orchestras.
 

Wow, that's something - I think it's one of the remedies to stay alive longer.

Posted on: 13 April 2015 by ChrisH

Orquesta Buena Vista Social Club, Birmingham Symphony Hall, last night.

Absolutely fantastic show. 14 members in total.

It was already great, but when the 85 year old diva Omara Portuondo took to the stage, the party moved into full swing.

What a great advert for active ageing she is.

Happy music. Had me and Mrs H smiling from start to finish, a mean feat for a Monday night after a day at work!

Posted on: 16 April 2015 by lutyens

Paul Simon and Sting last night at the O2 in London. 3 hours of continuous playing together and separately. Surprisingly good sound most of the time and all the hits. Hugely enjoyable, both of them.

Posted on: 16 April 2015 by The Strat (Fender)
Originally Posted by lutyens:

Paul Simon and Sting last night at the O2 in London. 3 hours of continuous playing together and separately. Surprisingly good sound most of the time and all the hits. Hugely enjoyable, both of them.

Saw the same at Birmingham on Sunday - superb gig.

Posted on: 18 April 2015 by Mr Fjeld

Went to see Brad Mehldau Trio yesterday and was really looking forward to this concert. I was mildly disappointed though. Brad Mehldau seemed a bit tired and uninterested and Jeff Ballard took too much room with the percussion; too loud and dominating. One of my mates described his style as "ompa" which perhaps is a bit harsh, but he certainly lacked finesse. Larry Grenadier on double base was great. His solo playing was awesome. A pity one couldn't hear more from him as the drumming took centre stage. No picture but this which is sans the trio as taking pictures wasn't allowed:

 

Posted on: 18 April 2015 by Kevin-W

Last Sunday (12th) - Led Bib at the Vortex, Dalston. Their only date this spring. Two sets, with the boys in relaxed, playful mood. Not seen them this chilled before, and it suits them...

 

Posted on: 18 April 2015 by Bert Schurink
Originally Posted by Mr Fjeld:

Went to see Brad Mehldau Trio yesterday and was really looking forward to this concert. I was mildly disappointed though. Brad Mehldau seemed a bit tired and uninterested and Jeff Ballard took too much room with the percussion; too loud and dominating. One of my mates described his style as "ompa" which perhaps is a bit harsh, but he certainly lacked finesse. Larry Grenadier on double base was great. His solo playing was awesome. A pity one couldn't hear more from him as the drumming took centre stage. No picture but this which is sans the trio as taking pictures wasn't allowed:

 

the last concert I saw is already more than 2 years ago and it was super, at the beginning I was a bit annoyed by Jeff's dominance as well, but it balanced out throughout the concert...

Posted on: 18 April 2015 by Mr Fjeld
Originally Posted by Bert Schurink:
Originally Posted by Mr Fjeld:

Went to see Brad Mehldau Trio yesterday and was really looking forward to this concert. I was mildly disappointed though. Brad Mehldau seemed a bit tired and uninterested and Jeff Ballard took too much room with the percussion; too loud and dominating. One of my mates described his style as "ompa" which perhaps is a bit harsh, but he certainly lacked finesse. Larry Grenadier on double base was great. His solo playing was awesome. A pity one couldn't hear more from him as the drumming took centre stage. No picture but this which is sans the trio as taking pictures wasn't allowed:

 

 

the last concert I saw is already more than 2 years ago and it was super, at the beginning I was a bit annoyed by Jeff's dominance as well, but it balanced out throughout the concert...

Hi Bert,

It's interesting that you had an almost similar experience too. I guess yesterday's concert could be because of several things; perhaps the acoustic of the room, the placement of the microphones over the drums, the sound engineer etc. or simply that a great artist such as Brad Mehldau can also have a bad day at work. I'm still glad I went to the concert though!

Posted on: 18 April 2015 by kuma

Semyon Bychkov/CSO + Daniil Trifonov

  • Rachmaninov Piano Concerto No. 1
  • Shostakovich Symphony No. 8

Ever since I saw Trifonov earlier this year as an accompanist to Gidon Kremer, I was looking forward to his solo war horse repertoire performance.

 

Rachmaninoff's PC1 is not as popular but I found it refreshing against over played, over exposed No.2 & 3. Overall I enjoyed his playing but the sound could have been projected *bigger* at opening. He turned to more insightful, lyrical approach where Adagio is well served.

Bychkov kept a tidy and rhythmic backdrop throughout.

 

CSO musicians and conductor Bychkov giving him an approving nod afterwards. 

He played a Bach piece ( dunno which one ) as a contrasting to Rachmaninoff like a mint after a heavy meal. 

 

Just as I was telling one of the Russian patron I prefer Trifonov over Kissin, I saw Kissin loitering in the lobby. Oops! ( I guess he is in town for the Sunday concert ) :0 

 

Anyways, he'll be back for the next season with Prokofiev No.3. He's only 24 and I'll be watching him how he grows and matures.

'He's sooooo cuuuute!'

 

Bychkov's Shostakovich's 8th was marvelous. And CSO delivered for him. This is still a brooding, dark hard to take symphony, but for the first time I was able to follow what's going on. 

Horror of wars, Shostakovich's anguish and anger are all told in an epic scale. Along with his 7th, this is a must heard live. I have read that unlike the 7th, this is Shostakovich's secret crusade to the anti-war and uncertainty brought on by the war. Bychkov had a Mravinsky like intensity and insistence to make the point.

Posted on: 18 April 2015 by matt podniesinski

I remember seeing Bychkov conduct when he was the music director of the Buffalo Philharmonic in the late 1980s. He did an excellent job with that group as well.

Posted on: 18 April 2015 by kuma

matt,

 

I checked out the BPO and they have a female musical director ( JoAnn Falletta ). 

Is she any good?

Posted on: 18 April 2015 by kuma

CSO posted the finale of Rachmaninoff Piano Concerto No.1 by Trifonov/ Bychkov on YouTube. 

This performance is from a night before.

Posted on: 19 April 2015 by matt podniesinski
Originally Posted by kuma:

matt,

 

I checked out the BPO and they have a female musical director ( JoAnn Falletta ). 

Is she any good?

I am by no means an expert at assessing the relative virtues of a music director. Her reputation is good. Since I now live in the eastern part of New York,  I do not see the BPO on a regular basis so I can not offer live reports from the field.

Posted on: 19 April 2015 by kuma

Thanks Matt.

 

It's nice to see a female conductor in the orchestra.

Hope to see more in a major orchestra around the world.

 

It seems so good 'ol boys out there. 

Posted on: 19 April 2015 by matt podniesinski

Kuma,

 

I agree 100%. it would be a very good thing.

Posted on: 20 April 2015 by osprey
Yesterday – Steven Wilson @ the Circus: 2015 Hand. Cannot. Erase. Tour

Set:

First Regret
3 Years Older
Hand Cannot Erase
Perfect Life
Routine
Index
Home Invasion
Regret #9
Lazarus
(Porcupine Tree song)
Harmony Korine
Ancestral
Happy Returns
Ascendant Here On...

Encore:

The Watchmaker
Sleep Together
(Porcupine Tree song)

Encore 2:

The Raven That Refused to Sing

I'd like to say that this was a great gig but I have to be honest and admit that I was a bit dissapointed. Maybe my expectations were just a tad too high (I haven't been in any concert for awhile). Very skillful playing but the soul really was not there in a same way than last time. I noticed that at some points I concentrated more on the background films than the music.
Posted on: 26 April 2015 by Bert Schurink

I guess this post will not lead to many reaction like the one of Yuja Wang before.....

 

I saw my last piano concert evening of this season, and what an evening. Martha Argerich with Staatskappelle Berlin conducted by Daniel Barienboim. 

 

Beethoven 1st piano concert and Strauss a Heldenleben. 

 

I was was very happy to see her at least once in my live. Interesting to see how she dealt with her nerves in the intro. Her playing was superb even while there where two small misses. The level of command she has over all aspects of playing is still at her age remarkable. The interplay with the orchester and the choices of Barenboim also worked out very well. So a remarkable 1st. The encore was a quarte mains with Barenboim. I don't know which piece - but it was highly enjoyable. Ein Heldenleben also kept my attention while it was perhaps not as good as the piano concerto. So a very good closure of this seasons series. Now I still have Sokolov left in June :-)

 

 

Posted on: 26 April 2015 by Morton

Just back from Cardiff & an excellent concert performance of Act 3 of Die Walkure, with Bryn Terfel as Wotan & Irene Theroin as a late replacement for Evelyn Herlitzius singing Brunnhilde, both were on top form.

Rachel Nicholls was also a very good as Sieglinde, I am looking forward to hearing her sing Isolde at Longborough in June.